THE SQUARE THE SQUARE Trajanje / Runtime: 142 Zemlja porijekla / Country: Švedska, Njemačka, Francuska, Danska / Sweden, Germany, France, Denmark Režija / Director: Ruben Östlund Scenario / Screenplay: Ruben Östlund Uloge / Cast: Claes Bang, Elisabeth Moss, Dominic West, Terry Notary, Christopher Læssø Direktor fotografije / Cinematography: Fredrik Wenzel Montaža / Editing: Ruben Östlund, Jacob Secher Schulsinger Producenti / Producers: Erik Hemmendorff, Philippe Bober Produkcija / Production: Plattform Produktion, Essential Films, Parisienne, Coproduction Office Christian je ugledni kustos u muzeju savremene umjetnosti. Ima dvoje djece, a iako je razveden, dobar je otac. Vozi električni automobil i podržava plemenite ciljeve. Njegova sljedeća velika izložba je The Square, instalacija koja poziva prolaznike na altruizam. U međuvremenu, PR agencija koja radi za muzej pokrenula je neočekivanu kampanju za instalaciju. Reakcija javnosti će dovesti sve u egzistencijalnu krizu. Satira Rubena Östlunda uveličava najgore tendencije našeg vremena, poput odgovornosti medija, i bavi se rastućim trendom individualnosti u odnosu na zajedništvo. "The Square je hram povjerenja i saosjećanja. U njemu svi imamo jednaka prava i obaveze." Christian is the respected curator of a contemporary art museum, a divorced but devoted father of two who drives an electric car and supports good causes. His next show is The Square, an installation which invites passersby to altruism. Meanwhile, the museum s PR agency has created an unexpected campaign for the installation. The response will send everybody into an existential crisis. Ruben Östlund s satire exaggerates the worst tendencies in our day and age, such as the responsibility of the media, and tackles the growing trend of individuality versus community. The Square is a sanctuary of trust and caring. Within it we all share equal rights and obligations. Ruben Östlund (Styrsö, Švedska, 1974.) studirao je na Univerzitetu u Geteborgu. Tamo je upoznao Erika Hemmendorffa, s kojim je osnovao Platform Produktion. Nakon prvijenca The Guitar Mongoloid (2005.) snimio je Protiv svoje volje (2008.), koji je prikazan u kanskom programu Un certain regard. Njegov treći film, Igra (2011.) prikazan je na Quinzaine des Réalisateurs u Kanu. Četvrti igrani film, Turista, osvojio je nagradu u programu Un certain regard i nominovan je za Oskara. Za kratkometražni film Incident by a Bank Östlund je dobio 2010. godine Zlatnog medvjeda na Berlinaleu.
Ruben Östlund (1974, Styrsö, Sweden) studied at the University of Gothenburg, where he met Erik Hemmendorff with whom he founded Plattform Produktion. After his debut, The Guitar Mongoloid(2005), he directed Involuntary (2008), which premiered in Cannes (Un certain regard). His third feature film Play (2011) was screened at Director s Fortnight in Cannes. His fourth feature, Force Majeure, was awarded Jury Prize in Cannes (Un certain regard), and was nominated for an Oscar. He won a Golden Bear in Berlinale 2010 for his short film Incident by a Bank. FABRIKA NIČEGA THE NOTHING FACTORY / A FÁBRICA DE NADA Trajanje / Runtime: 176 Zemlja porijekla / Country: Portugalija / Portugal Režija / Director: Pedro Pinho Scenario / Screenplay: Pedro Pinho, Luisa Homem, Leonor Noivo, Tiago Hespanha Uloge / Cast: José Smith Vargas, Carla Galvão, Njamy Sebastião, Joaquim Bichana Martins, Daniele Incalcaterra, Rui Ruivo, Hermínio Amaro, António Santos Direktor fotografije / Cinematography: Vasco Viana Montaža / Editing: Cláudia Oliveira, Edgar Feldman, Luísa Homem Producenti / Producers: João Matos, Leonor Noivo, Luísa Homem, Pedro Pinho, Susana Nobre, Tiago Hespanha Produkcija / Production: Terratreme Filmes Jedne noći, grupa radnika shvata da je njihova administracija organizovala krađu mašina iz svoje fabrike. Uskoro shvataju da je ovo prvi signal masovnog otpuštanja. Većina njih odbija sarađivati tokom individualnih pregovora i počnu zauzimati svoje radno mjesto. Kad administracija nestane, na njihovo veliko iznenađenje, ostaju s polupraznom fabrikom. Dok se svijet oko njih raspada, nove žudnje počinju izlaziti. One night, a group of workers realizes that their administration has organized the stealing of machines from their factory. They soon understand that this is the first signal of a massive layoff. Most of them refuse to cooperate during the individual negotiations and they start to occupy their workplace. So when the
administration vanishes to their great surprise, they re left with a half-empty factory. As the world around them collapses, new desires start to emerge. Pedro Pinho je studirao u Lisabonu i Parizu. 2008. godine sarađivao je sa Frederico Lobo na dokumentarnoj projekciji BAB SEBTA (nagrada Marseille Esperance na FID MARSEILLE'08, Najbolji film u DOCLISBOA i FORUM DOC BH (Brazil)), a 2009. godine sa pet drugih filmskih autora osnovao je kompaniju TERRATREME, Koja je poslednjih godina igrala centralnu ulogu u produkciji i promociji novih portugalskih reditelja. Kraj svijeta (2013) je njegov prvi srednjoškolski fiktivni film koji je prikazan na 63º BERLINALE, INDIELISBOA i FESTIVAL DO RIO (Nominovan je za nagradu Golden Globe za najbolji film i najbolju fotografiju u Caminhos Cinema Portugues-u14.). 2014. godine je zajedno sa Luisom Homemom sarađivao na dokumentarcu AS CIDADES E AS TROCAS, prikazanom na FID MARSEILLE, DOCLISBOA i THE ART REALNI (NI), trenutno radi kao režiser, pisac i producent. Ništa fabrika je njegov prvi dugometražni film. PEDRO PINHO studied Cinema in Lisbon and Paris. In 2008 he co-directed with Frederico Lobo the documentary feature BAB SEBTA (Prize Marseille Esperance award at FID MARSEILLE 08, Best Film at DOCLISBOA and FORUM DOC BH (Brazil). In 2009, with five other filmmakers, he founded the company TERRATREME, which in recent years has been playing a central role in producing and promoting new Portuguese directors. THE END OF THE WORLD (2013) is his first medium-length fiction film ad it was screened at the 63º BERLINALE, INDIELISBOA, and FESTIVAL DO RIO (It was nominated for the Portuguese Golden Globe Awards for Best Film and Best Photography at Caminhos Cinema Português 14). In 2014 he codirected with Luisa Homem the documentary AS CIDADES E AS TROCAS, shown at FID MARSEILLE, DOCLISBOA and THE ART OF THE REAL (NY). Currently he works as a director, writer and producer. THE NOTHING FACTORY is his first fiction feature. SILNI LE REDOUTABLE / REDOUBTABLE Trajanje / Runtime: 107 Zemlja porijekla / Country: Francuska Režija / Director: Michel Hazanavicius
