LOW CUT 75Hz 18dB Oct. LOW CUT 75Hz 18dB Oct. LOW CUT 75Hz 18dB Oct. LOW CUT 75Hz 18dB Oct. LOW CUT 75Hz 18dB Oct DFX1 DFX1 DFX1 DFX1 DFX1 DFX2 DFX2

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1 MIC MIC MIC MIC MIC MIC6 MIC7 MIC8 MIC9 MIC MIC MIC MIC MIC MIC MIC6 MIC7 MIC8 OUTPUT AMP V.A MX -CH COMPACT INTEGATED IVE SOUND MIXE INE IN INE IN INE IN INE IN INE IN INE IN 6 INE IN 7 INE IN 8 INE IN 9 INE IN INE IN INE IN INE IN INE IN INE IN 7 INE IN 6 INE IN INE IN 9 INE IN 8 INE IN INE IN INE IN PHONES -TACK IN OUT OUTPUT A INE IN INE IN IGHT IGHT IGHT IGHT IGHT IGHT B TAPE OUT TAPE IN USB PAYE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct khz khz O MIC INE O MIC INE INE MP khz khz TAC-MP-T INE USB khz khz khz khz khz khz khz khz khz khz khz khz khz - khz - khz - khz - khz - khz - khz F - Hz - Hz - Hz - Hz - Hz - Hz POGAM (PUSH) BITs F Hz 8 F Hz 8Hz 8 F Hz 8Hz 8 F Hz 8Hz 8 F Hz 8Hz 8 F Hz 8Hz 8 F Hz 8Hz 8 F Hz 8Hz 8 F Hz 8Hz 8Hz F Hz 8Hz Hz DIGITA STEEO EFFECTS POCESSO 8Hz / DSP 8Hz 8Hz 8Hz 8Hz 8Hz 8Hz 8Hz STEEO AUX ETUNS AUX SENDS -9 Flange+Verb 6-69 Plate 7-79 Chorus+GT 8-89 otary+gt 9-99 Tremolo+GT -9 Vocal -9 Small oom -9 arge Hall -9 Echo -9 Echo+Verb 8 F Hz POWE (Push & Hold) khz TK IN TO AUX SEND DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX TO DFX AUX ETUNS DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX SUB TK IN SUB CT CT OOM SOUCE TO AUX SEND MAX PHONES CT OOM SUB BA BA BA BA BA 8 PW CIP DFX SEND SUB DFX ETUN BA 7 7 TO TO PAN TO PAN TO PAN ACTIVE MODE PF AF PAN OUTPUT SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB / 6 SUB /6 SUB 6 SUB 6 7/8 SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB 9/ 6 SUB 6 / / SUB SUB SUB SUB MAIN MAIN

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4 Thank you for purchasing the TOPP PO MX compact integrated mixers, which available for channels. Your MX is a remarkable compact mixer that doesn't find many equals in the market today. With 8 MIC and 6 Stereo ine-level inputs for MX 8

5 MIC MIC MIC MIC MIC MIC6 MIC7 MIC8 MIC9 MIC MIC MIC MIC MIC MIC MIC6 MIC7 MIC8 OUTPUT AMP V.A MX -CH COMPACT INTEGATED IVE SOUND MIXE INE IN INE IN INE IN INE IN INE IN INE IN 6 INE IN 7 INE IN 8 INE IN 9 INE IN INE IN INE IN INE IN INE IN INE IN 7 INE IN 9 INE IN 6 INE IN INE IN INE IN 8 INE IN INE IN PHONES -TACK IN OUT OUTPUT A INE IN INE IN IGHT IGHT IGHT IGHT IGHT IGHT B TAPE OUT TAPE IN USB PAYE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE O MIC INE CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct CUT 7Hz 8 Oct khz khz O MIC INE O MIC INE INE MP khz khz TAC-MP-T INE USB khz khz khz khz khz khz khz khz khz khz khz khz khz - khz - khz - khz - khz - khz - khz F - Hz - Hz - Hz - Hz - Hz - Hz POGAM (PUSH) BITs F Hz 8 F Hz 8Hz 8 F Hz 8Hz 8 F Hz 8Hz 8 F Hz 8Hz 8 F Hz 8Hz 8 F Hz 8Hz 8 F Hz 8Hz 8 F Hz 8Hz 8Hz F Hz F Hz 8Hz Hz POWE (Push & Hold) khz DIGITA STEEO EFFECTS POCESSO -9 Flange+Verb 6-69 Plate 7-79 Chorus+GT 8-89 otary+gt 9-99 Tremolo+GT Vocal Small oom arge Hall Echo Echo+Verb / DSP 8Hz 8Hz 8Hz 8Hz 8Hz 8Hz 8Hz 8Hz STEEO AUX ETUNS AUX SENDS TK IN TO AUX SEND TO CT OOM SOUCE TO AUX SEND DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX AUX ETUNS SUB TK IN SUB CT MAX PHONES CT OOM SUB DFX SEND BA BA BA BA BA 8 PW CIP SUB DFX ETUN BA 7 7 TO TO PAN TO PAN TO PAN ACTIVE MODE PF AF PAN OUTPUT SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB / /6 7/8 9/ / / SUB SUB SUB SUB MAIN MX MX. MX MX. MAIN

