MASTER DRAWINGS Index to Volumes Compiled by Maria Oldal

MASTER DRAWINGS Index to Volumes 1 56 1963 2018 Compiled by Maria Oldal oldalm@themorgan.org The subject of articles or notes is printed in CAPITAL letters; book and exhibition catalogue titles are given in italics; volume numbers are in Roman numerals and in bold face. Included in individual artist entries are authentic works, studio works, copies, attributions, etc., arranged in sequential order within the citations for each volume. When an author has written reviews, that designation appears at the end of the review citations. Names of collectors are in italics. Abbreviated names of Italian churches are alphabetized as if fully spelled out: "Rome, S. <San> Pietro in Montorio" precedes "S. <Santa> Maria del Popolo." Concordance of Master Drawings volumes and year of publication: I 1963 XII 1974 XXIII XXIV 1985 86 XXXV 1997 XLVI 2008 II 1964 XIII 1975 XXV 1987 XXXVI 1998 XLVII 2009 III 1965 XIV 1976 XXVI 1988 XXXVII 1999 XLVIII 2010 IV 1966 XV 1977 XXVII 1989 XXXVIII 2000 XLIX 2011 V 1967 XVI 1978 XXVIII 1990 XXXIX 2001 L 2012 VI 1968 XVII 1979 XXIX 1991 XL 2002 LI 2013 VII 1969 XVIII 1980 XXX 1992 XLI 2003 LII 2014 VIII 1970 XIX 1981 XXXI 1993 XLII 2004 LIII 2015 IX 1971 XX 1982 XXXII 1994 XLIII 2005 LIV 2016 X 1972 XXI 1983 XXXIII 1995 XLIV 2006 LV 2017 XI 1973 XXII 1984 XXXIV 1996 XLV 2007 LVI 2018 À l ombre des frondaisons d Arcueil: Dessiner un jardin du XVIIe siècle, exh. cat. by Xavier Salmon et al. Review. LIV: 397 404 A. S. coll. XII: 148 50, fig. 19 (Dandré-Bardon) Aachen, Hans von. IV: 444 45, fig. 5; XXII: 324 26, fig. 1; XXXIX: 109, fig. 5 Aachen, Suermondt-Ludwig-Museum. XII: 63, fig. 1 (Rembrandt) Aar, Jan Govertsen van der. XXXI: 253, fig. 49 (portrait of) Abate, Niccolò dell. IV: 59; IX: 66 67; XXV: 226 27, fig. 8; XXVIII: 9, 17, 31, figs. 5a-5b, 27 (after); 265 67, figs. 1 2; XLV: 20, 22, figs. 13 14; L: 39, fig. 8 Abbate, Niccolò dell, see Abate, Niccolò dell Abbatini, Guido Ubaldo. LVI: 61, fig. 38 (after) Abbeville, Musée Boucher de Perthes. XVIII: 383 84, figs. 2 3 (Poussin), notes 7 8 Abbey, Edwin Austin. XXXI: 40, fig. 5 Abbot, Francis, formerly. LV: 495, 502, fig. 11 (C.W.E. Dietrich in the manner of Rembrandt) Abbott, P.A.J. and M.P.K. XLVI: 469, 504, 513, figs. 34, 90, 105 (Gainsborough) Abelló, Juan. XLVIII: 437, 441, figs. 3, 7 (Francisco Pacheco), note 11; 451, fig. 9 (inscription on anonymous drawing), note 39; 544 46; LII: 458, figs. 11 12 (Pacheco), note 21 1

Aberdeen, Art Gallery and Museums. XVI: 405 06, pl. 19 (Wilson); XXI: 182 (review) Aberystwyth, National Library of Wales. XXII: 330 (review) Abildgaard, N. A. XVII: 286 Abingdon, Berks., Private coll. XI: 45 48, figs. 1 2, note 2, pl. 43 (Dadd) Abrams, George S. XXXVI: 5 8 (EGBERT HAVERKAMP-BEGEMANN) Abrams, Maida and George. XI: 403 (review); XX: 284 85, pl. 29 (Doomer); XXVII: 122, fig. 11 (Lievens), note 17; XXVIII: 305 06, 309, figs. 4 7 (Van der Haagen); XXX: 443 49; XXXI: 255, 262, figs. 52, 61 62 (Goltzius); XXXVI: 5 8, figs. 1 (Jan van Goyen), 2 (Jan Lievens erroneously reproduced as Cornelis Bega), 3 (Cornelis Saftleven), 4 (Jan Lievens), 5 (Gerrit de Heer); 217, figs. 1 (Cornelis Bega), 2 (Jan Lievens); XLII: 258 61 (review); XLIII: 28, 56, fig. 21 (Van der Cooghen); XLIX: 197, fig. 39 (Simon de Vlieger), note 41; 363, fig. 26 (Jan Lievens), note 31; LIII: 455, fig. 2 (Bol), note 12 (promised gift to the Fogg Art Museum). XXXVIII: 238, fig. 6 (Buytewech), note 16, formerly. XLIII: 22, 27, 31, 48, 53, 58, figs. 17, 19 (Van der Cooghen, after Jacob Jordaens), 34 (Van der Cooghen) Abromaitis, Michael J. XLII: 179 (LETTER) Academy. The Academic Tradition in American Art. National Collection of Fine Arts, Smithsonian Institution. Review. XVIII: 48 Accorsi, Pietro, formerly. LI: 31 38, figs. 2 (Passarotti), 4 (Maganza), 5 7 (Allegrini), 10, (Bassetti), 12 (Barbelli), 15 (Novelli), 17 (Duranti), notes 5, 8, 11 13, 16, 18, 21, 23 Achenbach, Sigrid. Eduard Bendemann (1811 1889), exhibition catalogue. Review. XLVI: 257 61 Acireale, Catania, Accademia di Scienze, Lettere e Belle Arti degli Zelanti e dei Dafnici. XLV: 370, 380, figs. 5, 26 (Vieira Lusitano), notes 17, 40 Ackerman, Gerald M. XIII: 161 69 (GLEYRE) Ackland, NC, University of North Carolina at Chapel Hill, Ackland Art Museum. XXXIX: 261, fig. 1 (C.-N. Cochin the Younger), note 10,,, Peck coll. XXXIX: 432 33 (review) Ackley, Clifford S. LIII: 435 38 (JACQUES DE GHEYN II) Acton, David. Master Drawings from the Worcester Art Museum. Review. XXXVII: 308 Adam, Blair. IX: 162 65, figs. 3 5, pl. 38 (Robert Adam), Edina. LV: 311 16 (JACOPO LIGOZZI), James. IX: 161 62, fig. 1, John. IX: 161 62, figs. 1 2, Robert. IX: 161 71, figs. 1, 3 6, pls. 38 46; XVI: 53 57, fig. 2, pls. 39 41, William. IX: 168 69, fig. 8 (?) Adama van Scheltema, Frederik, formerly. XLIII: 54, fig. 63 (Van der Cooghen); LVI: 198, 221, fig. 10 (Van Musscher) Adams, Eric. Francis Danby. Varieties of Poetic Landscape. Review. XII: 176 80, Frederick B. XL: 179 80 (obituary) Adelaide, Art Gallery of South Australia. XXXIV: 303, fig. 1 (Cortona), note 1; XVIII: 147 48, pl. 19 (G. B. Tiepolo) Adhémar, Jean. XVIII: 155 68 (FRANÇOIS CLOUET) Adler, Wolfgang. Jan Wildens. Der Landschaftsmitarbeiter des Rubens. Review. XIX: 312 14. Landscape. Corpus Rubenianum Ludwig Burchard. Part XVIII, Vol. I. Review. XXIII XXIV: 249 51 Adolph Frederick, King of Sweden, formerly. LII: 27, 42, figs. 42 and covers (Genga) Adrien, Christian and Isabelle. LV: 69, 102, figs. 204, 329 (A. Bloemaert) Aelbrecht. L: 346, fig. 29 (after Hans Bol) 2

Aelst, Evert van. LIII: 20, fig. 17, Pieter Coecke van, see Coecke van Aelst, Pieter, Willem van. LIII: 50, front cover Aeneid, see Virgil. Aeneid Aerdenhout, Van Tienhoven Foundation. LV: 155 57, figs. 4 8 (Bosboom), notes 19 24 Aertsen, Pieter. III: 355 68, figs. 1 4, 5 (after), 6, pls. 1 9; IV: 413 15, fig. 1, pl. 28; XII: 34 36, fig. 2; XVIII: 134 41, figs. 1 2, pl. 15; LV: 405, fig. 6 Gli affreschi di Paolo III a Castel Sant Angelo. Progetto ed esecuzione, 1543 1548. 2 vols. Review. XXV: 173 75 Agen, Musée des Beaux-Arts. L: 448, fig. 9 (Jean-Baptiste Oudry), note 50 Agnolo, Baccio d, see Baccio d Agnolo Agosti, Giovanni. Disegni del Rinascimento in Valpadana. Review. XL: 260 61 Agresti, Livio. XLII: 348, fig. 15; XLVII: 85 86, 90, figs. 2, 4, 8 Agüero, Cristina. LII: 491 512 (JOSÉ DEL CASTILLO) Águila, Miguel de Espinosa Maldonado y Saavedra, Conde del, formerly. XLVIII: 447 53, figs. 1 7 Aguirre, Andrés Ginés de, see Ginés de Aguirre, Andrés Aikema, Bernard. XXXV: 63 66 (DORIGNY); 404 (LETTER); XXXVI: 211 13 (REVIEW); 251 74 (GIOVANNI BATTISTA); XXXVII: 196 97; 303 04 (REVIEWS); XLII: 361 69 (GIAMBATTISTA TIEPOLO); L: 543 48 (REVIEW) Ainsworth, Maryan W. XXVII: 5 38 (NORTHERN RENAISSANCE DRAWINGS); XXVIII: 223 (LETTER); XXIX: 63 65 (REVIEW); XLI: 240 65 (GERARD DAVID and the BENING WORKSHOP); 305 16; 397 98 (REVIEWS); XLIII: 235 38 (LETTER), ed., Man, Myth, and Sensual Pleasures: Jan Gossart s Renaissance, the Complete Works. Review. XLIX: 253 60 Aix-en-Provence, Atelier Cézanne. V: 273, fig. 7 (Cézanne), Musée Arbaud. XII: 140 42, fig. 3 (Dandré-Bardon); XLIII: 199, fig. 9 (Daret), note 38, Musée Granet. XII: 140 42, figs. 1 2 (Dandré-Bardon) Ajaccio, Corsica, Palais