USING LIVE PRODUCTION SERVERS TO ENHANCE TV ENTERTAINMENT
|
|
- George Houston
- 5 years ago
- Views:
Transcription
1 USING LIVE PRODUCTION SERVERS TO ENHANCE TV ENTERTAINMENT Corporate North & Latin America Asia & Pacific Other regional offices Headquarters Headquarters Headquarters Available at
2 THE CHALLENGE... 4 CREATE FASTER & PRODUCE MORE... 5 ENGAGE VIEWERS ACROSS PLATFORMS... 6 THE LIVE SERVER THE SYSTEM BACKBONE... 7 POST... 9 CONCLUSION... 9
3 LEGAL INFO 2013 EVS Broadcast Equipment, all rights reserved. No part of this documentation or publication may be reproduced, transcribed, stored in a retrieval system, translated into any language, computer language, or transmitted in any form or by any means, electronically, mechanically, magnetically, optically, chemically, photocopied, manually, or otherwise, without prior written permission from EVS Broadcast Equipment. DISCLAIMER The information in this document is believed to be correct as of the date of publication. However, our policy is one of continual development so the information in this guide is subject to change without notice, and does not represent a commitment on the part of EVS Broadcast Equipment. TECHNICAL SUPPORT For the latest news, upgrades, documentation, and products, please visit the EVS website at LAST UPDATED
4 THE CHALLENGE In times of TV everywhere, OTT services and easy access to a huge range of programming, consumers expectation is for a greater choice of content and rich, on-demand programing. Audiences expect to find media premium level content and consumer generated content that is compelling. Live programming should also be integrated with social media channels for audiences to engage fully. As viewers watch a show, they want to be able to discuss it with their networks and with others watching. More so today than ever, content should be available on multiple screens and have interactive elements to it. A fully engaged and fully immersed audience won t drift away. This interactive, engaging content needs to be available across a whole range of genres. That being said, due to the complexity of modern production workflows, it s more technically demanding to do this in some genres than others. This is true of event television, large-scale entertainment productions likedancing with the Stars/Strictly Come Dancing, talent contests like The X Factor, and live music events like Glastonbury and Coachella. In other program genres dramas, comedies and magazine shows produced in studios the drive is for high productivity. Whatever the program, content should be delivered closer to transmission. Quick turn around and high studio occupancy should deliver a strong return on investment for the technical infrastructure.
5 CREATE FASTER & PRODUCE MORE There are more channels for programming than ever before and this high number of available services is putting pressure on content owners to produce programs at a higher quality. Content and its production process is also much more sophisticated than ever before. This can be seen in the increased use of multiple recordings, formats, file-types and outputs. Even live or near-live productions are far more than a single output to the transmission suite or to a videotape for delivery. A magazine show like BBC s The One Show has a large number of pre-recorded inserts. News stories and reports are inserted at a number of set cues. In the live production, multiple camera feeds need to be recorded in isolation, allowing for content to be created. Some of that additional content may then be needed within the live broadcast. Fast-turnaround editing is required to create highlights within minutes of live action happening. This enhances the story for the viewers but does mean, however that multiple editors need access to the content simultaneously, particularly if second screen and bonus content clips are to be published quickly to meet audience expectation. Producers will continue to push the boundaries to create ever-more exciting programs. Equally, sophisticated audiences will call for more interaction and additional content to supplement what they re already seeing and experiencing. There s also pressure in all other genres for fast-turnaround production. Game shows and quizzes are improved by using a server to record the program master and all iso cameras. It means, for example, that you always have the right reaction shot. Having access to this can enable faster production completion and makes it more engaging. More and more, content from a number of different cameras will arrive in multiple formats. In a busy, multi-purpose studio output requirements will always differ from show to show. Infrastructure to execute this has to support multiple codecs, standards and formats in a way which is transparent to a production team.
6 To achieve the goal of high productivity, producers shouldn t need to spend time thinking about transcoding, processing and checking files in and out. They should simply be able to expect that these processes work allowing them to focus on more creative elements of the production. The preparation and processing of content before it can be used is a non-productive use of studio facilities and staffing - generating cost without benefit. A modern, productive studio should also be able to reduce the time to market: your program is ready for air faster, or conversely you can execute closer to transmission time allowing the program to be more relevant. In this always-connected world, being able to adapt scripts right up to the last minute is a powerful way of staying relevant to your audience. Shortening the production schedule can also save money. It certainly achieves its financial rewards sooner, whether you re a producer delivering content to a broadcaster or an in-house production unit generating advertising revenue against the program. With an infrastructure that achieves all this, studios can produce more content faster. It leaves more time for creativity and delivers a better return on investment for the installation of the production environment. ENGAGE VIEWERS ACROSS PLATFORMS Social media engagement is now a critical part of television production. Your show is going to be discussed on social media, so it makes sense to guide and direct that discussion. Consumers should be rewarded not just through engagement, but with extra content. Viewers want to know what happens next. They want to engage in the conversation, commenting on the drama of their favorite episodic shows or entering competitions and voting on event style television. If you provide the means of engagement through social media, audiences will have a greater tendency to watch the program as it s transmitted, delivering more attentive eyeballs and newer inventory to advertisers. Many programs also have great potential to produce content for second screenand smart television applications. Viewers will be retained and further engaged through behind-the-scenes information, alternative camera angles, special commentary and more. In a typical live production, 90% of the content shot is not used. Taking advantage of this cutting-room floor content, producers have more chance for creativity by delivering additional camera angles and exclusive programming to enhance the viewing experience. It s also another way of making the process more cost effective.
