ENGLISH LITERATURE (SPECIFICATION A) Unit 3

Similar documents
LTA3. ENGLISH LITERATURE (SPECIFICATION A) Unit 3 Texts in Context. General Certificate of Education June 2004 Advanced Subsidiary Examination

LTA3. ENGLISH LITERATURE (SPECIFICATION A) Unit 3 Texts in Context. General Certificate of Education January 2005 Advanced Subsidiary Examination

LTA3. General Certificate of Education January 2006 Advanced Subsidiary Examination. ENGLISH LITERATURE (SPECIFICATION A) Unit 3 Texts in Context

LTA3. General Certificate of Education January 2008 Advanced Subsidiary Examination. ENGLISH LITERATURE (SPECIFICATION A) Unit 3 Texts in Context

English Literature (Specification A)

ENGLISH LITERATURE (SPECIFICATION A) Unit 4

GCE English Literature. For teaching from 2015

English Language and Literature (Specification A)

English Language and Literature (Specification A)

English Language and Literature (Specification A)

ENGLISH LANGUAGE (SPECIFICATION B) Unit 2 Language and Social Contexts

Friday 27 May 2016 Afternoon Time allowed: 2 hours

MUS1. General Certificate of Education January 2007 Advanced Subsidiary Examination. Understanding Music. Time allowed: 2 hours 30 minutes

abc Mark Scheme English Literature 5741 Specification A General Certificate of Education Texts in Context 2008 examination - January series

Switching to OCR from Edexcel

English Literature (Specification B)

Classical Civilisation CIV2B. General Certificate of Education Advanced Subsidiary Examination June 2014

PORTION FOR THE FIRST TERM EXAMINATION ENGLISH LITERATURE YEAR 12

English Literature: Middle Ages and Renaissance

General Certificate of Secondary Education Foundation Tier June 2014

The key features of Edexcel AS and A level English Literature

Year 10 Final Exam Portion JUNE 2017 ENGLISH LITERATURE

LTA6. ENGLISH LITERATURE (SPECIFICATION A) Unit 6 Reading for Meaning. General Certificate of Education January 2005 Advanced Level Examination


General Certificate of Secondary Education. English Controlled Assessment Tasks

English Literature By William J Long Download

LTA6. General Certificate of Education June 2008 Advanced Level Examination. ENGLISH LITERATURE (SPECIFICATION A) Unit 6 Reading for Meaning

English Level 1 Component 3: Writing

THIS IS A NEW SPECIFICATION. This is a Closed Text examination. No textbooks or sources of information are allowed in the examination room.

CIV4. General Certificate of Education June 2008 Advanced Level Examination. CLASSICAL CIVILISATION Unit 4 Greek History and Culture

Paper Reference. English Literature Advanced Subsidiary. Friday 25 May 2007 Morning Time: 2 hours. Set texts

8710H. Specimen. AQA Level 1/2 Certificate. ENGLISH LITERATURE Paper 1 Higher Tier XXXXH. Time allowed 1 hour 30 minutes

Friday 17 June 2016 Morning

English 12A. Syllabus. Course Overview. Course Goals

General Certificate of Secondary Education Higher Tier Mock Paper

HOW TO WRITE A LITERARY COMMENTARY

General Certificate of Secondary Education Foundation Tier June 2012

LT251: Poetry and Poetics

AS ENGLISH LITERATURE B (7716/2B)

LITERATURE IN ENGLISH 9765/01 Paper 1 Poetry and Prose May/June hours Additional Materials: Answer Booklet/Paper

ENGLISH LITERATURE. Preparing for mock exams: how to set a question A LEVEL

English Literature. Paper 2: Unseen Texts and Poetry Anthology. You must have: Poetry Booklet Section C of the Edexcel Anthology (enclosed)

British Literature I: Culture in Con(text) English 261/001: British Literature up to 1800 Spring Semester 2013

AS ENGLISH LITERATURE (SPECIFICATION B)

This is a Closed Text examination. No textbooks or sources of information are allowed in the examination room.

Paper Reference. Paper Reference(s) 6391/01 Edexcel GCE English Literature Advanced Subsidiary Unit 1 Drama and Poetry

Cardinal Newman Catholic High School English Department: Year 7 Programme of Study 2015/2016

Course code. Public Programme Co-ordinator, Clare Kerr or

abc Mark Scheme English Literature 1741 Specification A General Certificate of Education Texts in Context Option A: Victorian Literature

SAMPLE. AQA A Level Psychology. Unit Assessment. Relationships (Edition 1) h 1 hour h The maximum mark for this unit assessment is 48 marks

Thursday 15 June 2017 Morning

The syllabus is approved for use in England, Wales and Northern Ireland as a Cambridge International Level 3 Pre-U Certificate.

Greek Architecture and Sculpture

Classical Civilisation

This is a Closed Text examination. No textbooks or sources of information are allowed in the examination room.