Scenario / Screenplay: Michel Hazanavicius, Anne Wiazemsky Uloge / Cast: Claes Bang, Elisabeth Moss, Dominic West, Terry Notary, Christopher Læssø Direktor fotografije / Cinematography: Fredrik Wenzel Montaža / Editing: Ruben Östlund, Jacob Secher Schulsinger Producenti / Producers: Erik Hemmendorff, Philippe Bober Produkcija / Production: Plattform Produktion, Essential Films, Parisienne, Coproduction Office Pariz 1967. Žan Lik Godard, najpoznatiji reditelj njegove generacije, snima film La Chinoise sa ženom koju voli, 20 godina mlađom En Vjazemski. Vjenčavaju se, srećni i zaljubljeni. Recepcija filma počinje dubokim preispitivnjem Žana Lika. Događaji iz 1968. godine će pojačati ovaj proces preispitivanja, a kriza koja drma Žana Lika će ga istinski promijeniti od poznatog reditelja do komunističkog umjetnika sa margine, zato što je pogrešno shvaćen i niko ga ne može razumjeti. Paris 1967, Jean-Luc Godard, the most famous director of his generation, is filming "La Chinoise" with the woman he loves, 20 years younger Anne Wiazemsky. They are married, happy and in love. Reception of the film begins with a deep examination by Jean-Luc. The events of 1968 will intensify this process of review, and the crisis that shakes Jean-Luc will change him from a famous director to a Maoist artist on the margin, because he is misunderstood. Mišel Hazanavičius je rođen 1967. godine u Parizu. Pohađao je umjetničku školu i radio na reklamama i televizijskim projektima. 1999. godine napisao je i režirao svoj prvi igrani film Mes amis, u kom je prikazan njegov brat Serž Hazanavičius. Njegov sljedeći igrani film, špijunska parodija, OSS 117: Kairo, leglo špijuna (2006) bio je veoma uspješan i garantovao je nastavak- OSS 117: Izgubljeni u Riju (2009), koji je takođe bio hit. Hazanavičius je privukao pažnju međunarodne publike objavljivanjem filma gotovo bez riječi - Glumac (2011), u kojem je glumila njegova supruga Berenis Bežo i zvijezda OSS 117 Žan Dižarden. Film je dobio mnoge nominacije i nagrade. Michel Hazanavicius was born in 1967 in Paris. He attended an art school while working on commercials and television projects. In 1999, he wrote and directed his first feature film, Mes amis, featuring his brother Serge Hazanavicius. His next feature film, spy parody, OSS 117: Cairo, Nest of Spies (2006) was very successful and guaranteed the sequel - OSS 117: Lost in Rio (2009), which was also a hit. Hazanavicius attracted the attention of the international audience by publishing the movie almost without a word - The Artist (2011), featuring his wife Bérénice Bejo and the star from OSS 117 Jean Dujardin. The film earned many nominations and awards.
NA DUŠI I TIJELU ON BODY AND SOUL Trajanje / Runtime: 116ʼ Zemlja porijekla / Country: Mađarska / Hungary Režija / Director: Ildikó Enyedi Scenario / Screenplay: Ildikó Enyedi Uloge / Cast: Géza Morcsányi, Alexandra Borbély, Zoltán Schneider Direktor fotografije / Cinematography: Máté Herbai Montaža / Editing: Károly Szalai Producenti / Producers: Monika Mécs, András Muhi, Ernő Mesterházy Produkcija / Production: Inforg-M&M Film Kft. Na duši i tijelu je neobična ljubavna priča o dvoje usamljenih radnika u jednoj budimpeštanskoj klanici - novoj radnici Mariji (Aleksandra Borbeli) i njenom starijem šefu Endreu (Geza Morćanji) - koji shvataju da su srodne duše. "On the soul and body" is an unusual love story of two lonely workers in a Budapest slaughterhouse - a new worker Maria (Alexander Borbeli) and her older boss, Endreu (Geza Morcani) - who realize they are related souls. Ildikó Enyedi (15. novembar 1955.) je mađarska rediteljka i scenaristkinja. Od 1989. godine režirala je osam filmova. 1989. godine je osvojila nagradu Zlatna kamera na Kanskom festivalu. Bila je član žirija na Berlinskom festivalu 1992., kao i na Internacionalnom festivalu u Moskvi 2007. godine. Film Na duši i tijelu premijerno je prikazan na 67. Berlinskom festivalu, gdje je osvojio nagradu Zlatni medvjed.
