LITTLE KIDS ROCK LESSON MEMORY, HOPE, AND CHARLIE PUTH S SEE YOU AGAIN

Similar documents
LITTLE KIDS ROCK LESSON ALESSIA CARA S HERE : PERSPECTIVES ON FUN, PEER PRESSURE, AND ANXIETY

The Latin Rhythms of Despacito

YOUTH, MASS CULTURE, AND PROTEST: THE RISE AND IMPACT OF 1960S ANTIWAR MUSIC

PMEA Model Curriculum Framework Strand: Music Technology PA Big Ideas and National Standards Artistic Processes

SAY IT LOUD: THE RISE OF BLACK PRIDE

CHUCK BERRY ESSENTIAL QUESTION. Why is Chuck Berry often considered the most important of the early Rock and Rollers? OVERVIEW

THE MUSIC OF MACHINES: THE SYNTHESIZER, SOUND WAVES, AND FINDING THE FUTURE

THE ROOTS OF HEAVY METAL

INTERDISCIPLINARY LESSON: BLOWIN IN THE WIND

BEATLEMANIA ESSENTIAL QUESTION. What were the factors that contributed to the rise of Beatlemania? OVERVIEW

National Standards/Artistic Processes/Enduring Understandings

DYLAN AS POET ESSENTIAL QUESTION. How did Bob Dylan merge poetry with popular music? OVERVIEW

THE BEATLES: MULTITRACKING AND THE 1960S COUNTERCULTURE

SEVENTIES SOUL: THE SOUNDTRACK OF TURBULENT TIMES

Music Standards Grades PK-2. Anchor Standard 1. Generate and conceptualize artistic ideas and work.

INTRODUCING GLAM ROCK

THEMATIC LESSON: LOVE SONGS

Art/STEAM Lesson: Designing Album Covers and Fashion Using Color Theory

THE MUSICAL ROOTS OF DOO WOP

THE EARLY YEARS: BRINGING A ROCK AND ROLL ATTITUDE TO FOLK

THE MUSICAL ROOTS OF THE SURF SOUND

National Standards/Artistic Processes/Enduring Understandings

ALL OVER THIS LAND: THE EMERGENCE OF FOLK ROCK

THE FINE LINE BETWEEN CREATION AND THEFT: AN EXPLORATION OF ORIGINALITY IN DIGITALLY MANIPULATED MUSIC

THE INFLUENCE OF RHYTHM AND BLUES

How to use this handout:

THE SAN FRANCISCO SCENE, 1967

SEVENTIES SOUL: THE SOUNDTRACK OF TURBULENT TIMES

Delaware Standards for Visual & Performing Arts

FROM ILLUSTRATED SONGS TO THE MUSIC VIDEO: A HISTORY OF SOUND AND IMAGE

THE HISTORICAL ROOTS OF HIP HOP

ASSEMBLING HITS AT MOTOWN

RITCHIE VALENS AND THE BIRTH OF LATINO ROCK

National Standards/Artistic Processes/Enduring Understandings

DAN PENN ESSENTIAL QUESTION

Auditions Workshop: Musical Theatre

Disney Broadway Magic. DISNEY PERFORMING ARTS WORKSHOPS WITH CORRESPONDING NATIONAL CORE ARTS STANDARDS (Click below to review the standards)

ASSEMBLING HITS AT MOTOWN

ARETHA FRANKLIN: SOUL MUSIC AND THE NEW FEMININITY OF THE 1960S

MOVING FASTER THAN THE IMAGINATION: THE EVOLUTION OF SOUND RECORDING

Middle School Music Curriculum Map

THE NEW YORK CITY UNDERGROUND

PA Big Ideas and National Standards Artistic Processes. National Standards/Artistic Processes/Enduring Understandings

GOSPEL MUSIC AND THE BIRTH OF SOUL

Fairfield Public Schools English Curriculum

What can you learn from the character? How do you know this? Use a part of the story in your answer. RL 1.2

100 Years of Dance ESSENTIAL QUESTION. Why might people dance, and how have dance trends changed in America since the 1920s?

