THANKS TO ALL MY FANS AROUND THE WORLD! Also available from Britney Spears on Jive: 01241-41651-2/4 01241-41704-2/4 01241-41776-2/4 82876-53748-2/4 01241-41651-3/9 01241-41704-3/9 01241-41784-3/9 01241-41785-3/9 82876-59387-3/9 82876-66393-9 A&R: Steve Lunt Mastered by Tom Coyne at Sterling Sound, NYC Management: Larry Rudolph for ReignDeer Entertainment Management Representatives: Dan Dymtrow and Jennifer Webster Art Direction: Jackie Murphy & Courtney Walter Design: Courtney Walter Cover Photography: Matthew Rolston Hair: Chris McMillan Make-up: Fran Cooper Wardrobe: Lori Goldstein Contributing Photography: Larry Busacca, Patrick Demarchelier, Ranjit Grewal, Kathryn Indiek, Steven Klein, Markus Klinko & Indrani, Yuki Kuroyanagi, Nigel Parry, Lisa Peardon, Jon Ragel, Herb Ritts, Albert Sanchez, Mark Seliger, Arnold Turner, Timothy White Collage Photography: Daniel Hastings Video Directors: Chris Applebaum, Nigel Dick, Paul Hunter, Wayne Isham, Joseph Kahn, Francis Lawrence, Dave Meyers, Jake Nava, Herb Ritts AN ORIGINAL SOUND RECORDING MADE BY ZOMBA RECORDING LLC 82876-65630-2 www.jiverecords.com www.britneyspears.com www.britney.com This Compilation & 2004 Zomba Recording LLC. Manufactured and Distributed by Zomba Recording LLC, 137-139 West 25th Street, New York, N.Y. 10001. All rights reserved. Unauthorized duplication is a violation of applicable laws. An astonishing fact: it has been only five years since Britney Spears released her debut album,...baby ONE MORE TIME. Sixty months. Less than 2,000 days. That s it. Fifty-five million albums later (that s about 30,000 records a day, if you want to get technical about it), it s hard to imagine what the landscape of pop culture would look like without her. What would have happened if this one Southern belle had decided to be a doctor or lawyer or schoolteacher instead of becoming the biggest pop star of her generation? When a then-sixteen year-old Spears debuted on MTV dressed in a naughtied-up schoolgirl uniform, no one could have guessed that she would make such an immediate and lasting impact. You want proof that this dame ain t no flash in the pan? There is perhaps no greater testament to Spears cultural significance no better symbolic flipping-of-the-bird to naysayers than the sheer existence of this album. From her coy, bubblegum beginnings with Baby One More Time to the sophisticated, techno groove of her recent #1 single Toxic, this collection of songs demonstrates exactly how Britney has grown up and grown into her larger-thanlife persona with the eyes of the world studying and analyzing her every move. All in just five years. Ponder this: how would you have occupied your time without her? Just think how much more work you could have gotten done if you weren t spending so many hours obsessing about the question that seems to arise every single time Spears steps foot in public: What has she gone and done now? As a journalist who has interviewed and written about Britney Spears on numerous occasions, I ve lost track of how many times some tabloid TV program has asked me to come on and talk about whether our dear pop princess has taken it too far this time. No matter what it was whether it was a scandalously revealing outfit she had worn in a video or who she was dating (or not dating) or some finger she stuck up at the paparazzi who constantly hound her; the question was the same: Has Britney gone too far? The question itself totally misses the point. The job of any major pop star any of the ones whose legacies loom large, from the Beatles to Madonna, Elvis to Michael Jackson is not only to be entertaining, but also to be provocative. The more interesting question to be asking is, What is it about Britney that holds such fascination? How did this young woman from Kentwood, Louisiana become the object of such desire, speculation and adoration? It all started in 1998, when Spears video for Baby One More Time caused an immediate sensation and heralded the beginning of a nascent teen-pop movement. On the cover of the BABY ONE MORE TIME album released in early 1999 Spears knelt in front of a pink backdrop, with all the sweetness and innocence of an adolescent who had no idea what lie ahead. But this was a distinctly different image from the confident young woman in the video who came up with the idea on her own to knot her school uniform s shirt above her navel. Never has a bellybutton caused such uproar. Nowadays, whenever a teenage girl shows her midriff, red-faced, conservative pundits would have you believe Spears is to blame. As Britney herself might say, it s not that deep. Yet, along with the uproar came an even more overwhelming show of support: Baby One More Time went to #1, the album of the same name sold over a million copies within its first six weeks out, and the follow-up singles, Sometimes and (You Drive Me) Crazy, kept Spears debut album on the charts for 103 weeks.
