FILM ON UK TELEVISION

Similar documents
FILM ON UK TELEVISION

BFI RESEARCH AND STATISTICS PUBLISHED AUGUST 2016 THE UK FILM MARKET AS A WHOLE. Image: Mr Holmes courtesy of eone Films

UK box office report: 2008

GENRE AND CLASSIFICATION

DISTRIBUTION B F I R E S E A R C H A N D S T A T I S T I C S

UK FILMS AT THE WORLDWIDE BOX OFFICE

AUDIENCES Image: The Huntsman: Winter s War 2016 Universal Pictures. Courtesy of Universal Studios Licensing LLC

FILM ON DIGITAL VIDEO

UK films at the worldwide box office, 2011

HOME ENTERTAINMENT 1

THE UK FILM ECONOMY B F I R E S E A R C H A N D S T A T I S T I C S

Digital Television Update Q4 2004

BROADCAST. The following concepts help ensure the way we distribute revenue to members is equitable.

The UK box office, first half year (H1) 2018

EMPLOYMENT IN THE FILM INDUSTRY

Film on UK television 2011

Television channels required to provide television access services in 2017

The Communications Market: Digital Progress Report

The Communications Market: Digital Progress Report

FILM AT THE CINEMA 1

BBC Trust Changes to HD channels Assessment of significance

UK films at the worldwide box office, 2017

UK film box office revenues exceed 1 billion for the third year in succession

Television channels required to provide television access services in 2019

Public Service Broadcasting Annual Report 2011

UK TV Exports. A global view in 2016/17

Northern Ireland: setting the scene

UK TALENT AND AWARDS. BFI Research and Statistics PUBLISHED NOVEMBER 2015

3. Television and audio-visual

THE SVOD REPORT: CHARTING THE GROWTH IN SVOD SERVICES ACROSS THE UK 1 DAILY CONSOLIDATED TV VIEWING 2 UNMATCHED VIEWING

Investor Presentation

International theatrical results for UK films, 2008

INNOVATION INVESTING INVESTING IN INNOVATIO

UK RULES OF DISTRIBUTION Appendix

2 Television and audio-visual content Recent developments in Scotland

Television access services report 2015

australian multi-screen report QUARTER 2, 2012 trends in video viewership beyond conventional television sets

FACTSHEET 4 Consumption of broadcast TV

Seen on Screens: Viewing Canadian Feature Films on Multiple Platforms 2007 to April 2015

Overview of Television landscape in New LC1* Markets. *Guj LC1, MP LC1, PHCHP LC1, Raj LC1, UP LC1

Chapter 18: Public investment in film in the UK

It is a pleasure to have been invited here today to speak to you. [Introductory words]

This is a licensed product of AM Mindpower Solutions and should not be copied

BBC Television Services Review

Ofcom's proposed guidance on regional production and regional programming

ThinkTV FACT PACK NEW ZEALAND JAN TO DEC 2017

October Digital Terrestrial TV

TV Demand. MIPTV 2017 Special: Trends for LATIN AMERICA. Kayla Hegedus, Industry Data Scientist

Appendices 4 and 5: Methodology and Historical Analysis

UKFC1956_YearbookSignOff 20/7/06 10:00 Page 1

D PSB Audience Impact. PSB Report 2011 Information pack June 2012

SIDELETTER NO. 15. As of July 1, 2002; Revised as of July 1, 2008; Revised as of July 1, 2011; Revised as of July 1, 2014

UK RULES OF DISTRIBUTION Appendix

The Blockbuster Era and High Concept

A quarterly review of population trends and changes in how people can watch television

Introduction slide 1 Digital Television 1. produced consumed New companies online continuation experimentation fragmenting reception dispersed

Eros: A Multi-Platform Model

Film and other screen sector production in the UK, January June (H1, Half Year) 2018

Motion Picture, Video and Television Program Production, Post-Production and Distribution Activities

Digital Day 2016 Overview of findings

Looking Ahead: Viewing Canadian Feature Films on Multiple Platforms. July 2013

Wales. BBC in the nations

Media and Entertainment: The Fight for Consumers Time and Money

North West Media Briefing

Survey on the Regulation of Indirect Advertising and Sponsorship in Domestic Free Television Programme Services in Hong Kong.