Fesch Musée des Beaux-Arts. XXXIX: 300, figs. 1 2 (Boucher after Solimena); XLVIII: 398, fig. 4 (Étienne Parrocel), note 11 Albani, Francesco. III: 412 13; IV: 304 (studio of); VII: 152 55, pls. 29 32; XXII: 310 15, figs. 1, 4 5; XXX: 218, fig. 2; XXXIV: 5, fig. 2 (attributed to, after Agostino Carracci); XXXVI: 390, fig. 22 (formerly attributed to); XLIV: 299 332, figs. 1 (attributed to), 2, 5 (attributed to), 6, 7 (copy after), 8 10, 11 and 15 (attributed to), 17 19, 21 (attributed to), 22 25, 26 (attributed to), 27, 29 30; 369, fig. 1; XLVI: 49, figs. 10 11, Giovanni Francesco, Cardinal, formerly. XLIII: 468, 480, figs. 18, 28 (Cortona) Albany, NY, Institute of History & Art. XXXIII: 74 80 (review), figs. 1 2 (Cole); XXXV: 116 34, figs. 3 (Hennessey), 4 (Palmer), 5 (Thompson), 6 (Thompson?), 7 (Cafferty), 8 (Boughton), 9 (Thompson), 10 (J. M. Hart), 11 (Thompson), 12 (Calverley), 13 20 (Thompson), 21 (Boughton), 22 25 (Thompson), 26 (W. Hart), 27 29 (Thompson), 30 (Dix), 31 32 (Thompson), notes 11, 19, 22, 26, 28 29, 35, 37 41, 43, 45 51, 54, 56 63; 142 44, figs. 1 (Cole), 2 (Durand), 3 (Ingham), 4 (Morse), 5 (Weir), 6 (J. L. Morton), 7 (H. J. Morton), note 6; XXXVI: 8, fig. 1 (Calverley), note 2 Albert, Duke of Sachsen-Teschen, formerly. XXXI: 404, fig. 2 (Agostino Carracci), note 3; XLII: 338, fig. 5 (G. Salviati); XLIII: 19, 29, 43, 47, 53, 64, figs. 9, 28, 55 (Van der Cooghen); 479, fig. 27 (Cortona); XLIV: 338, fig. 4 (Van den Bossche); XLV: 380, fig. 25 (Vieira Lusitano), note 39; XLVII: 174 89, figs. 1 13, 15, 17, 19, 23, 25 26 (Étienne Parrocel), note 5; 304, 308, 312 14, figs. 52 ("False Amand" hand after Dughet), 59 3

(anonymous after Dughet), 63 64 ("False Amand" hand after Dughet?), 65 ("False Amand" hand after Dughet); LII: 43, fig. 60 (Genga); 72, 75, 77, 83 84, figs. 18, 22 23, 28, 30 (Jan de Visscher); 277, 287, 293, 307, 328, 333, 335, figs. 2, 3b, 14b, 21, 42 (Coecke van Aelst); LV: 512, fig. 35 (Van Dyck) Alberti, Cherubino. IV: 135 36, fig. 6; XIII: 12 23, figs. 1, 10, 12 (etchings); XX: 247, 252 56, pl. 7; XLVIII: 293, figs. 8a b (engraving after Polidoro da Caravaggio); LII: 227, fig. 42 Alberti family. XXIII XXIV: 405 07 Albertinelli, Mariotto. II: 281 82; V: 198 Albi, Musée Toulouse-Lautrec. XLVII: 228, fig. 17 (J.-L. David), note 29 Albin, Eleazar. XLV: 438, 440, 476, figs. 3, 4 5 (etchings), 6 7, 8 9 (etchings), 11 (etching), 63, 64 (etching) Alborese, Giacomo. XIV: 272 74, fig. 3, pl. 32; XXI: 166, fig. 1 Albrecht Altdorfer. Zeichnungen, Deckfarbenmalerei Druckgraphik. Review. XXVI: 277 85 Albrecht Dürer. Kritischer Katalog der Zeichnungen. Review. XXIII XXIV: 90 94 Alburquerque, Kira d. XLIX: 67 94 (GIOVANNI BATTISTA FOGGINI) Alcaide, V. M. Nieto. Carlo Maratti. Review. III: 174 Alcamo, Chiesa Madre. XXXIII: 47, fig. 6 (Borremans) Alciato, Andrea. LVI: 471, fig. 18 (woodcut) Alcubierre, Conde de coll., formerly. XXXVII: 377, fig. 13 (circle of Pacheco), note 22, Doña María del Pilar de Senmenat y Patiño Despujol Osorio, the dowager Marquesa de Monistrol de Noya y de Aguilar, Condesa de, formerly. XLVIII: 437, 441, figs. 3, 7 (Francisco Pacheco), note 11; 451, fig. 9 (inscription on anonymous drawing), note 39; 544 46 Aldegrever, Heinrich. VIII: 141 48, figs. 1 2, 4 9, pls. 28 37 Aldobrandini, Olimpia. LIII: 387, fig. 2 (portrait of) Alençon, Musée de Peinture, Hôtel de Ville. V: 139, pl. 9 (Jouvenet); XV: 166, note 6, pl. 25a (Restout) Alexander I of Russia. XXXII: 113, figs. 19 20 (portraits of) Alexander, Jonathan. XXXVI: 205 08 (REVIEW) Alford, Robertson F. X: 118, fig. 3 (Gaulli), note 21, W. H., formerly. LII: 375, fig. 6 (unidentified