Character and Audition Information

Character and Audition Information 2019 Story Summary HMS Pinafore is one of the gems of the Gilbert and Sullivan repertoire. A send-up of the British class system it pokes goodnatured fun at patriotism, party politics, the Royal Navy, and the rise of unqualified people to positions of authority (a theme that is still relevant in politics today). Aboard the ship HMS Pinafore, Josephine, the captain s daughter is in love with a lower-class sailor, Ralph Rackstraw, although she is destined to marry Sir Joseph Porter, the First Lord of the Admiralty. Ralph and Josephine declare their love for each other and plan to elope. However, Captain Corcoran discovers this plan, and (as in many Gilbert and Sullivan operas) a reversal of fortune turns everyone s plans upside down in a surprise ending. Featuring G&S standards When I was a lad and For he is an Englishman, well known Adelaide Director Barry Hill s production adds a new comedic dimension to this much-loved opera. As Little Buttercup says, Things are seldom what they seem so be prepared for a night of love, laughs and song from the company that brought you A Little Night Music and The Phantom of the Opera List of Roles SIR JOSEPH PORTER K.C.B A pompous naval commander with absolutely no seagoing experience Stage age 50s or 60s Baritone CORCORAN The captain of the H.M.S. Pinafore, proud of the fact that he hardly ever gets seasick. Stage age 40s or 50s - High Baritone JOSEPHINE Captain Corcoran s daughter, promised in marriage by Sir Joseph but secretly loves Ralph. Stage age 20s or 30s - Soprano RALPH RACKSTRAW An able seaman who is secretly in love with Josephine Stage age 20s or 30s - Tenor DICK DEADEYE As ugly as his name implies, Dick Deadeye is a fellow crew member who tries to sabotage Ralph s happiness. Stage age open - Bass AUDITION DIALOGUE PAGES 7&8 BILL BOBSTAY Boatswain s mate. Stage age 20s to 40s - Baritone BOB BECKET AUDITION DIALOGUE PAGES 1&2 Carpenter s mate (singing role) Stage age 20s to 40s - Bass NO DIALOGUE HEBE AUDITION DIALOGUE Sir Joseph s first cousin Stage age open Mezzo Soprano (or Soprano) LITTLE BUTTERCUP Also known as Mrs Cripps, a Portsmouth bumboat woman who is secretly in love with Captain Corcoran. Stage age 40s or 50s Mezzo Soprano PAGE 23 AUDITION DIALOGUE PAGES 1&2 First Lord s Sisters, his Cousins, his Aunts, Sailors, Marines. Auditions (by appointment) Sunday 2nd and Monday 3rd December at: The Shed, 3 George St., Hindmarsh 5007 PAGES Auditionees will be required to read from the dialogue relating to the role they are auditioning for (see following pages). You will need to be familiar with but do NOT need to memorise the dialogue. You will also be asked to sing a section of any song from the Gilbert & Sullivan canon that is in your vocal range. AUDITION DIALOGUE More Information contact: Barry Hill 0400 827 634 email: bahill1@optusnet.com.au Patrick Marlin 0422 053 761 email: secretary@gandssa.com.au AUDITION DIALOGUE 5&16 PAGES 5&10 To apply for an audition: Online at www.gandssa.com.au/auditions AUDITION DIALOGUE Rehearsals: (from Monday February 4) Mondays and Wednesdays 7.30 pm. to 10.30 p.m. Sundays (at a time to be decided) PAGES 10&21 AUDITION DIALOGUE PAGES 1&2 Performances: The Arts Theatre, 53 Angas Street, Adelaide. Wed 1st May to Sat 4th May (7.30pm performances start with Saturday matinee at 1.30pm)

H.M.S. PINAFORE; or, THE LASS THAT LOVED A SAILOR Written by W. S. GILBERT Composed by ARTHUR SULLIVAN

DRAMATIS PERSONÆ THE RT. HON SIR JOSEPH PORTER, K.C.B. (First Lord of the Admiralty) CAPTAIN CORCORAN (Commanding H.M.S. Pinafore) TOM TUCKER (Midshipmite) RALPH RACKSTRAW (Able Seaman) DICK DEADEYE (Able Seaman) BILL BOBSTAY (Boatswain) BOB BECKET (Boatswain s Mate Carpenter) JOSEPHINE (the Captain s Daughter) HEBE (Sir Joseph s First Cousin) MRS. CRIPPS (LITTLE BUTTERCUP) (A Portsmouth Bumboat Woman) First Lord s Sisters, his Cousins, his Aunts, Sailors, Marines, etc. SCENE: Quarter-deck of H.M.S. Pinafore, off Portsmouth ACT I. Noon. ACT II. Night First produced at the Opera Comique on May 25, 1878.

ACT I 5 10 15 20 25 30 35 40 SCENE Quarter-deck of H.M.S. Pinafore. Sailors, led by BOATSWAIN, discovered cleaning brasswork, splicing rope, etc. We sail the ocean blue, And our saucy ship s a beauty; We re sober men and true, And attentive to our duty. When the balls whistle free O er the bright blue sea, We stand to our guns all day; When at anchor we ride On the Portsmouth tide, We ve plenty of time to play. (Enter LITTLE BUTTERCUP, with large basket on her arm.) RECITATIVE. Hail, men-o -war s men safeguards of your nation, Here is an end, at last, of all privation; You ve got your pay spare all you can afford To welcome Little Buttercup on board. ARIA. I m called Little Buttercup dear Little Buttercup, Though I could never tell why, But still I m called Buttercup poor little Buttercup, Sweet Little Buttercup I! I ve snuff and tobaccy, and excellent jacky, I ve scissors, and watches, and knives; I ve ribbons and laces to set off the faces Of pretty young sweethearts and wives. I ve treacle and toffee, I ve tea and I ve coffee, Soft tommy and succulent chops; I ve chickens and conies, and pretty polonies, And excellent peppermint drops. Then buy of your Buttercup dear Little Buttercup; Sailors should never be shy; So, buy of your Buttercup poor Little Buttercup; Come, of your Buttercup buy! BOAT. Aye, Little Buttercup and well called for you re the rosiest, the roundest, and the reddest beauty in all Spithead. BUT. Red, am I? and round and rosy! May be, for I have dissembled well! But hark ye, my merry friend hast ever thought that beneath a gay and frivolous exterior there may lurk a canker-worm which is slowly but surely eating its way into one s very heart? BOAT. No, my lass, I can t say I ve ever thought that. Enter DICK DEADEYE. He pushes through sailors, and comes down. 1