House of Lords Select Committee on Communications

COMMUNICATIONS OUTLOOK 1999

Odeon & UCI Finco plc. Q Investor Presentation

U.S. Theatrical Market: 2005 Statistics. MPA Worldwide Market Research & Analysis

Cineplex Galaxy. Income Fund Fourth Quarter & Full Year

Film production in the UK Jan to Sept 2010

The ABC and the changing media landscape

Efficient, trusted, valued

Development of Digital TV in Europe

ZEE TELEFILMS LIMITED

B - PSB Audience Impact. PSB Report 2013 Information pack August 2013

Changes to BBC services second consultation on proposed changes to BBC Three, BBC One, BBC iplayer and CBBC

Jersey Competition Regulatory Authority ( JCRA ) Decision M799/11 PUBLIC VERSION. Proposed Joint Venture. between. Scripps Networks Interactive Inc.

MID d ata data 2009 PSB Report 2010

AUSTRALIAN MULTI-SCREEN REPORT QUARTER

Israel Film & Television Industry Facts and Figures at a Glance 2017

Purpose Remit Survey Autumn 2016

Results Films, television programs, production, distribution, exhibition, exports, video, new media

OECD COMMUNICATIONS OUTLOOK 2001 Broadcasting Section

Key Maths Facts to Memorise Question and Answer

Statistical, ecosystems and competitiveness analysis of the Media and Content industries. Validation workshop, October 2011

The Communications Market in England. 2 TV and audio-visual content

DQ Entertainment (International) Limited, India

Context The broadcast landscape

POLICY ON FAIR REGULATION OF BROADCASTERS

MULTIPLE- SCREEN VIEWING: SPORT: THE WORLD CUP AND SPORTS VIEWING 1 ENGLAND V CROATIA (ITV) - WEDNESDAY JULY 11TH 2018

PSB Annual Report 2015 PSB Audience Opinion Annex. Published July 2015

Consultation on the allocation of LCN 7. Published: Wednesday, 16 December 2015

FIM INTERNATIONAL SURVEY ON ORCHESTRAS

AUSTRALIAN MULTI-SCREEN REPORT QUARTER

UKTV response to Ofcom consultation: Notice of proposed change to L-DTPS licence obligations of ESTV Limited (the local TV Licensee for London)

ADMISSIONS IN COLOMBIA

Odeon & UCI Finco plc Q2 Investor Presentation

T4 Part B Case Study Examination

South African Cultural Observatory National Conference Presentation May 2016

Transcription:

FILM ON UK TELEVISION BFI Research and Statistics PUBLISHED NOVEMBER 205 Image: Skyfall courtesy of Sony Pictures

FILM ON UK TELEVISION IN TERMS OF VIEWER NUMBERS, TELEVISION IS THE SINGLE MOST IMPORTANT PLATFORM FOR FILM CONSUMPTION IN THE UK. VIEWERS HAD A CHOICE OF OVER 6,500 UNIQUE FILM TITLES ACROSS ALL CHANNELS IN 204, AND THE CUMULATIVE FILM AUDIENCE WAS JUST OVER THREE BILLION. FACTS IN FOCUS There were 6,572 unique film titles on television in 204, including,646 on terrestrial channels,,45 on pay TV film channels and 3,78 on other digital channels. There were,943 film transmissions on terrestrial channels, down from,990 in 203. Of these, 400 (2%) were UK films (down from 54 in 203), 247 films (3%) were network premieres and 56 (3%) were foreign language films (up from 47 in 203). The top film on terrestrial television was Skyfall on ITV, with 8. million viewers. There were just over three billion viewings of feature film across all television formats (except pay-per-view) in 204 over 20 times the number of cinema admissions. The estimated value of feature film to UK broadcasters in 204 was.4 billion, down from.6 billion in 203.

