Access to Electronic Thesis Author: Thesis title: Qualiication: Samuel Jones MMus Portolio o Comositions MMus This electronic thesis is rotected by the Coyright, Designs and Patents Act 988. No reroduction is ermitted without consent o the author. It is also rotected by the Creative Commons Licence allowing Attributions-Non-commercial-No derivatives. I this electronic thesis has been edited by the author it will be indicated as such on the title age and in the text.
Autumn or SSAATTBB Choir Sam Jones ull score
Text: 'Autumn:A Dirge' by Shelley Autumn SSAATTBB (one to a art) Sam Jones SOPRANO I Calmly q = 55 agitato the bleak wind is wail - ing, molto SOPRANO II agitato the bleak wind is wail - ing, molto ALTO I agitato molto the bleak wind is wail- ing, ALTO II TENOR I The warm senza cresc. sun is all - ing, the TENOR II The warm senza cresc. sun is all - ing, the BASS I hmm Ahh BASS II hmm Ahh Coyright Sam Jones 00
S.I 5 rit. the ale low-ers are dy - ing, S.II m Hhh* the ale low-ers are dy - ing, A.I the ale low-ers are dy- ing, A.II the ale low-ers are dy- ing, T.I molto bare boughs are sigh - ing, dy - ing, T.II bare boughs are sigh - ing, B.I hmm Ahh B.II hmm Ahh *=exhale to give imression o wind through trees
S.I 9 Meno Mosso in a shroud o leaves dead, S.II m m And the Year On the earth is her death bed, A.I m m And the Year And the Year earth is her death bed, A.II m And the Year And the Year *Ssshrou T.I m m And the Year On the earth is her death bed, *Ssshrou T.II m And the Year On the earth is her death bed, in a shroud m B.I m m And the Year And the Year earth is her death bed, in a shroud B.II m And the Year And the Year earth is her death bed, in a shroud m *=unvoiced
S.I Poco Piú Mosso oco accel. m m molto rit. Is ly - ing. ly- ing. m Is ly - ing m Is ly - ing. S.II m m ly- ing. ly - ing. ly - ing Is ly - ing. A.I Is ly - ing. Is ly - ing. Is ly - ing. m A.II m Is ly - ing. Is ly - ing. Is ly- ing. m m T.I Is ly- ing. ly- ing. ly - ing. ly - ing. T.II m m Is ly- ing. Is ly- ing. Is ly - ing. B.I m Is ly - ing. B.II m Is ly - ing.
Largo 5 S.I 8 molto Come, Months, come a - way, From Nov - em -ber to May, S.II molto m Come, Months, come a - way, From Nov - em -ber to May, In your A.I Come, Months, come a - way, From Nov - em - ber to May, molto A.II molto Come, Months, come a - way, From Nov - em -ber to May, T.I molto Come, Months, come a - way, From Nov - em -ber to May, T.II molto Come, Months, come a - way, From Nov - em -ber to May, B.I molto Come, Months, come a - way, From Nov - em - ber to May, In your B.II Come, Months, come a - way, From Nov - em -ber to May, molto
6 S.I Ahh S.II sad - dest ar - ray; eee A.I Fol -low the Bier o the dead, cold A.II Fol -low the Bier o the dead, cold T.I Ahh T.II B.I sad - dest ar - ray; eee B.II Ahh
7 S.I 7 *ó oco rit. S.II ooo A.I Year. - - *è A.II Year. - - *è T.I T.II The B.I eee B.II m And legatissimo like dim sha - dows watch dim. by her se - ul - *ó= ó as in 'gone' *é= é as in 'egg'
8 S.I Temo Primo(q=60) the nied worm is craw - ling, the ri-vers are S.II mmm Ahh the ri-vers are A.I mmm Ahh the ri-vers are A.II the ri-vers are T.I The chill rain is al ling, thenied worm is craw-ling, the ri-vers are T.II chill rain is al - ling, the ri-vers are B.I The chill rain is al - ling, the ri vers are B.II chre. al ling, the ri-vers are
S.I 5 m Piú Lento 9 swel - ling, Ahh S.II m m swel - ling, Uhh* A.I m m swel - ling, Uhh* A.II m swel - ling, Ahh T.I m m swel - ling, Uhh* T.II m m swel - ling, Uhh* B.I m legato swel - ling, The thun - der is knel - ling B.II m swel - ling, The legato thun - der is knel - ling *=inhale
0 S.I 8 Piú Dolce senza cresc. For the Year; The blithe swal-lows are low S.II senza cresc. For the Year; The blithe swal-lows are low A.I senza cresc. For the Year; The blithe swal-lows are low A.II senza cresc. For the Year; The blithe swal-lows are low T.I For the Year; T.II senza cresc. For the Year; The blithe swal-lows are lown, B.I B.II senza cresc. For the Year; The blithe swal-lows are lown,
S.I oco accel. molto rit. zzss To his dwel-ling To his dwel- ling. S.II zzss To his dwel- ling To his dwel- ling. A.I To his dwel ling To his dwel- ling. A.II To his dwel- ling. T.I m and the li-zards each gone To his dwel-ling his dwel- ling. T.II To his dwel-ling To his dwel- ling. B.I m and the m li-zards each gone To his dwel - ling his dwel- ling. B.II To his dwel-ling To his dwel- ling.
