Cut Out of the Picture A campaign for gender equality among directors within the UK film industry

Similar documents
Cut Out Of The Picture

GENDER INEQUALITY AND SCREENWRITERS

Channel 4 submission to the BBC Trust s review of BBC services for younger audiences

BBC Three. Part l: Key characteristics of the service

Film & Media. encouraged, supported and developed, and artists and filmmakers should be empowered to take risks.

Vice President, Development League of American Orchestras

Australian Broadcasting Corporation. submission to. National Cultural Policy Consultation

Australian Broadcasting Corporation. Screen Australia s. Funding Australian Content on Small Screens : A Draft Blueprint

House of Lords Select Committee on Communications

In accordance with the Trust s Syndication Policy for BBC on-demand content. 2

The BBC s services: audiences in Northern Ireland

EDITORIAL POLICY GUIDELINES FOR BBC WORLD SERVICE GROUP ON EXTERNAL RELATIONSHIPS AND FUNDING

The social and cultural purposes of television today.

Media Examination Revision 2018

THE DEALS GUIDE ASSIGN? DISSECTING THE DIGITAL DOLLAR. themmf.net/digitaldollar

Specialised Exhibition and Distribution: International Case Studies. The Film Council

RESPONSE BY IBT (THE INTERNATIONAL BROADCASTING TRUST) TO THE BBC TRUST s SERVICE REVIEW OF BBC 1, 2, 4 AND BBC RED BUTTON

Credits. Guidance Note. Status of Guidance Note. Key Editorial Standards. Issued: 11 April 2011

Broadcasting Authority of Ireland Guidelines in Respect of Coverage of Referenda

The ABC and the changing media landscape

OCTOBER 20, 2018 TORONTO, ONTARIO

The BBC s services: audiences in Scotland

RESULT-BASED ACTION PLAN

SALES DATA REPORT

ARTISTIC DIRECTOR APPLICATION PACK

Call for Embedded Opportunity: The British Library Sound Archive

Written evidence submitted by the British Film Institute (BFI)

Broadcasting Authority of Ireland Rule 27 Guidelines General Election Coverage

INDUSTRY-LED BFI REPORT PROPOSES MEASURES TO BOOST BRITISH INDEPENDENT FILM

SEARCHLIGHT RECRUITMENT

Meeting of the BBC Board MINUTES. 17 October 2017 Media City, Salford

National Association Of Broadcasters 1

Operating licence for the BBC s UK Public Services

Efficient, trusted, valued

Welcome to our information pack for the post of: Festival and Venue Marketing Advisor

GENDER EQUALITY COMMISSION Strasbourg, April Gender Equality in Eurimages

City of Kingston Report to Council Report Number

Published July BFI Neighbourhood Cinema: Equipment Fund Guidelines for Applicants

BFI Measures of success

BBC RADIO 5 LIVE: AN AUDIENCE PERSPECTIVE

KANZ BROADBAND SUMMIT DIGITAL MEDIA OPPORTUNITIES DIGITAL CONTENT INITIATIVES Kim Dalton Director of Television ABC 3 November 2009

Ofcom s second public service broadcasting review Phase 2: preparing for the digital future - Response from Nickelodeon UK

BBC Trust. End of Charter Report. March March

Channel 4 response to House of Lords Select Committee on Communications inquiry into the British film and television industries

Service availability will be dependent on geographic coverage of DAB and digital television services 2

Diversity Report 2017

HARMONY OF OPPOSITES: COMPOSITION AS A PROFESSION IN THE NORDIC COUNTRIES

ITALY APPENDIX V. Table of Contents 2 APPENDIX V ITALY APPENDIX V ITALY 1

Community Orchestras in Australia July 2012

BBC Trust Service Reviews

Europa Distribution Answer to the Consultation on Sate Aids September

Film, high-end television and animation programmes production in the UK: full-year 2017

Future broadband Policy approach to next generation access

Independent TV: Content Regulation and the Communications Bill 2002

Brief for: Commercial Communications in Commercial Programming

Australian Broadcasting Corporation. Department of Broadband, Communications and the Digital Economy

Tender Brief for Hull on Film A project supported by the Heritage Lottery Fund

The BBC s management of the costs of producing continuing drama

FUTURE OF FILM ARCHIVES SECURED. James Purnell announces 25 million for national and regional film archives

GUIDELINES FOR APPLICANTS 2016 SUBMISSION DEADLINE

Production Company of the Year. Additional Evidence April 1 st 2015 March 31 st 2016