PROGRAMMING ON THE TERRESTRIAL CHANNELS Table. shows the total number of feature films broadcast on the five terrestrial channels in 204 and the number of UK titles broadcast in that time. (Terrestrial television is used here to describe the previous national terrestrial analogue services, all of which have some degree of public service obligation.) UK films are broken down into older titles (more than eight years old) and recent theatrical releases (released in the last eight years). Here, UK films include all titles listed as UK originated by the Broadcasters Audience Research Board (BARB), plus UK qualifying films given other nationalities (mostly USA) in the BARB data. There were,943 film transmissions on terrestrial television in 204, marginally down from,990 in 203, an average of over five films a day. FILM ON UK TELEVISION Table. Feature films broadcast on terrestrial television 204 Number of films broadcast Number of UK films broadcast UK films as % of total Number of recent UK films broadcast Recent UK films as % of total films broadcast BBC One 92 24 3 5 8 BBC Two 433 26 29 37 9 ITV 25 0 40 32 3 Channel 4 543 83 5 35 6 Channel 5 524 66 3 < Total,943 400 2 20 6 Source: Attentional, BFI RSU analysis Includes repeat broadcasts of individual titles. In 204, 2% of films broadcast on terrestrial television (247 films) were premieres (films shown for the first time on terrestrial networks); 40 of these were UK films (Table.2). Channel 4 showed the highest number of premieres overall and the highest number of UK film premieres, with 33 and 7 films respectively, whereas ITV showed the smallest number of premieres with seven, although six of these were premieres of UK films. Table.2 Premiere feature films broadcast on terrestrial television, 204 Number of premiere films broadcast Number of UK premiere films broadcast UK premiere films as % of total premiere films Average audience Top premiere Audience for top premiere BBC One 5 3 20 2.96 Marvel Avengers Assemble 6.0 BBC Two 49 4 29 0.38 Salmon Fishing in the Yemen.8 ITV 7 6 86 3.42 Skyfall 8. Channel 4 33 7 3 0.68 Rise of the Planet of the Apes 4.0 Channel 5 43 0 0.86 Gran Torino 2.0 Total 247 40 6 0.87 Source: Attentional, BARB, BFI RSU analysis BFI Statistical Yearbook 205-3

Figure. shows the percentage of films broadcast categorised by the number of times they have been screened by a particular channel. The number of times a film is shown varies across the channels, although for each channel titles shown five times or more account for the greatest proportion (59%) of film broadcasts. As with the number of premieres broadcast in 204, Channel 4 had the largest proportion of premieres (24%) in terms of films broadcast, while ITV had the smallest (3%). Figure. Proportion of feature film premieres and repeat broadcasts on terrestrial channels, 204 % 00 90 80 70 60 50 40 30 20 0 0 BBC One BBC Two ITV Channel 4 Channel 5 Premiere 8 3 24 8 2nd broadcast 9 5 7 2 3rd broadcast 34 3 3 4 7 4th broadcast 3 5 2 5 5th or more broadcast 44 66 74 42 68 Source: Attentional, BARB, BFI RSU analysis Note: Percentages may not sum to 00 due to rounding. The most popular film premiere on terrestrial television in 204 was the Christmas Eve broadcast of Skyfall on ITV, which attracted 8. million viewers. (ITV regained the free-to-air television rights to the James Bond franchise in 203, after losing them for a year to Sky.) The network also had the second most popular terrestrial television film premiere of the year, Harry Potter and the Deathly Hallows: Part 2, which had 6.4 million viewers. Seven of the remaining top 0 premieres were shown on BBC One and one was shown on Channel 4. Half of the films in the top 0 are UK studio backed films (Table.3). 4 - BFI Statistical Yearbook 205

