Concert Preparatory Packet for Teachers

Similar documents
Concert Preparatory Packet For Teachers

Concert Preparatory Packet for Teachers

Concert Preparatory Packet for Teachers

Concert Preparatory Packet For Teachers

Concert Preparatory Packet for Teachers

A Growing Sense of Nationhood 1

The War of 1812: The Star Spangled Banner

THE CHRISTMAS TREE CLASSROOM PERFORMING PACK

Essentials Skills for Music 1 st Quarter

Teacher: Adelia Chambers

Standard 1 PERFORMING MUSIC: Singing alone and with others

General Music Objectives by Grade

GENERAL MUSIC Grade 3

WASD PA Core Music Curriculum

HINSDALE MUSIC CURRICULUM

Grade: 3. Music: General Music Standard: 1. Sings a varied repertoire of music

Music Guidelines Diocese of Sacramento

Power Standards and Benchmarks 3 rd Grade

The Star-Spangled Banner

PRESCHOOL (THREE AND FOUR YEAR-OLDS) (Page 1 of 2)

Music: responding The Moldau (Die Moldau) by Smetana

Music Curriculum Kindergarten

Indiana s Academic Standards MUSIC

Music Learning Expectations

Course Outcome Summary

The student will: demonstrate an understanding of the difference in speaking and singing voices by singing songs and playing games.

WASD PA Core Music Curriculum

Register for your audition at Questions: or

Playing Body Percussion Playing on Instruments. Moving Choreography Interpretive Dance. Listening Listening Skills Critique Audience Etiquette

Stamps Ukulele Band. Switch On The Christmas Lights Crosby Village Saturday 28 th November 2014

Visual Arts, Music, Dance, and Theater Personal Curriculum

Music NORTH WARREN CLUSTER GRADE K - 3

Music and its Function in Society

The Hawaii Youth Symphony Presents. Hilo Listen & Learn School Concerts

KINDERGARTEN GENERAL MUSIC

CURRICULUM MAP ACTIVITIES/ RESOURCES BENCHMARKS KEY TERMINOLOGY. LEARNING TARGETS/SKILLS (Performance Tasks) Student s perspective: Rhythm

STRAND I Sing alone and with others

Grade Level Expectations for the Sunshine State Standards

Archdiocese of Washington Catholic Schools Academic Standards Music

Grade 2 Music Curriculum Maps

Montana Instructional Alignment HPS Critical Competencies Music Grade 3

Curriculum Framework for Performing Arts

Music. Last Updated: May 28, 2015, 11:49 am NORTH CAROLINA ESSENTIAL STANDARDS

Grade 4 General Music

Florida Performing Fine Arts Assessment Item Specifications _Intermediate_Elementary_1_Responding

Music Indicators Grade 1

Harleman - Basal Project

ASSESSMENTS: Teacher Observation Teacher check list Self/group critique Oral questioning Written evaluation

DEPARTMENT/GRADE LEVEL: Band (7 th and 8 th Grade) COURSE/SUBJECT TITLE: Instrumental Music #0440 TIME FRAME (WEEKS): 36 weeks

Formative Assessment Packet

SKILL: What we want students to DO. Follow a musical score Sing with correct pitch, rhythm, voice projection

CALIFORNIA Music Education - Content Standards

Massachusetts Youth Symphony Project at Powers (MYSP) Winter Concert Notes Belmont, MA

Richmond. Music PRIMARY

Standard 1: Singing, alone and with others, a varied repertoire of music

ABOUT THE QCSYE. generally rehearses on Sundays from 3:30 5:15 p.m.