Brussels tapestry factory), note 23 Algardi, Alessandro. III: 413, pl. 41; XII: 377 78, fig. 1, pls. 46 47; LVI: 45, 49 figs. 24 26 (after), 27, 29 (after) Algarotti, Francesco. XXI: 392 96, formerly. XXXII: 338, fig. 32 (L. Tiepolo) Aliense. VII: 156 57, pl. 33 (frame); XLVII: 452 57, figs. 1, 2 (portrait of), 3 6 All for Art. The Ricketts and Shannon Collection. Review. XVIII: 53 54 Allegrini, Francesco. XXV: 263 69, figs. 1 7, pls. 20a-24b; XLVII: 79 81, figs. 1 5; LI: 33 35, figs. 5 9 Allen, Denise, see Brooks, Julian, with Denise Allen and Xavier F. Salomon, Elizabeth K. XXXII: 175; XXXIII: 74 80; 426 28 (REVIEWS); XXXV: 115 41 (LAUNT THOMPSON); 403 (REVIEW); XXXVI: 8 12 (CALVERLEY) Allentown, PA, Art Museum. IV: 60 (review), Muriel and Philip Berman Collection. XXX: 151 52, 154, fig. 10 (Veronese), note 23 Alli, Silvio degli. VIII: 253, fig. 4 Allori, Alessandro. II: 290; XIV: 41 42, pl. 11; XX: 127, pls. 11 12; XXV: 146 49, figs. 1 (tapestry after), 2, pl. 4; XXVI: 56; LI: 3, fig. 1 and front cover (formerly attributed to); LVI: 482 85, figs. 1 5, 6 (after), Cristofano. XXI: 36 58 passim, figs. 22 25 4

Allou, Gilles. XXII: 64 65, fig. 1 Allwood, E. C., formerly. LII: 348, fig. 89 (attributed to the workshop of Coecke van Aelst) Almeida, Francesco da. XXXII: 124, fig. 37 (?) Alnwick Castle, Duke of Northumberland coll. V: 382-83, figs. 1-2 (Licinio) Alsteens, Stijn. XLVI: 382 85 (HANS SÜSS VON KULMBACH); XLVIII: 105 20 (REVIEW); L: 264 65 (LETTER); LI: 105 15 (REVIEW); LII: 275 362 (PIETER COECKE VAN AELST); LIII: 443 50 (BREENBERGH); 531 34 (REVIEW); LIV: 385 90 (BARTHOLOMEUS SPRANGER), see also Buvelot, Quentin, and Stijn Alsteens Altdorfer, Albrecht. XXVI: 277 85 Altena, I. Q. van Regteren, see Regteren Altena, I. Q. van Alteroff, A. N., formerly. XLIII: 60, back cover (Van der Cooghen) Altissimo, Cristofano dell. LV: 387, fig. 12 Alumni Who Collect. I. Drawings from the 16th Century to the Present. Review. XXI: 67 Alunno di Benozzo. II: 283 Alunno di Domenico, see Bartolomeo di Giovanni Alvin-Beaumont, Victor, formerly. XLIV: 426, fig. 26 (Mercier), note 40 Amalteo, Pomponio. XI: 239 67, figs. 1 3, 6 16, pls. 1 11, 13 18; XXXIV: 175, 179, 181, figs. 10, 17 (or Pordenone), 22, 24 Amand, Jacques-François. LII: 112, fig. 1 Ambrogi, Domenico degli. XIV: 270 72, fig. 1, pl. 31 American Drawings, Benjamin West to Ben Shahn. Selections from the Paul Magriel Collection. Review. XIX: 57 American drawings. Books and catalogs. Review. XV: 282 83 The American Face and Figure. Drawings from the Collection of John Davis Hatch. Review. XIII: 178 The American Personality. The Artist-Illustrator of Life in the United States, 1860 1930. Review. XV: 188 An American Perspective. Nineteenth-Century Art from the Collection of Jo Ann & Julian Ganz, Jr. Review. XXIII XXIV: 421 Ames, Winslow. I, 3: 37 39 (F. GUARDI); IV: 434 (BELLANGE); XIII: 379 400 (BOUCHARDON); XXI: 3 16 (LECLERC and COYPEL), Mr. and Mrs. Winslow. XVIII: 372, note 17, pl. 39 (Lievens) Ames-Lewis, Francis. XXII: 78 80; XXVIII: 80 82 (REVIEWS); XXXIII: 388 404 (GOZZOLI); XXXVII: 62 66 (REVIEWS); XXXIX: 415 20 (REVIEW). Drawing in Renaissance Italy. Review. XXII: 329 30, and Elizabeth Clegg. XXV: 237 41 (ANTONIO and PIERO POLLAIUOLO) Amhem, Gemeentemusea Amhem. XLIV: 70, fig. 4 (Kerkhoff), note 15 Amherst, MA, Amherst College, Mead Art Museum. L: 153, figs. 1 3 (Haskell), notes 2 4 Amico di Donato. XLIX: 95 117, figs. 1 3 (attributed to), 5 8 (attributed to), 10 16 (attributed to), 18 66 (attributed to) Amiens, Musée de Picardie. XVII: 47, note 15, pl. 40 (Millet); XXVIII: 172, fig. 37 (J. Jordaens the Younger); XXXI: 233, fig. 25 (Goltzius), Musée des Beaux-Arts. XII: 140 43, fig. 5 (Dandré-Bardon) Amigoni, Jacopo. XII: 41 48, figs. 1, 2 (engraving after), 3, 4 5 (engravings after), 6, pls. 33 37 Amling, Carl Gustav von. XXIII XXIV: 9, fig. 3 (engraving); XXXIX: 188, fig. 17 Amman, Jost. XLIX: 52 62, figs. 1 (after Lucas Cranach the Elder), 3 (after Virgil Solis), 4 (after Albrecht Dürer), 5 9 Ammann, Edith, see Theilmann, Rudolf, and Edith Ammann 5