Classical Civilisation CIV2B. General Certificate of Education Advanced Subsidiary Examination June 2015

Standard reference books. Histories of literature. Unseen critical appreciation

Virginia English 12, Semester A

William Shakespeare. The Bard

LT251 Poetry and Poetics

UNIVERSITY OF CAMBRIDGE INTERNATIONAL EXAMINATIONS Cambridge International Level 3 Pre-U Certificate Principal Subject

Please read pages 1-3 of this booklet. Then sign and return the last page. Keep the booklet. You will need this all year.

Providence Players of Fairfax AUDITION ANNOUNCEMENT

AQA Level 1/2 Certificate Higher Tier June 2012

Preparing for Year 9 GCSE Poetry Assessment

NTA6. ENGLISH LANGUAGE AND LITERATURE (SPECIFICATION A) Unit 6 Language in Context

JEFFERSON COLLEGE COURSE SYLLABUS ENG225 ENGLISH LITERATURE: BEFORE Credit Hours. Prepared by: Andrea St. John

English 2316: English Literature I

Autumn Term 2015 : Two

Victorian Certificate of Education 2004 THEATRE STUDIES. Monologue performance examination. Monday 4 October to Sunday 31 October

pre-watching Look at these pictures. Talk about the pictures. Which words, feelings come to your mind?

Classical Civilisation

#Touchstones 1 Early British Literature

GSB5. General Certificate of Education January 2006 Advanced Level Examination. GENERAL STUDIES (SPECIFICATION B) Unit 5 Power-Regulation

46551F (JAN F01) General Certificate of Secondary Education Foundation Tier January 2011

PiXL Independence. English Literature Student Booklet KS4. AQA Style, Poetry Anthology: Love and Relationships. Contents:

General Certificate of Secondary Education June 2010

ENGLISH (ENGL) 101. Freshman Composition Critical Reading and Writing. 121H. Ancient Epic: Literature and Composition.

MACMILLAN MASTER GUIDES THE PROLOGUE TO THE CANTERBURY TALES BY GEOFFREY CHAUCER

SAUSD Curriculum Map: Grade 12 ELA Year at a Glance

English (Advanced) Paper 2 Modules 2004 HIGHER SCHOOL CERTIFICATE EXAMINATION. Total marks 60. Section I. Pages 2 3

English Language (Specification B)

Anthology Analysis (Editing Women Writers, Phase 2)

153/07 ENGLISH LITERATURE SPECIFICATION B HIGHER TIER. A.M. TUESDAY, 23 May (2 1 2 hours)

TABLE OF EXAMS. Introductory Preliminary Transition

Autumn SPECIFICATIONS GCSE ENGLISH LITERATURE

Mock Exam: Paper 1 English Language

Curriculum Overview Sheet

NTB6. General Certificate of Education June 2007 Advanced Level Examination

Gcse Poetry How To Write A Response

Section - B. 12 Maximum Marks : 12. (Assignment) Master of Arts Programme (M.A.)

The Canterbury Tales Prologue Questions And Answers

Contents 1. Chaucer To Shakespeare 3 92

ENGLISH LITERATURE (SPECIFICATION B) Unit 6 Exploring Texts

boring sad uncertain lonesome

AS ENGLISH LITERATURE B

UNIVERSITY OF CAMBRIDGE INTERNATIONAL EXAMINATIONS Cambridge International Level 3 Pre-U Certificate Principal Subject

HIGHER SCHOOL CERTIFICATE EXAMINATION ENGLISH 2/3 UNIT (COMMON) PAPER 2 POETRYÑFICTIONÑDRAMA. Time allowedñtwo hours (Plus 10 minutes reading time)

English as an Additional Language 2019 v1.4

Welcome to BA (Hons) Acting.

Transcription:

General Certificate of Education June 2003 Advanced Subsidiary Examination ENGLISH LITERATURE (SPECIFICATION A) Unit 3 LTA3 Friday 23 May 2003 Morning Session In addition to this paper you will require: a 12-page answer book. Time allowed: 2 hours Instructions Use blue or black ink or ball-point pen. Write the information required on the front of your answer book. The Examining Body for this paper is AQA. The Paper Reference is LTA3. There are two sections: Section A: Drama Section B: Poetry You must answer two questions, one chosen from each section. You must answer on one pre-1900 and on one twentieth century text. Information The books prescribed for this paper may be taken into the examination room. Pre-1900 texts are indicated by an asterisk*. The maximum mark for this paper is 40. All questions carry 20 marks. You will be assessed on your ability to use an appropriate form and style of writing, to organise relevant information clearly and coherently, and to use specialist vocabulary, where appropriate. The degree of legibility of your handwriting and the level of accuracy of your spelling, punctuation and grammar will also be taken into account. Advice Answers on pre-1900 (asterisked) texts must demonstrate understanding of the contexts that have shaped the writing. Answers on twentieth century texts must consider different interpretations of texts by other readers as well as your own informed, independent opinions.