S.I 6 Grandioso, meno mosso sub molto Come, Months, come a - way, Put on white, black and gray; S.II sub molto () Come, Months, come a - way, Put on white, black and gray; Let your A.I sub molto Come, Months, come a - way, Put on white, black and gray; A.II sub molto Come, Months, come a - way, Put on white, black and gray; T.I sub molto Come, Months, come a - way, Put on white, black and gray; T.II sub molto Come, Months, come a - way, Put on white, black and gray; B.I sub molto () Come, Months, come a - way, Put on white, black and gray; Let your B.II Come, Months, come a sub - way, Put on white, black and gray; molto
S.I 5 Ahh S.II A.I light sis - ters leh (lay) Ye, - - - yee sotly ol-low the Bier o the dead, cold Year. - A.II sotly Ye, ol-low the Bier o the dead, cold Year. - T.I Ahh T.II B.I alsetto light sis - ters leh (lay) - - - yee B.II Ahh
S.I 57 Poco Piú Lento grave green rit. senza cresc. with tear. S.II grave green senza cresc. with tear. A.I make her grave green senza cresc. tear on tear. A.II make her grave green senza cresc. tear on tear. T.I senza cresc. And make her grave green with tear on tear. T.II senza cresc. And make her grave green with tear on tear. B.I senza cresc. And make her grave green with tear on tear. B.II And make her grave green senza cresc. with tear on tear.
Sonatina or trumet and iano Sam Jones ull score
Trumet in Bb Maestoso Plunger mute or James Atashroo Sonatina or Trumet and Piano I Moderato G sz molto m Sam Jones hold back 5 Vivo molto accel. cresc. oco a oco 0 molto 5 Prestissimo Oen sz sz 0 sz sz sub sz molto raise Plunger mute latt. w/bell u 5 Poco Meno Mosso (q=0) lightly stam! ta stam! etc. 0 m m 5 m molto Coyright Sam Jones 0
0 accel. G sub m m molto cresc. 5 Prestissimo Oen molto grandioso 9 rit. sz sz sz sz latt./squeal! 5 Flugelhorn (or Trumet in Bb) A Temo, restissimo m molto molto Piano Adagio (q=70) molto rubato a little slower l.v. II m grandly w/vib. ATTACCA simly (senza vib.)
5 senza cresc. m m m 0 m con edale 7 Animato (q=0) m dolce sim.
6 sub m molto sub 0 m Meno Mosso (q=50) molto dolcissimo rubato 8 m Piú Mosso (q=0) subito m molto
5 dolce sim. m 7 con edale m 5 5 m m m tenuto 56 rit. Tranquillo, oco meno mosso legato
6 60 (l.h. semre ) 65 Bucket mute () sub 70 m oco rit. 75 A Temo m m
G 7 79 m m violently 8 dolce sim. 88 rit. Meno (q=60) rit. Oen 9 dim. (To Tt.)
8 Trumet in Bb Piano Allegro Vivo (q=60) marcartiss. III Molto Vivo iú legato 9 5 m agitato
legato () 9 7 Ad. Lib Em7 Em7 lightly Em7 D7 Em7 Em7 Em7 B 7 B 7 B 7 A7 sim. 9 B 7 B 7 B 7 A9 A9 A9
0 5 A9 A7 D9 G9 (as written) m m sub 5 56 60 Temo Primo m iú legato (senza)
66 7 78 molto molto 8
90 m cresc. m molto sub 96 legato m molto m
Silver or String Quartet Sam Jones ull score
Violin I Violin II Viola Violoncello 5 9 sub Vivo q = 50 arco. or Mum and Dad silver or string quartet arco. arco. izz. izz. Coyright Sam Jones 0 izz. izz. izz. izz. izz. Sam Jones
arco. arco. arco. arco. gliss. gliss. gliss. gliss. 7 m legato ma con brio stacc. m stacc. stacc. m legato m stacc. stacc. stacc.