DAN PENN ESSENTIAL QUESTION

THE ROOTS OF PROGRESSIVE ROCK

Theatre Standards Grades P-12

The Music of Motown (High School)

THE RISE OF DISCO ESSENTIAL QUESTION. How did Disco relate to the sentiments and social movements of the 1970s? OVERVIEW

Grade 4 General Music

Grade 3 General Music

SAMPLING: THE FOUNDATION OF HIP HOP

THE GROUNDBREAKERS ITALIAN-AMERICAN VOCALISTS BEFORE ROCK AND ROLL

GIVING AMERICA BACK THE BLUES

The Impact of Motown (Middle School)

THE BLUES AND THE GREAT MIGRATION

Second Grade Art Curriculum

THE AMERICAN BLUES IN BRITAIN

Classroom Study Materials...2 Goals and Objectives...2 Lesson Description...2 Assessment...2 WORKSHEET B1: MUSICAL THEATRE FORMS...

Music Standards PK 3

B E N C H M A R K E D U C A T I O N C O M P A N Y. Why Romeo and Juliet Is a Classic. Levels Q Y. FICTION Fractured Classics

Grade 5 General Music

ANCIENT GREEK THEATRE By LINDSAY PRICE

Technical Theatre. DISNEY PERFORMING ARTS WORKSHOPS WITH CORRESPONDING NATIONAL CORE ARTS STANDARDS (Click below to review the standards)

Montana Content Standards for Arts Grade-by-Grade View

HUMANITY S BEATS: HOW RHYTHMS REPRESENT PEOPLE AND PLACE

Marching through War

With prompting and support, ask and answer questions about key details in a text. Grade 1 Ask and answer questions about key details in a text.

Composing The Blues (3) Lesson 6

Predicting Story Outcomes

Grade 2 General Music

Acting 101. DISNEY PERFORMING ARTS WORKSHOPS WITH CORRESPONDING NATIONAL CORE ARTS STANDARDS (Click below to review the standards)

5 th GRADE CHOIR. Artistic Processes Perform Respond

Grade 2 General Music

A Letter from Fred Language level Learner type Time Activity Topic Language Materials

West Windsor-Plainsboro Regional School District Printmaking I Grades 10-12

Kansas Standards for English Language Arts Grade 9

Correlation --- The Manitoba English Language Arts: A Foundation for Implementation to Scholastic Stepping Up with Literacy Place

Major Assignment: Independent Novel Study

CONSIDERING THE FUTURE OF ROCK AND ROLL

Unit VI. Remembrance and the Creation of Memory. High School Lesson Plans & Themes. learning from the challenges of our times:

Correlation to Common Core State Standards Books A-F for Grade 5

BPS Interim Assessments SY Grade 2 ELA

Critical Essay on Inglourious Basterds by Quentin Tarantino. When discussing one of the most impressive films by Quentin Tarantino, one may

Grade 1 General Music

Crafting Great Lyrics: A Songwriting Workshop

New York State Next Generation English Language Arts Learning Standards Grade 9

Common Core State Standards Alignment

Indicator 1A: Conceptualize and generate musical ideas for an artistic purpose and context, using

WESTFIELD PUBLIC SCHOOLS Westfield, New Jersey

Learning Target. I can define textual evidence. I can define inference and explain how to use evidence from the text to reach a logical conclusion

September 28, 2017 Day 1 - Figurative Language in Literature

The Absurdity of Life: Incorporating Modern Drama. into Critical Thinking and English Writing

Orchestra Responding Unit, Proficient Level

Overview. Topics covered throughout the unit include:

Curriculum Map: Academic English 11 Meadville Area Senior High School English Department

- Students will be challenged to think in a thematic and multi-disciplinary way.