Table.3 Top 0 film premieres on terrestrial television, 204 Title Channel Country of origin Year of theatrical release Audience Skyfall ITV UK/USA 202 8. 2 Harry Potter and the Deathly Hallows: ITV UK/USA 20 6.4 Part 2 3 Marvel Avengers Assemble BBC One USA 202 6.0 4 Puss in Boots BBC One USA 20 5.5 5 War Horse BBC One UK/USA 202 5.4 6 Gnomeo & Juliet BBC One UK/USA/Can 20 4.9 7 Madagascar 3: Europe s Most Wanted BBC One USA 202 4.5 8 Rise of the Planet of the Apes Channel 4 USA 20 4.0 9 Kung Fu Panda 2 BBC One USA 20 3.6 0 The Pirates! In an Adventure with Scientists BBC One UK/USA 202 3.6 FILM ON UK TELEVISION Source: Attentional, BARB, BFI RSU analysis As Table.4 shows, 56 foreign language films were screened on the main terrestrial channels in 204 (3% of all film transmissions) up from 47 in 203. As in previous years the majority of foreign language films were shown on Channel 4 (46) and BBC Two (nine). BBC One was the only other terrestrial channel to broadcast a foreign language film (its first since 20). Table.4 Foreign language films broadcast on terrestrial television, 204 Number of foreign language films broadcast % of channel s film output Average audience Top foreign language film Audience for top rated foreign language film BBC One 0.5 0.7 City of Men 0.7 BBC Two 9 2. 0.2 The Gatekeepers 0.36 ITV - Channel 4 46 8.5 0.07 House of Flying Daggers 0.26 Channel 5 Total 56 3.0 0.0 Source: Attentional, BARB, BFI RSU analysis Total audience for all transmissions for the foreign language film, on the terrestrial channel listed. BFI Statistical Yearbook 205-5

The most popular foreign language film shown on terrestrial television in 204 was the French-Israeli documentary The Gatekeepers which attracted just over 360,000 viewers (Table.5). Seven of the top 0 films were European-backed projects. Table.5 Top 0 foreign language films on terrestrial television, 204 Title Channel Country of origin Year of theatrical release Audience The Gatekeepers BBC Two Israel/Fra 203 36,200 2 House of Flying Daggers Channel 4 China/Hong Kong 2004 263,300 3 The Raid Channel 4 Indonesia/USA 202 95,800 4 City of Men BBC One Brazil 2008 67,000 5 Paradise: Love Channel 4 Austria/Ger/Fra 203 62,700 6 Mesrine: Killer Instinct BBC Two* France 2009 4,400 7 Paradise: Hope Channel 4 Austria/Ger/Fra 203 3,200 8 Lady Chatterley Channel 4 Bel/Fra 2007 26,200 9 Female Agents Channel 4 France 2008 9,400 0 Mesrine: Public Enemy No BBC Two* France 2009 4,600 Source: Attentional, BFI RSU analysis Foreign language films with the highest audience figure for an individual transmission. *Audience figure excludes separate broadcast on BBC Two Northern Ireland which was transmitted one day later. Figure.2 illustrates the number of foreign language films broadcast on terrestrial television between 2005 and 204. The total number of titles has remained consistently low in comparison to the number of English language titles broadcast. 204 had the third lowest total (56) in the 0-year period. Channel 4 has shown the most foreign language films throughout the period accounting for nearly three quarters (74%) of all non-english language film broadcasts on terrestrial channels. 6 - BFI Statistical Yearbook 205

Figure.2 Number of foreign language films broadcast on terrestrial television, 2005-204 % 80 70 60 50 FILM ON UK TELEVISION 40 30 20 0 0 2005 2006 2007 2008 2009 200 20 202 203 204 BBC One 2 5 6 0 0 0 BBC Two 2 2 9 7 25 7 8 9 8 9 ITV 2 0 0 3 2 0 2 0 0 Channel 4 43 35 46 46 42 50 5 50 39 46 Channel 5 3 2 3 3 5 0 0 0 0 0 Total 6 4 63 73 76 59 60 7 47 56 Source: Attentional, BFI RSU analysis FILMS ON PEAK TIME TERRESTRIAL TELEVISION, 2005-204 The proportion of peak time hours (7:30 to 23:00 hours) dedicated to feature film varied widely across the terrestrial channels between 2005 and 204 (Figure.3). Throughout the period, Channel 5 has mainly had the highest proportion of peak time hours dedicated to film (6% in 204), while Channel 4 has always had either the second or third highest proportion. In 204, film made up 3% of peak time programming for Channel 4 and 9% for ITV. For the fourth consecutive year, BBC One had the lowest proportion of peak time hours dedicated to film (2%). BFI Statistical Yearbook 205-7