Before her first album had even cooled, Britney hit us with the follow-up, 2000 s OOPS!...I DID IT AGAIN. With a nod and a wink to her previous disc s ubiquitous first single, the Max Martin-produced title track opened with a familiar vamp that echoed Baby One More Time. The message was clear as soon as she curled her lip and sang, I think I did it again. Indeed she had done it again. But this wasn t a simple repetition of what she had done before. Rather than the pleading tone of Baby One More Time, this #1 hit was devilish and flirtatious and empowering. Oops!...You think I m in love / That I m sent from above / I m not that innocent, she sang. If her debut album hinted that there was more to Britney Spears than met the eye, Oops! made that point crystal clear. Midway through the Oops! video, the poor sap who fell for Britney shows her a giant sapphire pendant like the one tossed overboard in Titanic. I thought the old lady dropped it into the ocean in the end? Britney asks her love slave teasingly. Well baby, I went down and got it for you, he says. In her red latex bodysuit, Britney was no damsel in need of rescuing she was beginning to take control and assert her womanhood unapologetically. Similarly, Lucky was a song ostensibly about Spears alter ego: a young superstar who is miserable in spite of her massive success. And yet the pressure to follow up the blockbuster success of her debut album was immense. The world is spinning and she keeps on winning, Spears sang in Lucky. But tell me what happens when it stops? It never felt like she was singing about herself, but rather that she was singing about who she might be if she let all the negative energy directed at her actually sink in. And, in Stronger, she proclaimed that sentiment even more brazenly. Referring back to a lyric in Baby One More Time, she announced, My loneliness ain t killing me no more. I m stronger than yesterday. Spears had been letting other writers give her feelings voice up until her third album, BRITNEY. She had co-written one song from OOPS! I DID IT AGAIN the confessional ballad Dear Diary but her tastes in music were getting edgier and her sense of her own voice was strengthening. She had learned to play a little bit of guitar, and she had been jotting down lyrics in her spare time. Sometimes in the bath, she said, an idea would bubble up among the soapsuds. Nonetheless, the two songs on the record that best described where Spears head was at were Overprotected and I m Not A Girl, Not Yet A Woman. She was nearly twenty, and in the midst of a difficult transition into adulthood. I need to make mistakes just to learn who I am, she sang defiantly. And I don t wanna be so damn protected. The same fall the album was released, Spears also made her big-screen debut in CROSSROADS, the story about three childhood girlfriends who go on a cross-country road trip and learn some dark truths about themselves along the way. Its plot was not entirely removed from what was going on in Spears head at the time: Here she was, on the verge of releasing her third album and about to leave her teen years behind, but feeling like she had so much more to experience before she could really figure out who she was.
I'M NOT A GIRL, NOT YET A WOMAN (M. Martin/Rami/Dido) Zomba Enterprises Inc./Maratone/Warner Chappell Music Ltd. (PRS) (adm. by WB MusicCorp.) (ASCAP) Produced by Max Martin and Rami Recorded at Maratone Studios, Stockholm, Sweden Lead Vocals Recorded by Michael Tucker at Battery Studios, NYC Assistant Engineer at Battery Studios: Charles McCrorey Mixed by Max Martin and Rami at Maratone Studios, Stockholm, Sweden Pro Tools and Vocalwestefoolaway Engineer: John Amatiello Guitars: Esbjörn Öhrwall Bass: Thomas Lindberg Background Vocals: Jeanette Olsson and Max Martin From the album