Transcription:

MEMORY, HOPE, AND CHARLIE PUTH S SEE YOU AGAIN OVERVIEW ESSENTIAL QUESTION How does music help us remember people we are close to, or those we have lost? OVERVIEW In the final scene of the film Furious 7, longtime friends Brian O Conner (played by Paul Walker) and Dom Toretto (played by Vin Diesel) arrive at a fork in the road. Toretto heads back to his fast and furious lifestyle, but O Conner chooses what for him is the divergent path, away from danger and adventure and toward a quieter, more stable life with his family. The emotion of the scene is heightened by Charlie Puth s See You Again, a sentimental song about families, friendship, and difficult goodbyes. The scene is fictional, the song, less so. Puth composed See You Again in memory of actor Paul Walker, who died in a car accident in November 2013, shortly after filming Furious 7. He wrote it in response to a call from film producers at Universal Pictures and soundtrack editors at Atlantic Records for songs that would pay tribute to Walker s life. The winning song would be played at the end of the film. At the time, Puth was a relative unknown in Los Angeles, and had little hope his song would be chosen. Yet, while the Furious 7 producers received submissions from several marquee artists, the melody and the message of See You Again stood out. The first time we heard it we knew this was the end song, said producer Neal Moritz in a Los Angeles Times interview. It had asense of longing and sadness but it was also uplifting as well. Part of the sentimental pull of See You Again might have stemmed from Puth s personal experience - he too had lost a friend to a car accident. But while the lyrics acknowledge loss, they also remain, as Moritz points out, uplifting in their acclamation of the power of memory and the possibility of reunion. On Genius.com, Puth recalls, I thought to myself, What would [film co-star] Vin Diesel s last text message be to Paul Walker the moment he died? I decided it would be I ll tell you all about it when I see you again. The final version of See You Again, which also featured several verses by rapper Wiz Khalifa,topped the Billboard charts for 12 weeks. The music video eclipsed previous Youtube

viewing records, and became the most-streamed song in a single day on Spotify. In this lesson, students use See You Again to consider the emotional power of song, and explore ways music might help people think about loved ones. Working in groups, students then discover other songs that have been written in memoriam to people, finally contemplating how songs might remind them of their own personal friends and loved ones. OBJECTIVES Upon completion of this lesson, students will: 1. KNOW (KNOWLEDGE): The stories related to the composition of the song See You Again How music and memory are related 2. MASTERY OBJECTIVE: Students will be able to consider the role music plays in remembering friends and loved ones through media analysis and exploratory writing. Historical examples of songs written in memorial to specific people ACTIVITIES MOTIVATIONAL ACTIVITY: 1. Ask students to raise their hand if they know how to sing the ABCs, then ask: What do you think the purpose of the ABC song might be? (Encourage students to reach the conclusion that the song helps children learn and remember the alphabet.) In what ways do you think the ABC song might help children remember the alphabet? Do you think a song can help people remember other things, like places and people? Can you think of any examples of this type of song? (Encourage students to consider other songs used for memory, such as how many days are in a month, or the parts of their skeletons, or if particular songs remind them of people or places.) Have you ever used a song or music to help you remember something?