Figure.3 Film as a percentage of peak time programming hours by channel, 2005-204 % 35 30 25 20 5 0 5 0 BBC One BBC Two ITV Channel 4 Channel 5 2005 2006 2007 2008 2009 200 20 202 203 204 BBC One 8 20 3 9 9 4 2 2 2 2 BBC Two 3 0 6 7 5 3 4 4 4 5 ITV 7 7 9 9 9 6 6 3 9 Channel 4 2 5 6 5 3 5 4 4 3 Channel 5 22 27 9 7 2 22 2 20 9 6 TOP FILMS ON TERRESTRIAL TELEVISION Eight of the top 0 films broadcast on terrestrial television in 204 were premieres and one of the remaining top 0 was a repeat broadcast of one of the premiered titles (Table.6). Skyfall heads the list with 8. million viewers. (In theatrical revenue terms, this is equivalent to a box office gross of 54.4 million its actual gross in the UK was a record-breaking 02.9 million). This was the first time since the broadcast of Harry Potter and the Goblet of Fire in 2008 that the most watched film on terrestrial television was shown by ITV. 8 - BFI Statistical Yearbook 205

Table.6 Top 0 films on terrestrial television, 204 Title Channel Country of origin Year of theatrical release Audience Skyfall ITV UK/USA 202 8. 2 Harry Potter and the Deathly Hallows: Part 2 ITV UK/USA 20 6.4 3 Marvel Avengers Assemble BBC One USA 202 6.0 4 Puss in Boots BBC One USA 20 5.5 5 War Horse BBC One UK/USA 202 5.4 6 Gnomeo & Juliet BBC One UK/USA/Can 20 4.9 7 Madagascar 3: Europe s Most Wanted BBC One USA 202 4.5 8 Despicable Me ITV USA 200 4.4 9 Harry Potter and the Deathly Hallows: Part 2 ITV UK/USA 20 4.3 0 Rise of the Planet of the Apes Channel 4 USA 20 4.0 FILM ON UK TELEVISION Source: Attentional, BARB Films with the highest audience figure for an individual transmission. The list of top 0 UK films of 204 includes five premiere titles, four of which appear in the year s top 0 films on terrestrial television (Table.7). The list is headed by Skyfall, which attracted the year s highest audience for a single broadcast across the terrestrial channels. As in 203, the top 0 is dominated by films from the Harry Potter franchise. One of the premiered films, Harry Potter and the Deathly Hallows: Part 2, appears in the list three times alongside three other titles from the series. Seven of the top 0 UK film broadcasts were on ITV and three were on BBC One. Table.7 Top 0 UK originated films on terrestrial television, 204 Title Channel Country of origin Year of theatrical release Audience Skyfall ITV UK/USA 202 8. 2 Harry Potter and the Deathly Hallows: Part 2 ITV UK/USA 20 6.4 3 War Horse BBC One UK/USA 202 5.4 4 Gnomeo & Juliet BBC One UK/USA/Can 20 4.9 5 Harry Potter and the Deathly Hallows: Part 2 ITV UK/USA 20 4.3 6 Harry Potter and the Deathly Hallows: Part ITV UK/USA 200 3.7 7 The Pirates! In an Adventure With Scientists BBC One UK/USA 202 3.6 8 Harry Potter and the Half-Blood Prince ITV UK/USA 2009 3.5 9 Harry Potter and the Deathly Hallows: Part 2 ITV UK/USA 20 3.5 0 Harry Potter and the Order Of The Phoenix ITV UK/USA 2007 3.4 Source: Attentional, BARB Films with the highest audience figure for an individual transmission. BFI Statistical Yearbook 205-9