MUSIC Hobbs Municipal Schools 4th Grade

HINSDALE MUSIC CURRICULUM

SKILL: What we want students to DO. Acquire a repertoire of songs. Echo. Identify melodic direction and high/low pitches. Improvise in pentatonic

Woodlynne School District Curriculum Guide. General Music Grades 3-4

UNIT OBJECTIVES: Students will be able to. STATE STANDARDS: #9.1.3 Production, Performance and Exhibition of Music Sing Read music

Indiana Music Standards

North Knox K-12 Music Curriculum

Greenwich Music Objectives Grade 2 General Music

Core Content/Program of Studies Curriculum Map Bourbon County Schools

MUSIC Hobbs Municipal Schools 6th Grade

SEASON. AMERICAN ROOTS Parent/Teacher Guide

GENERAL MUSIC 6 th GRADE

Music Curriculum Map

Wilson Area School District Planned Course Guide

Elementary Music Curriculum Objectives

Indiana Music Standards

Music Curriculum Maps Revised 2016 KINDERGARTEN

Education Concert Series 2017/2018

Music Curriculum Map

Specialist Music Program Semester One : Years Prep-3

Register for your audition at Questions: or

Concept: Folk Music National Standard(s): 9 State Standard(s): 9.2 Lesson Essential Questions: Why is folk music important to our American heritage?

2nd Grade Music Music

PERFORMING ARTS. Head of Music: Cinzia Cursaro. Year 7 MUSIC Core Component 1 Term

Music Approved: June 2008 Fillmore Central Revision: Updated:

Grade One General Music

MISSION STATEMENT. Our Lady Queen of Peace School. Music Education Standards

CROSSWALK. Music. Georgia Performance Standards (GPS) to Georgia Standards of Excellence (GSE) Kindergarten Grade 12

Grade Level 5-12 Subject Area: Vocal and Instrumental Music

CONTENT AREA: MUSIC EDUCATION

Danville Public Schools Music Curriculum Preschool & Kindergarten

Lisa Hallen. Mr. Pecherek MUS

THE ANGLO-AMERICAN SCHOOL OF MOSCOW. K-12 Music

BRICK TOWNSHIP PUBLIC SCHOOLS (SUBJECT) CURRICULUM

at least one work different to those offered in the preliminary audition. Scales, arpeggios and sight-reading may be tested.

Content Map For Fine Arts - Music

Students who elect to take a music class at the middle school level know and are able to do everything required in earlier grades and:

Curriculum Map Teacher: Erin Egan Grade: 5 Subject: General Music

Overview of Content and Performance Standard 1 for The Arts

1 OVERVIEW. Writing a Song. Episode 12. Noteworthy notes on composing. Vocabulary. Unit 1 Music Theory LESSON OBJECTIVES

SCHOOL OF MUSIC. Page 1 of 7

Stafford Township School District Manahawkin, NJ

A Correlation of Online Learning Exchange Interactive Music powered by Silver Burdett with Alfred 2016

Audition Guidelines & Repertoire Lists Season

Transcription:

Concert Preparatory Packet for Teachers Hawaii Youth Symphony Youth Symphony II December 9, 2014 Blaisdell Concert Hall

Notes About This Prep Packet This packet was created to help you prepare your students for your concert. Generic materials Because the age of students in the concert audience range from Kindergarten to Grade 8, and because the three Youth Symphony orchestras are playing a total of 13 different pieces, these materials are rather generic. Please adapt them to your specific grade level and needs. FREE CD! Listening CDs are available free of charge. If you would like one, and promise to play it in your classroom, please let the teacher in charge of this field trip know and have them email admin@hiyouthsymphony.org with the request. In order to get the most out of your field trip, it is best that the students come prepared, and that your concert is a culminating activity rather than just exposure. Note: The sing-along songs on your CD are straightforward versions with no repeats or special endings. Please follow the song leader at the concert. When to listen You may set aside time for direct, intentional listening experiences, or you may play the CD during seat work time, transition time or other down time. The more the students hear the music, the more they ll enjoy the concert. Sing-along songs Students should practice songs in class and try to memorize them. Use the lyrics creatively in Language Arts! Worksheets Several generic worksheets have been created. Some of them require that students have the two pages of information about the instruments families, found in the Student Resources packet. Web resources Students will love these interactive websites: Dallas Symphony Orchestra - all about the instruments, including sound samples! http://www.dsokids.com/listen/by-instrument/.aspx or go to www.dsokids.com, click on Listen and click on By Instrument Carnegie Hall s The Young Person s Guide to the Orchestra - an awesome quest game! Learn about the instruments while finding and collecting them. It takes several days to complete. http://listeningadventures.carnegiehall.org/ypgto/index.aspx Students will need to create a user ID and password. Teachers may create a class list and monitor student progress in the Instructor Module. http://listeningadventures.carnegiehall.org/ypgto/teachers/logon.aspx