BRITNEY 2001 Zomba Recording LLC I'VE JUST BEGUN (HAVING MY FUN) (B. Spears/M. Bell/C. Karlsson/P. Winnberg/H. Jonback) Zomba Songs, a division of Zomba Enterprises Inc./Britney Spears Music (adm. by Zomba Songs, a division of Zomba Enterprises Inc.) (BMI)/Universal Music Publ. Corp./Elleganza Music/Murlyn Songs AB administered in the U.S. and Canada by Universal-PolyGram Int. Publ., Inc. (ASCAP) Produced and Recorded by Bloodshy & Avant for Murlyn Music AB Arranged by Bloodshy & Avant and Steve Lunt Recorded at Murlyn Studios, Stockholm, Sweden and Battery Studios, NY Live Drums Recorded by Tom Soares Mixed by Niklas Flyckt at Khabang Studio, Stockholm, Sweden Assistant Engineers: Charles McCrorey and Jonas Östman Guitar: Henrik Jonback Bass: Thomas Lindberg Live Drums: Steve Wolf All Other Instruments and Programming: Bloodshy & Avant Background Vocals: Britney Spears, Michelle Bell, Jeanette Olsson and BlackCell Strings: Stockholm Session Strings Strings Arranged and Conducted by Janson & Janson Digital Editing: Bloodshy & Avant Previously Unreleased 2004 Zomba Recording LLC DO SOMETHIN' (C. Karlsson/P. Winnberg/H. Jonback/A. Hunte) Murlyn Song s AB, administered in the U.S. and Canada by Universal-PolyGram Int. Publ., Inc./EMI April Music, Inc. (ASCAP) Produced and Recorded by Bloodshy & Avant for Murlyn Music AB Arranged by Bloodshy & Avant and Steve Lunt Recorded at Murlyn Studios, Stockholm, Sweden and Battery Studios, NYC Mixed by Niklas Flyckt at Khabang Studio, Stockholm, Sweden Assistant Engineers: Charles McCrorey and Jonas Östman Guitar: Henrik Jonback All Other Instruments and Programming: Bloodshy & Avant Background Vocals: Britney Spears, Angela Hunte and BlackCell Digital Editing: Bloodshy & Avant Previously Unreleased 2004 Zomba Recording LLC Part of that process involved experimenting with her sound, moving away from the straight-up bubblegum pop and into darker, dancier grooves. I m A Slave 4 U was the most un-britney-sounding song she d done yet, but its vaguely Middle Eastern flavor and pulsating rhythm have exerted tremendous influence on her subsequent singles. Produced by The Neptunes Chad Hugo and Pharrell Williams, I m A Slave 4 U was twitchy and languid at the same time, like an off-kilter bellydance. In the video, Spears and her dancers are covered in sweat, writhing around in a sauna which is really not the best place for a dance routine, so don t try that one at home, kiddies. The song, Britney explained, was about being a slave to music, to the beat, to dancing. Of course, it could also be interpreted as an ode to pure sexual attraction. When the song was released, just a few months after Spears had appeared on the MTV Video Music Awards with a giant, flesh-colored snake wrapped around her, many of Spears detractors deemed it too risqué. But even the song s opening lyric answered that charge: All you people look at me like I m a little girl / Well did you ever think it would be okay for me to step into this world. In 2002, Spears went back to the studio to make IN THE ZONE with producers including Moby, Bloodshy & Avant, Guy Sigsworth, RedZone and The Matrix. The songs that came out of those sessions tunes like Toxic, Me Against The Music and Outrageous were her most musically daring and deliciously sexy. Full of trance beats, hip-hop flavor and futuristic samples, IN THE ZONE was like a Britney Spears record from outer space. In the action-adventure clip for the chart-topping Toxic, Spears comes on like a vixen from a James Bond movie, rendered in Japanese anime style. The follow-up single, Everytime, couldn t have expressed a more divergent point-of-view from the tongue-in-cheek sassiness of the R. Kelly - penned Outrageous (which lists among Spears outrageous qualities, my sex drive and my shopping spree ). With