The most popular screenings of UK independent films on terrestrial television in 204 were the network premieres of The Best Exotic Marigold Hotel (3. million viewers) and The Woman in Black (2.4 million) both of which were shown on Channel 4 (Table.8). The top 0 includes two other premieres Salmon Fishing in the Yemen and My Week with Marilyn both of which were screened on BBC Two. Five of the top 0 films have appeared in the list in previous years including Nativity! which has featured in the top 0 films for the last four years and The Inbetweeners Movie which has appeared for the last three years. All but one of the films were shown on either BBC Two or Channel 4. Table.8 Top 0 independent UK films on terrestrial television, 204 Title Channel Country of origin Year of theatrical release Audience The Best Exotic Marigold Hotel Channel 4 UK/USA/Ind # 202 3. 2 The Woman in Black Channel 4 UK/USA/Swe # 202 2.4 3 Santa Claus: The Movie ITV UK/USA # 985 2. 4 Nativity! BBC Two UK 2009 2. 5 Dad s Army BBC Two UK 97 2.0 6 The Inbetweeners Movie Channel 4 UK 20.9 7 Salmon Fishing in the Yemen BBC Two UK 202.8 8 My Week with Marilyn BBC Two UK/USA # 20.6 9 Made in Dagenham BBC Two UK 200.3 0 The King s Speech Channel 4 UK 20.3 Source: Attentional, BARB Notes: UK independent films with the highest audience figure for an individual transmission. # Film made with independent (non-studio) US support. FILMS ON MULTI-CHANNEL TELEVISION In 204, multi-channel television (freeview/satellite/cable) accounted for almost 47% of all television viewing in the UK and 60% of all viewings of film on television. Table.9 lists the number of film transmissions, the average audience, the top film and audience for the top film, for a selection of digital channels which broadcast feature films. After dedicated film channels, Turner Classic Movies (3,00 films) and Film4 (nearly 2,600 films), the highest number of films was screened by the India-based Star digital network, with almost,600 films. For many of the free-to-air channels, including Film4, ITV2-4, Gold and 5*, the number of transmissions decreased compared with 203, partly due to + channels not being included in the data for 204. Despicable Me recorded the largest audience for a single screening on multi-channel television, with over.6 million viewers on ITV2. 0 - BFI Statistical Yearbook 205

Table.9 Feature films on selected digital channels, 204 Channel Number of films broadcast Average audience (000) Top film Audience for top film (000) Turner Classic Movies -2 3,00 9 Apache Territory 7 Film4 2,599 202 Red,233 Star Gold, Star Plus and Life OK,573 3 Kabhi Khushi Kabhie Gham 55 ITV2-4,53 266 Despicable Me,670 UMP Movies,203 4 Ek Main Aur Ekk Tu 72 SAB 853 6 Rab Ne Bana Di Jodi 63 More4, E4 and 4Music 690 204 Iron Man 866 Movies 24 652 8 All I Want for Christmas 85 5* 478 47 The Expendables 538 5 USA 47 34 The Siege 42 Syfy 47 53 Rambo: First Blood 236 Horror Channel 372 5 Beyond Re-Animator 75 BBC Three and BBC Four 22 529 Indiana Jones and the Last Crusade,345 Watch, Gold, Dave, Really, 26 2 Men in Black 38 Drama, Alibi and Yesterday Sky -2 22 05 Jumanji 483 Colors TV 203 8 Ishq Vishk 46 Rishtey Europe 7 0 Bhool Bhulaiyaa 48 VIVA 2 30 Norbit 99 FILM ON UK TELEVISION Source: Attentional, BARB Notes: Film with the highest audience figure for an individual transmission. The Zing and Lamhe channels are not shown in the table due to issues relating to identifiable film titles. Despicable Me was also the top film on digital multi-channel in 204 in terms of total audience across all transmissions, with.4 million viewers from nine broadcasts (Table.0). As in previous years, ITV2 had the largest number of films in the top 0, three of which were James Bond titles. BFI Statistical Yearbook 205 -