45 50 55 60 65 70 75 80 85 90 H.M.S. Pinafore DICK. I have thought it often. (All recoil from him.) BUT. Yes, you look like it! What s the matter with the man? Isn t he well? BOAT. Don t take no heed of him; that s only poor Dick Deadeye. DICK. I say it s a beast of a name, ain t it Dick Deadeye? BUT. It s not a nice name. DICK. I m ugly too, ain t I? BUT. You are certainly plain. DICK. And I m three-cornered too, ain t I? BUT. You are rather triangular. DICK. Ha! ha! That s it. I m ugly, and they hate me for it; for you all hate me, don t you? We do! DICK. There! BOAT. Well, Dick, we wouldn t go for to hurt any fellow-creature s feelings, but you can t expect a chap with such a name as Dick Deadeye to be a popular character now can you? DICK. No. BOAT. It s asking too much, ain t it? DICK. It is. From such a face and form as mine the noblest sentiments sound like the black utterances of a depraved imagination. It is human nature I am resigned. RECITATIVE. BUT. But, tell me who s the youth whose faltering feet With difficulty bear him on his course? BOAT. That is the smartest lad in all the fleet Ralph Rackstraw! BUT. Ralph! That name! Remorse! Remorse! (Enter RALPH.) MADRIGAL RALPH. The Nightingale Sighed for the moon s bright ray, And told his tale In his own melodious way! He sang Ah, well-a-day! He sang Ah, well-a-day! The lowly vale For the mountain vainly sighed, To his humble wail The echoing hills replied. They sang Ah, well-a-day! They sang Ah, well-a-day! RECITATIVE. I know the value of a kindly chorus, But choruses yield little consolation When we have pain and sorrow too before us! I love and love, alas, above my station! BUT. (aside). He loves and loves a lass above his station! ALL (aside). Yes, yes, the lass is much above his station! [Exit LITTLE BUTTERCUP. BALLAD RALPH. A maiden fair to see, The pearl of minstrelsy, 2

95 100 105 110 115 120 125 130 135 140 145 Act I A bud of blushing beauty; For whom proud nobles sigh, And with each other vie To do her menial s duty. To do her menial s duty. A suitor, lowly born, With hopeless passion torn, And poor beyond denying, Has dared for her to pine At whose exalted shrine A world of wealth is sighing. A world of wealth is sighing! Unlearned he in aught Save that which love has taught (For love had been his tutor); Oh, pity, pity me Our captain s daughter she, And I that lowly suitor! And he that lowly suitor! BOAT. Ah, my poor lad, you ve climbed too high: our worthy captain s child won t have nothin to say to a poor chap like you. Will she, lads? No, no. DICK. No, no, captains daughters don t marry foremast hands. ALL (recoiling from him). Shame! Shame! BOAT. Dick Deadeye, them sentiments o yourn are a disgrace to our common natur. RALPH. But it s a strange anomaly, that the daughter of a man who hails from the quarter-deck may not love another who lays out on the fore-yard arm. For a man is but a man, whether he hoists his flag at the main-truck or his slacks on the main-deck. DICK. Ah, it s a queer world! RALPH. Dick Deadeye, I have no desire to press hardly on you, but such a revolutionary sentiment is enough to make an honest sailor shudder. BOAT. My lads, our gallant captain has come on deck; let us greet him as so brave an officer and so gallant a seaman deserves. ALL (saluting). ALL (as before). ALL (as before). (Enter CAPTAIN CORCORAN.) RECITATIVE. My gallant crew, good morning. Sir, good morning! I hope you re all quite well. Quite well; and you, sir? I am in reasonable health, and happy To meet you all once more. You do us proud, sir! SONG CAPTAIN. I am the Captain of the Pinafore; And a right good captain, too! You re very, very good, And be it understood, I command a right good crew. We re very, very good, And be it understood, 3

150 155 160 165 170 175 180 185 190 195 H.M.S. Pinafore He commands a right good crew. Though related to a peer, I can hand, reef, and steer, And ship a selvagee; I am never known to quail At the fury of a gale, And I m never, never sick at sea! What, never? No, never! What, never? Hardly ever! He s hardly ever sick at sea! Then give three cheers, and one cheer more, For the hardy Captain of the Pinafore! I do my best to satisfy you all And with you we re quite content. You re exceedingly polite, And I think it only right To return the compliment. We re exceedingly polite, And he thinks it s only right To return the compliment. Bad language or abuse, I never, never use, Whatever the emergency; Though Bother it I may Occasionally say, I never use a big, big D What, never? No, never! What, never? Well, hardly ever! Hardly ever swears a big, big D Then give three cheers, and one cheer more, For the well-bred Captain of the Pinafore! [After song exeunt all but CAPTAIN. (Enter LITTLE BUTTERCUP.) RECITATIVE. BUT. Sir, you are sad! The silent eloquence Of yonder tear that trembles on your eyelash Proclaims a sorrow far more deep than common; Confide in me fear not I am a mother! Yes, Little Buttercup, I m sad and sorry My daughter, Josephine, the fairest flower That ever blossomed on ancestral timber, Is sought in marriage by Sir Joseph Porter, Our Admiralty s First Lord, but for some reason She does not seem to tackle kindly to it. BUT. (with emotion). Ah, poor Sir Joseph! Ah, I know too well The anguish of a heart that loves but vainly! But see, here comes your most attractive daughter. I go Farewell! (looking after her). A plump and pleasing person! 4 [Exit. [Exit.