PROCEDURE: 1. Play some or all of the song See You Again, or play the music video. Ask students: a. Have you heard this song before? If so, where? b. What do you think the song might be about? c. Do you think there was a specific motivation behind the creation of this song? d. The video for this song has been viewed more than 1 billion times on Youtube. What do you think might have made it became so popular? 2. If students are not aware, explain that See You Again was written for Paul Walker, an actor from Furious 7 who died in a car accident in 2013. After the accident, there was a competition to write a song that would pay tribute to him. Among many contestants, singer/ songwriter Charlie Puth won the contest, and his song was featured at the end of Furious 7, the last film in which Walker starred. Ask students: a. Why do you think the producers of Furious 7 felt a song would be a good way to memorialize Paul Walker? b. Do you think a song is an effective way to remember someone who is gone and/or to celebrate that person s life? Why or why not? c. Can you think of another song that also serves to remember someone? (Students may or may not be aware of other tribute songs to people, here are ten examples from a 2016 NME article that may be helpful). 3. Play students this short excerpt from the Crosby, Stills, Nash and Young song Ohio, and ask them to listen closely to the words. Ask students: a. What do you think this song is about? What does it seem to memorialize? 4. Explain to students that the following clip contains musician Graham Nash discussing the origin of the song Ohio. Play Clip 1, and ask students: a. What motivated the creation of the creation of the song Ohio. (Encourage students to recognize that protesting Kent State College students were shot and killed by Ohio National Guard soldiers). b. Why do you think Graham Nash and his fellow musicians felt such urgency about quickly recording and releasing the song Ohio? c. What do you think Ohio memorializes? (Encourage students to consider the event, the place, the people--what did they learn from the song all these years later?) d. What do you think Crosby, Stills, Nash and Young hoped to accomplish by releasing Ohio? e. Can you think of any other instances for which someone may write a song that is a memorial? (Encourage students to consider how many songs memorialize love that is lost, or relationships that have ended as well as tragic events such as 9/11, Hurricane Katrina, etc.) 5. Have students get out a sheet of paper for a free writing exercise. The goal of free writing is to abandon the idea of a finished product (grammar, structure, etc.) and record thoughts as they happen. Have students write for a 3-5 minutes about a song that reminds of them of someone, someplace, or an event, real or imagined. Ask volunteers to share their responses with the class.

SUMMARY ACTIVITY Ask Students: How might See You Again be similar or dissimilar to the song you wrote about in the free writing activity? In what ways do you think music is a good way to memorialize a person or an event? In what ways might music not work to this end? EXTENSION ACTIVITY How might See You Again be similar or dissimilar to the song you wrote about in the free writing activity? Performing See You Again, means helping to keep Paul Walker s legacy alive. How might you perform this song to emphasize this idea? STANDARDS NATIONAL CORE ARTS STANDARDS Performing/Presenting/Producing Anchor Standard #6: Convey meaning through the presentation of an artistic work Responding Anchor Standard #7: Perceive and analyze artistic work. Anchor Standard #8: Interpret intent and meaning in artistic work. Anchor Standard #9: Apply criteria to evaluate artistic work. Connecting Anchor Standard #10: Synthesize and relate knowledge and personal experiences to make art. Anchor Standard #11: Relate artistic ideas and works with societal, cultural and historical context to deepen understanding. COMMON CORE STATE STANDARDS College and Career Readiness Reading Anchor Standards for Grades 6-12 for Literature and Informational Text

Reading 4: Interpret words and phrases as they are used in a text, including determining technical, connotative, and figurative. meanings, and analyze how specific word choices shape meaning or tone. Reading 6: Assess how point of view or purpose shapes the content and style of a text. College and Career Readiness Anchor Standards for Speaking and Listening (K-12) Speaking and Listening 1: Prepare for and participate effectively in a range of conversations and collaborations with diverse partners, building on others ideas and expressing their own clearly and persuasively. College and Career Readiness Anchor Standards for Language (K-12) Language 4: Determine or clarify the meaning of unknown and multiple-meaning words and phrases by using context clues, analyzing meaningful word parts, and consulting general and specialized reference materials, as appropriate. SOCIAL STUDIES NATIONAL COUNCIL FOR THE SOCIAL STUDIES (NCSS) Theme 1: Culture Theme 2: Time, Continuity, and Change Theme 4: Individual Development and Identity Theme 5: Individuals, Groups, and Institutions Theme 6: Power, Authority, and Governance Theme 9: Global Connections NATIONAL STANDARDS FOR MUSIC EDUCATION Core Music Standard: Responding Select: Choose music appropriate for a specific purpose or context. Analyze: Analyze how the structure and context of varied musical works inform the response. Interpret: Support interpretations of musical works that reflect creators and/or performers expressive intent.

Evaluate: Support evaluations of musical works and performances based on analysis, interpretation, and established criteria. Core Music Standard: Connecting Connecting 11: Relate musical ideas and works to varied contexts and daily life to deepen understanding.