Music Standard/Benchmarks for DOE Schools Hawaii Youth Symphony Concerts December 2014 HCPS III Music: Understands and applies elements of music and understands how music communicates ideas, feelings, and experiences across cultures Grade K Benchmark FA.K.2.2 Demonstrate simple representation of high and low, short and long, loud and soft, fast and slow (use concert pieces as examples) Benchmark FA.K.2.3 Use an instrument to maintain a steady beat using quarter notes and quarter rests (clap/play to recordings of concert pieces) Benchmark FA.K.2.4 Identify various sources of music that can be heard in daily life and their purpose (name the orchestra as a source of music) Grade 1 Benchmark FA.1.2.5 Sing a simple song with appropriate vocal range from memory (learn and sing the sing-along songs) Benchmark FA.1.2.6 Identify families of instruments and how each sound is produced (learn about instruments) Benchmark FA.1.2.7 Explain how music can communicate ideas and moods (explain what the music makes you feel or think of) Grade 2 Benchmark FA.2.2.4 Describe instrument families and sounds from various cultures (learn about instruments)

Music Standard/Benchmarks for DOE Schools HCPS III Music: Understands and applies elements of music and understands how music communicates ideas, feelings, and experiences across cultures Grade 3 Benchmark FA.3.2.3 Identify simple musical forms and melodic or rhythmic ostinato (repeated) pattern (musical form of sing-along song or concert pieces) Benchmark FA.3.2.4 Identify the basic instruments of the orchestra by sight, sound, and category, e.g., brass, woodwind, percussion, strings (learn about instruments) Benchmark FA.3.2.8 Use specific musical terms, e.g., dynamics, tempo, to respond to elements of a musical performance (post-concert discussion/reflection) Grade 4 Benchmark FA.4.2.4 Identify musical forms (e.g., rondos), theme, and variations (identify musical form of concert pieces) Benchmark FA.4.2.6 Compare and contrast musical styles from two or more cultures (---depends on concert pieces) Grade 5 Benchmark FA.5.2.5 Analyze musical elements when explaining or critiquing a musical selection or musical performance (analyze concert pieces) Benchmark FA.5.2.6 Compare the use of musical elements in aural examples of American music and in music from other cultures (--depends on concert pieces) Grade 6-8 Benchmark FA.6-8.2.7 Evaluate the effectiveness of a musical performance or composition (evaluate effectiveness of concert or piece) Benchmark FA.6-8.2.8 Compare the role of music and composers in various cultures and time periods (learn background of pieces and composers, compare)

Listen & Learn School Concert Tuesday, December 9, 2014 9:30 am and 11:00 am Youth Symphony II Derrick Yamane, Conductor Elton Masaki, Assistant Conductor Selections/excerpts to be chosen from the following: The Star-Spangled Banner (sing-along) Hawai`i Pono`i (sing-along) The Moldau (Vltava) How to Train Your Dragon Mele Kalikimaka (sing-along) Rudolph the Red-Nosed Reindeer (sing-along) Francis Scott Key arr. Arthur Luck Henri Berger Words by King David Kalakaua arr. John Smith Bedrich Smetana John Powell arr. Sean O Loughlin adapted for symphony orchestra by Elton Masaki Robert Alex Anderson arr. Angel Peña Johnny Marks arr. James D. Ployhar

