AURORA THEATRE COMPANY EXTENDS BAY AREA PREMIERE OF LENI March 10-May 7, 2017

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AURORA THEATRE COMPANY EXTENDS BAY AREA PREMIERE OF LENI March 10-May 7, 2017 BERKELEY, Calif. (February 15, 2017) Due to popular pre-sale demand, Aurora Theatre Company announces that it will add an additional two weeks of performances for the Bay Area Premiere of Sarah Greenman s wildly creative biographical play, LENI. Jon Tracy (The Elaborate Entrance of Chad Deity, Breakfast With Mugabe) directs this multi-media play, called a thought-provoking tour through the world of Nazi propagandist Leni Riefenstahl by Seattle Weekly. Featuring Stacy Ross (Gidion s Knot, Wilder Times) and Martha Brigham (The How and The Why). LENI now plays through May 7 th (added performances: Tuesday, April 25, ; Wednesday, April 26, ; Thursday, April 27, ; Friday, April 28, ; Saturday, April 29, ; Sunday, April 30,, ; Tuesday, May 2, ; Wednesday, May 3, ; Thursday, May 4, ; Friday, May 5, ; Saturday, May 6, ; Sunday, May 7,, ) at the Aurora Theatre in Berkeley. For tickets and information the public can call (510) 843-4822 or visit auroratheatre.org. Can an artist ever be truly apolitical if their work serves the ends of powerful political forces? In LENI, German film director Leni Riefenstahl s evasive older self and seductive younger self work to edit the perfect film of her life. Riefenstahl s two most famous films, Triumph of the Will and Olympia, are still recognized as works of cinematic brilliance even as they are reviled as propaganda for the Nazi regime. With LENI, Greenman explores the controversial Riefenstahl, whose work in the 1930 s was comparable to the films of Orson Welles and Alfred Hitchcock, but embodied some of the most troubling contradictions of her time. Riefenstahl s influence is deeply embedded in our culture, from our clothing ads to the way sporting events are shot to how the President lands his plane and makes his entrance. But was she Hitler s puppet? Was she aware she was making such strong pieces of propaganda for Hitler? Was someone who wanted beauty to be the new religion simply blind to the events happening around her? An intelligent brief on artistic responsibility, influence, and narcissism, LENI journeys deep inside the mind and media of an artist to discover why art can be a dangerous business.

2-2-2-2-2-2-2 Bay Area director, playwright, designer, and educator Jon Tracy returns to Aurora Theatre Company to direct LENI. In addition to helming Breakfast with Mugabe, Gidion s Knot and The Elaborate Entrance of Chad Deity at Aurora Theatre Company, Tracy developed Ron Campbell s play Sinker as part of Aurora s inaugural Global Age Project new works festival. Additional credits include productions at Shotgun Players (The Salt Plays Pt. 1: In the Wound, The Salt Plays Pt. 2: Of the Earth), San Francisco Playhouse (Bloody, Bloody Andrew Jackson, Bug, Slasher), Magic Theatre (Terminus, Any Given Day); Willows Theatre (Evil Dead: The Musical), Impact Theatre (See How We Are), Marin Theatre Company, Berkeley Playhouse, TheatreFIRST, New Conservatory Theatre, and Alter Theatre Ensemble, among others. A former Artistic Associate at the Magic Theatre, Tracy is a Company Member of PlayGround, an Associate Artist at Berkeley Playhouse, an Affiliate Artist with Marin Shakespeare Company, and the Artistic Director of Live Oak Theater. Aurora Theatre Company has assembled a gifted duo for LENI. Stage veteran Stacy Ross returns to Aurora Theatre Company as a mutured Leni. Ross previously appeared in Aurora Theatre Company s productions of Gidion s Knot, Wilder Times, The Devil s Disciple, The Man of Destiny, Hedda Gabler, and A Kind of Alaska. Additional credits include productions at San Francisco Playhouse, California Shakespeare Theater, TheatreWorks, San Jose Repertory Theatre, Marin Theatre Company, Berkeley Repertory Theatre, and American Conservatory Theater, among others. Martha Brigham returns to the Aurora stage as a younger version of Leni. She was last seen at Aurora in the company s hit production of The How and the Why. iadditional credits include productions at San Francisco Playhouse (Stupid Fucking Bird), La Jolla Playhouse (The Tall Girls), Secret Rose Theatre (The Man In the Red Suit), and The Nauset Players (Othello, The Beggar s Opera), among others. Playwright Sarah Greenman holds a BA in creative writing from Mills College, where she was awarded the Gertrude Hung Chan Playwrighting Prize for her original play, LENI. She is also a prolific visual artist, actor, urban homesteader and social justice activist. Following LENI, Steve Waters TEMPLE makes its U.S. Premiere at Aurora in April, directed by Aurora Artistic Director Tom Ross. Abi Morgan s SPLENDOUR, directed by Barbara Damashek, closes the season in June. Voted Best Theater Company in 2012 by SF Weekly, Aurora Theatre Company continues to offer challenging, literate, intelligent stage works to the Bay Area, each year increasing its reputation for topnotch theater. Located in the heart of the Downtown Berkeley Arts District, Aurora Theatre Company,

