a) These describe the style in which one scene becomes the next b) Transmission c) Broadcast d) None of the above

Similar documents
UNIVERSITY OF CALICUT SCHOOL OF DISTANCE EDUCATION. (2014 Admn. onwards) IV Semester SCRIPTING FOR MEDIA

UNIVERSITY OF CALICUT INTRODUCTION TO VISUAL LANGUAGE QUESTION BANK

The Language of Film and TV

Syllabus Snapshot. by Amazing Brains. Exam Body: CCEA Level: GCSE Subject: Moving Image Arts

Apply(produc&on(methods(to(plan(and( create(advanced(digital(media(video( projects.

BEGINNING VIDEO PRODUCTION. Total Classroom Laboratory/CC/CVE

Glossary Unit 1: Introduction to Video

J333 Writing for Multimedia

Scope: Film... 2 Film analysis...5 Template: Film...8

Video Production. Daily independent reading: Pgs in Video Production Handbook. Read silently 10 min. Notes led by Mr.

Editing. A long process!

2. Materials Development. 1) Desktop Video Production

Syllabus Snapshot. by Amazing Brains. Exam Body: CCEA Level: GCSE Subject: Moving Image Arts

Continuity and Montage

Course: Film, Higher Level (HL)

The process of animating a storyboard into a moving sequence. Aperture A measure of the width of the opening allowing light to enter the camera.

Guide to Critical Assessment of Film

Exploring film production roles

Department of Cinema/Television MFA Producing

Film Techniques. The Art of Reading Film

Assignment 1 Autumn Term. Assignment 2 Spring Term. Assignment 3 Summer Term

CODING SHEET 2: TIMEPOINT VARIABLES. Date of coding: Name of coder: Date of entry:

Actor (3 to 4 students)

Continuity and Montage

Media Examination Revision 2018

Editing. Editing is part of the postproduction. Editing is the art of assembling shots together to tell the visual story of a film.

Video Production VIDEO PROJECT BRIEF

TOOLKIT GUIDE 3.0 TAKING YOUR IDEA TO THE SCREEN

Video Information Glossary of Terms

COURSE DESCRIPTION EUROPEAN BACHELOR OF FINE ARTS CINEMA & TELEVISION

AUTONOMOUS SFS, GURUKUL MARG, MANSAROVAR, JAIPUR COURSES OF STUDY FOR THE YEAR ADD-ON COURSES

DESIGN SECTION/SAMPLES interactive media print design brochures/pamphlets flyers newsletters ads presentations photography promotional items

PRODUCTION OF TV PROGRAMS ON A SINGLE DESKTOP PC -SPECIAL SCRIPTING LANGUAGE TVML GENERATES LOW-COST TV PROGRAMS-

!!!! L3 IB Film. Course Overview

BFA: Digital Filmmaking Course Descriptions

Producer Packet Project

L3 IB Film. Course Overview

Digital Video Arts 1. Course Codes. Industry Sector Arts, Media, and Entertainment. Career Pathway Design, Visual, and Media Arts

PROGRAM OF STUDY Motion Picture Production Certificate of Achievement

Theatre, Cinema, & Film Production. Segment One EXAM REVIEW

Producer s Signature

TELEVISION (VIDEO) PRODUCTION

NATIONAL DIPLOMA: FILM AND TELEVISION PRODUCTION Qualification code: NDFM08 - NQF Level 6

Condensed tips based on Brad Bird on How to Compose Shots and Storyboarding the Simpson s Way

A practical guide to creating learning videos

Units. Year 1. Unit 3: There Was This Guy. Unit 1: Course Overview. 1:1 - Getting started 1:2 - Introducing Film SL 1:3 - Assessment and Tools

Film and Television. Program Learning Outcomes. Certificate Program Certificate not applicable.

Film and Media Studies (FLM&MDA)

Mark Litwak & Associates

Film and Television. 318 Film and Television. Program Student Learning Outcomes. Faculty and Offices. Degrees Awarded

Workshop Producing educational videos: design and workflow issues

Entry Level Assessment Blueprint Television Production

Chapter 14 : Editing Digital Video. By Starr, Abraham, Brianna

EBU R The use of DV compression with a sampling raster of 4:2:0 for professional acquisition. Status: Technical Recommendation

DEMOCRATIC SOCIALIST REPUBLIC OF SRI LANKA. Video Productions for Youth. by Ahmad Faroughy. Action for disadvantaged young people

A Digital Talking Storybook

GUIDELINES FOR SUBMISSIONS OF FILMS

Portable. Video: ENG and EFP. Third Edition. Norman J. Medoff and Tom Tanquary FOCAL PRESS. Boston Oxford Johannesburg Melbourne New Delhi Singapore