200 205 210 215 220 225 230 235 240 245 250 Act I (Enter JOSEPHINE, twining some flowers which she carries in a small basket.) BALLAD JOSEPHINE. Sorry her lot who loves too well, Heavy the heart that hopes but vainly, Sad are the sighs that own the spell, Uttered by eyes that speak too plainly; Heavy the sorrow that bows the head When love is alive and hope is dead! Sad is the hour when sets the sun Dark is the night to earth s poor daughters, When to the ark the wearied one Flies from the empty waste of waters! Heavy the sorrow that bows the head When love is alive and hope is dead! (Enter CAPTAIN.) My child, I grieve to see that you are a prey to melancholy. You should look your best to-day, for Sir Joseph Porter, K.C.B., will be here this afternoon to claim your promised hand. JOS. Ah, father, your words cut me to the quick. I can esteem reverence venerate Sir Joseph, for he is a great and good man; but oh, I cannot love him! My heart is already given. (aside). It is then as I feared. (Aloud.) Given? And to whom? Not to some gilded lordling? JOS. No, father the object of my love is no lordling. Oh, pity me, for he is but a humble sailor on board your own ship! Impossible! JOS. Yes, it is true too true. A common sailor? Oh fie! JOS. I blush for the weakness that allows me to cherish such a passion. I hate myself when I think of the depth to which I have stooped in permitting myself to think tenderly of one so ignobly born, but I love him! I love him! I love him! (Weeps.) Come, my child, let us talk this over. In a matter of the heart I would not coerce my daughter I attach but little value to rank or wealth, but the line must be drawn somewhere. A man in that station may be brave and worthy, but at every step he would commit solecisms that society would never pardon. JOS. Oh, I have thought of this night and day. But fear not, father, I have a heart, and therefore I love; but I am your daughter, and therefore I am proud. Though I carry my love with me to the tomb, he shall never, never know it. You are my daughter after all. But see, Sir Joseph s barge approaches, manned by twelve trusty oarsmen and accompanied by the admiring crowd of sisters, cousins, and aunts that attend him wherever he goes. Retire, my daughter, to your cabin take this, his photograph, with you it may help to bring you to a more reasonable frame of mind. JOS. My own thoughtful father! [Exit JOSEPHINE. CAPTAIN remains and ascends the poop-deck. BARCAROLLE. (invisible) SIR JOSEPH S FEMALE RELATIVES. Over the bright blue sea Comes Sir Joseph Porter, K.C.B., Wherever he may go Bang-bang the loud nine-pounders go! Shout o er the bright blue sea For Sir Joseph Porter, K.C.B. 5

255 260 265 270 275 280 285 290 295 300 H.M.S. Pinafore (During this the Crew have entered on tiptoe, listening attentively to the song.) CHORUS OF SAILORS. Sir Joseph s barge is seen, And its crowd of blushing beauties, We hope he ll find us clean, And attentive to our duties. We sail, we sail the ocean blue, And our saucy ship s a beauty. We re sober, sober men and true And attentive to our duty. We re smart and sober men, And quite devoid of fe-ar, In all the Royal N. None are so smart as we are. (Enter SIR JOSEPH S FEMALE RELATIVES. They dance round stage.) REL. Gaily tripping, Lightly skipping, Flock the maidens to the shipping. SAILORS. Flags and guns and pennants dipping! All the ladies love the shipping. REL. Sailors sprightly Always rightly Welcome ladies so politely. SAILORS. Ladies who can smile so brightly, Sailors welcome most politely. (from poop). Now give three cheers, I ll lead the way. Hurrah! Hurrah! Hurray! hurray! hurray! (Enter SIR JOSEPH with COUSIN HEBE.) SONG I am the monarch of the sea, The ruler of the Queen s Navee, Whose praise Great Britain loudly chants. COUSIN HEBE. And we are his sisters, and his cousins, and his aunts! REL. And we are his sisters, and his cousins, and his aunts! COUSIN HEBE. COUSIN HEBE. And they are his sisters, and his cousins, and his aunts! When at anchor here I ride, My bosom swells with pride, And I snap my fingers at a foeman s taunts; And so do his sisters, and his cousins, and his aunts! And so do his sisters, and his cousins, and his aunts! But when the breezes blow, I generally go below, And seek the seclusion that a cabin grants! And so do his sisters, and his cousins, and his aunts! And so do his sisters, and his cousins, and his aunts! His sisters and his cousins, Whom he reckons up by dozens, And his aunts! SONG When I was a lad I served a term As office boy to an Attorney s firm. 6

305 310 315 320 325 330 335 340 345 350 355 Act I I cleaned the windows and I swept the floor, And I polished up the handle of the big front door. He polished up the handle of the big front door. SIR J. I polished up that handle so carefullee That now I am the Ruler of the Queen s Navee! He polished, etc. SIR J. As office boy I made such a mark That they gave me the post of a junior clerk. I served the writs with a smile so bland, And I copied all the letters in a big round hand He copied all the letters in a big round hand SIR J. I copied all the letters in a hand so free, That now I am the Ruler of the Queen s Navee! He copied, etc. SIR J. In serving writs I made such a name That an articled clerk I soon became; I wore clean collars and a brand new suit For the pass examination at the Institute. For the pass examination at the Institute. SIR J. That pass examination did so well for me, That now I am the Ruler of the Queen s Navee! That pass examination, etc. SIR J. Of legal knowledge I acquired such a grip That they took me into the partnership. And that junior partnership, I ween, Was the only ship that I ever had seen. Was the only ship that he ever had seen. SIR J. But that kind of ship so suited me, That now I am the Ruler of the Queen s Navee! But that kind of ship, etc. SIR J. I grew so rich that I was sent By a pocket borough into Parliament. I always voted at my party s call, And I never thought of thinking for myself at all. He never thought of thinking for himself at all. SIR J. I thought so little, they rewarded me By making me the Ruler of the Queen s Navee! He thought so little, etc. SIR J. Now, landsmen all, whoever you may be, If you want to rise to the top of the tree, If your soul isn t fettered to an office stool, Be careful to be guided by this golden rule Be careful to be guided by this golden rule. SIR J. Stick close to your desks and never go to sea, And you all may be rulers of the Queen s Navee! Stick close to your desks, etc. You ve a remarkably fine crew, Captain Corcoran. It is a fine crew, Sir Joseph. SIR JOSEPH (examining a very small midshipman). A British sailor is a splendid fellow, Captain Corcoran. A splendid fellow indeed, Sir Joseph. I hope you treat your crew kindly, Captain Corcoran. Indeed I hope so, Sir Joseph. 7