Born in Budapest, Hungary in 1955, she began her career as a concept and media artist before turning to short and feature films as a writer and director. She has received more than 40 international awards for her work. Her film My 20th Century was chosen as one of the best 12 Hungarian films of all time. In 1992 she was a member of the Berlinale s International Jury. She teaches masterclasses in film at the University of Theatre and Film Arts, Budapest. She is a founding member of the European Cross Media Academy and a member of the European Film Academy. BEZ LJUBAVI LOVELESS / NELYUBOV Trajanje / Runtime: 128 Zemlja porijekla / Country: Rusija, Francuska / Rusia, France Režija / Director: Andrey Zvyagintsev Scenario / Screenplay: Oleg Negin, Andrey Zvyagintsev Uloge / Cast: Yanina Hope, Maryana Spivak, Aleksey Rozin Direktor fotografije / Cinematography: Mikhail Krichman Montaža / Editing: Anna Mass Producenti / Producers: Gleb Fetisov, Sergey Melkumov, Alexander Rodnyansky Produkcija / Production: Arte France Cinéma, Fetisoff Illusion, Les Films du Fleuve, Non-Stop Productions, Senator Film Produktion, Why Not Productions Bračni par prolazi kroz užasan razvod braka obilježen nezadovoljstvom, frustracijom i optužbama. Već ulazeći u nove živote, svako sa novim partnerom, nestprljivi su da krenu ispočetka, da okrenu novi list čak iako to znači da će napustiti svog sina Aljošu. Sve dok, nakon prisustvovanja jednoj od njihovih svađa, Aljoša ne nestane. Zhenya and Boris are going through a vicious divorce marked by resentment, frustration and recriminations. Already embarking on new lives, each with a new partner, they are impatient to start again, to turn the page
even if it means threatening to abandon their 12-year-old son Alyosha. Until, after witnessing one of their fights, Alyosha disappears. Andrej Zvjagincev (6. februar 1964, Novosibirsk, Rusija) je ruski filmski reditelj. Režijom je počeo da se bavi prije desetak godina. Već svojim prvim dugometražnim igranim filmom Povratak (2003) skrenuo je na sebe pažnju filmskih poznavalaca i kritičara, osvojivši nekoliko prestižnih nacionalnih nagrada, kao i dvije nagrade Zlatni lav na Međunarodnom filmskom festivalu u Veneciji i tri nagrade na Kanskom festivalu. Film Loveless osvojio je Nagradu žirija na ovogodišnjem Kanskom festivalu. Born in Novosibirsk. In 1990, Zvyagintsev graduated from the acting program at the Russian University of Theater Arts (GITIS), under the tutelage of Evgeny Lazarev. He went on to take part in independent theater productions and had a few bit parts in TV shows and movies. In 2000, he made his debut as a director. In 2003, Zvyagintsev shot his first feature film, The Return, which became one of the the cinema sensations of the year. A debut not only for the director but for the majority of the crew as well, it was accepted for the main competition at the Venice Film Festival, and won the top prize, the Lion. It also garnered the award for Best Debut, with the commendation: a sublime film about love, loss and coming of age. His second film,,was presented at the 60th Cannes Film Festival, where the lead, Konstantin Lavronenko, became the first Russian actor ever to receive the festival s award for Best Actor. The international premiere of third film,, place in 2011 at the 64th Cannes Film Festival, where it was