Amorosi, Antonio. V: 12, pl. 1 Amsler, Samuel. LIV: 70, 75 76, figs. 6 and 13 (engravings), 12 (portrait of) Amstel, Ploos van, see Ploos van Amstel, Cornelis Amstelveen, Bibliotheek Amstelland. LIV: 363, fig. 113 (anonymous artist) Amsterdam, Amsterdam Museum. LIII: 326, fig. 31 (Waterloo), note 33; 518, fig. 5 (Langendijk), note 8, Amsterdams Historisch Museum. XVI: 24 25, fig. 23 (Brondgeest); XXXV: 369, fig. 4 (Berchem), note 14; XXXIX: 371, 385, figs. 6 (Salomon de Braij after himself), 23 (Joseph de Braij after Jan de Braij), notes 16, 37; XLIX: 343, figs. 142 43 (Rembrandt); 389, fig. 2 (Hoogstraten), note 5,, Fodor coll. XII: 254 56, pl. 31 (Rubens); XIII: 254 56, fig. 4 (Picart), note 24; XVI: 3 24, fig. 24 (Van Mieris), pls. 1, 19 (Van Mieris); XVII: 4 5, 10, 18, 21, pls. 1, 7 (A. van de Velde); XX: 404 (review); XXI: 175 76 (review); XXIII XXIV: 251 54 (review), fig. 1 (Delaroche); XXXIII: 187 (review); XLIV: 17, fig. 17 (De Vlieger), note 46; XLV: 187, fig. 1 and front cover (Hoogstraten), note 1; XLIX: 341, figs. 134, 136 (Rembrandt), art market. XXXV: 159, fig. 11 (Van Goyen), note 19,, formerly. I, 4: 27, 31, note 14, pl. 23 (Pozzoserrato); XVI: 31 32, pl. 25 (Van Mieris); XIX: 30, pl. 31a (Quillard); XXXVI: 403 04, figs. 7 9 (Louis de Caulery), notes 19 20, 22; LV: 15, fig. 34 (A. Bloemaert?), N. Beets, formerly. XXXVI: 404, fig. 9 (Louis de Caulery), note 22, P. de Boer, formerly. XLIX: 43, fig. 27 (Schiavone), note 53, P. & N. de Boer Foundation. XLIII: 39, 62, fig. 45 (Van der Cooghen); L: 348, fig. 31 (Hans Bol), note 61; 378, fig. 27 (Jan Siberechts), note 26; LV: 24, 98, 110, 112, figs. 64, 316, 363, 370 (A. Bloemaert); 317, 321, figs. 1 (Verboom), 4 (Beresteyn), notes 1, 44,, formerly. LIII: 337, fig. 50 (De Vlieger), note 51, De Bosch et al., formerly. LV: 61, fig. 177 (A. Bloemaert), Paul Brandt, formerly. LII: 75, 83, fig. 25 (Jan de Visscher); 313, 336, fig. 50 (Coecke van Aelst), Bruil & Brandsma, formerly. LV: 110, fig. 364 (A. Bloemaert), Christie s, formerly. XXXI: 222, 234, 236, 244, 249, 258, 270, 272, fig. 4 (circle of Goltzius), figs. 26, 28, 36 42, 46, 57, 73 76 (Goltzius); XXXVI: 18, 20, figs. 2 (Abraham Bloemaert), 3 (Cornelis Bloemaert the Elder), 5 (Abraham Bloemaert), notes 9, 13; XXXVIII: 58, fig. 1 (Van der Haagen), note 9; XLIII: 27, 53, fig. 19 (Van der Cooghen, after Jacob Jordaens); XLIV: 16, 19, 39, figs. 15 (De Vlieger), 21 (Willem van de Velde I), 50 (De Vlieger), notes 43, 49, 86; 348, fig. 15 (Van den Bossche); XLIX: 191, 218, figs. 27 (Simon de Vlieger), 87 (Jan van Goyen), notes 27, 108; L: 378, fig. 25 (Jan Siberechts), note 26; 533, fig. 3 (Willem van Mieris), note 3; LII: 66, 83, fig. 6 (Jan de Visscher after Wouwerman); 347, fig. 87 (attributed to the workshop of Coecke van Aelst); LIII: 323, 332, figs. 22 (Esselens), 39 (De Vlieger), notes 24, 41; LIV: 327, fig. 53 (Pieter Holsteyn the Younger after Frans Post?), note 64; LV: 30, 52, 59, 82, 89, 101, 103, 110, figs. 78 (attributed to A. Bloemaert), 149, 172, 255, 278, 324, 332 33, 362 (A. Bloemaert); 322, fig. 7 (Beresteyn), note 46, Cultural Heritage Agency of the Netherlands. LVI: 215, fig. 48 (Van Musscher), note 61, (on deposit at the Museum Gouda). LVI: 208, fig. 33 (Van Musscher), note 38, Kunsthandel Douwes, formerly. L: 340, fig. 17 (Hans Bol), note 37, Fodor coll., see Amsterdam, Amsterdams Historisch Museum, Fodor coll., Gemeente Archief. XXX: 438 42 6