6 Use only with a V fuse AUX ETUNS MIC MIC MIC MIC MIC MIC6 MIC7 MIC8 MIC9 MIC MIC MIC MIC MIC MIC MIC6 MIC7 MIC8 OUTPUT OUTPUT INE IN INE IN INE IN INE IN INE IN INE IN 6 INE IN 7 INE IN 8 INE IN 9 INE IN INE IN INE IN INE IN INE IN INE IN 7 INE IN 9 INE IN INE IN MX -CH COMPACT INTEGATED IVE SOUND MIXE -TACK IN OUT PHONES AMP V.A A INE IN INE IN 6 INE IN 8 INE IN INE IN INE IN IGHT IGHT IGHT IGHT IGHT IGHT B TAPE IN TAPE OUT ON POWE PHANTOM SUB / USB MAIN MIX. CH / MAIN MIX. AUX SENDS DIECT OUTS (BA/UNBA) CH CH CH CH9 CH8 CH7 CH6 CH CH CH CH CH ECOD PAY BACK OFF MONO CT OUT SUBGOUPS OUT AC INPUT -V /6Hz Fuse: T.A ACV MADE IN CNA MODE SEIA (BA/UNBA) SUBGOUPS ATED POWE CONSUMPTION: 6W

7 - MONO MIC/INE Channels Your MX is equipped with low-noise microphone preamplifier with optional phantom power, of Gain and over of S/N ratio. You can connect almost any type of microphone. Dynamic microphones do not need phantom power. Use phantom power only with condenser microphones but make sure that the phantom power button is disengaged before connecting the microphone. Phantom power will not damage your dynamic microphones, so make sure to read the MIC instructions manual before engaging phantom power. Use switch (8) to activate/deactivate phantom power. These channels are also equipped with /" TS balanced/unbala nced INE-IN plugs to connect line-level instruments such as keyboards, drum machines and effect devices. - MONO Channel This is where you connect external sound processors such as compressorlimiter, equalizers, etc.. The insert point is available on the first MIC channels only. - STEEO INPUTS These are channels through. They are organised in stereo pair and provided with X sockets and /" TS phone jacks.if you connect only the left jack, the input will operate in mono mode, that is the mono signal will appear on both input channels. You can use these inputs with a stereo keyboard, drum machine, etc. MIC INE IN MIC INE IN - The control is applied in the mono MIC and stereo input channels. It provides with different indications: One is for the MIC and the other for INE levels. When you use a microphone, you shall read the MIC ring (~ for mono MIC input, ~ for stereo channels); when you use a line level instrument, you shall read the INE ring (+~- for mono MIC input, +~- for stereo channels). For optimum operation, you shall set this control in a way that the ED() blinks only occasionally in order to avoid distortion on the input channel. - INE GAIN When you use a line level instrument, you shall read the ring (-~+ ). For optimum operation, you shall set this control in a way that the ED () blinks only occasionally in order to avoid distortion on the input channel. 6- ED This ED will help you to detect the input level immediately. In this case, the research of the fault will become much faster! 7- -CUT Button By pressing this button, you will activate a 7 Hz low frequency filter with a slope of 8 per octave. You can use this facility to reduce the hum noise infected by the mains power supply, or the stage rumble while using a microphone. 8- INE/MP Button By pressing this button, it will switch to the MP mode, the MP signal can be sent to this channel. by releasing this button,the INE IN inputs signal will send to the line input channels(you have to install the MP MOUDE first). 9- INE/USB Button By pressing this button, it will switch to the USB mode, then the USB signal can be sent to this channel or the Main Mix channel; by releasing this button,the INE IN inputs signal will send to the line input channels. UAISE There are -band with sweepable on all mono input channel-:, and band. There are -band fixed frequency on the stereo channel -:, -, - and band. All bands provide up to of boost or cut.