7 Specialized VoD (video on demand) services can surplus linear TV programming with additional content, such as extended interviews. Some productions will tailor this content for different platforms, with alternative versions for phones, tablets and online consumption. Using accurate, consistent metadata and external data like social media content associated with multiple recorded streams can significantly simplify the creation and execution of this content delivery. THE LIVE SERVER THE SYSTEM BACKBONE EVS has transformed the presentation of sport through its development of the live production server. It provides powerful functionality for recording and delivering multiple streams, providing instant replays and supporting fast-turnaround editing. In the modern entertainment studio, the same technology delivers all the benefits that new production styles demand. Multiple cameras are recorded in isolation, with the action tagged to create timecode-specific metadata. This enables editors to go straight to the content they need to create fast-turnaround edits. Pre-recorded material like video elements, interviews, closers and identifiers are also stored on the server network, ready for instant play when cued. This content can be stored in native formats with no need to transcode before loading, therefore saving precious preparation time. The server network can also be used for replays should an exceptional event take place. This includes super slowmotion replays from high-speed cameras. It gives content makers the ability to connect with audiences by generating emotion using key moments of the programme. EVS XT3 server for example - with its flexible twelve channel SD/HD, six channel 3D/1080p or three channel 4K configuration - can be set in any in/out combination. It offers broadcasters and producers unparalleled motion control and adaptability during production and gives operators complete media control from ingest to playout. This includes live editing, slow-motion replays, multi-channels playback, and easy transfer to third-party systems such as craft editors, automation, archiving, or storage all techniques needed in today s television entertainment studio. This integrated server network can also directly support connected edit workstations. Editors tasked with specific requirements can instantly cut sequences, which can be played back into a live recording. This again saves production and post-production time.
8 Playing content into the live program, even while it s being recorded, helps the studio audience understand what s going on. This keeps them excited and enthusiastic, leading to better reactions, in turn making for a better program. The same principles apply to daily dramas and sitcoms which might be traditionally shot on three camcorders. These could be replaced by connected cameras with an As-Live cut where the master output is recorded along with all the camera isos and actions from the production switcher. In the edit suite the As-Live cut is reconstructed automatically from the isos and the actions become an EDL, so as soon as the editor opens the scene there s a complete multi-camera edit available. All the editor needs to do is trim the transitions and the edit is complete. Online and multi-platform producers can also have instant access to content, so they can create their own material from all iso angles. A modern server network setup with XT3 servers that s controlled with EVS live content management suite IPDirector, users can have access to files during ingest, so editors can begin work as soon as recording starts. When integrated in this way, IPDirector gives producers a simple way of controlling content throughout the live workflow. From one interface, it allows ingest control, metadata management, on the fly editing and playout scheduling which gives producers the ability to enrich live programming by instantly sharing content and edits. For any entertainment workflow, IPDirector quickly and easily integrates with third-party system like an edit suite, simplifying transfer of media to any location - post-production or archiving - during a live or near-live broadcast. The result in this specifically designed workflow is multi-camera entertainment programming and reality television with high production values for the main broadcast as well as highly reactive online content delivery. Producers working on the show s app, online presence and social media channels have access to all the content ingest during the live production. A resolution proxy easily allows a large number of users to simultaneously search, browse and select content quickly and efficiently. Selected material and cut packages are then output in the right format for the target devices. Producers and directors are now free to be as creative as they wish. Because the programs are so engaging and immersive, audience retention is higher and the temptation to time-shift the program and skip commercial breaks is reduced.
9 POST To meet the most demanding production environments, EVS live content solutions support editingin-place, allowing edit workstations to access content directly on the network. Usually packages are edited using the browse proxy, and conformed or played out in real time, directly in the server. When there s time, however, it makes sense for the production server to exchange content and metadata with a separate network supporting post-production devices. This takes pressure off the production servers, allowing for uninterrupted, high-availability support for future recordings. A drama or quiz production, for example, would see the system delivering multiple files, with associated metadata, to a shared storage or post-production storage at high speed. This allows post-production to be planned around priorities and staff availability. Both forms of working depend on excellent compatibility between the live server network and the edit software. EVS has worked with Adobe, Apple and Avid to develop transparent interfaces, so the EVS live content simply appears as available assets within the editor s interface. Editors are able to easily open content to start working immediately with managed proxies or material that s been transferred to the post-production network. CONCLUSION There are significant advantages to using the full benefits of a multi-i/o server architecture as both a recording platform and as the backbone of a studio production infrastructure. This kind of workflow architecture is commonly available through rental houses, which allows production companies to incur costs as OPEX therefore limiting CAPEX. This is a huge advantage in a world of shrinking budgets and growing demand. By adopting this kind of server workflow, directors and producers will also see greater creative opportunities open up. Audiences will appreciate the high production values of every show. Broadcast executives will see cost reductions through a faster studio-to-air time. Those creating online content will have access to more material and faster production. Studio operators will see high productivity, less downtime and a strong return on investment. In short, the decision to build a powerful server infrastructure will be more than repaid in improved productivity and in audience retention through more engaging programs and related content - no matter what device viewers use to consume their entertainment.