unexpected fragility in Everytime, Spears sang about being haunted by the memory of a lost lover. Fans and foes alike have been intent on figuring out whether Spears is an angel or a devil-in-disguise. The answer is obvious, but not simple. She is both. Britney Spears is not what she seems, but it seems that s all part of her plan. When Britney pants get it, get it, the world pants with her. Oops my ass. She knows exactly what she s doing, each and every time she does it (again). She s not that innocent, indeed. Or, perhaps the explanation is best found in the words she snarls during her brand new version of Bobby Brown s 1988 hit My Prerogative : Everybody s talking all this stuff about me / Why don t they just let me live? / I don t need permission, make my own decisions / That s my prerogative. Jenny Eliscu
OVERPROTECTED - THE DARKCHILD REMIX (RADIO EDIT) (M. Martin/Rami) Maratone/Zomba Enterprises Inc. (ASCAP) Produced by Max Martin and Rami for Maratone Productions Remix Produced by Rodney Jerkins for Darkchild.com Recorded and Mixed at Battery Studios, NYC by Fabian Marasciullo and Rodney Jerkins for Darkchild.com Pro Tools and Vocalwestefoolaway Engineer: John Amatiello Pro Tools Engineer at Battery Studios: Michael PGA Tour Tucker Assistant Engineer at Battery Studios: Charles McCrorey All Instruments: Rodney Jerkins Background Vocals: Britney Spears and Bosslady Original Version of Overprotected can be found on the album BRITNEY 2001 Zomba Recording LLC LUCKY (M. Martin/Rami/A. Kronlund) Zomba Enterprises Inc./Universal-MCA Music Publishing, a division of Universal Studios, Inc. (ASCAP) Produced by Max Martin and Rami for Cheiron Productions Pro Tools Engineer: John Amatiello Mix Engineers: Max Martin and Rami Recorded & Mixed at Cheiron Studios, Stockholm, Sweden All Keyboards and Programming: Max Martin and Rami Guitars: Esbjörn Öhrwall Background Vocals: Britney Spears, Nana Hedin and Max Martin Crowd by THE FANCHOIR 2 THE FANCHOIR 2 is Mona Yacoub, Antonia Kolitas, Diana Alhashwa, Eleni Tseneklidou, Marlené Safin and Mina Sarkhosh From the album OOPS!...I DID IT AGAIN 2000 Zomba Recording LLC OUTRAGEOUS (R. Kelly) Zomba Songs, a division of Zomba Enterprises Inc./R. Kelly Publishing, Inc. (adm. by Zomba Songs, a division of Zomba Enterprises Inc.) (BMI) Produced by R. Kelly Recorded by Ian Mereness, Abel Garibaldi and Andy Gallas at The Chocolate Factory, Chicago, IL Vocals Produced and Arranged by Trixster and Penelope Magnet for RedZone Entertainment Inc. Vocals Recorded by Brian B-Luv Thomas at Battery Studios, NYC Programmed by Ian Mereness and Abel Garibaldi Mixed by Serban Ghenea at MixStar Studios, Virginia Beach, VA Co-Mixed by R. Kelly Assistant Engineers: Rich Tapper, Nathan Wheeler, Steve Bearsley, Jason Mlodzinski and Tim Roberts Guitars: Donnie Lyle Additional Keyboards: Kendall Nesbitt Background Vocals: Britney Spears, R. Kelly, Roxanne Estrada and Penelope Magnet Digital Editing: Brian B-Luv Thomas and John Hanes From the album IN THE ZONE 2003 Zomba Recording LLC
MY PREROGATIVE (B. Brown/G. Griffin/E.T. Riley) Bobby Brown Music, adm. by Universal Music Corp.(ASCAP)/Cal Gene Music (BMI)/Zomba Enterprises Inc./Donril Music (adm. by Zomba Enterprises Inc.) (ASCAP) Produced and Recorded by Bloodshy & Avant for Murlyn Music AB Arranged by Bloodshy & Avant and Steve Lunt Recorded at Murlyn Studios, Stockholm, Sweden and Teldex Studios, Berlin, Germany Mixed by Niklas Flyckt at Khabang Studios, Stockholm, Sweden Vocal Recording Engineer: Tobias Lehmann Logic Audio Operator: Uwe Lietzow Guitar: Henrik Jonback All Other Instruments and Programming: Bloodshy & Avant Background Vocals: Britney Spears, BlackCell and Emma Holmgren Digital Editing: Bloodshy & Avant Previously Unreleased 2004 Zomba Recording LLC TOXIC (C. Dennis/C. Karlsson/P. Winnberg/H. Jonback) Colgems-EMI Music Inc. o/b/o EMI Music Pub. Ltd./Murlyn Songs AB, adm. in the U.S. and Canada by Universal-PolyGram Int. Publ., Inc. (ASCAP) Produced and Recorded by Bloodshy & Avant for Murlyn Music AB Arranged by Bloodshy & Avant and Steve Lunt Recorded at Murlyn Studios, Stockholm, Sweden & Record Plant, Hollywood, CA Mixed by Niklas Flyckt at Khabang Studio, Stockholm, Sweden Assistant Engineers: J.D. Andrew and Jonas Östman Guitar: Henrik Jonback Bass: Thomas Lindberg All Other Instruments and Programming: Bloodshy & Avant Background Vocals: Britney Spears, Cathy Dennis, Emma Holmgren and BlackCell Bollywood Strings: Stockholm Session Strings Strings Arranged and Conducted by Janson & Janson Digital Editing: Bloodshy & Avant From the album IN THE ZONE 2003 Zomba Recording LLC I M A SLAVE 4 U (C. Hugo/P. Williams) EMI Blackwood Music o/b/o itself and Waters of Nazareth (BMI)/EMI April Music, Inc. o/b/o Chase Chad Music (ASCAP) Produced by The Neptunes Recorded by Andrew Coleman at Master Sound Studios, Virginia Beach, VA and Brian Garten at Right Track Studios, NYC Mixed by Serban Ghenea at Windmark Recording, Virginia Beach, VA Assistant Engineers: Ryan Smith and Tim Roberts All Instruments: Pharrell Williams & Chad Hugo for The Neptunes Pharrell Williams and Chad Hugo of N.E.R.D. appear courtesy of Virgin Records America, Inc. From the album BRITNEY 2001 Zomba Recording LLC OOPS!... I DID IT AGAIN (M. Martin/Rami) Zomba Enterprises Inc. (ASCAP) Produced by Max Martin and Rami for Cheiron Productions Pro Tools Engineer: John Amatiello Mix Engineers: Max Martin and Rami Recorded & Mixed at Cheiron Studios, Stockholm, Sweden All Keyboards and Programming: Max Martin and Rami Guitars: Esbjörn Öhrwall and Johan Carlberg Bass: Thomas Lindberg Background Vocals: Britney Spears, Nana Hedin and Max Martin Dialog: Britney Spears and Max Martin Crowd by THE FANCHOIR THE FANCHOIR is Chatrin Nyström, Jeanette Stenhammar, Johanna Stenhammar, Charlotte Björkman and Therese Ancker From the album OOPS!...I DID IT AGAIN 2000 Zomba Recording LLC
ME AGAINST THE MUSIC FEATURING MADONNA (B. Spears/Madonna/C. Tricky Stewart/T. Tab Nkhereanye/P. Magnet/T. Nash/G. O'Brien) Zomba Songs, a division of Zomba Enterprises Inc./ Britney Spears Music (adm. by Zomba Songs, a division of Zomba Enterprises Inc.) (BMI)/Webo Girl Publishing, Inc. (adm. by WB Music Corp.)/Songs of Peer, Ltd./March Ninth Music Pub./Tabulous Music/Hitco South (adm. by Music of Windswept)/Songs of Peer, Ltd./Songs of Peer, Ltd. o/b/o Morningside Trail Music (ASCAP)/Copyright Control Produced by Trixster for RedZone Entertainment Inc. Co-Produced by Penelope Magnet for RedZone Entertainment Inc. Arranged by C. Tricky Stewart, Penelope Magnet, Britney Spears and Steve Lunt Recorded by Brian B-Luv Thomas at Battery Studios, NYC and Triangle Sound Studios, Atlanta, GA Madonna s Vocals Recorded by Mark Spike Stent at Olympic Studios, London Mixed by Serban Ghenea at MixStar Studios, Virginia Beach, VA and Mark Spike Stent at Olympic Studios, London Assistant Engineers: Charles McCrorey, David Treahearn, Rob Haggert and Tim Roberts Guitar: Gary O Brien All Other Instruments and Programming: C. Tricky Stewart Background Vocals: Britney Spears, Penelope Magnet, Courtney Copeland, Emma Roads and Roxanne Estrada Digital Editing: Brian B-Luv Thomas, John Hanes and P-Dub Walton Madonna appears courtesy of Warner Bros. Records From the album IN THE ZONE 2003 Zomba Recording LLC STRONGER (M. Martin/Rami) Zomba Enterprises Inc. (ASCAP) Produced by Max Martin and Rami for Cheiron Productions Pro Tools Engineer: John Amatiello Mix Engineers: Max Martin and Rami Recorded at Cheiron Studios, Stockholm, Sweden Mixed at Cheiron Studios, Stockholm, Sweden All Keyboards and Programming: Max Martin and Rami Background Vocals: Britney Spears, Nana Hedin and Max Martin From the album OOPS!...I DID IT AGAIN 2000 Zomba Recording LLC EVERYTIME (B. Spears/A. Stamatelatos) Zomba Songs, a division of Zomba Enterprises Inc./Britney Spears Music (adm. by Zomba Songs, a division of Zomba Enterprises Inc.)