NORTHERN BALLET MUSIC DIRECTOR

CASE STUDY: MELBOURNE SYMPHONY ORCHESTRA

FILM HUB SOUTH EAST AUDIENCE DEVELOPMENT SCHEME Guidelines

SOMEDAY STORIES SERIES THREE Making change with film. Request for Proposals

2016 PROMAXBDA LOCAL AWARDS CATEGORIES

BBC Trust Service Review: Network Music Radio

BBC tariff range of indicative prices for the supply of commissioned television programmes

DIGITAL TELEVISION: MAINTENANCE OF ANALOGUE TRANSMISSION IN REMOTE AREAS PAPER E

MANOR ROAD PRIMARY SCHOOL

DEVELOPMENT AND PRODUCTION CREATIVE EUROPE. Support for the audiovisual sector. #creativeeurope

ASSOCIATE DIRECTOR (Fixed Term, Two Years) APPLICATION PACK KILN THEATRE

Jazz Bandleader Composer

Building Your DLP Strategy & Process. Whitepaper

Chapter 18: Public investment in film in the UK

UK LIVE MUSIC ATTENDANCE AND MUSIC TOURISM IN 2017

Analysis of data from the pilot exercise to develop bibliometric indicators for the REF

Australian Chamber Choir Regional Performance and Relationship Model

BRITISH TINNITUS ASSOCIATION ANNUAL REVIEW 2013

PUBLIC/PRIVATE PARTNERSHIP IN DEVELOPING A HEALTHY CULTURAL ECOLOGY

LOCAL TELEVISION STATIONS: Maintaining an Important Presence in 2016 & Beyond. August Copyright All Rights Reserved.

The State of Poetry and Poetry Criticism in the UK and Ireland, Jan 2012 Mar 2018

T4 Part B Case Study Examination

Delivering Quality First consultation. Submission to BBC Trust from BBC Audience Council for Scotland. December 2011

The Netherlands Institute for Social Research (2016), Sport and Culture patterns in interest and participation

Sale & Box Office Manager; Deputy Sales & Box Office Manager, Box Office Duty Manager. Customer Manager, Venue Managers, Front of House Assistants

Frequently Asked Questions

Institutes of Technology: Frequently Asked Questions

GCSE Teacher Guidance on the Music Industry Music

BBC Response to Glasgow 2014 Commonwealth Games Draft Spectrum Plan

London Environment Directors Network

Window of Creative Competition for Television BBC Trust review

New Zealand Film Commission

REVIEW OF THE SCOTTISH BORDERS DIGITAL TV SWITCHOVER

I thought it would be useful to append a list of our main points from Wednesday s meeting on the next page.

SIX BFI NETWORK TALENT EXECUTIVES APPOINTED TO REACH AND DEVELOP NEW FILMMAKERS NATIONWIDE

Submission to: A Future for Public Service Television: Content and Platforms in a Digital World - A Public Inquiry: Chaired by Lord Puttnam

AUSTRALIAN SUBSCRIPTION TELEVISION AND RADIO ASSOCIATION

Name / Title of intervention. 1. Abstract

UPPINGHAM SCHOOL JOB DESCRIPTION

Transcription:

Cut Out of the Picture A campaign for gender equality among directors within the UK film industry directors.uk.com @Directors_UK #DUKFilm5050

Gender inequality in the film industry has long been acknowledged as a serious problem, but despite high profile discussions and debates progress has yet to be made on the disparity between the number of men and women working as film directors. Directors UK wanted to get behind the numbers and identify the root causes as to why women directors are consistently disadvantaged when trying to become a director and in progressing their careers. Directors UK commissioned a study by Stephen Follows and Alexis Kreager to examine the career development of directors, and discovered how the industry culture leads to vastly different outcomes for men and women directing film. The report studied 2,591 UK films released between 2005 and 2014 to offer a comprehensive view of the industry over the last decade. The results revealed the systemic bias faced by women directors trying to progress a career, and provides us with new insight and understanding as to what is causing this inequality. Films command a great deal of influence on everyday society and the role of directors as storytellers is fundamental to this. This is why it is incredibly important that film directors reflect the audience they serve. By diversifying the pool of directors in the film industry, we open film up to a greater range of perspectives and stories. Both publicly funded and commercial film sectors have a role to play in ensuring a healthy and diverse range of voices in UK film. Scope The study looks at 2,591UK films released over 10 years (2005-2014) The study explores how women directors are affected by: Industry culture Audience Budgets Public funding Genres Career progression Critics Related industry careers For the full report visit: directors.uk.com