, Gemeentemusea. IV: 394, pl. 21 (Oudry); XII: 157 61, pls. 22 24, 28, 33 (Van Gogh); XX: 387 (review); XXI: 175 76 (review), Glerum, formerly. XLIX: 486, fig. 9 (Francis Barlow), note 29; LV: 111, fig. 366 (A. Bloemaert), Goudstikker, formerly. LIV: 52, fig. 9 (Vernansal), note 17, Houthakker, formerly. XXXI: 273, fig. 77 (Goltzius); LII: 68, 82, fig. 13 (Jan de Visscher); 301, 330, fig. 31 (Coecke van Aelst), IJver, formerly. XLV: 8, fig. 5 (Paolo Farinati), Hendrick de Leth, formerly. LV: 37, 106, figs. 101, 346 (A. Bloemaert), Rob Kattenburg, formerly. XLIV: 37, fig. 47 (De Vlieger), note 78, Koninklijk Oudheidkundig Genootschap (on deposit in the Rijksmuseum). LVI: 201, figs. 17, 19 and back cover (Van Musscher), Hendrik de Leth, formerly. LVI: 198 99, 221, figs. 10, 12 (Van Musscher), Salomon Lilian, formerly. LVI: 204, 222, figs. 21 22 (Van Musscher), Van den Linden and De Winter, formerly. LVI: 208, 223, fig. 32 (copy after Van Musscher), Mak van Waay, formerly. XLIV: 10, figs. 5, 9 (De Vlieger), notes 32, 34; LVI: 209, fig. 37 (Matthijs Naiveu), note 40, F. Muller, formerly. LV: 26, fig. 66 (A. Bloemaert); 320 21, figs. 2 3 (Beresteyn), notes 42 43, Frederik Muller & Cie, formerly. LVI: 194, 198, 207, 209, 220 21, 224, figs. 1 2, 10, 29 30 (Van Musscher), 36 (Matthijs Naiveu after Van Musscher), 37 (Matthijs Naiveu), note 40, Nederlands Scheepvaart Museum. XX: 116 17, fig. 1 (H. Vroom), Robert Noortman, formerly. LVI: 204, 222, figs. 21 22 (Van Musscher), Nystad-Laurentius Gallery, formerly. XXXI: 253, figs. 50 51 (Goltzius), Private coll. II: 156, pl. 21 (Vellert); X: 262, pls. 27, 29a (Ter Borch); XVI: 5 6, fig. 4 (Dou); XXVIII: 68, fig. 14 (Vrancx), note 44; XXXV: 165, 169, figs. 18, 24 26, 28 30 (Van Goyen), notes 33 35, 37 38, 40; XLIII: 103, fig. 1 (Vermeyen), note 5; LIV: 323, fig. 47 (Frans Post), note 55; LV: 8, 40, 70, 93, 106 7, figs. 11, 14, 108, 209, 212, 291 92, 344, 349 (A. Bloemaert), Rembrandthuis. XXIX: 61 62 (review); XLIX: 343, fig. 139 (Rembrandt); 359, fig. 16 (Jan Lievens), note 21; LIII: 457, fig. 3 (photo of his studio), Rijksdienst voor het Cultureel Erfgoed. LIII: 315, fig. 7 (Schouman), note 10, Rijksmuseum. II: 51 52, fig. 3 (Gobelin tapestry); V: 161, fig. 2 (Ostade); 377, fig. 2 (after Rubens); VII: 50, fig. 1 (Laroon); VIII: 272 73, pl. 26 (Claude Lorrain); IX: 65 66 (review); 123 26, fig. 3 (Franceschini), note 24; XI: 45 48, fig. 3 (Steen), note 4; 366, fig. 1 (Dürer); XX: 118, fig. 3 (H. Hondius I); XXII: 406 07, fig. 2 (L. Carracci); XXIII XXIV: 51 52, fig. 7 (Matham); XXV: 376, notes 34 35, pls. 21a-b (Kempeneer); XXVII: 7 8, fig. 3 (circle of Van Eyck); 111, fig. 6 (Rembrandt); 120 22, figs. 6 (Rembrandt), 7 (Lievens), 8 10 (Rembrandt); 138, 142 44, figs. 21, 29 30 (Rembrandt); XXIX: 52, fig. 1 (L. Carracci), note 1; 61 62 (review); XXXV: 302 04 (review); XXXVI: 67, fig. 3 (Callott); XXXVIII: 175, fig. 18 (Natoire), note 41; XL: 265 68 (review); XLIV: 10, fig. 7 (De Vlieger); XLVIII: 10, fig. 10 (Govert Flinck), note 32; XLIX: 307, 310, figs. 29, 37, 42 (Rembrandt), notes 18, 22 23; L: 530, fig. 6 (Jan Steen), note 33; LIII: 437, fig. 6 (Jacques de Gheyn II), note 10; LIV: 303, 308, 327 28, figs. 12 15, 17, 20 22, 24 25, 56, 59 (Frans Post), notes 35 36; 375, fig. 8 (Rembrandt); LV: 157, 169, figs. 9 (Doll s house of Petronella Dunois), 25 (Van der Goes), notes 25, 76; LVI: 194, 197, 201, 211, figs. 4 (Adriaen van Ostade), 9, 18, 39 (Van Musscher), notes 5, 9, 26, 44 7