/Notting Hill Music o/b/o itself and Sea Nymph Music (BMI)/Andrian Adams Music/Universal Music Corp. (ASCAP) Produced by Guy Sigsworth Recorded at Conway Studios, Los Angeles, CA Mixed at Frou Frou Central, London All Instruments Performed by Guy Sigsworth Engineered, Edited and Mixed by Sean McGhee Assistant Engineer: Seth Waldmann From the album IN THE ZONE 2003 Zomba Recording LLC...BABY ONE MORE TIME (M. Martin) Zomba Enterprises Inc. (ASCAP) Produced, Recorded and Mixed by Max Martin and Rami for Cheiron Productions Recorded at Cheiron Studios, Stockholm, Sweden Mixed at Cheiron Studios, Stockholm, Sweden Background Vocals: Britney Spears, Max Martin and Nana Hedin Guitar: Johan Carlberg Bass: Thomas Lindberg From the album BABY ONE MORE TIME 1998 Zomba Recording LLC
(YOU DRIVE ME) CRAZY (THE STOP REMIX!) (J. Elofsson/P. Magnusson/D. Kreuger/M. Martin) BMG Music Publishing Scandinavia (STIM)/Zomba Enterprises Inc./Grantsville Publishing Ltd. (adm. by Zomba Enterprises Inc.) (ASCAP)/Zomba Songs, a division of Zomba Enterprises Inc. (BMI). All rights in the U.S. on behalf of BMG Music Publishing Scandinavia administered by Careers-BMG Music Publishing, a division of BMG Music Publishing NA, Inc. (BMI) Produced and Mixed by Max Martin and Rami for Cheiron Productions Recorded at Cheiron Studios, Stockholm, Sweden and Battery Studios, NYC Pro Tools Engineer at Battery Studios: Stephen George Assistant Engineer at Battery Studios: Daniel Boom Mixed at Cheiron Studios, Stockholm, Sweden Guitar: Esbjörn Öhrwall and Johan Carlberg Bass: Thomas Lindberg Background Vocals: Jeanette Söderholm, Max Martin, Rami and THE FANCHOIR THE FANCHOIR is Chatrin Nyström, Jeanette Stenhammar, Johanna Stenhammar, Charlotte Björkman and Therese Ancker (Original album version produced by Per Magnusson, David Kreuger and Max Martin for Cheiron Productions) From the original motion picture soundtrack DRIVE ME CRAZY 1999 Zomba Recording LLC Original Version of (You Drive Me) Crazy can be found on the album BABY ONE MORE TIME 1999 Zomba Recording LLC BOYS (THE CO-ED REMIX) FEATURING PHARRELL WILLIAMS (C. Hugo/P. Williams) EMI Blackwood Music o/b/o itself and Waters of Nazareth (BMI)/EMI April Music, Inc. o/b/o Chase Chad Music (ASCAP) Produced by The Neptunes Remix and Additional Production by The Neptunes Recorded by Andrew Coleman at Master Sound Studios, Virginia Beach, VA Mixed by Serban Ghenea at Windmark Recording, Virginia Beach, VA All Instruments: Pharrell Williams & Chad Hugo for The Neptunes Pharrell Williams appears courtesy of Virgin Records America, Inc. From the AUSTIN POWERS IN GOLDMEMBER SOUNDTRACK 2002 Zomba Recording LLC Original Version of Boys can be found on the album BRITNEY 2001 Zomba Recording LLC SOMETIMES (J. Elofsson) BMG Music Publishing Scandinavia (STIM)/Zomba Songs, a division of Zomba Enterprises Inc./Grantsville Publishing Ltd. (adm.by Zomba Songs, a division of Zomba Enterprises Inc.) (BMI) All rights in the U.S. on behalf of BMG Music Publishing Scandinavia administered by Careers-BMG Music Publishing, a division of BMG Music Publishing NA, Inc. (BMI) Produced by Per Magnusson and David Kreuger for Cheiron Productions Co-Produced by Jörgen Elofsson Recorded and Mixed at Cheiron Studios, Stockholm, Sweden Keyboards: Per Magnusson & Jörgen Elofsson Acoustic Guitars: Esbjörn Öhrwall Bass: Thomas Lindberg Programming: David Kreuger Background Vocals: Anders von Hoffsten From the album BABY ONE MORE TIME 1999 Zomba Recording LLC