The problem UK films are 6x more likely to be directed by a man than a woman. 13.6% of working film directors over the period studied have been women. 11.5% of UK films over the period studied were directed exclusively by women. Over the ten-year period studied the percentage of UK films directed by women increased by only 0.6% 40 30 20 10 11. 3% 11.9 % 2005 2014 Women directors make fewer films in their career and are less likely to direct a or 4 th 2 nd 3 rd film. Women directors are disproportionately under-represented within certain genres. The scale of the problem makes it impossible for the system to rebalance by itself. The causes Gender inequality is due to unconscious bias caused by systemic issues: No regulatory system to effectively monitor, report and enforce gender equality. No structured hiring and recruitment practices. Lack of certainty in the industry leads to greater risk-aversion and greater reliance on the preconceived stereotype of the director as a man. The short-term nature of projects discourages long-term thinking and the use of positive HR practices. Only large scale, industry-wide intervention will tackle the extreme gender inequality in the UK film industry. Gender inequality in the film industry creates and supports a vicious cycle of: Fewer women are hired to direct. Reinforces the male stereotype. Low number of women directors. A lack of role models discourages talent. A low number of working women directors.

The consequences Women directors careers are limited and inhibited at every stage in becoming a film director. 50.1% 50.1% of all film students in the UK and 49.4% of new entrants in the film industry are women. 27.2% 27.2% of short films are directed by women. 21.7% 21.7% of publicly funded films have a woman director. 16.1% 16.1% of low-budget films (under 500,000) are directed by women. 12.8% 12.8% of mid-budget films ( 1-10 million) are directed by women. 3.3% 3.3% of big-budget feature films (over 30 million) are directed by women. As budgets rise fewer women are hired as directors.

Public funding Public funding support for UK films directed by women has drastically fallen over seven years. 50 40 30 20 10 32.9% 17% 2008 2014 Although this is still the best performing area of the industry, if this decline continues, publicly-funded films will soon perform no better than the commercial sector on gender equality. Over the ten-year period, only 21.7% of the films with UK-based public funding had a woman director. The number of women directors working in the UK film industry will only ever improve with direct industry wide intervention. Our recommendations 150% of films backed by UK-based public funding bodies to be directed by women by 2020 Public funded film offers one of the most direct opportunities to impact the gender inequality in the film industry. A realistic time-frame (four years) to put in place suitable schemes and initiatives to meet this target. A requirement for public funders to monitor and report on gender. 2 Development of the Film Tax Credit Relief system to require all UK films to take account of diversity This aspect of government support for the UK film industry touches all films produced in the UK, and therefore is the most powerful mechanism that can directly influence industry-wide change. 3 Industry wide campaign to inform and influence change Government, industry leaders, agencies, production companies and public organisations to take decisive action to tackle gender inequality, and to work together as one industry to support equal opportunity regardless of gender. Directors UK campaign We will continue our campaign calling on all parts of the UK film industry to make clear their commitments to tackling the causes of gender inequality among directors. Recognising our role in supporting women to become directors and progress their careers we commit that: By 2020 Directors UK members of working age will be 50:50 men and women. Our campaign will develop support in the following areas: Advocacy Career development Information and advice Collaboration and partnerships with industry Events, skills training and networking opportunities.

Directors UK is the single voice of British screen directors representing the creative, economic and contractual interests of over 6,000 members the overwhelming majority of working film and television directors in the UK. Directors UK campaigns for the rights, working conditions and status of directors in the industry and works closely with fellow organisations in the UK, Europe and around the world to represent directors rights and concerns. It also promotes excellence in the craft of direction both nationally and internationally and champions change to the current landscape to create an equal opportunity industry for all. For Press & Campaign enquiries please contact: Victoria Morris Head of Communications and Public Affairs E-mail: commsandpublic@directors.uk.com Ali Bailey Head of Campaigns E-mail: abailey@directors.uk.com Tolu Akisanya Communications & Campaigns Officer E-mail: takisanya@directors.uk.com @Directors_UK #DUKFilm5050 Contact us: +44 (0)20 7240 0009 info@directors.uk.com www.directors.uk.com DESIGNED BY COG DESIGN PHOTOS: BERYL RICHARDS BY PATRICK TOSELLI, AURORA FEARNLEY BY IAN MANTGANI, AND JENN NKIRU