, (on deposit from the Koninklijk Oudheidkundig Genootschap). LVI: 201, figs. 17, 19 and back cover (Van Musscher), (on long-term loan to the Mauritshuis, The Hague). LIV: 296, fig. 3 (Frans Post), note 23,, Rijksprentenkabinet. I, 2: 3 15, figs. 1, 3, pl. 5 (De Gheyn III); I, 3: 10, note 21, pl. 4b (Perino del Vaga); I, 4: 38 41, notes 6 8, pl. 26 (Ketel); II: 13, fig. 8 (after Marcantonio Raimondi); 294 95, fig. 1 (Greuze); 389 90, 394 95, note 20, pl. 16 (Ligorio); III: 131, 148, 150, pl. 8 (Cornelis van Haarlem); 364, pl. 9 (Aertsen); IV: 141 42, pl. 15 (Rubens); 171 (review); V: 40, fig. 2 (Verhaecht); 55, pls. 45 46 (Boucher); VI: 28 29, notes 10, 12 13, pls. 9 11 (Baburen); 246 47, fig. 2 (Caccianemici); VIII: 146, note 21, pl. 34b (Aldegrever); 388 89, note 7, pls. 25 26 (Bononi); IX: 255 57, notes 9, 34, pls. 31 (Savery), 42 (Doomer); X: 260 63, pls. 23 26 (Ter Borch); 365 73, pl. 24a (Bononi); XII: 124 27, figs. 2, 4 5 (Laurentz); 182 83 (review); 241, note 18, pl. 8a (Poussin); 351 58, note 11, pls. 1 3, 5 8 (Grandjean); XIII: 142 44, figs. 1 (Cort), 2 (anonymous artist), 3 (J. Saenredam); 248 49, fig. 8 (Lucchese); 250 53, fig. 3, pls. 22 23 (De Hooghe); XIV: 252, pl. 8 (A. Bloemaert); XVII: 158 59, fig. 5 (Roghman); 166, pl. 33a (Dieu); XIX: 42 44 (review); 446 47, note 10, pl. 33 (Dorigny); 460 61, fig. 1 (J. Muller); XX: 386 87, 398 99 (reviews); XXI: 407, pl. 37 (Carreño de Miranda); XXIII XXIV: 421 22 (review); XXV: 4 41 passim, figs. 3, 9, 14, pls. 14, 22 (Poelenburg); XXVII: 119, fig. 4 (Lastman), note 10; 131 32, 143 44, figs. 8, 31 (Rembrandt), notes 5, 20; 153 54, fig. 25 (Maes), note 20; XXVIII: 22, fig. 33 (attributed to Van Thulden, after Primaticcio), note 82; 324, figs. 8 9 (Cats), note 8; XXIX: 278, 281, fig. 13 (Rembrandt); 410, fig. 4 (Rembrandt), note 6; XXX: 299, fig. 26 (Annibale Carracci), note 54; XXXI: 238, 260, figs. 30, 60 (Goltzius); XXXII: 357, figs. 8 9 (Collaert, after Stradanus); XXXV: 155, fig. 1 (Van Goyen); 247, fig. 16 (Watteau, after Van Dyck and Rubens), note 42; 356, fig. 20 (Molyn); 381, figs. 2 3 (H. Bloemaert, after Tintoretto), note 11; XXXVI: 36, fig. 1 (Rembrandt), note 11; 49, fig. 7 (Jean de la Chambre, the Younger), note 19; 215 (review); XXXVII: 71, fig. 3 (Pieter de Grebber?); XXXIX: 371, 384, figs. 7 (Jan de Braij after Salomon de Braij), 22 (Joseph de Braij after Jan de Braij), notes 17, 36; XL: 117, figs. 6 7 (Muziano), note 19; XLIII: 13, 17, 19, 21, 28 29, 31, 39, 41, 48 50, 55 58, 60, 63, front cover, figs. 3 (Van der Cooghen), 4 (Cornelis Bega), 5, 10 (Van der Cooghen), 11 (Jan de Braij), 12, 24, 26, 30 31 (Van der Cooghen), 32 (attributed to Van der Cooghen), 33, 38, 47, 49, 51, 66 69, 71 (Van der Cooghen), note 41; 94, fig. 5 (Swanevelt); 104, fig. 4 (Vermeyen); XLIV: 10, 17, 22, 33, 35, 39, figs. 6, 8, 19, 28 29, 43, 46, 51 (De Vlieger), notes 54 55, 75; 56, figs. 1, 3 (Delamonce), notes 8 9; XLV: 152 54, figs. 8 9 (Molenaer), 10 (Vinckboons), notes 19, 24 25; XLVI: 43, 47, 54, front cover (Van Dyck), note 54; 111, fig. 3 (18th-century Rembrandt imitator?), note 4; 301, fig. 10c (Barocci), note 40; XLVII: 510, fig. 4 (Rembrandt), note 8; XLVIII: 30, fig. 32 (Govert Flinck), note 81; 52, 57, figs. 16 (Van den Eeckhout), 20 (copy after Van den Eeckhout), notes 45, 52; 91, figs. 34, 36 (Hollar), notes 82 83; XLIX: 73, 75, 85, figs. 12 13 (Foggini); 180 81, 183, 201, 217, figs. 3, 6 9, 13, 46 (Simon de Vlieger), 82 (Esaias van de Velde), notes 7, 10, 14, 49, 102; 254, fig. 1 (Jan Gossart), note 7; 294, 302, 310, 314, 319, figs. 2, 21, 39, 51 52, 