3-3-3-3-3-3-3 declared one of the best regional theaters around by 7x7 magazine, has been called one of the most important regional theaters in the area and a must-see midsize company by the San Francisco Chronicle, while The Wall Street Journal has nothing but praise for the Aurora. The Contra Costa Times stated perfection is probably an unattainable ideal in a medium as fluid as live performance, but the Aurora Theatre comes luminously close, while the San Jose Mercury News affirmed Aurora Theatre Company is arguably the finest small theater in the Bay Area, and the Oakland Tribune stated it s all about choices, and if you value good theater, choose the Aurora.

4-4-4-4-4-4-4 FOR CALENDAR EDITORS: Due to popular pre-sale demand, Aurora Theatre Company announces that it will add an additional two weeks of performances for the Bay Area Premiere of Sarah Greenman s wildly creative biographical play, LENI. Jon Tracy (The Elaborate Entrance of Chad Deity, Breakfast With Mugabe) directs this multi-media play, called a thought-provoking tour through the world of Nazi propagandist Leni Riefenstahl by Seattle Weekly. Featuring Stacy Ross (Gidion s Knot, Wilder Times) and Martha Brigham (The How and The Why). DATES: SHOWS: Previews: January 27, 28, and February 1 at ; January 29 at ; January 31 at Opens: March 16, 2017 Closes: May 7 (added performances: Tuesday, April 25, ; Wednesday, April 26, ; Thursday, April 27, ; Friday, April 28, ; Saturday, April 29, ; Sunday, April 30,, ; Tuesday, May 2, ; Wednesday, May 3, ; Thursday, May 4, ; Friday, May 5, ; Saturday, May 6, ; Sunday, May 7,, ) Tuesday at ; Wednesday through Saturday at ; Sunday at and Added performances in bold SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY March 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 April 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22

5-5-5-5-5-5-5 23 24 25 26 27 28 29 30 May 1 2 3 4 5 6 7 WHERE: TICKETS: Harry s UpStage located in the Nell and Jules Dashow Wing Aurora Theatre Company, 2081 Addison Street, Berkeley, CA For tickets (Previews $36; Regular Performances $45, 55; Limited Opening Night Seating $65 sold out) the public can call (510) 843-4822 or visit auroratheatre.org. Half-off tickets for Under 35; student, and group discounts available. Aurora Theatre Company gratefully acknowledges Season Restaurant Sponsor Gecko Gecko and Season Floral Sponsor Darling Flowers for their support. Aurora Theatre Company gratefully acknowledges Associate Sponsors Deborah and Howard Goodman, Candace and George Hisert, and Ellen and Barry Levine for their support. Aurora Theatre Company gratefully acknowledges the following foundations and government agencies for their support: Actors Equity Foundation, Alameda County Arts Commission, Berkeley Civic Arts Program & Civic Arts Commission, The Fleishhacker Foundation, The William and Flora Hewlett Foundation, The Sam Mazza Foundation, The Bernard Osher Foundation, Kenneth Rainin Foundation, The Harold and Mimi Steinberg Charitable Trust, The Shubert Foundation, The Tournesol Project, and The Zellerbach Family Foundation.