360 365 370 375 380 385 390 395 400 405 410 H.M.S. Pinafore Never forget that they are the bulwarks of England s greatness, Captain Corcoran. So I have always considered them, Sir Joseph. No bullying, I trust no strong language of any kind, eh? Oh, never, Sir Joseph. What, never? Well, hardly ever, Sir Joseph. They are an excellent crew, and do their work thoroughly without it. Don t patronise them, sir pray, don t patronise them. Certainly not, Sir Joseph. That you are their captain is an accident of birth. I cannot permit these noble fellows to be patronized because an accident of birth has placed you above them and them below you. I am the last person to insult a British sailor, Sir Joseph. You are the last person who did, Captain Corcoran. Desire that splendid seaman to step forward. (DICK comes forward.) No, no, the other splendid seaman. Ralph Rackstraw, three paces to the front march! SIR JOSEPH (sternly). If what? I beg your pardon I don t think I understand you. If you please. Oh, yes, of course. If you please. (RALPH steps forward.) You re a remarkably fine fellow. RALPH. Yes, your honour. And a first-rate seaman, I ll be bound. RALPH. There s not a smarter topman in the Navy, your honour, though I say it who shouldn t. Not at all. Proper self-respect, nothing more. Can you dance a hornpipe? RALPH. No, your honour. That s a pity: all sailors should dance hornpipes. I will teach you one this evening, after dinner. Now tell me don t be afraid how does your captain treat you, eh? RALPH. A better captain don t walk the deck, your honour. Aye; Aye! Good. I like to hear you speak well of your commanding officer; I daresay he don t deserve it, but still it does you credit. Can you sing? RALPH. I can hum a little, your honour. Then hum this at your leisure. (Giving him MS. music.) It is a song that I have composed for the use of the Royal Navy. It is designed to encourage independence of thought and action in the lower branches of the service, and to teach the principle that a British sailor is any man s equal, excepting mine. Now, Captain Corcoran, a word with you in your cabin, on a tender and sentimental subject. Aye, aye, Sir Joseph. (Crossing.) Boatswain, in commemoration of this joyous occasion, see that extra grog is served out to the ship s company at seven bells. BOAT. Beg pardon. If what, your honour? If what? I don t think I understand you. BOAT. If you please, your honour. What! The gentleman is quite right. If you please. (stamping his foot impatiently). If you please! For I hold that on the seas The expression, if you please, A particularly gentlemanly tone implants. 8 [Exit.

415 420 425 430 435 440 445 450 455 460 COUSIN HEBE. ALL Act I And so do his sisters, and his cousins, and his aunts! And so do his sisters, and his cousins, and his aunts! His sisters and his cousins, Whom he reckons up by dozens, And his aunts! [Exeunt SIR JOSEPH and RELATIVES. BOAT. Ah! Sir Joseph s a true gentleman; courteous and considerate to the very humblest. RALPH. True, Boatswain, but we are not the very humblest. Sir Joseph has explained our true position to us. As he says, a British seaman is any man s equal excepting his, and if Sir Joseph says that, is it not our duty to believe him? Well spoke! well spoke! DICK. You re on a wrong tack, and so is he. He means well, but he don t know. When people have to obey other people s orders, equality s out of the question. ALL (recoiling). Horrible! horrible! BOAT. Dick Deadeye, if you go for to infuriate this here ship s company too far, I won t answer for being able to hold em in. I m shocked! that s what I am shocked! RALPH. Messmates, my mind s made up. I ll speak to the captain s daughter, and tell her, like an honest man, of the honest love I have for her. Aye, aye! RALPH. Is not my love as good as another s? Is not my heart as true as another s? Have I not hands and eyes and ears and limbs like another? Aye, Aye! RALPH. True, I lack birth BOAT. You ve a berth on board this very ship. RALPH. Well said I had forgotten that. Messmates what do you say? Do you approve my determination? We do. DICK. I don t. BOAT. What is to be done with this here hopeless chap? Let us sing him the song that Sir Joseph has kindly composed for us. Perhaps it will bring this here miserable creetur to a proper state of mind. [Exit DICK. GLEE RALPH, BOATSWAIN, BOATSWAIN S MATE, and A British tar is a soaring soul, As free as a mountain bird, His energetic fist should be ready to resist A dictatorial word. His nose should pant and his lip should curl, His cheeks should flame and his brow should furl, His bosom should heave and his heart should glow, And his fist be ever ready for a knock-down blow. His nose should pant, etc. His eyes should flash with an inborn fire, His brow with scorn be wrung; He never should bow down to a domineering frown, Or the tang of a tyrant tongue. His foot should stamp and his throat should growl, His hair should twirl and his face should scowl; His eyes should flash and his breast protrude, And this should be his customary attitude (pose). His foot should stamp, etc. (All dance off excepting RALPH, who remains, leaning pensively against bulwark.) (Enter JOSEPHINE from cabin.) 9