6 Subito Aggressivo secc. m secc. secc. secc. 0 molto sub legato sub molto sub legato molto m legato molto sub legato m legato 5 m
0 m m m 5 9 dolce secc. dolce secc. dolce secc. dolce secc.
5 Subito Meno Mosso (q=90) rit. m rubato m Piú Lento m m m 5 60 m m m m m m m 67 rit. Molto Meno Mosso molto m m molto molto m molto
6 7 Poco Piú Mosso m m m m 79 m molto agitato Lento rit. m molto agitato m molto agitato m molto 85 Temo Primo (q=50) izz. izz. izz. izz.
89 arco. m arco. m arco. m gliss. gliss. arco. gliss. 7 9 m legato stacc. m stacc. stacc. m 98 izz. izz. m dim. izz. m dim.
8 0 arco. arco. sim. m m m legato sim. arco. m m sim. 06 sub m () () m legato m legato m legato sub dim. m dim. dim. dim.
6 0 m m m m 9
Euhonium Concerto I sky Sam Jones conductor's score
Instrumentation FLUTE FLUTE iccolo oboe oboe Bb CLARINET Bb CLARINET BASSOON BASSOON ALTO SAXOPHONE ALTO SAXOPHONE TENOR SAXOPHONE TENOR SAXOPHONE BARITONE SAXOPHONE F HORN F HORN F HORN F HORN Bb TRUMPET Bb TRUMPET Bb TRUMPET TROMBONE TROMBONE BASS TROMBONE TUBA TIMPANI PERCUSSION /drum kit Sus. Cym., Snare Drum PERCUSSION Wood Block, Cr. Cym., Glockensiel, Vibrahone PERCUSSION Bass Drum, Triangle, Bongos, (Glock.) PERCUSSION Marimba, Guȉro HARP PIANO VIOLIN i VIOLIN ii VIOLA VIOLONCELLO CONTRABASS I Sky Rather than an imression o the sky itsel, this movement is intended to exress the eeling o light. Not that which we have exerienced - in a lane or instance but more seciically the ability to ly. This iece should give dierent ersectives o the incomrehensible nature o light; the unamiliar eeling o weightlessness; the joy at discovering this amazing git, and an almost heroic sel-conidence exressed by a somewhat virtuosic solo art. II Lament This movement, as imlied by the title, is a study o the emotions associated with loss o something close to the heart. Not just grie, extreme sadness, and ain, but also hoe, accetance and ond memories. This should have a marked contrast in character to the other two movements, with smooth lines in the Euhonium and orchestra. III Finale Now let's have some un! The inal movement is a chance or some liberation, both in character and in a more literal sense, with imrovisatory sections. An exloration o a number o dierent orms o jazz including 'Funk', 'Swing' and 'Cool Jazz', this should not become cartoon-like, desite a certain amount o humour. It is intended to be a light-hearted yet imressive end to the concerto. Sam Jones Total Duration arox 0:00
Allegretto (q. = 90) or Matt Ingram Euhonium Concerto I Sky Sam Jones Flute Oboe Clarinet in Bb Bassoon Horn in F Trumet in Bb Trombone Bass Trombone Tuba Timani Percussion Har Piano Solo Euhonium Bass Drum cresc. oco a oco Allegretto (q. = 90) Violin Viola Violoncello Contrabass cresc. oco a oco / izz. / arco. cresc. oco a oco 5 6 7 8 Coyright Sam Jones 00 cresc. oco a oco div. div.