10
APPLICATION NOTE EPSIO ZOOM. Corporate. North & Latin America. Asia & Pacific. Other regional offices. Headquarters. Available at
EPSIO ZOOM Corporate North & Latin America Asia & Pacific Other regional offices Headquarters Headquarters Headquarters Available at +32 4 361 7000 +1 947 575 7811 +852 2914 2501 www.evs.com/conctact INTRODUCTION...
More informationWHITE PAPER THE FUTURE OF SPORTS BROADCASTING. Corporate. North & Latin America. Asia & Pacific. Other regional offices.
THE FUTURE OF SPORTS BROADCASTING Corporate North & Latin America Asia & Pacific Other regional offices Headquarters Headquarters Headquarters Available at +32 4 361 7000 +1 947 575 7811 +852 2914 2501
More informationR&S VENICE The ingest and playout platform.
R&S VENICE The ingest and playout platform www.rohde-schwarz.com/venice Contents 04 One solution for today s workflow challenges 06 VENICE 2U, VENICE 4K 08 VENICE application suite 10 Service 11 Portfolio
More informationCase study WWAY station in a box
Case study WWAY station in a box WWAY integrated news production WWAY utilizes virtual set technology combined with a single-box control room solution to build a cost-effective workflow for producing daily
More informationAutomated Production Control
Automated Production Control Image courtesy WPEC - West Palm Beach, FL Take Control OverDrive [oh-ver-drahyv] 1 The state of high activity or productivity or concentration; 2 A high gear used at high speeds
More informationIntroducing MX1 Sports & Events. September 2017
Introducing MX1 Sports & Events September 2017 We shape sports content into the ultimate viewer experience for any device, anytime, anywhere 2 Experience more With more premium sports & the best action,
More informationProduction Automation To Add Rich Media Content To Your Broadcasts VIDIGO VISUAL RADIO PRODUCT INFORMATION SHEET
Production Automation To Add Rich Media Content To Your Broadcasts VIDIGO VISUAL RADIO PRODUCT INFORMATION SHEET Today, multitasking, device-driven audiences consume nonstop, multi-platform media. If you
More informationINTRODUCTION AND FEATURES
INTRODUCTION AND FEATURES www.datavideo.com TVS-1000 Introduction Virtual studio technology is becoming increasingly popular. However, until now, there has been a split between broadcasters that can develop
More informationProduction Automation To Add Rich Media Content To Your Broadcasts VIDIGO VISUAL RADIO PRODUCT INFORMATION SHEET
Production Automation To Add Rich Media Content To Your Broadcasts VIDIGO VISUAL RADIO PRODUCT INFORMATION SHEET Today, multitasking, device-driven audiences consume nonstop, multi-platform media. If you
More informationELC-MVS01 Multi-format Control Room Automation Software
ELC-MVS01 Multi-format Control Room Automation Software Enhanced Live-production Control System Over the years, Sony has continuously evolved the MVS platform with hardware and software that combine high
More informationCAMIO UNIVERSE PRODUCT INFORMATION SHEET
Redefining Graphics Production Workflows News Producer-Driven, Template-Based Workflow A Unified End-To-End News Content Creation, Production, and Playout Solution CAMIO UNIVERSE PRODUCT INFORMATION SHEET
More informationINTELLIGENT CONTENT DELIVERY: THE KEY TO UNLOCKING THE FUTURE OF VIDEO SERVICES
10/30/2013 TELCOVISION LAS VEGAS 2013 INTELLIGENT CONTENT DELIVERY: THE KEY TO UNLOCKING THE FUTURE OF VIDEO SERVICES Dan Patton October 23, 2013 1 AGENDA 1. Video Market Update 2. Video Services Delivery
More informationTransforming broadcast delivery realizing the software-defined channel
Transforming broadcast delivery realizing the software-defined channel White Paper There is no doubt that the nature of broadcasting is changing dramatically. Where once it was a single, common output
More informationImplementing Playback Delay Across Multiple Sites with Dramatic Cost Reduction and Simplification Joe Paryzek, Pre-Sales Support Grass Valley, a
Implementing Playback Delay Across Multiple Sites with Dramatic Cost Reduction and Simplification Joe Paryzek, Pre-Sales Support Grass Valley, a Belden Brand December 2012 Introduction Media users such
More informationhawkeyeinnovations.com pulselive.com
SMART Stadium hawkeyeinnovations.com pulselive.com SMART Stadium Up until now, accessing live broadcast feeds within the stadium for the multiple stakeholders who need access to this content has been complicated.