465 470 475 480 485 490 495 500 505 510 515 H.M.S. Pinafore JOS. It is useless Sir Joseph s attentions nauseate me. I know that he is a truly great and good man, for he told me so himself, but to me he seems tedious, fretful, and dictatorial. Yet his must be a mind of no common order, or he would not dare to teach my dear father to dance a hornpipe on the cabin table. (Sees RALPH.) Ralph Rackstraw! (Overcome by emotion.) RALPH. Aye, lady no other than poor Ralph Rackstraw! JOS. (aside). How my heart beats! (Aloud.) And why poor, Ralph? RALPH. I am poor in the essence of happiness, lady rich only in never-ending unrest. In me there meet a combination of antithetical elements which are at eternal war with one another. Driven hither by objective influences thither by subjective emotions wafted one moment into blazing day, by mocking hope plunged the next into the Cimmerian darkness of tangible despair, I am but a living ganglion of irreconcilable antagonisms. I hope I make myself clear, lady? JOS. Perfectly. (Aside.) His simple eloquence goes to my heart. Oh, if I dared but no, the thought is madness! (Aloud.) Dismiss these foolish fancies, they torture you but needlessly. Come, make one effort. RALPH (aside). I will one. (Aloud.) Josephine! JOS. (indignantly). Sir! RALPH. Aye, even though Jove s armoury were launched at the head of the audacious mortal whose lips, unhallowed by relationship, dared to breathe that precious word, yet would I breathe it once, and then perchance be silent evermore. Josephine, in one brief breath I will concentrate the hopes, the doubts, the anxious fears of six weary months. Josephine, I am a British sailor, and I love you! JOS. Sir, this audacity! (Aside.) Oh, my heart, my beating heart! (Aloud.) This unwarrantable presumption on the part of a common sailor! (Aside.) Common! oh, the irony of the word! (Crossing, aloud.) Oh, sir, you forget the disparity in our ranks. RALPH. I forget nothing, haughty lady. I love you desperately, my life is in your hand I lay it at your feet! Give me hope, and what I lack in education and polite accomplishments, that I will endeavour to acquire. Drive me to despair, and in death alone I shall look for consolation. I am proud and cannot stoop to implore. I have spoken and I wait your word. JOS. You shall not wait long. Your proffered love I haughtily reject. Go, sir, and learn to cast your eyes on some village maiden in your own poor rank they should be lowered before your captain s daughter! DUET JOSEPHINE and RALPH. JOS. Refrain, audacious tar, Your suit from pressing. Remember what you are, And whom addressing! (Aside.) I d laugh my rank to scorn In union holy, Were he more highly born Or I more lowly! RALPH. Proud lady, have your way, Unfeeling beauty! You speak and I obey, It is my duty! I am the lowliest tar That sails the water, And you, proud maiden, are My captain s daughter! (Aside.) My heart with anguish torn Bows down before her, She laughs my love to scorn, Yet I adore her! 10

520 525 530 RALPH. (Recit.) (Calling off.) Act I [Repeat refrain, ensemble, then exit JOSEPHINE into cabin. Can I survive this overbearing Or live a life of mad despairing, My proffered love despised, rejected? No, no, it s not to be expected! Messmates, ahoy! Come here! Come here! (Enter SAILORS, HEBE, RELATIVES, and BUTTERCUP.) Aye, aye, my boy, What cheer, what cheer? Now tell us, pray, Without delay, What does she say What cheer, what cheer? 535 RALPH (to COUSIN HEBE). The maiden treats my suit with scorn, Rejects my humble gift, my lady; She says I am ignobly born, And cuts my hopes adrift, my lady. Oh, cruel one. 540 DICK. She spurns your suit? Oho! Oho! I told you so, I told you so. 545 550 555 560 565 SAILORS and RELATIVES. DICK. RALPH. RALPH. JOS. we we Shall we/they submit? Arewe/they but slaves? they they Love comes alike to high and low Britannia s sailors rule the waves, And shall they stoop to insult? No! No! You must submit, you are but slaves; A lady she! Oho! Oho! You lowly toilers of the waves, She spurns you all I told you so! My friends, my leave of life I m taking, For oh, my heart, my heart is breaking; When I am gone, oh, prithee tell The maid that, as I died, I loved her well! (turning away, weeping). Of life, alas! his leave he s taking, For ah! his faithful heart is breaking; When he is gone we ll surely tell The maid that, as he died, he loved her well. (During Chorus BOATSWAIN has loaded pistol, which he hands to RALPH.) Be warned, my messmates all Who love in rank above you For Josephine I fall! (Puts pistol to his head. All the sailors stop their ears.) (Enter JOSEPHINE on deck.) Ah! stay your hand I love you! Ah! stay your hand she loves you! 11

570 575 580 585 590 595 600 605 610 615 H.M.S. Pinafore RALPH (incredulously). Loves me? JOS. Loves you! Yes, yes ah, yes, she loves you! ENSEMBLE JOSEPHINE, HEBE and RALPH. Oh joy, oh rapture unforeseen, For now the sky is all serene; The god of day the orb of love Has hung his ensign high above, The sky is all ablaze. With wooing words and loving song, We ll chase the lagging hours along, I And if I/we find the maiden coy, we I ll I ll/we ll murmur forth decorous joy We ll In dreamy roundelays! DICK DEADEYE. He thinks he s won his Josephine, But though the sky is now serene, A frowning thunderbolt above May end their ill-assorted love Which now is all ablaze. Our captain, ere the day is gone, Will be extremely down upon The wicked men who art employ To make his Josephine less coy In many various ways. JOS. This very night, HEBE. With bated breath RALPH. And muffled oar JOS. Without a light, HEBE. As still as death, RALPH. We ll steal ashore. JOS. A clergyman RALPH. Shall make us one BOAT. At half-past ten, JOS. And then we can RALPH. Return, for none BOAT. Can part them then! This very night, etc. (DICK appears at hatchway.) DICK. Forbear, nor carry out the scheme you ve planned; She is a lady you a foremast hand! Remember, she s your gallant captain s daughter, And you the meanest slave that crawls the water! Back, vermin, back, Nor mock us! Back, vermin, back, You shock us! Let s give three cheers for the sailor s bride 12 [Exit DICK. [Exit DICK.

620 625 630 635 640 Act I Who casts all thought of rank aside Who gives up home and fortune too For the honest love of a sailor true! JOSEPHINE, HEBE and RELATIVES. For a British tar is a soaring soul As free as a mountain bird! His energetic fist should be ready to resist A dictatorial word! His eyes should flash with an inborn fire, His brow with scorn be wrung; He never should bow down to a domineering frown Or the tang of a tyrant tongue. SAILORS. His nose should pant and his lips should curl, His cheeks should flame and his brow should furl, His bosom should heave and his heart should glow, And his fist be ever ready for a knock down blow. ENSEMBLE. His foot should stamp and his throat should growl, His hair should twirl and his face should scowl, His eyes should flash and his breast protrude, And this should be his customary attitude (pose). GENERAL DANCE. END OF ACT I. 13