GCSE FILM STUDIES PAPER 1 EXPLORING FILM SUPERHERO GENRE. 1 hour 30 minutes (20 minutes for DVD screening) 1.4 minutes per mark

Digital Video Arts I Course Outline

Unit 30: Advertising Production For Television Unit 62: Digital Video Production For Interactive Media Logbook

Digital Filmmaking For Kids

10 Day Lesson Plan. John Harris Unit Lesson Plans EDU 312. Prepared by: John Harris. December 6, 2008

Digital Broadcast Arts (DBA) Contact the Media Studies Department for further information., (769) , ext Office: P-31

SCREEN & MEDIA BE AMBITIOUS

Editing IS Storytelling. A few different ways to use editing to tell a story.

WRITING FOR THE MEDIA

The DDA (District Developed Assessment)

Media & Film. - courses for exchange students* -

Entry Level Assessment Blueprint Audio-Visual Communications Technology

Television Production

Teaching Voice-over Translation. Anna Matamala Freelance translator Universitat Autònoma de Barcelona

Filmmaking guide. Primary. Filmmaking Guide - Primary

Understanding Machinima p. 1 Machinima: A Marriage of Mediums p. 1 Filmmaking p. 2 Animation p. 2 3D Game Development Technology p.

Film and Television. 300 Film and Television. Program Student Learning Outcomes

Curriculum Knowledge Y11 Half term 1. Component 1 section B: Key developments in film and film technology

DIGITAL NARRATIVE ASSIGNMENT 2

Thursday, April 28, 16

Calendar Proof. Calendar submission Oct 2013

P u r s u i n g T h e P u b l i c G o o d T h r o u g h C i n e m a. Honors 102 Dr. Roberto D. Pomo Fall 2012

FILM AND VIDEO STUDIES (FAVS)

Audio and Video Diagnostic Test

FILM 110A Film Production I

FI: Film and Media. FI 111 Introduction to Film 3 credits; 2 lecture and 2 lab hours

CHRISTIAN FILM AND MEDIA

BROADCAST NEWS. Mitchell Stephens. New York University HARCOURT BRACE JOVANOVICH COLLEGE PUBLISHERS

Alpha channel A channel in an image or movie clip that controls the opacity regions of the image.

KRZYSZTOF KIEŒLOWSKI FACULTY OF RADIO AND TELEVISION

Television Broadcasting

Cinema Vérité & Direct Cinema

TOOLKIT GUIDE 4.0 TECHNICAL GUIDE

The Debates around Realism in the Korean Cinema

INDUSTRY OVERVIEW: MEDIA

Editing & Sound Relating Images & Listening to the Cinema

SERIES H: AUDIOVISUAL AND MULTIMEDIA SYSTEMS Infrastructure of audiovisual services Coding of moving video

INTERNATIONAL STANDARDS FOR SCHOLASTIC BROADCAST JOURNALISM

RECOMMENDATION ITU-R BT

Active Minds Bonus Chapter

Youth Film Challenge activities

Editing Emotion. Overview. Learning Outcomes. Preparation and Materials LESSON PLAN

Transcription:

UNIVERSITY OF CALICUT SCHOOL OF DISTANCE EDUCATION BGDA(UG SDE) III SEMESTER COMPLEMENTARY COURSE Bachelor of Graphic Design and Animation (BGDA) Preproduction, Production & Postproduction for Film/TV Prepared by Noushad N Head, Department of Multimedia Majlis Arts and Science College Puramannur PO, Valanchery, Malappuram Dist. QUESTION BANK 1. Structure of script a) Dialogue and description b) Elements of design c) Design of characters d) None of the 2. Transition a) These describe the style in which one scene becomes the next b) Transmission c) Broadcast d) None of the BGDA Page 1

3. Trailer a) Theatrical advertisement for an upcoming film b) News reel c) Trolley d) None of the 4. SUPER a) Abbreviation for superimpose b) Super star c) Super picture d) None of the 5. Screenplay. a) A specific script b) Play back c) One line script d) None of the 6. SPLIT SCREEN SHOT: a) The space of the frame is split into more frames b) Splitting of pages c) Splitting of scenes d) None of the 7. Shooting Script a) Final draft used on set by the production people b) Script prepared during shooting c) A review of script d) None of the 8. Slug Line day a) Beginning of a scene that briefly describes the location and time of b) Sub title c) Closing film d) Captions 9. Montage a) A series of images showing a theme b) Historic scene c) Insert frame d) None of the 10. LAP DISSOLVE: BGDA Page 2