More informationCREATE. CONTROL. CONNECT.
CREATE. CONTROL. CONNECT. CREATE. CONTROL. CONNECT. DYVI offers unprecedented creativity, simple and secure operations along with technical reliability all in a costeffective, tailored and highly reliable
More informationAd Benchmark s Insertion Workflow. Increase revenues and flexibility with advanced regionalization for broadcast ads and programs
Ad Benchmark s Insertion Workflow Increase revenues and flexibility with advanced regionalization for broadcast ads and programs BACKGROUND A leading cable TV aggregator in South East Asia approached Benchmark
More informationP1: OTA/XYZ P2: ABC c01 JWBK457-Richardson March 22, :45 Printer Name: Yet to Come
1 Introduction 1.1 A change of scene 2000: Most viewers receive analogue television via terrestrial, cable or satellite transmission. VHS video tapes are the principal medium for recording and playing
More informationTHE EVOLUTION OF TV. 7 dynamics transforming TV
1 THE EVOLUTION OF TV 7 dynamics transforming TV The convergence of TV and internet video Television: An industry of innovation and change People prefer TV on their terms The internet TV opportunity: 7
More informationTelestration & Analysis For Sports Production Bringing Game-Play To Life Through The Power Of The Illustrated Replay PAINT PRODUCT INFORMATION SHEET
Telestration & Analysis For Sports Production Bringing Game-Play To Life Through The Power Of The Illustrated Replay PAINT PRODUCT INFORMATION SHEET POWERFUL TELESTATION & ANALYSIS FOR SPORTS PRODUCTION
More informationLIVE PRODUCTION SWITCHER. Think differently about what you can do with a production switcher
LIVE PRODUCTION SWITCHER Think differently about what you can do with a production switcher BRILLIANTLY SIMPLE, CREATIVE CONTROL The DYVI live production switcher goes far beyond the traditional limits
More information7 MYTHS OF LIVE IP PRODUCTION THE TRUTH ABOUT THE FUTURE OF MULTI-CAMERA TELEVISION PRODUCTION
7 MYTHS OF LIVE IP PRODUCTION THE TRUTH ABOUT THE FUTURE OF MULTI-CAMERA TELEVISION PRODUCTION THE FUTURE OF LIVE MULTI-CAMERA PRODUCTION THE FUTURE OF LIVE MULTI-CAMERA PRODUCTION Live multi-camera video
More informationAudio Watermarking (NexTracker )
Audio Watermarking Audio watermarking for TV program Identification 3Gb/s,(NexTracker HD, SD embedded domain Dolby E to PCM ) with the Synapse DAW88 module decoder with audio shuffler A A product application
More informationOMVC Non-Real Time Mobile DTV Use Cases
OMVC Non-Real Time Mobile DTV Use Cases Ver 1.0 October 12, 2012 Overview and Introduction The following Use Cases represent the output of the OMVC Technical Advisory Group (OTAG) Ad Hoc Group on NRT Use
More informationilluminate innovation that ignites creativity iconform SD to HD 2K or 4K directly from your film originals without EDLs
illuminate innovation that ignites creativity iconform SD to HD 2K or 4K directly from your film originals without EDLs About illuminate illuminate Hollywood has been a trusted partner to producers since
More informationTIME-COMPENSATED REMOTE PRODUCTION OVER IP
TIME-COMPENSATED REMOTE PRODUCTION OVER IP Ed Calverley Product Director, Suitcase TV, United Kingdom ABSTRACT Much has been said over the past few years about the benefits of moving to use more IP in
More informationNATURAL LIGHT The stuff you don t see. STEAMY SCENES Shooting in the dressing room. SUMMER STREAMING Capturing anything under the sun
ISSUE 126 JULY / AUGUST 2017 STEAMY SCENES Shooting in the dressing room REVIEWED: CANON CN-E 18-80MM T4.4 SERVO ZOOM STORAGE INFRASTRUCTURE FOR 360 VIDEO PRODUCTION THE PERFECT STORM... AND BROADCAST
More informationUnderstanding ATSC 2.0
Understanding ATSC 2.0 A Suite of New, Backward-Compatible Services Non-Real-Time Transmission Advanced A/V Compression Audience Measurement Tools Enhanced Service Guides Conditional Access Interactive
More informationAn Introduction to Dolby Vision
An Introduction to Dolby Vision 1 Dolby introduced Dolby Vision in January 2014 as the natural next step after 4K bringing high-dynamic-range (HDR) and wide-color-gamut technology to homes around the world.
More informationIPL woos digital consumers
IPL woos digital consumers Client profile The Indian Premier League (IPL) is a professional cricket league created and promoted by the Board of Control for Cricket in India (BCCI) and backed by the International
More informationR&S VENICE On air. 24/7.