ACT II 25 Same Scene. Night. Awning removed. Moonlight. CAPTAIN discovered singing on poopdeck, and accompanying himself on a mandolin. LITTLE BUTTERCUP seated on quarter-deck, gazing sentimentally at him. SONG CAPTAIN. 5 Fair moon, to thee I sing, Bright regent of the heavens, Say, why is everything Either at sixes or at sevens? I have lived hitherto 10 Free from the breath of slander, Beloved by all my crew A really popular commander. But now my kindly crew rebel, My daughter to a tar is partial, 15 Sir Joseph storms, and, sad to tell, He threatens a court martial! Fair moon, to thee I sing, Bright regent of the heavens, Say, why is everything 20 Either at sixes or at sevens? BUT. How sweetly he carols forth his melody to the unconscious moon! Of whom is he thinking? Of some high-born beauty? It may be! Who is poor Little Buttercup that she should expect his glance to fall on one so lowly! And yet if he knew if he only knew! (coming down). Ah! Little Buttercup, still on board? That is not quite right, little one. It would have been more respectable to have gone on shore at dusk. BUT. True, dear Captain but the recollection of your sad pale face seemed to chain me to the ship. I would fain see you smile before I go. Ah! Little Buttercup, I fear it will be long before I recover my accustomed 30 cheerfulness, for misfortunes crowd upon me, and all my old friends seem to have turned against me! BUT. Oh no do not say all, dear Captain. That were unjust to one, at least. True, for you are staunch to me. (Aside.) If ever I gave my heart again, methinks it would be to such a one as this! (Aloud.) I am touched to the heart by your 35 innocent regard for me, and were we differently situated, I think I could have returned it. But as it is, I fear I can never be more to you than a friend. BUT. I understand! You hold aloof from me because you are rich and lofty and I poor and lowly. But take care! The poor bumboat woman has gipsy blood in her veins, and she can read destinies. 40 Destinies? BUT. There is a change in store for you! A change? BUT. Aye be prepared! DUET LITTLE BUTTERCUP and CAPTAIN. 45 BUT. Things are seldom what they seem, Skim milk masquerades as cream; Highlows pass as patent leathers; Jackdaws strut in peacock s feathers. 14

50 55 60 65 70 75 80 85 90 95 100 Act II (puzzled). Very true, So they do. BUT. Black sheep dwell in every fold; All that glitters is not gold; Storks turn out to be but logs; Bulls are but inflated frogs. (puzzled). So they be, Frequentlee. BUT. Drops the wind and stops the mill; Turbot is ambitious brill; Gild the farthing if you will, Yet it is a farthing still. (puzzled). Yes, I know. That is so. Though to catch your drift I m striving, It is shady it is shady; I don t see at what you re driving, BOTH. Mystic lady mystic lady. me Stern conviction s o er him That the mystic lady s dealing stealing, In oracular revealing. Yes, I know BUT. That is so! Though I m anything but clever, I could talk like that for ever: Once a cat was killed by care; Only brave deserve the fair. BUT. Very true, So they do. Wink is often good as nod; Spoils the child who spares the rod; Thirsty lambs run foxy dangers; Dogs are found in many mangers. BUT. Frequentlee, I agree. Paw of cat the chestnut snatches; Worn-out garments show new patches; Only count the chick that hatches; Men are grown-up catchy-catchies. BUT. Yes, I know, That is so. (Aside.) Though to catch my drift he s striving, I ll dissemble I ll dissemble; When he sees at what I m driving, Let him tremble let him tremble! ENSEMBLE. I Though a mystic tone borrow, you You will learn the truth with sorrow, I shall Here to-day and gone to-morrow; Yes, I know That is so! [At the end exit LITTLE BUTTERCUP melodramatically. 15

H.M.S. Pinafore 105 110 115 120 125 130 135 140 145 150 Incomprehensible as her utterances are, I nevertheless feel that they are dictated by a sincere regard for me. But to what new misery is she referring? Time alone can tell! (Enter ) Captain Corcoran, I am much disappointed with your daughter. In fact, I don t think she will do. She won t do, Sir Joseph! I m afraid not. The fact is, that although I have urged my suit with as much eloquence as is consistent with an official utterance, I have done so hitherto without success. How do you account for this? Really, Sir Joseph, I hardly know. Josephine is of course sensible of your condescension. She naturally would be. But perhaps your exalted rank dazzles her. You think it does? I can hardly say; but she is a modest girl, and her social position is far below your own. It may be that she feels she is not worthy of you. That is really a very sensible suggestion, and displays more knowledge of human nature than I had given you credit for. See, she comes. If your lordship would kindly reason with her and assure her officially that it is a standing rule at the Admiralty that love levels all ranks, her respect for an official utterance might induce her to look upon your offer in its proper light. It is not unlikely. I will adopt your suggestion. But soft, she is here. Let us withdraw, and watch our opportunity. (Enter JOSEPHINE from cabin. SIR JOSEPH and CAPTAIN retire.) SCENA JOSEPHINE. The hours creep on apace, My guilty heart is quaking! Oh, that I might retrace The step that I am taking! Its folly it were easy to be showing, What I am giving up and whither going. On the one hand, papa s luxurious home, Hung with ancestral armour and old brasses, Carved oak and tapestry from distant Rome, Rare blue and white Venetian finger-glasses, Rich oriental rugs, luxurious sofa pillows, And everything that isn t old, from Gillow s. And on the other, a dark and dingy room, In some back street with stuffy children crying, Where organs yell, and clacking housewives fume, And clothes are hanging out all day a-drying. With one cracked looking-glass to see your face in, And dinner served up in a pudding basin! A simple sailor, lowly born, Unlettered and unknown, Who toils for bread from early morn Till half the night has flown! No golden rank can he impart No wealth of house or land No fortune save his trusty heart 16