awarded the Special Jury Prize in the Un Certain Regard competition program. His most recent film, Leviathan, screened in Official Competition at the 67th Cannes Film Festival and won the award for Best Screenplay. Leviathan also became the first Russian film since 1969 to win a Golden Globe award and was nominated for the Best Foreign Film Academy Award. SREĆAN KRAJ HAPPY END. Trajanje / Runtime: 107ʼ Zemlja porijekla / Country: Francuska / France Režija / Director: Michael Haneke Scenario / Screenplay: Michael Haneke Uloge / Cast: Isabelle Huppert, Jean-Louis Trintignant, Mathieu Kassovitz
Direktor fotografije / Cinematography: Fredrik Wenzel Montaža / Editing: Jacob Secher Schulsinger, Ruben Östlund Producenti / Producers: Erik Hemmendorff Produkcija / Production: Plattform Produktion (II), ARTE France Cinéma, Coproduction Office, Det Danske Filminstitut, Essential Filmproduktion GmbH, Film i Väst, Imperative Entertainment, Minorordningen, Nordisk Film- & TV-Fond, Parisienne, Sveriges Television (SVT), Swedish Film Institute, Yle to 1 Finland, ZDF/Arte Drama o imućnoj francuskoj porodici koja živi pod staklenim zvonom u sjevernoj Francuskoj, nesvjesna ljudske bijede koja je prisutna u migrantskim kampovima oko lučkog grada Kale, nekoliko kilometara od njihovog doma. The Square is a poignant satirical drama reflecting our times - about the sense of community, moral courage and the affluent person's need for egocentricity in an increasingly uncertain world. Mihael Haneke je austrijski reditelj i scenarista, poznat po svom uznemirujućem i šokantnom stilu. Osim što je filmski i pozorišni reditelj, takođe je pisac, filozof i profesor. Prije svega je poznat po filmovima koji dokumentuju probleme i slabosti savremenog društva. Dobitnik dvije Zlatne palme, 2009. godine za najbolji film nagrađen je njegov film Bijela traka, a 2012. godine, nagradu za najbolji film 65. Kanskog festivala dobio je za film Ljubav. Za isti film dobio je nagradu Oskar u kategoriji najboljeg filma van engleskog govornog područja. Michael Haneke, born 23 March 1942, is an Austrian film director and screenwriter best known for films such as Funny Games (1997), Caché (2005), The White Ribbon (2009) and Amour (2012). His work often examines social issues, and depicts the feelings of estrangement experienced by individuals in modern society.[1] Haneke has worked in television theatre and cinema. Besides working as a filmmaker, Haneke also teaches film direction at the Film Academy Vienna. At the 2009 Cannes Film Festival, his film The White Ribbon won the Palme d'or, and at the 67th Golden Globe Awards the film won the Golden Globe Award for Best Foreign Language Film. In 2012, his film Amour premiered and competed at the 2012 Cannes Film Festival. The film would go on to win the Palme d'or, making it his second win of the prestigious award in three years; this made him the seventh director (at the time) to have won it twice and the only Austrian director to have accomplished this. The film received five Academy Award nominations, including Best Picture, Best Director, Best Original Screenplay, and Best Actress in a Leading Role for Emmanuelle Riva. It won in the category of Best Foreign Language Film. Haneke has made films in French, German and in English.In 2013 Haneke won the Prince of Asturias Award for the arts.
