Editorial Analysis. Title by Author. Cheryl Murphy

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1 Editorial Analysis Title by Author

2 Title Page 1 of 51 Editorial Analysis Title by Author Genre The Table of Contents of an analysis should provide insight into the amount of detail contained in each analysis. As a reminder, this is only an example of what an Editorial Analysis might touch upon. Editorial Analyses are based entirely upon each individual MS and won t necessarily have the same topics. Length will also vary depending upon the MS. An Editorial Analysis is not a redlined edit and is not meant to be any kind of replacement for editing. There will be no redlined MS returned to the author. The analysis focuses strictly on craft and story.

3 Title Page 2 of 51 Table of Contents Story and Structure... 6 Answer These Questions... 6 Most Important Advice... 6 Possibly Offensive Moments... 6 Driver... 6 Character or Plot Driven?... 6 Theme... 6 Romance... 6 Main... 6 Tone... 6 Hook... 6 Setting... 7 Standard Setting... 7 Mythological Setting... 7 Time Period & Time Span... 7 Political Climate... 7 POV... 7 First Person, Past Perfect... 7 Pronoun Overuse... 7 POV Switches... 7 Genre Elements & Worldbuilding... 8 Subgenre... 8 Technology... 8 Analog or Digital?... 8 Juxtaposition of Science Fact and Science Fiction... 8 Logical Conclusions... 8 Biology... 8 Creatures, Lifeforms, and Aliens, Oh My!... 8 Mythology... 8 Magic System... 9 Statement About The World As We Know It... 9 Red Herrings... 9 Evidentiary System... 9 Professional or Amateur?... 9 Overall Suspension Of Disbelief... 9 Allegory & Symbolism... 9 Lit-Fic s Finer Subtleties... 9 Plot Progression Plots Stakes Concerns First Line First Page Act Structure ACT I Introduction Inciting Incident Concerns Fateful Decision Concerns... 11

4 Title Page 3 of 51 Bigger Problem ACT II Rise of Action/Try-Fail Cycles Romance plot Main Plot Concerns ACT III Low Point Climax Romance Main Resolution Character Development The MC Must Want Something Characters Must Be Separate Individuals Protagonist Hero Relationship Character Secondary Characters Antagonist Mechanics Narrative Quality Engage The Reader Passive Storytelling Hand Of The Author Suggestive Description Foreshadowing Overly Formal/Overly Immature Narrative Listing Clarity and purpose Tense Filler Words Rhetorical Questions Wordiness Unimportant Exposition Information Dump Repetitive Words and Redundant Concepts Varied Sentence Redundant Concepts Word Search List of your most used words and their count Things Your Characters Do A Lot Conjunctions Passive Voice Passive Voice Construction Participial Phrase What It Is Pacing Control your pace Scene and Dialogue Pace Beats Descriptive Quality (The Ins and Outs of Showing vs. Telling) Use Imagery Engage The Senses... 28

5 Title Page 4 of 51 Adverbs & Adjectives Adverbs Do Not Engage Generic And Vague Adjectives Micromanaging Emphasis Clichés, Tropes and Plot Devices Deus Ex Machina It Was A Dream! Weak Verbs Uninteresting Verbs To Be Verbs Dialogue Quality Stilted Dialogue As You Know Dialogue Said-Bookisms Adverbially Speaking Monologueing Told Me vs. Said Passive Action Verbs With No Active Quality Instead, Not Quite But Almost An Action Filter Words Word Choice & Phrasing Disembodied actions Sequencing Action/Reaction Transitions Orphans Format Grammar, Punctuation & Spelling Overuse Of Punctuation And Italics Ellipsis Chapter Paragraphing Scene Breaks Dialogue Strengths The Good Stuff! My promise: at least one full page of Good Things because everyone has them Revision Process Are these questions answered in your MS? Examine structure Examine Elements Examine Mechanics Simple Chapter Outline Title ACT I ACT II ACT III Plot Worksheet Character Profile Worksheet... 47

6 Title Page 5 of 51 Character Growth and Development Sheet... 51

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