Ding! Dong! Merrily on High Two-part unison, Keyboard

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G. R. Woodard, 1 193 Ding! Dong! Merrily on High To-part unison, Keyoard BRANLE L OFFICIEL Thoinot Areau, 150 95 Setting y Kenneth T. Kosche (ASCA) Light, lyric, h =6 66 F Unison (or solo) F Ding! Dong! mer - ri - ly on. high in heav n the ells are ring - ing: 7 Ding! Dong!ver - i - ly the n #. sky is riv n ith an - gel sing - ing. Sung y SA or TB, ut not mixed voices. May e sung y omen or men in alternating phrases or stanzas ad li. Copying or reproducing this material in any form is illegal. Copyright 005 Concordia ulishing House 355 South efferson Avenue, St. Louis, MO 6311-396 All Rights Reserved rinted in U.S.A.

10 Christina G. Rosetti, 130 9 Love Came Don at Christmas SAB, Keyoard GARTON Traditional Irish melody Setting y Kenneth T. Kosche (ASCA) Voices With ruato, q = 5 6 Trele voices unison (or solo). Love came don at Keyoard. Christ - mas,. Love all love - ly,. Love di - vine;.. 7. Love as orn at Christ - mas,. Star an - gels..

1 aroslav. Vada,. 1919 Rock-a-Bye, My Dear Little Boy To-part unison, Keyoard HAE, NYNE (ROCKING) Czech carol Setting y Kenneth T. Kosche (ASCA) Keyoard Gently oscillating, steady tempo, h = 5 5....... -.. I 9 n Rock - a - ye, my dear lit - tle Boy, II -... -. sempre p.. Sung y SA or TB, ut not mixed voices. The keyoard accompaniment should e alays understated. Text copyright 197 Concordia ulishing House, St. Louis, MO. All rights reserved.

1 Christian von Schmid Tr. anon. Keyoard Oh, Come, Little Children To-part unison, Keyoard Dancing, ith a light touch, q = 7 7 IHR KINDERLEIN, KOMMET ohann A.. Schultz, 177 100 Setting y Kenneth T. Kosche (ASCA) I ΠOh, come, lit - tle chil - dren, oh, come, one II ΠKeep the LH light, never overpoering

Medieval Latin hymn Tr. F. Samuel anzo, 1913 000 No Sing We, No Reoice SAB a cappella IN DULCI UBILO German carol, 1th century Setting y Kenneth T. Kosche (ASCA) S A B With a graceful lilt, q. = 6 6 1 No 3 God s sing Son, e, no come from re - a-. oice ove, With Your heart grace soul sav - ing.. voice. love. 5 Life s To most my pre - cious spir - it trea - ring - sure ing, Here O poor pure in man - ger ho - ly. lies; Child,.. 9 He Fill rings my pur - heart er ith. # plea - sing - sure ing Than For. # sun - grace light from so great the skies. mild... #.

Tr. K.T.K. S A Keyoard # # # # What Is This leasant Fragrance SAB, Keyoard Lyric flexile, q = 66 7 3 3 3 - - - - - - QUELLE EST CETTE ODEUR AGRÉABLE Traditional French carol Setting y Kenneth T. Kosche (ASCA). What is. this 6 pleas - ant fra - grance, shep - herds, Steal - ing our.. ver - y 11. What can com - pare Not e-ven sense a - ay What can com - pare Not.. Text copyright 005 Kenneth T. Kosche. All rights reserved. Used y permission.

3 Anon. Tr. K.T.K Sleep Well, O Son of Heaven, No SAB a cappella SCHLAF WOHL, DU HIMMELS KNABE 19th cent. Bavarian Setting y Kenneth T. Kosche (ASCA) S A B With graceful simplicity, q. = 5 6 1 Sleep Here, A - 6 ell, un - sleep O der for Son Mar - no of y s in heav - en, no Rest atch-ful eye, Your moth-er s arms This sound - ly, slum - er lit - tle seet - soft - Child est ly re -. Child; take; mains. While Blest ro - 5. flights o - tect - of seph ed an - scarce - safe - gels ly ly fan reathes from your a all ro sigh, harms, With Con - Anx - heav n - ly reez - cerned lest You i - e-ties, es a mild, ake; pains. We And O. This carol is typical of the cradle to the cross Christmas lullay genre. It is important for the singers to effectively express the contrast in mood from stanza to to three ack again. Note the slight alteration of the melody in the men s part in measure 1. If the men s part is sung as a solo, the higher parts should alance, may also e solo parts. The carol may e sung a semi-tone loer. Text copyright 005 Kenneth T. Kosche. All rights reserved. Used y permission.

36 Traditional German carol Tr. K.T.K Still, Still, Still To-part mixed, Keyoard Traditional German carol Setting y Kenneth T. Kosche (ASCA) Thoughtful, not too slo, e = 60 66 tutti - - - - Still, sim. still,. still, the Child a - sleep lies. still. His moth-er. Mar-y, seet - ly sing-ing, Cra - dles close as dreams come ing - ing. Still, still,.. Text copyright 005 Kenneth T. Kosche. All rights reserved. Used y permission.

0 From Heaven High, O Angels, Come! SAB a cappella Auserlesene...Kirchengesänge Tr. K.T.K VOM HIMMEL HOCH, O ENGEL, KOMMT Auserlesene catholische geistliche Kirchengesänge, 163 Setting y Kenneth T. Kosche (ASCA) Solo voice 3 With simplicity, q = 7 76 1 From Don t 3 Come, Let heav - leave sing eace en your ith on high, in - heav n - earth, O stru - ly e an - ments voic - no gels, e - es your. come! hind. clear, song, S A B 5. E -. ia,.. e -.. ia!. Su - sa - ni, su - sa - ni, su - sa - 1 ni. Come, sing lay And lutes strings Glo - ry to ring, harps or - God, play of gan your fife ev - let praise ry us pro - drum. kind. hear. long! Al - le - lu - The soloist may e male or female. A different soloist may e used for each stanza.. Eia (EYE-ah) susani (SOO-sah-nee) are lullay ords approximately meaning, Hush; sleep, little child. May e sung a semi-tone higher. Text copyright 005 Kenneth T. Kosche. All rights reserved. Used y permission. 97-7190