molto rit. Fl. Ob. Cl. Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. H. Pno. Euh. Vln. Vla. m cresc. m (m) (m) molto rit. Sus. Cym. (sot mallets) div. sub Vc. Cb. m m 9 0 5 6
SKY Fl. Ob. Cl. Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. H. Pno. Euh. (q.=60) Vln. Vla. Vc. Cb. (q.=60) molto molto molto molto tutti molto 7 8 9 0
Fl. Ob. Cl. Bsn. Hn. Tt. A Animato (q. = 80) (semre e=e) m m m a m m SKY Tbn. B. Tbn. Tba. Tim. Perc. Marimba(very sot mallets) H. Pno. m Euh. m cantabile A Animato (q. = 80) (semre e=e) Vln. Vla. Vc. Cb. 5 6 7 8 9 0
SKY 5 Fl. Ob. Cl. Bsn. Hn. Tt. Tbn. B. Tbn. m m Tba. Tim. Perc. H. Pno. Euh. m m m Vln. Vla. Vc. Cb. 5 6 7
6 Fl. Soli m dolce SKY Ob. Cl. Soli m dolce Bsn. Hn. Tt. Tbn. B. Tbn. m m Tba. Tim. Perc. H. Pno. Euh. Vln. Vla. Vc. Cb. m l.v. a niente tenuto cresc. m tutti tenuto cresc. m tutti tenuto cresc. m tutti tenuto cresc. m a niente m legato 8 9 0 5
SKY 7 Fl. Ob. Soli m Cl. Bsn. Soli m Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. H. Pno. Euh. Vln. Vla. Vc. Cb. m 6 7 8 9 50 5 5 5
8 Fl. Ob. Cl. Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. H. Pno. Euh. m senza tenuto senza tenuto senza tenuto. +. m SKY Vln. m senza tenuto m senza tenuto Vla. m senza tenuto Vc. m senza tenuto Cb. m senza tenuto 5 55 56 57 58 59
Fl. Ob. Cl. Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. H. Pno. Euh. Vln. Vla. Vc. Cb. B Vivace e maestoso (q = 5) SKY 9 marcato S.D. (snare on) m m sub B Vivace e maestoso (q = 5) marcato marcato marcato marcato marcato marcato m marcato latt. marcato 60 6 6 6 6 65 66 gliss. m
0 SKY Fl. Ob. Cl. Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. H. Pno. Euh. Vln. Vla. Vc. Cb. meno m m m a m m izz. izz. izz. arco. arco. arco. 67 68 69 70 7 7
Fl. Ob. Cl. Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. H. Pno. Euh. Vln. Vla. Vc. Cb. iú legato m m m m m m m 7 7 75 76 77 78 (snare o) SKY
Fl. C Soli m SKY Ob. Cl. Soli m m m Bsn. m m Hn. Tt. Tbn. B. Tbn. Tba. Solo marcato a m Tim. Perc. m Sus. Cym. (brush scrae) Wood Block S.D. (Rim shot) B.D. m m back o handle ta H. Pno. Euh. Vln. Vla. Vc. Cb. C m stacc. m stacc. izz. m izz. m izz. m 79 80 8 8 8 8 85
SKY Fl. Ob. Cl. Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. H. a m marcato Pno. marcato Euh. m marcato Vln. Vla. Vc. Cb. arco. arco. legato marcato m marcato arco. div. marcato 86 87 88 89 90 9
SKY Fl. Ob. Cl. Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. a niente Perc. m secc. H. Pno. Euh. Vln. Vla. Vc. Cb. sz simile stam! 9 9 9 95 96 97
Fl. Ob. Cl. Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. H. Pno. Euh. Vln. Vla. Vc. Cb. m D Giocoso m m m m m delicatissimo D Giocoso m m m m m 98 99 00 0 0 0 gliss. Triangle tutti SKY 5
6 Fl. Ob. Cl. Bsn. Hn. Tt. Soli Soli Soli Soli Soli Soli m m m m SKY Tbn. B. Tbn. Tba. Tim. Perc. H. Pno. Euh. Vln. Vla. Vc. Cb. secc. Solo m Mar. (hard sticks) m izz. (snare o) 0 05 06 07 08 izz. izz. izz. izz.
Fl. Ob. Cl. Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. H. Pno. Euh. Vln. Vla. Vc. Cb. Meno Mosso (q=00) rit. E m legato m m m m legato legato Meno Mosso (q=00) rit. E legato legato m 09 0 5 Soli St. Mute Oen. St. Mute (Glockensiel) arco. arco. arco. arco. arco. SKY 7
8 Fl. Ob. Cl. Tranquillo (q=60) rit. m Solo m m m SKY Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. Oen. Sus. Cym. (sot mallets) a niente a niente a niente a niente m a niente H. Pno. Euh. Vln. Vla. Vc. Cb. l.v. l.v. Tranquillo (q=60) con ed. m rit. legato Soli m m 6 7 8 9 0
SKY 9 Piú Mosso (q=0) Fl. Ob. Cl. Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. tenuto tenuto tenuto tenuto tenuto m tenuto m tenuto m a niente tenuto m tenuto a (+.) m tenuto m tenuto H. Pno. Euh. Vln. Vla. Vc. Cb. Piú Mosso (q=0) m molto legato m tenuto 5 6 7 8 9 0
0 F Vivace SKY Fl. Ob. TO PICC. Solo m Cl. Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. H. Pno. Euh. Vln. Vla. Vc. Cb. a B.D. m Cr. Cym. latt. sub F Vivace 5 6 7 8 gliss. late gliss. S.D. (on the rim)
SKY Fl. Ob. Cl. Bsn. Solo m m m m Hn. Tt. con sord. m Oen Tbn. B. Tbn. Tba. Tim. Perc. m H. Pno. Euh. Vln. Vla. Vc. Cb. m izz. 9 0 izz. izz. izz. m izz.