a) Fading out one shot while the next one grows clearer b) Last shot c) Beginning shot d) None of the. 11. MATCH CUT TO: a) A transition often used to compare two completely unrelated objects b) Cutting film c) Removing d) None of the 12. Encoding a) Convert Text to Code b) Convert code to text c) Convert to code to another code d) None of the 13. Intercutting a) At a point, two scenes will be shown a few moments each, back and forth b) Cut between shots c) Clapping d) None of the 14. Feature Film a) Any film at least one hour long that people pay to see b) Documentary c) Advertorial d) None of the 15. Final Draft a) Writers last rewrite of a script b) Drafting c) Fair copy d) Shooting script 16. Dialog a) People are supposed to say according to the script b) Discussion with script writer and director c) Title card BGDA Page 3

d) None of the 17. Director a) Head of an institution b) Person converting a script into a movie. c) Set designer d) None of the 18. Beat a) The actor should pause a moment, in silence, before continuing the scene b) Statement c) Interview d) None of the. 19. In TV interview double look means a) The gaze of the interviewer towards interviewed b) Looking only at the person being interviewed c) Looking at both the interviewer and camera lens d) None of the 20. Bert Haanstra s classic documentary documents Holland s struggle against the sea a) Delta Project b) Delta Finale c) Delta Phase I d) The Eastern Scheldt 21. The classical Italian neo-realist film, The Bicycle Thief (1948), directed by Vittorio DeSica wasscripted by a) VittoriaDeSica b) CesareZavatini c) Roberto Rossellini d) Michelangelo Antonioni 22. was the first film maker who introduced parallel action editing (cross-cut) toheighten the anxiety of the audience a) Cecil Hepworth b) D.W. Griffith c) Mack Sennette d) Stuart Blackton BGDA Page 4

23. Story board narrates the story of the movie through a) rough sketches b) film strips c) story synopsis d) comic strips 24. Treatment, a terminology in cinema means film told a) synopsis of a film b) a proposal for the production of a c) A short written outline of a film specifying how the story is to be d) Summary of the story 25. Sir David Attenborough is a renowned a) Script writer b) film editor c) Feature film director d) video documentary director 26. Property of media production a)non- movable Property b) Land property c) Portable objects on a set. d) None of the 27. Docu-drama a) Fictionalized drama based on actual events b) A modern drama c) Documentary d) None of the 28. Quantitative research a) Numerical analysis b) Using old documents c) A systematic analysis written work d) None of the 29. Content Analysis BGDA Page 5

a) A systematic analysis written work, speech, or film b) Numerical analysis c) Quantitative analysis d) None of the 30. Creating a storyboard of a video programme is usually at a) Production stage b) after the shoot c) pre-production stage d) Scripting stage 31. Soap Opera a) Serial drama, on television b) Russian Opera c) Italian opera d) None of the 32. Story board a) Script b) Pre visualization sequence c) Clap board d) Condense of a story 33. Creating a storyboard of a video programme is usually at a) Production stage b) after the shoot c) pre-production stage d) Scripting stage 34. The second Malayalam feature film Marthanda Varma, produced by Sundar Raj was directed by a) K. Gopinath b) J.C. Daniel c) V. V. Rao d) Johnson 35.... defines the place or setting where the action is laid. a) scene b) shot c) Sequence d) Take 36. A continuous view filmed by one camera with out interruption BGDA Page 6

a) Camera Angle b) Shot c) Aerial shot d) None of the 37. A... is a series of scenes, or shots, complete in itself. a) sequence b) take c) tracking shot d) none of the 38. An objective camera angle is referred to as... a) high angle b) Low angle c) Zoom - in angle d) audience point of view 39. The first shot is a man looking up. The second shot is a low angle shot of a high rise apartment. The second shot is a...shot a) long shot b) mid shot c) extreme long shot d) point - of - view 40. In TV interview double look means... a) The gaze of the interviewer towards interviewed b) Looking only at the person being interviewed c) Looking at both the interviewer and camera lense d) None of the 41. Which amongst the following films is considered as the first film to use synchronized sound as a means of telling a story? a) The Green Forest b)mother Goose Tales c) Singing in the Rain d)the Jazz Singer BGDA Page 7

42. The intellectual montage theory can be traced back to A corner in wheat (1909) made by. a) Lev Kulashev b) Dziga Vertov c) Vsevlod Pudovkin d)d. W. Griffith 43. Men and Maggots, Drama on the Quarterback are sequences in the classical movie,, produced in 1925 by a Russian film maker who formally studied engineering and architecture. a)strike b) Battleship Potemkin c)ivan the Terrible d)old and New 44. Which is Walt Disney s first feature film? a) Snow White and Seven Dwarfs b) The Three Little Pigs c) Fantasia d) Trouble in Paradise 45. Dubbing is usually done at the.. a) Pre production b) Post production c) Production stage d) scripting stage BGDA Page 8

BGDA Page 9