R&S VENICE On air. 24/7. www.rohde-schwarz.com/venice We proudly present our new R&S VENICE Control Play View Maintenance VDCP and FIMS Different applications and protocols for every possible workflow
More informationAbstract WHAT IS NETWORK PVR? PVR technology, also known as Digital Video Recorder (DVR) technology, is a
NETWORK PVR VIDEO SERVER ARCHITECTURE Jay Schiller, Senior VP Broadband Strategy and Product Management Michael Fallon, Senior Technical Writer ncube Corporation Abstract Set-top Personal Video Recording
More informationCase study TeleZüri goes tapeless with
TeleZüri goes tapeless with Rohde & Schwarz DVS technology At a glance TeleZüri, Switzerland s most successful regional TV station, has switched from tape-based operations to file-based workflows. At the
More informationWinning With Better Storage:
Winning With Better Storage: How the LA Kings Turned a Championship Into Eternal Gold With G-Technology In 2012, for the first time ever, the Los Angeles Kings won the Stanley Cup, the iconic championship
More informationTelestration & Analysis For Sports Production Bringing Game-Play To Life Through The Power Of The Illustrated Replay PAINT PRODUCT INFORMATION SHEET
Telestration & Analysis For Sports Production Bringing Game-Play To Life Through The Power Of The Illustrated Replay PAINT PRODUCT INFORMATION SHEET POWERFUL TELESTATION & ANALYSIS FOR SPORTS PRODUCTION
More informationIPL woos digital consumers
IPL woos digital consumers Client profile The Indian Premier League (IPL) is a professional cricket league created and promoted by the Board of Control for Cricket in India (BCCI) and backed by the International
More informationThe Pathway To Ultrabroadband Networks: Lessons From Consumer Behavior
The Pathway To Ultrabroadband Networks: Lessons From Consumer Behavior John Carey Fordham Business Schools Draft This paper begins with the premise that a major use of ultrabroadband networks in the home
More informationAudio Watermarking (SyncNow ) Audio watermarking for Second Screen SyncNow with COPYRIGHT 2011 AXON DIGITAL DESIGN B.V. ALL RIGHTS RESERVED
Audio Watermarking (SyncNow ) GEP100 - HEP100 Audio watermarking for Second Screen SyncNow with 3Gb/s, HD, SD embedded domain Dolby E to PCM the Synapse DAW77 module decoder with audio shuffler A A product
More informationNTSC/PAL. Network Interface Board for MPEG IMX TM. VTRs BKMW-E2000 TM
NTSC/PAL Network Interface Board for MPEG IMX TM VTRs BKMW-E2000 TM A bridge between two worlds merging tape-based recording into an asynchronous network environment Rapid progress in IP-based network
More informationa new generation of interactive tv
a new generation of interactive tv Introduction We offer you PowerTV - Interactive HD TV at its absolute best. PowerTV is the new generation of High Definition (HD) digital interactive television systems
More informationVision Standards Bring Sharper View to Medical Imaging
Vision Standards Bring Sharper View to Medical Imaging The noisy factory floor may seem worlds away from the sterile hum of a hospital operating room, but the inspection cameras and robotic arms along
More informationResearch & Development. White Paper WHP 318. Live subtitles re-timing. proof of concept BRITISH BROADCASTING CORPORATION.
Research & Development White Paper WHP 318 April 2016 Live subtitles re-timing proof of concept Trevor Ware (BBC) Matt Simpson (Ericsson) BRITISH BROADCASTING CORPORATION White Paper WHP 318 Live subtitles
More informationSports Production Perspective: Drivers of Change
Sports Production Perspective: Drivers of Change Stan Moote, CTO, IABM Who is IABM? IABM is the international trade association for suppliers of broadcast and media technology. With 500+ members, IABM
More informationConnected TV Definitions. A new set of terms for a new type of channel
Connected TV Definitions A new set of terms for a new type of channel RTB, CTV, OTT, GRP, FEP, SSP This industry never stops with the jargon. We get it it s confusing. It s especially confusing when you
More informationThe R&S Pronto family Disk recorders and players
The R&S Pronto family Disk recorders and players The R&S Pronto family Disk recorders and players ı Disk recorder for compressed and uncompressed SD, HD, 2K and 4K material in real time up to 60/120* fps
More informationThe Industry s Most Adopted Ticker and Branding CMS NEWSTICKER PRODUCT INFORMATION SHEET
The Industry s Most Adopted Ticker and Branding CMS NEWSTICKER PRODUCT INFORMATION SHEET UNRIVALLED POWER ULTIMATE CUSTOMIZATION NewsTicker is the undisputed leader in the ticker industry, having originated
More informationTHINKING ABOUT IP MIGRATION?