Fl. Ob. Cl. Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. Picc. m tenuto tenuto m 0 0 TO FLUTE 7 a SKY Perc. H. Pno. Euh. Vln. Vla. Vc. Cb. arco. tenuto arco. tenuto arco. tenuto 5 6 7 8 9
SKY rit. (q=70) Fl. Ob. Cl. Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. (sot mallets) Perc. H. l.v. Pno. Euh. m rit. (q=70) Vln. Vla. Vc. izz. izz. Cb. izz. 50 5 5 5 5 55
SKY G Fl. Ob. Solo Cl. Bsn. Solo m Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. H. Pno. Euh. Vln. Vla. Vc. Cb. m legato legato con ed. legato e cantabile G arco. molto tenuto arco. molto tenuto arco. molto tenuto arco. molto tenuto arco. molto tenuto 56 57 58 59 60 6 6
SKY 5 Fl. Ob. Cl. Soli m m Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. H. Pno. Glock. l.v. a niente Euh. Vln. Vla. Vc. Cb. m 6 6 65 66 67 68 69 70
6 SKY Fl. Ob. Cl. Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. H. Pno. Flute m m. m secco a m m m m m m a Euh. Vln. Vla. Vc. Cb. m m m m 7 7 7 7 75 76 77 78 m
SKY 7 Fl. Ob. Cl. Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. m m m m m m m m m m m m m m m Perc. m H. Pno. Euh. Vln. Vla. Vc. Cb. m sub l.v. con ed. (ossia) Molto Rubato m m m 7 6 6 7 79 80 8 8 8 8 85 86
8 Fl. Ob. Cl. Bsn. m SKY Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. H. Pno. Euh. Triangle m m (ossia) m Vln. Vla. Vc. Cb. 87 88 89 90 9 9 9 9
SKY 9 molto rit. Fl. Ob. Cl. Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. m m m m m m m m m molto molto Perc. H. Pno. Euh. Vln. Vla. Vc. Cb. [Bb, E b] m m m m m m molto rit. div. ad. lib. 95 96 97 98 99 00
0 Fl. Ob. Cl. Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. H. Pno. Euh. Vln. Vla. Vc. Cb. H Cr. Cym. W.B. secc. secc. secc. l.h. white key gliss. secc. m latt. 6 m H Molto Vivace izz. arco. Molto Vivace 7 9 m 9 m m 7 m m 9 m m a m a a m m Solo m S.D. Sus. Cym. (hard stick) S.D. m secc. m secco izz. arco. m secco izz. arco. tutti m secco izz. arco. m secco izz. arco. 7 9 m m 7 m secco a 0 0 0 0 05 06 07 gliss. m SKY
SKY Fl. Ob. Cl. Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. H. Pno. Euh. Vln. Vla. Vc. Cb. m molto m molto m molto () m TO PICC. F.T. B.D. (damen) m m m Piccolo 08 09 0 5 6 m m
Fl. Ob. 5 5 m 5 m m 5 5 5 m 5 6 m m 5 TO FLUTE SKY Cl. 5 m m m 5 5 m 6 Bsn. m 5 5 m Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. H. Pno. Euh. Vln. Vla. Vc. Cb. m molto m molto m molto m m 7 7 7 7 m m molto m molto a 7 8 9 0
SKY Fl. Ob. Cl. Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. H. Pno. Euh. Vln. Vla. Vc. Cb. m a m m m m m m m m m m m (loco) m m m m m m m m m m r.h. div. tutti subm m subm m m m 5 6 7 8 m m m m m m Flute div. m m tutti m m
Fl. Ob. Cl. Bsn. Hn. Tt. Tbn. B. Tbn. Tba. Tim. Perc. H. Pno. Euh. Vln. Vla. Vc. Cb. Mar. lunga secc. m lunga m lunga m lunga m lunga m lunga m lunga m lunga lunga S.D. lunga Cr. Cym. con ed. lunga lunga lunga m lunga lunga div. m lunga m lunga m m lunga div. m lunga m 9 0 5 div. div. m lunga m lunga a m lunga m lunga a lunga lunga m lunga lunga lunga 5 6 secc. secc. SKY