Program Notes and Background Information Youth Symphony II December 9, 2014 Youth Symphony II will play excerpts from the following pieces: The Moldau (Vltava) How does music tell a story or paint a picture? The Moldau depicts a river s run as it flows through the Bohemian countryside. The Vltava River (Moldau in German) flows 270 miles through the Czech Republic. It starts as two small bubbling springs, and grows into a great river with raging rapids. It finally disappears into the Elbe River at the city of Melnik. Imagine what you might see and experience as you float down the Moldau. Bedrich Smetana (1824 1884), widely regarded as the father of Czech nationalistic music, is best known for his opera The Bartered Bride and his series of six symphonic poems entitled Mávlast (My Homeland). The Moldau, composed in 1874, is the second poem of the series. (A symphonic poem is an orchestral piece of one movement that describes a poem, story, painting, scene or other non-musical source.) Smetana had one thing in common with Beethoven both composers went completely deaf, yet continued to compose music that is still celebrated today. Listen for: the river passing a peasant wedding scene the main river theme, based on a Czech folk song a raging river with swirling rapids the river majestically nearing the Elbe, then quietly disappearing into it How to Train Your Dragon In 2010, DreamWorks Animation came out with the 3-D computer-animated film How to Train Your Dragon. A boy from a Viking village must slay a dragon as a rite of passage. But after he captures his first dragon, he befriends it instead of killing it. The film was the sixth collaboration with DreamWorks for composer John Powell (b. 1963). He co-scored other notable films including Shrek, Kung Fu Panda and Antz. Scoring How To Train Your Dragon was his first solo project. Powell earned an Academy Award nomination for his effort. This is a Sean O Louglin arrangement, with added string parts by Elton Masaki. Listen for: Celtic (Scottish and Irish) sounding tunes the middle section in triple meter, like a waltz sensations of soaring atop a dragon!

Sing-along Songs The Star-Spangled Banner Hawaiʻi Ponoʻi Mele Kalikimaka Rudolph the Red-Nosed Reindeer These songs should be familiar to students of all ages. They should be part of their must know repertoire. Please have students memorize lyrics, not only for the concert, but to add to their general knowledge. These songs are included on the concert preparation CD. If you haven t ordered one when you made your reservations, would like one, and promise to play it in your classroom, please email admin@hiyouthsymphony.org and request a free copy.

Youth Symphony II Sing-along Lyrics Tuesday, December 9, 2014 The Star-Spangled Banner O say can you see by the dawn s early light, What so proudly we hail d at the twilight s last gleaming, Whose broad stripes and bright stars through the perilous fight O er the ramparts we watched, were so gallantly streaming? And the rocket s red glare, the bombs bursting in air, Gave proof through the night that our flag was still there, O say does that star-spangled banner yet wave O er the land of the free and the home of the brave? Hawai i Ponoʻī Hawaiʻi ponoʻī, nānā i kou moʻī Ka lani aliʻi, ke ali i Makua lani ē, Kamehameha ē Na kaua e pale, me ka ihe Rudolph, the Red-Nosed Reindeer Rudolph, the red-nosed reindeer Had a very shiny nose. And if you ever saw it, You would even say it glows. All of the other reindeer Used to laugh and call him names. They never let poor Rudolph Join in any reindeer games. Then one foggy Christmas Eve Santa came to say: "Rudolph, with your nose so bright, Won't you guide my sleigh tonight?" Then how the reindeer loved him As they shouted out with glee, Rudolph, the red-nosed reindeer, You'll go down in history! Mele Kalikimaka Mele Kalikimaka is the thing to say On a bright Hawaiian Christmas Day. That's the island greeting that we send to you From the land where palm trees sway. Here we know that Christmas Will be green and bright The sun to shine by day And all the stars at night Mele Kalikimaka is Hawaii's way To say Merry Christmas to you. Tag: To say Merry Christmas A very Merry Christmas To say Merry Christmas to you.