Proceedings of the European Society for Aesthetics Volume 2, 2010 Edited by Alessandro Bertinetto, Fabian Dorsch and Cain Todd Published by the European Society for Aesthetics
Proceedings of the European Society of Aesthetics Founded in 2009 by Fabian Dorsch Internet: http://proceedings.eurosa.org Email: proceedings@eurosa.org ISSN: 1664 5278 Editor Fabian Dorsch (University of Fribourg) Editorial Board Arto Haapala (University of Helsinki) Robert Hopkins (University of Sheffield) Catrin Misselhorn (University of Stuttgart) Francisca Pérez-Carreño (University of Murcia) Simo Säätelä (University of Bergen) Jakub Stejskal (University of Prague) Cain Todd (University of Lancaster) Publisher The European Society for Aesthetics Department of Philosophy University of Fribourg Avenue de l'europe 20 1700 Fribourg Switzerland Internet: http://www.eurosa.org Email: secretary@eurosa.org
Proceedings of the European Society for Aesthetics Volume 2, 2010 Edited by Alessandro Bertinetto, Fabian Dorsch and Cain Todd Table of Contents Inma Álvarez Natural and Artistic Bodies in Dance 1-19 Elvio Baccarini Reflective Equilibrium,Art and Moral Knowledge 20-33 Zsolt Bátori Genre Identification and the Case of Horror 34-45 Elisa Caldarola Pictorial Representation and Abstract Pictures 46-61 Rafael De Clercq Reflections on a Sofa-Bed Functional Beauty and 62-77 Looking Fit Wiebke Deimling Imaginary Works of Art and Real Emotions 78-87 Verena Delle Donne How Can We Explain Beauty? A Psychological Answer 88-99 to a Philosophical Question
Mădălina Diaconu Urban Drifting as a Work Method of the Creative Class 100-112 Richard Eldridge Hegel as a Philosopher of Modern Art 113-124 Daniel Martin Feige Art as Reflexive Practice 125-142 Josef Früchtl Exhibiting or Presenting? Politics, Aesthetics and 143-160 Mysticism in Benjamin s and Deleuze s Concepts of Cinema José Juan González A Philosophy of Art in Plato s Republic: an Analysis of 161-177 Collingwood s Proposal Keren Gorodeisky Schematizing without a Concept? Imagine that! 178-192 Anke Haarmann Artistic Research A Tool of Cognition Parallel to 193-208 Philosophy? Andrew Inkpin The Nonconceptual Content of Paintings 209-223 Hanna Kim Impossible Metaphors or Why Beautiful Can t Be Used 224-243 Metaphorically Vladimir Konečni Aesthetic Trinity Theory and the Sublime 244-264 Lev Kreft Aristotle and Cricket 265-277
Stefano Marino Philosophy and / as Literature: Some Remarks on 278-301 Theodor W. Adorno and Richard Rorty Alberto Martinengo Metaphor and Canon in Paul Ricoeur: From an 302-311 Aesthetic Point of View Jukka Mikkonen Implicit Assertions in Literary Fiction 312-330 Roberto Morani Della Natura e Funzione dell Arte nel Sistema di Hegel 331-347 Vítor Moura The Cinematic Muthos 348-360 Cristian Nae Communicability and Empathy: Sensus Communis and 361-385 the Idea of the Sublime in Dialogical Aesthetics Eva Perez de Vega Experiencing Built Space: Affect and Movement 386-409 Dan-Eugen Raţiu After the Death of Art : Is there any Life for Aesthetics? 410-426 Miles Rind The Concept of Interest and Kant s Distinction between 427-442 the Beautiful and the Agreeable Peter Rinderle Solving the Antinomy between the Aesthetics and the 443-453 Politics of Music James Schmidt Cenotaphs in Sound: Catastrophe, Memory, and Musical 454-478 Memorials
Eva Schürmann Transitions from Seeing to Thinking: On the Relation of 479-491 Perception, Worldview and World-Disclosure Marta Tafalla From Allen Carlson to Richard Long: The Art-Based 491-515 Appreciation of Nature Iris Vidmar Against the Cognitive Triviality of Art 516-531 Ken Wilder Neither Here Nor Elsewhere: Displacement Devices in 532-543 Representing the Supernatural