8 - If you turn this control up, you will boost all the frequencies above khz (shelving filter). You will add transparency to vocals and guitar and also make cymbals crispier. Turn the control down to cut all frequencies above khz In such way, you can reduce sibilances of human voice or reduce the hiss of a Tape player. - This is a peaking filter and it will boost/cut frequencies from Hz to 8 khz depending on the position of the freq control. This control will affect especially upper male and lower female vocal ranges and also the harmonics of most musical instruments. - - This control gives you up to boost or cut at khz. It is useful for controlling voice. It can accurately polish your performance via adjusting this knob. - - This control gives you up to boost or cut at Hz. - If you turn this control up, you will boost all frequencies below 8 Hz. You will give more punch to bass drum and bass guitar and make the vocalist more "macho". Turn it down, you will cut all the frequencies below 8 Hz. In this way, you can avoid low frequency vibrations and resonance thus preserving the life of your woofers. - AUX SENDS evel Control These four controls are used to adjust the level of the respective signal sent to AUX bus, AUX and AUX can be switched to /-FADE via the / button, so, generally, they can be used for monitor application and effects & sound processors input. AUX and AUX are configured as -Faders. In this typical compact unit, excluding sending out the signal directly to the external effect or processor equipment, AUX SEND can also be assigned to the internal onboard effect module. 6- PAN/BA Control Abbreviation of PANOAMA control for mono channels, or the stereo channels, always says, BAANCE control. Keep this control in center position, then the signal will be positioned in the middle of stage. 7- ED Inside your MX, the audio signal is monitored in several different stages and then sent to the ED. When the ED is red illuminated, it warns you that you are reaching signal saturation and possible distortion, then you should reduce the input level for avoiding distortion. 8- Button & ED Each channel is equipped with a button. Pressing this button is equal to turning the fader down, which can mute the corresponding channel output except for the channel send and (in PF mode). And the ED will illuminate. 9- FADE This fader will adjust the overall level of this channel and set the amount of signal send to the main output. - ASSIGNMENT Controls Each channel provides four push-buttons: SUB-, SUB-, MAIN - and. Pressing the button, the corresponding ED will illuminate and the signal will replace other signals send to the Headphone/ Control oom and Meters. Usually use the function in live work to preview channels before they are let into the mix. It is useful to set an instrument's input level and, and you can also solo any channel that you want to. The switch never affects any mix other than the Control oom. The other three buttons can be considered as signal assignment switches. Pressing the SUB- will assign the channel signal to Subgroup/, you can depend on the PAN switch to adjust the amount of channel signal sent to the SUBversus SUB, when turns the PAN to completely left, then the signal can be only controlled by Subgroup and viceversa. In the same way, pressing the SUB- or MAIN / will assign the channel signal to Subgroup/ or /, and will also be affected by PAN.

9 - Master AUX SENDS Controls These four controls are used to dete-rmine the master AUX SEND levels, which can be varied from - to +. When the external effect units which have no input gain control were connected to mixer, you can get a further + gain available from these Aux Send outputs. As to the AUX, it can also provide the lovable level adjustment for the internal effect signal. - Button The function of these buttons are the same as the channel button, they can also be affected by the MODE switch. Press the button, the corresponding AUX send will be routed to the Ctrl oom/phones outputs and Meters display. - Master STEEO AUX ETUNS Controls These four controls set the level of effects that received from the stereo AUX ETUN connectors, which can be varied from - to +. They are used to provide the further gain for low level effects. - TO AUX SEND/ The both rotary knobs assign the AUX ETUN signals to their respective AUX SEND outputs: The "TO AUX SEND" assign the signal from AUX ETUN to AUX SEND bus, and "TO AUX SEND" assign the signal from AUX ETUN to AUX SEND bus. The adjustable range goes from - to +. - AUX ETUNS Button The function of AUX ETUN is like the channel button. Engaging it sends the signal from AUX ETUN (-) to the CT OUT, PHONES outputs and Meters display. It can also be affected by mode button, and the ED next to the button will illuminate. 6- & CT/ Button AUX ETUN is equipped with the Main Mix & Ctrl/ button. elease the button to send the stereo signal from AUX ETUN to buses; Engage the button, then the stereo signal will be sent to CT/ output. 7- SUB-/SUB-/ Buttons These three buttons are configured for AUX ETUN, they can be regarded as the signal assignment switches. When engaging the SUB-, the stereo signal from AUX ETUN will be assigned to Subgroup/; in the same way, SUB- for Subgroup/, for buses. 8- SUBGOUPS ASSIGN TO Through these switches, you can operate the subgroup faders as a master control for assigning the subgroups to. Engage the switch to send the corresponding subgroup signal to, and the IGHT switch for. When engaging the both switches, the signal will be sent to / of. 9- SUBGOUPS Fader These faders are used to control the levels of the signal send to the SUB-GOUPS OUT, the adjustable range goes from - to +. Any channel that is assigned to the subgroups, not muted and not turned down will be assigned to the SUB OUTS. - TK & TO MIX Button By rotate the knobs, you can adjust the stereo signals level of TK input and engaging the switch allows you to combine the -Track output with the Main Mix. In other words, feeds the -Track In signals into Main / output.

