163 210023 bzhxff@ 163. com Title Imagery in Chuang Tzu from the Perspective of Pictorial-Linguistic Semiotics Abstracts This article tries to investigate the representation of the world from Chuang Tzu s language and also to examine the ground on which Chuang Tzu s language activities contain imagery. It argues that Chuang Tzu represented the world by visualizing Tao or the Way. The fact that literature is a form of language art provides help for describing the visualization of the world. Therefore this determines that Chuang Tzu employs imagery for expression. Chuang Tzu gives prominence to the poetic function rather than referential function in his language during the process of linguistic expression. Such a feature emphasizes the poetic turn of image rather than the image of notional words. In addition Chuang Tzu is not merely a poet but a poet philosopher. His method to utilize image is also determined by his unique identity and connected with the generation of Tao. In particular one part of the image representation Ekphrasis which is very close to imitating the practical bodily activities is particularly favored by Chuang Tzu. Keywords the world of visualization verbal icon the image of Chuang Tzu Ekphrasis Author Bao Zhaohui Ph. D. is Associate Professor in the Departments of Liberal Arts of Nanjing University. His recent research interests cover the history of the relationship between Pre-Qin literature and image the relationship between Chuang-tzu words and image. Address School of Liberal Arts Xianlin Campus 163 Xianlin Road Qixia District Nanjing Jiangsu Province 210023. Email bzhxff@ 163. com Fund The Construction of the Discipline of the National Double Class Chinese language literature and art of Nanjing University. 35
2017 6 1 3 6 4 4 28-29 5 6 2 36
7 8 瑏瑡 9 瑏瑢 10 瑏瑣 37
2017 6 31 瑏瑤 80 393 38
669 瑏瑥 19 瑏瑧 625 瑏瑨 瑏瑦 234 Ekphrasis 瑏瑩 159 59 39
2017 6 瑐瑠 瑐瑡 a b 106 23 40
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