155 160 165 170 175 180 185 190 195 200 Act II And honest brown right hand! And yet he is so wondrous fair That love for one so passing rare, So peerless in his manly beauty, Were little else than solemn duty! Oh, god of love, and god of reason, say, Which of you twain shall my poor heart obey! (SIR JOSEPH and CAPTAIN enter.) Madam, it has been represented to me that you are appalled by my exalted rank. I desire to convey to you officially my assurance, that if your hesitation is attributable to that circumstance, it is uncalled for. JOS. Oh! then your lordship is of opinion that married happiness is not inconsistent with discrepancy in rank? I am officially of that opinion. JOS. That the high and the lowly may be truly happy together, provided that they truly love one another? Madam, I desire to convey to you officially my opinion that love is a platform upon which all ranks meet. JOS. I thank you, Sir Joseph. I did hesitate, but I will hesitate no longer. (Aside.) He little thinks how eloquently he has pleaded his rival s cause! TRIO SIR JOSEPH, CAPTAIN, and JOSEPHINE. Never mind the why and wherefore, Love can level ranks, and therefore, Though his lordship s station s mighty, Though stupendous be his brain, Though your tastes are mean and flighty And your fortune poor and plain, and Ring the merry bells on board-ship, Rend the air with warbling wild, his For the union of lordship my With a humble captain s child! For a humble captain s daughter JOS. For a gallant captain s daughter And a lord who rules the water JOS. (aside). And a tar who ploughs the water! Let the air with joy be laden, Rend with songs the air above, For the union of a maiden With the man who owns her love! Never mind the why and wherefore, Love can level ranks, and therefore, Though your nautical relation (alluding to ) In my set could scarcely pass Though you occupy a station In the lower middle class and Ring the merry bells on board-ship, Rend the air with warbling wild, my For the union of lordship his With a humble captain s child! For a humble captain s daughter JOS. For a gallant captain s daughter 17

205 210 215 220 225 230 235 240 245 250 255 H.M.S. Pinafore And a lord who rules the water JOS. (aside). And a tar who ploughs the water! Let the air with joy be laden, Rend with songs the air above, For the union of a maiden With the man who owns her love! JOS. Never mind the why and wherefore, Love can level ranks, and therefore I admit the jurisdiction; Ably have you played your part; You have carried firm conviction To my hesitating heart. and Ring the merry bells on board-ship, Rend the air with warbling wild, For the union of my lordship his With a humble captain s child! For a humble captain s daughter JOS. For a gallant captain s daughter And a lord who rules the water JOS. (aside). And a tar who ploughs the water! (Aloud.) Let the air with joy be laden. and Ring the merry bells on board-ship JOS. For the union of a maiden and For her union with his lordship. Rend with songs the air above For the man who owns her love! [Exit JOSEPHINE. Sir Joseph, I cannot express to you my delight at the happy result of your eloquence. Your argument was unanswerable. Captain Corcoran, it is one of the happiest characteristics of this glorious country that official utterances are invariably regarded as unanswerable. [Exit At last my fond hopes are to be crowned. My only daughter is to be the bride of a Cabinet Minister. The prospect is Elysian. (During this speech DICK DEADEYE has entered.) DICK. Captain. Deadeye! You here? Don t! (Recoiling from him.) DICK. Ah, don t shrink from me, Captain. I m unpleasant to look at, and my name s agin me, but I ain t as bad as I seem. What would you with me? DICK (mysteriously). I m come to give you warning. Indeed! do you propose to leave the Navy then? DICK. No, no, you misunderstand me; listen! DUET CAPTAIN and DICK DEADEYE. DICK. Kind Captain, I ve important information, Sing hey, the kind commander that you are, About a certain intimate relation, Sing hey, the merry maiden and the tar. BOTH. The merry maiden and the tar. Good fellow, in conundrums you are speaking, Sing hey, the mystic sailor that you are; The answer to them vainly I am seeking; Sing hey, the merry maiden and the tar. 18

260 265 270 275 280 285 290 295 300 305 BOTH. DICK. BOTH. BOTH. Act II The merry maiden and the tar. Kind Captain, your young lady is a-sighing, Sing hey, the simple captain that you are, This very night with Rackstraw to be flying; Sing hey, the merry maiden and the tar. The merry maiden and the tar. Good fellow, you have given timely warning, Sing hey, the thoughtful sailor that you are, I ll talk to Master Rackstraw in the morning: Sing hey, the cat-o -nine-tails and the tar. (Producing a cat.) The merry cat-o -nine-tails and the tar! Dick Deadeye I thank you for your timely warning I will at once take means to arrest their flight. This boat cloak will afford me ample disguise So! (Envelops himself in a mysterious cloak, holding it before his face.) DICK. Ha, ha! They are foiled foiled foiled! Enter Crew on tiptoe, with RALPH and BOATSWAIN meeting JOSEPHINE, who enters from cabin on tiptoe, with bundle of necessaries, and accompanied by LITTLE BUTTERCUP. ENSEMBLE SAILORS. Carefully on tiptoe stealing, Breathing gently as we may, Every step with caution feeling, We will softly steal away. (CAPTAIN stamps. Chord. ) ALL (much alarmed). Goodness me Why, what was that? DICK. Silent be, It was the cat! ALL (reassured). It was it was the cat! (producing cat-o -nine-tails). They re right, it was the cat! Pull ashore, in fashion steady, Hymen will defray the fare, For a clergyman is ready To unite the happy pair! (Stamp as before, and Chord.) Goodness me, Why, what was that? DICK. Silent be, Again the cat! It was again that cat! (aside). (throwing off cloak). CREW. They re right, it was the cat! Hold! (All start.) Pretty daughter of mine, I insist upon knowing Where you may be going With these sons of the brine, For my excellent crew, Though foes they could thump any, Are scarcely fit company, My daughter, for you. Now, hark at that, do! Though foes we could thump any, We are scarcely fit company 19

310 315 320 325 330 335 RALPH. RALPH and JOS. BOAT. BOAT. BOAT. H.M.S. Pinafore For a lady like you! Proud officer, that haughty lip uncurl! Vain man, suppress that supercilious sneer, For I have dared to love your matchless girl, A fact well known to all my messmates here! Oh, horror! I, humble, poor, and lowly born, He, The meanest in the port division The butt of epauletted scorn The mark of quarter-deck derision Have my dared to raise wormy eyes Has his Above the dust to which you d mould In manhood s glorious pride to rise, I am is an Englishman behold He is He is an Englishman! He is an Englishman! For he himself has said it, And it s greatly to his credit, That he is an Englishman! That he is an Englishman! For he might have been a Roosian, A French, or Turk, or Proosian, Or perhaps Itali-an! Or perhaps Itali-an! But in spite of all temptations To belong to other nations, He remains an Englishman! For in spite of all temptations, etc. me him me! him! 340 345 350 355 (trying to repress his anger). In uttering a reprobation To any British tar, I try to speak with moderation, But you have gone too far. I m very sorry to disparage A humble foremast lad, But to seek your captain s child in marriage, Why damme, it s too bad! (During this, COUSIN HEBE and FEMALE RELATIVES have entered.) ALL (shocked). Oh! Yes, damme, it s too bad! Oh! and DICK DEADEYE. Yes, damme, it s too bad. (During this, SIR JOSEPH has appeared on poop-deck. He is horrified at the bad language.) HEBE. Did you hear him did you hear him? Oh, the monster overbearing! Don t go near him don t go near him He is swearing he is swearing! 20