2 SECTION A Drama Answer one question from this Section. EITHER *Doctor Faustus Christopher Marlowe 1 What does Marlowe s presentation of Mephastophilis tell an audience about sixteenth century ideas of hell and damnation? 2 Remind yourself of the opening scene (pages 6 13 in the New Mermaids edition) from Settle thy studies, Faustus... to...i ll conjure, though I die therefore. What is the importance of this scene in the context of the whole play? In your answer, you should consider: the presentation of Faustus the dramatic effects created by Valdes and Cornelius the ways in which a sixteenth century audience might have responded to this scene. *The Country Wife William Wycherley 3 Remind yourself of the first 200 lines of Act V Scene IV (pages 133 141 in the New Mermaids edition: as far as the exit of Sir Jaspar, Lady Squeamish, Lady Fidget, Mrs Dainty and Squeamish). What is the importance of this section in the context of the whole play? In your answer, you should pay particular attention to: the behaviour of the female characters the language used in this section the writer s attitude to these women. 4 Gallants such as Horner are common characters in Restoration comedies. Explore Wycherley s purposes in his presentation of Horner. *The Rivals Richard Brinsley Sheridan 5 Remind yourself of the section of Act II Scene I which begins with the entrance of Faulkland at line 55 and ends with the exit of Acres at line 324 (pages 32 42 in the New Mermaids edition). What is the importance of this section in the context of the whole play? In your answer, you should consider: the presentation of Faulkland the dramatic effects created by Bob Acres Sheridan s references to eighteenth century manners and codes of behaviour. 6 Explore the ways in which Sheridan presents the gap between different generations in the eighteenth century.

3 The Glass Menagerie Tennessee Williams 7 To what extent do you agree with the view that primarily, this is a play about the generation gap? 8 He is the only normal person in the whole play! How far do you agree with this assessment of Williams presentation of Jim O Connor? Light Shining in Buckinghamshire Caryl Churchill 9 A critic has written that Churchill s favourite theme is political change. How far does this view apply to Light Shining in Buckinghamshire? 10 A recent review of this play claimed Star is the character who best represents Churchill s presentation of the effects of the Civil War. To what extent do you agree with this claim? Use Star s conversations with Briggs on pages 10 12 and 37 41 of the Nick Hern Books edition as the starting point for your answer. Arcadia Tom Stoppard 11 An early review of Arcadia claimed that Stoppard presents the breakdown of Newtonian order and all that is left is chaos. To what extent do you agree with this view of the play? 12 She is Stoppard s most charming creation: the most likeable character in the play. How far do you agree with this assessment of the presentation of Thomasina? Turn over

4 SECTION B Poetry Answer one question from this Section. *The Wife of Bath s Prologue Geoffrey Chaucer EITHER 13 How does Chaucer present fourteenth century attitudes to the church in The Wife of Bath s Prologue? 14 Remind yourself of lines 525 633 (from My fifthe housbonde, God his soule blesse! to He nolde suffre nothing of my list ), in which the Wife of Bath describes her relationship with Jankin. What is the importance of this section in the context of the whole of The Wife of Bath s Prologue? *Three Victorian Poets ed. Ogborn 15 Remind yourself of the four short personal poems by Robert Browning on pages 143 147 ( Meeting At Night, Parting At Morning, Home-Thoughts, from Abroad and De Gustibus- ). Explore the ways that Browning presents his feelings and personality in these poems. 16 Explore the ways the poems in this anthology reflect the Victorians fascination with the Middle Ages. through the selection.

5 *A Choice of Christina Rossetti s Verse ed. Jennings 17 It has been suggested that, like her brother (the Pre-Raphaelite painter, Dante Gabriel Rossetti), Christina lived mostly in a dream world of her own imagination. Explore the ways Christina Rossetti uses dreams in her poetry. through the selection. 18 It has been said that Rossetti s poems are always from the same angle. Consider this view of Rossetti s poetry. In your answer, you should consider two or three poems within the context of the whole selection. The Whitsun Weddings Philip Larkin 19 Larkin told an interviewer that Send No Money is the one I always repeat to myself. To what extent do you feel that Send No Money (page 43) is the key poem in the collection? 20 How far do you agree with the view that Larkin s presentation of relationships between men and women is always pessimistic? through the whole collection. Turn over

6 Safe As Houses U.A. Fanthorpe 21 Another poet has written that she found lots to chuckle over in Safe As Houses. Is this how you respond to Fanthorpe s poems? through the collection. 22 Remind yourself of the first poem in this book: Haunting. To what extent do you agree with the view that, in terms of subject matter and style, this poem is an appropriate introduction to the whole collection? Mean Time Carol Ann Duffy 23 To what extent do you agree with the reviewer of Mean Time who claimed that the poems dealing with childhood are the most successful in the book? through the collection. 24 Remind yourself of the poem Disgrace (page 48). To what extent do you agree with the view that, in terms of subject matter and style, this poem is the key to the whole collection? END OF QUESTIONS