THINKING ABOUT IP MIGRATION? Get the flexibility to face the future. Follow Grass Valley down the path to IP. www.grassvalley.com/ip In today s competitive landscape, you need to seamlessly integrate IP
More informationBBC WORLD SERVICE JOB SPECIFICATION
BBC WORLD SERVICE JOB SPECIFICATION Job Title: Department: Base: Grade: Video Editor, BBC Bengali Service BBC World Service South Asia region Dhaka, Bangladesh Local terms & conditions Flexible working
More informationPWS-100TD1 Tape Digitizing Station Simple-to-use tape digitizing server for efficient migration of legacy videotape archives
PWS-100TD1 Tape Digitizing Station Simple-to-use tape digitizing server for efficient migration of legacy videotape archives 2014 Sony Corporation. All rights reserved. Background Over the past few decades,
More informationPIERO SPORTS GRAPHICS
PIERO SPORTS GRAPHICS WORLD LEADING GRAPHICS FOR BROADCASTERS Piero is Ericsson s real time 3D sports graphics system, designed to enhance sports analysis on TV. ADVANCED ANALYSIS PIERO is built upon a
More informationTHE IP VIDEO EVOLUTION MOVING TO LIVE MULTI-CAMERA IP VIDEO WITHOUT ABANDONING SDI
THE IP VIDEO EVOLUTION MOVING TO LIVE MULTI-CAMERA IP VIDEO WITHOUT ABANDONING SDI IP: THE NEW TECHNOLOGY YOU USE EVERY DAY IP: THE NEW TECHNOLOGY YOU USE EVERY DAY The professional video and broadcast
More informationNetflix Originals. Rate Card and Scope Of Work
Netflix Originals Rate Card and Scope Of Work Rate Card : Originals Master Fulfillment Rates Mastering Service Per min rate 1 A/V with IMF Packaging for 4K/UHD + MASTER QC $50.00 2 A/V with IMF Packaging
More information4K Video, Real-Time Analytics, and AI Applications Drive 24G SAS
4K Video, Real-Time Analytics, and AI Applications Drive 24G SAS Dennis Martin Santa Clara, CA http://www.demartek.com/demartek_presenting_flashmemorysummit_2017-08.html 1 About Demartek Industry Analysis
More informationFrom Capex to Opex IN BROADCAST DISTRIBUTION
From Capex to Opex IN BROADCAST DISTRIBUTION How engineering decision-makers balance the priorities of reducing capex and speeding up time to market while maintaining control of quality. Famine and Feast
More informationAnySpeed K2 Dyno Replay System Olaf Bahr July 2014
AnySpeed K2 Dyno Replay System Olaf Bahr July 2014 Replay is quickly becoming the most important tool in a live sporting event. Producers require every possible advantage to tell the best stories and keep
More informationPurColor MR 120 SIZE CLASS 65" UN65KU6500
PRODUCT HIGHLIGHTS PurColor HDR Premium MR 20 New Smart Hub SIZE CLASS 65" UN65KU6500 55" UN55KU6500 49" UN49KU6500 Enjoy 4K Ultra HD resolution and High Dynamic Range (HDR) content that delivers greater
More informationThe whole picture. Seamlessly connecting your media world
The whole picture Seamlessly connecting your media world BT Media & Broadcast 3 Who we are As one of the world s leading providers of media services, see what we can do for you. From content acquisition
More informationX-Sign 2.0 User Manual
X-Sign 2.0 User Manual Copyright Copyright 2018 by BenQ Corporation. All rights reserved. No part of this publication may be reproduced, transmitted, transcribed, stored in a retrieval system or translated
More informationA General Framework for Interactive Television News
Brigham Young University BYU ScholarsArchive All Theses and Dissertations 2012-07-13 A General Framework for Interactive Television News Benjamin Bart Sellers Brigham Young University - Provo Follow this
More informationCOMPANY PROFILE. clydebroadcast.com
COMPANY PROFILE clydebroadcast.com who we are, what we do a unique proposition Clyde Broadcast are experts in the design, specification and installation of radio studios and radio stations. As well as
More informationBelden Broadcast Solutions
Belden Broadcast Solutions John Quealy, Equity Research Analyst, Canaccord Genuity Roel Vestjens, Broadcast Solutions President, Belden June 2016 2016 Belden Inc. belden.com @BeldenInc Safe Harbor Statement
More informationExhibits. Open House. NHK STRL Open House Entrance. Smart Production. Open House 2018 Exhibits
2018 Exhibits NHK STRL 2018 Exhibits Entrance E1 NHK STRL3-Year R&D Plan (FY 2018-2020) The NHK STRL 3-Year R&D Plan for creating new broadcasting technologies and services with goals for 2020, and beyond
More informationRECOMMENDATION ITU-R BT
Rec. ITU-R BT.137-1 1 RECOMMENDATION ITU-R BT.137-1 Safe areas of wide-screen 16: and standard 4:3 aspect ratio productions to achieve a common format during a transition period to wide-screen 16: broadcasting
More informationInfoCaster Digital Signage Solution
DIGITAL SIGNAGE InfoCaster Digital Signage Solution T O T AL CONTENT DELIVERY SOLUTIONS Managing content. Delivering results. InfoCaster - High Impact Digital Signage The Digital Signage Revolution InfoCaster
More informationSignum BlackHive. Generation II. Broadcast Production System and video server. The new system generation signum.blackhive
Signum BlackHive Generation II Broadcast Production System and video server The new system generation signum.blackhive BlackHive is supporting SD-format (16:9 and 4:3) as well as HDHD formats (720p, 1080i
More information2018 Survey Summary for Storage in Professional Media and Entertainment
Introduction 2018 Survey Summary for Storage in Professional Media and Entertainment Thomas Coughlin Coughlin Associates www.tomcoughlin.com Digital storage plays a significant role in the professional
More informationGlossary Unit 1: Introduction to Video
1. ASF advanced streaming format open file format for streaming multimedia files containing text, graphics, sound, video and animation for windows platform 10. Pre-production the process of preparing all
More informationMOBILE DIGITAL TELEVISION. never miss a minute
MOBILE DIGITAL TELEVISION never miss a minute About Mobile DTV The Power of Local TV on the Go Mobile Digital Television (DTV) represents a significant new revenue stream for the broadcasting industry
More informationFrom Capex to Opex in Broadcast Distribution
From Capex to Opex in Broadcast Distribution How engineering decision-makers balance the priorities of reducing capex and speeding up time to market while maintaining control of quality. date Page 2 of
More informationPlug & Play Mobile Frontend For Your IoT Solution
Plug & Play Mobile Frontend For Your IoT Solution IoT2cell Data Sheet: 20181018 Table of Contents Introduction...3 IoT2cell Mobility Platform...5 Not Just Predict, Act...6 Its So Easy...7 Public Facing
More informationTHE AGE OF TELEVISION
THINKBOX THE AGE OF TELEVISION NEED STATE SUMMARY THINKBOX Content: Driven by specific content 7% ESCAPE 10% EXPERIENCE 9% INDULGE 12% IN TOUCH Personal: Driven by me 2% DO 16% COMFORT Social: Driven by
More informationAlpha channel A channel in an image or movie clip that controls the opacity regions of the image.