360 365 370 375 380 385 390 395 400 405 410 HEBE. Act II My pain and my distress, I find it is not easy to express; My amazement my surprise You may learn from the expression of my eyes! My lord one word the facts are not before you The word was injudicious, I allow But hear my explanation, I implore you, And you will be indignant too, I vow! I will hear of no defence, Attempt none if you re sensible. That word of evil sense Is wholly indefensible. Go, ribald, get you hence To your cabin with celerity. This is the consequence Of ill-advised asperity! [Exit CAPTAIN, disgraced, followed by JOSEPHINE. This is the consequence, Of ill-advised asperity! For I ll teach you all, ere long, To refrain from language strong, For I haven t any sympathy for ill-bred taunts! No more have his sisters, nor his cousins, nor his aunts. For he is an Englishman, etc. Now, tell me, my fine fellow for you are a fine fellow RALPH. Yes, your honour. How came your captain so far to forget himself? I am quite sure you had given him no cause for annoyance. RALPH. Please your honour, it was thus-wise. You see I m only a topman a mere foremast hand Don t be ashamed of that. Your position as a topman is a very exalted one. RALPH. Well, your honour, love burns as brightly in the fo c sle as it does on the quarter-deck, and Josephine is the fairest bud that ever blossomed upon the tree of a poor fellow s wildest hopes. (Enter JOSEPHINE; she rushes to RALPH S arms.) JOS. Darling! (SIR JOSEPH horrified.) RALPH. She is the figurehead of my ship of life the bright beacon that guides me into my port of happiness that the rarest, the purest gem that ever sparkled on a poor but worthy fellow s trusting brow! Very pretty, very pretty! Insolent sailor, you shall repent this outrage. Seize him! (Two Marines seize him and handcuff him.) JOS. Oh, Sir Joseph, spare him, for I love him tenderly. Pray, don t. I will teach this presumptuous mariner to discipline his affections. Have you such a thing as a dungeon on board? We have! DICK. They have! Then load him with chains and take him there at once! OCTET. RALPH. Farewell, my own, Light of my life, farewell! For crime unknown I go to a dungeon cell. 21

415 420 425 430 435 440 445 450 455 460 JOS. H.M.S. Pinafore I will atone. In the meantime farewell! And all alone Rejoice in your dungeon cell! A bone, a bone I ll pick with this sailor fell; Let him be shown At once to his dungeon cell. BOATSWAIN, BOATSWAIN S MATE, DICK DEADEYE, and COUSIN HEBE. BUT. (mysteriously). BUT. BUT. ALL (explaining to each other). BUT. He ll hear no tone Of the maiden he loves so well! No telephone Communicates with his cell! But when is known The secret I have to tell, Wide will be thrown The door of his dungeon cell. For crime unknown He goes to a dungeon cell! [RALPH is led off in custody. My pain and my distress Again it is not easy to express. My amazement, my surprise, Again you may discover from my eyes. How terrible the aspect of his eyes! Hold! Ere upon your loss You lay much stress, A long-concealèd crime I would confess. SONG BUTTERCUP. A many years ago, When I was young and charming, As some of you may know, I practised baby-farming. Now this is most alarming! When she was young and charming, She practised baby-farming, A many years ago. Two tender babes I nussed: One was of low condition, The other, upper crust, A regular patrician. Now, this is the position: One was of low condition, The other a patrician, A many years ago. Oh, bitter is my cup! However could I do it? I mixed those children up, 22

465 470 475 480 485 490 495 500 505 510 BUT. Act II And not a creature knew it! However could you do it? Some day, no doubt, you ll rue it, Although no creature knew it, So many years ago. In time each little waif Forsook his foster-mother, The well born babe was Ralph Your captain was the other!!! They left their foster-mother, The one was Ralph, our brother, Our captain was the other, A many years ago. Then I am to understand that Captain Corcoran and Ralph were exchanged in childhood s happy hour that Ralph is really the Captain, and the Captain is Ralph? BUT. That is the idea I intended to convey, officially! And very well you have conveyed it, Miss Buttercup. BUT. Aye! aye! yer onour. Dear me! Let them appear before me, at once! (RALPH enters as CAPTAIN; CAPTAIN as a common sailor. JOSEPHINE rushes to his arms.) JOS. My father a common sailor! It is hard, is it not, my dear? This is a very singular occurrence; I congratulate you both. (To RALPH.) Captain Rackstraw, desire that remarkably fine seaman to step forward. RALPH. Corcoran. Three paces to the front march! If what? RALPH. If what? I don t think I understand you. If you please. The gentleman is quite right. If you please. RALPH. Oh! If you please. (CAPTAIN steps forward.) SIR JOSEPH (to CAPTAIN). You are an extremely fine fellow. Yes, your honour. So it seems that you were Ralph, and Ralph was you. So it seems, your honour. Well, I need not tell you that after this change in your condition, a marriage with your daughter will be out of the question. Don t say that, your honour love levels all ranks. It does to a considerable extent, but it does not level them as much as that. (Handing JOSEPHINE to RALPH.) Here take her, sir, and mind you treat her kindly. RALPH and JOS. Oh bliss, oh rapture! and BUT. Oh rapture, oh bliss! Sad my lot and sorry, What shall I do? I cannot live alone! HEBE. Fear nothing while I live I ll not desert you. I ll soothe and comfort your declining days. No, don t do that. HEBE. Yes, but indeed I d rather SIR JOSEPH (resigned). Oh, very well then. To-morrow morn our vows shall all be plighted, Three loving pairs on the same day united! 23