10 - Control oom Source You can choose to monitor any combination of, SUB-, SUB - and TK IN via these Matrix switches. Engaging these switches, the stereo signals will be delivered to the Phones, Control oom and Meters display. NOTE: When any switch was engaged, the signal will replace other signals, and also be sent to the Control oom, Phones and Meters. - PHONES/CT OOM Controls otate these knobs to adjust the stereo level of CT OOM and PHONES outputs separately, which can be varied from - to MAX. - MODE Button This button provides two modes: up for PF (Pre-Fader-isten) mode, down for AF (After-Fader-isten) mode. Engage the button, the soloed signal will output after the evel control, otherwise, release the button will output the soloed signal before the evel control. NOTE: The function can never affect the mix at main recording output, and also can't be affected by channel's switch. - POWE ED The ED indicates when the power is ON. - PHANTOM ED This ED indicates when the phantom power is switched on. 6- ED Meter The stereo 8-segment ED Meter will indicate the signal level send to the Ctrl oom and Phones outputs. 7- Fader This fader sets the amount of signal send either to the Main Mix Output or to the Tape Output. 8- -TACK IN/OUT -TAPE IN Use the Tape input if you wish to listen to your mix from a Tape ecorder or DAT. - TAPE OUT These CA jacks will route the main mix into a tape recorder. 9- USB AMP socket This lovable AMP is very convenient for your operation, it is located in the top right corner of the front panel, and provides the V socket that can drive standard USB-type lamp. - PHONES Jacks These jacks will be used to send the signal to a pair of headphone or to powered studio monitors. MX -CH COMPACT INTEGATED IVE SOUND MIXE - OUTPUT These stereo outputs are supplied with both the X and /" phone jacks and it is controlled by the Main Mix evel. -TACK IN OUT TAPE IN TAPE OUT AMP V.A PHONES A B OUTPUT OUTPUT - MAIN These two /" phone jacks are stereo insert points and used to connect processors such as compressors, equalisers etc.. When insert a external processor into the jack, the Main stereo signal will be taken out after the and returned into the output before the fader.

11 Use only with a V fuse SUB / MAIN MIX. CH / MAIN MIX. AUX ETUNS ON POWE PHANTOM USB AUX SENDS DIECT OUTS (BA/UNBA) CH CH CH CH9 CH8 CH7 CH6 CH CH CH CH CH ECOD PAY BACK OFF MONO CT OUT SUBGOUPS OUT AC INPUT -V /6Hz Fuse: T.A ACV MADE IN CNA MODE SEIA (BA/UNBA) SUBGOUPS ATED POWE CONSUMPTION: 6W MX MX MX CH/

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13 - MX Note:MX can simultaneously install two kinds of option modules. Two DSP modules can be at same time installed together, while the module and USB modules are not allowed to take such operations. 9-band module install 9-band module install function - Switch - STEEO GAPC 6 K K K 8K 6K OFF ON STEEO GAPC DSP module install

14 POGAM (PUSH) BITs DIGITA STEEO EFFECTS POCESSO -9 Vocal -9 Flange+ Verb -9 Small oom 6-69 Plate -9 arge Hall 7-79 Chorus+ GT -9 Echo 8-89 otary+ GT -9 Echo+ Verb 9-99 Tremolo+ GT 88 / DSP function - DISPAY It displays the selected preset. - S SEECTO - DSP Switch & ED Preset list for DSP effect

15 Optional USB Players Modules Section This section can be selected and installed according to user's requirement. Please see installation procedure. (USB Module lnstallation) Option One - Song Module The file system of USB memory for USB players is FAT6 and FAT, and these players can only decode Mp. It has 7 rank subordinate folders at most.

16 - Folder ist: See the Fig, the display shows MP files folders names. Use / NEXT key to scan, press PAY/PAUSE key, you'll enter into corresponding folder. In order to return to Fig interface, you just need to press the STOP key. Option Two - Track Module The file system of USB memory for USB players is FAT6 and FAT, and these players can only decode Mp. It has 7 rank subordinate folders at most.

17 8- DISPAY: All MP player information are monitored via this sexy & magic display. -No selective mode At normal state, there is no selective mode on the front panel, only a piece of panel without function. -USB PAYE selective mode Please connect the PIN row-wire on the USB module to the CN6 header and PIN row-wire to CN header on front panel. For ecording module, you also need to connect the PIN row-wire to CN 7 header to start recording function. Then fix the USB module on front panel with two screws.

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22 Vocal, Small oom, arge Hall, Echo, Echo+ VerbFlange+ Verb, Plate, Chorus+ GT, otary+ GT, Tremolo+ GT

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