Anamorphic The process of optically squeezing images into a smaller area and then optically unsqueezing it to create a wider field of view than capable by the original recording medium by using non-square
More informationNAS vs. SAN: Storage Considerations for Broadcast and Post- Production Applications
NAS vs. SAN: Storage Considerations for Broadcast and Post- Production Applications As more content is created in, and as the industry transitions to, higher resolutions, many broadcast and post-production
More informationFacilityline. BT Media and Broadcast
Facilityline BT Media and Broadcast 02 Facilityline from BT Media and Broadcast What is it? Facilityline allows the transmission of uncompressed video signals that are suitable for on-line working. This
More informationWelcome from Mickey. It s no secret that video is a go-to strategy for consumer marketers.
TV Buying Basics Welcome from Mickey It s no secret that video is a go-to strategy for consumer marketers. It s obvious why. Sight, sound, and motion create a powerful brand experience, while digital targeting
More informationVThis App Note USING THE 608 TO 708 CAPTION CONVERSION OPTION. App Note
App Note USING THE 608 TO 708 CAPTION CONVERSION OPTION Synopsis...2 When to Use Caption Conversion...3 When to Disable Caption Conversion...3 Applying SCC Files to a Video Stream...4 Enabling Caption
More informationTVU MediaMind Server. Monitor, control, manage and distribute all your video content. Advantages
TVU GET Advantages Powers TVU Grid TVU s award-winning IP-based video switching, routing and distribution solution Decodes multiple types of feed: TVU, SDI and web streams Monitors all aspects of a live
More informationTVU MediaMind Server. Monitor, control, manage and distribute all your video content. Advantages
TVU GET Advantages Powers TVU Grid TVU s award-winning IP-based video switching, routing and distribution solution Decodes multiple types of feed: TVU, SDI and web streams Monitors all aspects of a live
More informationThe All-In-One Virtual Set Media Production Center NEON PRODUCT INFORMATION SHEET
The All-In-One Virtual Set Media Production Center NEON PRODUCT INFORMATION SHEET CHYRONHEGO S TRACKLESS VS SOLUTION THE ALL-IN-ONE VIRTUAL SET MEDIA PRODUCTION CENTER Simple and Powerful. Hybrid s Neon
More informationADOPTING NEW SUBTITLE FORMATS TO MEET AUDIENCE NEEDS NIGEL MEGITT, IRT SUBTECH1 SYMPOSIUM 25 MAY 2018
ADOPTING NEW SUBTITLE FORMATS TO MEET AUDIENCE NEEDS NIGEL MEGITT, IRT SUBTECH1 SYMPOSIUM 25 MAY 2018 2 A BIT ABOUT THE PRESENTER NIGEL MEGITT Executive Product Manager, Design + Engineering, BBC Other
More informationElectra X Advanced Media Processor
HIGHLIGHTS SD/HD MPEG-2, MPEG-4 AVC and HEVC encoding for broadcast and OTT multiscreen services Real-time, full-frame UHD/HEVC Main 10 broadcast encoding Harmonic PURE Compression Engine for market-leading
More informationREAL-WORLD LIVE 4K ULTRA HD BROADCASTING WITH HIGH DYNAMIC RANGE
REAL-WORLD LIVE 4K ULTRA HD BROADCASTING WITH HIGH DYNAMIC RANGE H. Kamata¹, H. Kikuchi², P. J. Sykes³ ¹ ² Sony Corporation, Japan; ³ Sony Europe, UK ABSTRACT Interest in High Dynamic Range (HDR) for live
More informationone century of international standards
Emerging Technology SMPTE Seminar th 8 edition one century of international standards UHDTV Production Standards: Vatican City ~ October 7, 2016 SDI vs IP Hans Hoffmann, EBU Head of Media technology These
More informationATV-HD Project Executive Summary & Project Overview
ATV-HD Project Executive Summary & Project Overview Introduction & Statement of Need Since 2002, ATV has filmed nearly all of its shows in a small television studio attached to the station s offices in
More information3.0 Next Generation Digital Terrestrial Broadcasting
3.0 Next Generation Digital Terrestrial Broadcasting Joel Wilhite Harmonic Inc. 1 Viewer Habits Viewing habits are changing as the population ages New viewers are born everyday - Gen X, Millennials, etc.