BRIGHT SUNSHINE IN UN BEAU SOLEIL INTERIEUR Trajanje / Runtime: 94 Zemlja porijekla / Country: Francuska / France Režija / Director: Claire Denis Scenario / Screenplay: Claire Denis, Christine Angot Uloge / Cast: Juliette Binoche, Xavier Beauvois, Philippe Katerine, Josiane Balasko, Nicolas Duvauchelle, Valeria Bruni-Tedeschi, Gérard Depardieu Direktor fotografije / Cinematography: Agnès Godard Montaža / Editing: Guy Lecorne Producenti / Producers: Olivier Delbosc Produkcija / Production: Curiosa Films, FD Production, Ad vitam, Versus Production Isabelle, pariška umjetnica, razvedena majka, traži ljubav, pravu ljubav konačno. Isabelle, Parisian artist, divorced mother, is looking for love, true love at last. O reditelju / Directorʼs bio: Claire Denis (21. april 1946.) je francuska filmska rediteljka i književnica. Denis se smatra jednom od najuticajnijih ličnosti u svijetu savremenog filma. Njeni filmovi White Material i 35 Shots of Rum su uključeni među najbolje filmove 21. vijeka, i uz njene ranije radove poput Chocolat i Beau Travail, smatraju se savremenim remek djelima i među najvećim filmovima režiranim od strane žena u istoriji filma. Njen rad ima trajan uticaj na filmski identitet Evrope. Claire Denis (born 21 April 1946) is a French film director and writer. Denis is widely considered as one of the strongest voices in contemporary world cinema. Her films White Material and 35 Shots of Rum are
frequently included among the best films of the 21st century, and, alongside her earlier works, like Chocolat and Beau Travail, are considered as modern masterpieces and among the greatest films directed by women in the history of cinema. Her work has a lasting impact on cinematic identity of Europe. KIAMBRA A CIAMBRA Trajanje / Runtime: 120 Zemlja porijekla / Country: Italija, SAD, Francuska, Švedska / Italy, US, France, Sweden Režija / Director: Jonas Carpignano Scenario / Screenplay: Jonas Carpignano Uloge / Cast: Pio Amato, Koudous Seihon, Iolanda Amato, Damiano Amato Direktor fotografije / Cinematography: Tim Curtin Montaža / Editing: Affonso Gonçalves Producenti / Producers: Jon Coplon, Paolo Carpignano, Ryan Zacarias, Gwyn Sannia, Rodrigo Teixeira, Marc Schmidheiny, Cristoph Daniel Produkcija / Production: Stayblack Productions, RT Features, Sikelia Productions, Rai Cinema U Kiambri, maloj romskoj zajednici u Kalabriji, Pio Amato želi što prije da odraste. U 14oj godini pije, puši i jedan je od rijetkih koji lako klizi između frakcija regiona - lokalnih Italijana, afričkih imigranata i njegovih Roma. Pio prati svog starijeg brata Cosima svuda, učeći neophodne vještine za život na ulicama svog rodnog grada. Kada Cosimo nestane i stvari pođu po zlu, Pio se dokazuje da je spreman da uđe u cipele svog velikog brata i u tom procesu mora odlučiti da li je zaista spreman postati čovjek.
In A CIAMBRA, a small Romani community in Calabria, Pio Amato is desperate to grow up fast. At 14, he drinks, smokes and is one of the few to easily slide between the regions factions - the local Italians, the African immigrants and his fellow Romani. Pio follows his older brother Cosimo everywhere, learning the necessary skills for life on the streets of their hometown. When Cosimo disappears and things start to go wrong, Pio sets out to prove he s ready to step into his big brother s shoes and in the process he must decide if he is truly ready to become a man. O reditelju / Directorʼs bio: Jonas Carpignano je proveo svoje djetinjstvo između Rima i Njujorka. Počeo je da pravi filmove na Univerzitetu Wesleyan i nakon diplomiranja nastavio je raditi na filmskim setovima u Italiji i SAD-u. Njegov rediteljski rad je prikazan širom svijeta i osvaja nagrade u Kanu, Veneciji i Sandensu. Njegov prvi dugometražni film Mediterranea debitovao je na Kanskom festivalu, nakon čega dobija nagradu za najbolji rediteljski debi 2015. godine. Njegov drugi film A Ciambra premijerno je prikazan na festivalu u Kanu 2017. godine. Jonas živi u Italiji, gdje radi kao pisac i reditelj. Jonas Carpignano spent his childhood between Rome and New York City. He began making films at Wesleyan University and after graduating continued working on film sets in Italy and the US. His work as a director has been shown around the world and has won awards at Cannes, Venice, and Sundance. His first feature film Mediterranea debuted at the Cannes Film Festival - Semaine de la critique before receiving the award for the best directorial debut of 2015 by the National Board of Review. His second feature film A Ciambra will premiere in the Directors Fortnight at the 2017 Cannes film festival. Jonas lives in Italy where he continues to work as a writer and director.