Table.0 Top 0 feature films on digital multi-channel television, 204 Title Channel Number of broadcasts Country of origin Year of theatrical release Total audience Despicable Me ITV2 9 USA 200.4 2 Indiana Jones and the Kingdom of the Crystal Skull BBC Three 6 USA 2008 6.2 3 Indiana Jones and the Last Crusade BBC Three 5 USA 989 5.6 4 Nanny McPhee and the Big Bang ITV2 8 UK/USA 200 5.3 5 Quantum of Solace ITV2 6 UK/USA 2008 4.9 6 Tomorrow Never Dies ITV2 6 UK/USA 997 4.9 7 Little Fockers BBC Three 6 USA 200 4.8 8 Independence Day Film4/E4 8 USA 996 4.7 9 Die Hard 4.0 Film4/E4 8 USA 2007 4.7 0 GoldenEye ITV2 5 UK/USA 995 4.4 Source: Attentional, BARB Total audience figure for all transmissions across all free-to-air and paid (non-film subscription) digital multi-channels. With the incorporation of MGM and Disney under the Sky Movies brand in early 204 the number of pay TV film channels decreased, which is reflected in the numbers of individual titles and transmissions being lower than in 203. The various Sky Movies channels broadcast a total of,22 unique titles across 33,009 slots during the year with an average audience of nearly 0,000. Table. shows the top 0 films in terms of combined viewings on pay TV film channels in 204. The Disney animation Wreck-It Ralph was the most popular film overall, with a total combined audience of 6.5 million from 48 transmissions. However, another Disney animation stands out in terms of audiences per transmission: Frozen attracted 5.2 million viewers in a single week, with its Christmas Day premiere alone attracting.4 million viewers, well over five times the audience received by any single transmission of another film on a pay TV film channel during the year. Table. Top 0 feature films on pay TV film channels, 204 Title Number of transmissions Country of origin Year of theatrical release Total audience Wreck-It Ralph 48 USA 203 6.5 2 Frozen 4 USA 2009 5.2 3 Iron Man 3 77 USA/China 203 4.0 4 Home Alone 79 USA 990 3.5 5 Elf 53 USA/Ger 2003 3.4 6 Toy Story 2 62 USA 2000 3.4 7 Toy Story 63 USA 996 3.2 8 Cloudy with a Chance of Meatballs 62 USA 2009 3.0 9 The Heat 70 USA 203 2.8 0 Aladdin 02 USA 993 2.8 Source: Attentional, BARB Notes: Total audience figure for all transmissions across all subscription film channels. All films were shown on Sky Movies. 2 - BFI Statistical Yearbook 205

THE AUDIENCE FOR FILM ON ALL TELEVISION CHANNELS, 2000-204 In 204, there were just over three billion viewings of film on television in the UK (Figure.4), compared with cinema admissions of 57.5 million. This is the lowest figure for television film audiences in the 5-year period 2000-204; it represents approximately 48 film viewings per person per year. Audience numbers decreased across all television platforms compared with 203. Pay TV viewings recorded the sharpest fall, decreasing from 453 million in 203 to 338 million in 204. Audiences for film on digital multi-channel were the lowest since 200; however, film viewings on this platform were greater than those on terrestrial channels for the third year in a row. Figure.4 Total audience for feature film on television (except pay-per-view), 2000-204 Million FILM ON UK TELEVISION 4,500 4,000 3,500 3,000 2,500 2,000,500,000 500 0 2000 200 2002 2003 2004 2005 2006 2007 2008 2009 200 20 202 203 204 Terrestrial 2,873 2,96 2,594 2,825 2,583 2,347,95,827,807,726,634,674,53,302,244 Pay TV film channels 67 645 722 796 732 668 630 488 49 565 557 593 570 453 337 Other digital multi-channel - - 74 264 286 323 724 796,97,565,476,64,760,666,496 Total 3,49 3,56 3,39 3,886 3,602 3,339 3,306 3, 3,497 3,856 3,668 3,909 3,862 3,42 3,078 Source: BFI RSU, Attentional, BARB THE VALUE OF FEATURE FILM TO BROADCASTERS Based on a model developed by Attentional, the BFI Research and Statistics Unit has estimated the value of feature film to UK broadcasters to have been approximately.4 billion in 204. The number of film transmissions and the audience size were down on 203 and therefore the estimated value has dropped by approximately 200 million. This figure is derived from the annual revenue per channel ie net advertising revenue for the commercial channels, subscription revenues for the pay TV channels and the proportion of licence fee applied to programming on the BBC channels multiplied by the percentage of broadcast hours for feature film. BFI Statistical Yearbook 205-3

2 Stephen Street, London WT LN bfi.org.uk/statistics