More informationSWITCHED INFINITY: SUPPORTING AN INFINITE HD LINEUP WITH SDV
SWITCHED INFINITY: SUPPORTING AN INFINITE HD LINEUP WITH SDV First Presented at the SCTE Cable-Tec Expo 2010 John Civiletto, Executive Director of Platform Architecture. Cox Communications Ludovic Milin,
More informationDigital Filmmaking For Kids
Digital Filmmaking For Kids Digital Filmmaking For Kids by Nick Willoughby Digital Filmmaking For Kids For Dummies Published by: John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030 5774, www.wiley.com
More informationIntelsat Media Solutions. Capture and Expand Your Audience
Intelsat Media Solutions Capture and Expand Your Audience Distributing programming and serving the demands of your audiences worldwide are increasingly becoming more difficult. Customer s viewing patterns
More informationThe value of DTT. Alex Buchan, DTG Spectrum Summit 5 th July 2017
The value of DTT Alex Buchan, DTG abuchan@dtg.org.uk Spectrum Summit 5 th July 2017 Contents My remit for today was to look at: The value of DTT today and how it can remain relevant in the age of Netflix
More informationHDMI / Video Wall over IP Receiver with PoE
/ Wall over IP Receiver with Key Features Network 1080P ultra high quality video transmitter Assigns video sources to any monitor of the video wall Up to 8 x 8 Screen Array supported Extends high definition
More informationGetting Started After Effects Files More Information. Global Modifications. Network IDs. Strand Opens. Bumpers. Promo End Pages.
TABLE of CONTENTS 1 Getting Started After Effects Files More Information Introduction 2 Global Modifications 9 Iconic Imagery 21 Requirements 3 Network IDs 10 Summary 22 Toolkit Specifications 4 Strand
More informationSAMSUNG HOSPITALITY DISPLAYS
HE694 HE694 Hospitality Solution Offers Easy IP Migration to Elevate Guest Entertainment Experience HIGHLIGHTS Simplified solution for IP-migration by building IP services into existing coax infrastructure
More informationProfessional hardware and control solutions for Digital Signage and Media distribution
Professional hardware and control solutions for Digital Signage and Media distribution Conferencing & Collaboration Information & Advertisement Hospitality & Events v1.1 - EN ATEN Infotech nv Mijnwerkerslaan
More informationTHE MPEG-H TV AUDIO SYSTEM
This whitepaper was produced in collaboration with Fraunhofer IIS. THE MPEG-H TV AUDIO SYSTEM Use Cases and Workflows MEDIA SOLUTIONS FRAUNHOFER ISS THE MPEG-H TV AUDIO SYSTEM INTRODUCTION This document
More informationThe GTP-32 Control Processor helps you solve equipment interface, control and monitoring problems, quickly and easily
12843 Foothill Blvd. Suite C Sylmar, California 91342 V: 818.898.3380 F: 818.898.3360 sales@dnfcontrols.com www.dnfcontrols.com helps you solve equipment interface, control and monitoring problems, quickly
More informationReflections on the digital television future
Reflections on the digital television future Stefan Agamanolis, Principal Research Scientist, Media Lab Europe Authors note: This is a transcription of a keynote presentation delivered at Prix Italia in
More informationTV Subscriptions and Licence Fees
TV Subscriptions and Licence Fees By mid-2015, UPC Cablecom had switched off analogue TV service completely in all of Switzerland. UPC Cablecom and Swisscom resist OTT competition by offering unlimited
More informationA Standard Smart Hotel TV with Pro:Centric Smart
A Standard Smart Hotel TV with Pro:Centric Smart Enhance in-room guest experience and hotel brand image with the interactive smart solution, Pro:Centric SMART. The series offers Ultra HD Display, Customizable
More informationSPADA s RESPONSE TO NZ On Air s Online Rights and Public Access Discussion
02 April 2014 Jane Wrightson CEO NZ On Air PO Box 9744 Wellington Via Email: jane@nzonair.govt.nz Dear Jane SPADA s RESPONSE TO NZ On Air s Online Rights and Public Access Discussion 1.0 Introduction 1.1
More informationINTRODUCTION. FREEVISION Launch Presentation 30 September
INTRODUCTION On Tuesday, 20 August 2013, we announced that we would be launching FREEVISION, a Universal Access and Interoperable Direct-To-Home Satellite (DTH-S) platform service. We stated that the establishment
More information