55 56, 65, 67 (Rembrandt), notes 3, 33; 325, 333, figs. 80 and front cover (Rembrandt); 364, 366, figs. 28 (Jan Lievens), 32 (Rembrandt), notes 33, 38; 375, 382, 384, figs. 6, 29, 34 (Jan Victors), notes 18, 40; 394, fig. 11 (Hoogstraten), note 11; 457, figs. 41 42 (Theodoor van Thulden after Primaticcio), notes 70 71; 499, 503, figs. 38 (Boetius Adams Bolswert after Bloemaert), 42 (Adriaen Collaert after Maerten de Vos), notes 64, 72; 539, fig. 11 (Hans Holbein the Younger), note 54; L: 296 300, 313, 317, 322, figs. 1 2, 5 10 (etchings by Hieronymus Cock after Matthijs Cock), 31 (copy after 8

Matthijs Cock), 36 (Jan van Scorel), notes 24, 73; 330, 346, 349, figs. 1, 27 28 (Hans Bol), 32 (anonymous engraving after Hans Bol), 33 (engraving by Adriaen Collaert after Hans Bol), notes 12, 53, 64, 67; 378, 384 86, 388, figs. 20, 30 32 (Jan Siberechts), 38 42 (inscriptions by Siberechts), notes 26, 32; 533, fig. 1 (Willem van Mieris), note 7; LI: 195 220, figs. 4, 10, 37, 41, 45, 53, 65, 69, 77 (De Bruyn); 369, fig. 9 (Scheemaeckers), note 60; 448, figs. 3 4 (De Hooghe), notes 23, 25; 523, fig. 1 (Barocci), note 6; LII: 59, 66, 68, 70, 73, 79, 83, figs. 2 (Cornelis van Noorde after Cornelis or Jan de Visscher), 7 (Jan de Visscher after Wouverman), 9 (Cornelis Visscher after Titian?), 10 (Cornelis Visscher after Guido Reni), 11 (Lambert Visscher), 15 (CornelisVisscher), 20 (Jan de Visscher), 31 (Cornelis Visscher), notes 7, 48, 50 52, 57, 61; 192, fig. 15 (Jacques Callot after Muziano), note 21; 209, 212 14, 218, 220, 222, figs. 8, 14 15, 17, 23, 27, 32, 36 (woodcuts by Hans Holbein the Younger), notes 14, 17, 20, 26, 28, 32, 36; 295, 301, 313, 330, 335 36, figs. 23, 31, 50, 66 (Coecke van Aelst); 458, fig. 16 (Cornelis Cort after Titian), note 23; LIII: 191, 198 99, 202, figs. 1, 12 13 (Lucas van Leyden), 4, 8 (anonymous after Lucas van Leyden), 7 (Hendrick Hondius I after Lucas van Leyden), 11 (Goudt after Lucas van Leyden), 16 (Hans Baldung Grien), 17 (title page to portfolio of prints assembled by Johannes Wtenbogaerdt), notes 4, 7, 10, 20 21, 26, 34, 39; 238, fig. 1 (Peter Candid), note 9; 315, 320 21, 323, 326, 334 35, 339, figs. 1, 14, 16, 47, 54 (De Vlieger), 3 4 (Rademaker), 5 (Roghman), 8 (anonymous), 23 (Esselens), 30, 43 (Waterloo), notes 4, 6, 8, 11, 25, 32, 44, 49, 55; 431, fig. 1 (Domenico Pellegrini), note 3; 461, figs. 2 3 (Gerard ter Borch the Younger), notes 9 10; 469, figs. 2 3 (Jan Worst), note 11; 485 87, 493, figs. 1 (inscription in the hand of Gabburri), 3 and no. 36 (Gaspare Redi), 4 (Aegidius Sadeler II), notes 6 7; 516, fig. 2 (Jacob Houbraken), note 3; 517, fig. 4 (Langendijk), note 7; LIV: 9, fig. 11 (Foschi), note 29; 71, fig. 7 (Ramboux), note 17; 175, fig. 52 (Cornelis Cort), note 84; 294, 317, 323, figs. 2 (Matham), 39, 48 (Brosterhuyzen), notes 7, 49, 56; 373, fig. 6 (Rembrandt), note 26; 382, fig. 4 (Aegidius Sadeler after Marten de Vos), note 13; 521, fig. 21 (Goltzius), note 47; LV: 5, 22, 33 34, 36, 47, 56, 63 64, 81, 94, 97, 105, figs. 98, 183, 187, 296, 310, 341 (A. Bloemaert), 6, 88 (copy after A. Bloemaert), 54 (Jan Harmensz. Muller after A. Bloemaert), 93 (B. Dolendo after A. Bloemaert?), 131(Goltzius), 160 (B. A. Bolswert), 252 (Jan Saenredam after A. Bloemaert), notes 13, 19, 29, 44; 321 22, 327, figs. 5 7, 9 (Beresteyn), 14 15 (Verboom), notes 45 46, 48, 54; 469, fig. 7 (F. Fenzoni), note 15; 493, 509, 526, figs. 10 (Van Dyck), 47 (Watteau); LVI: 163, fig. 20 (Annibale Carracci), note 27; 183 91, figs. 2 3 (Isaac van Ostade), 4 5, 7 10, 13 and front cover (Visscher), notes 2 4, 11; 194, 197, 199 202, 211, 213, 215 16, 221 22, figs. 3 (Adriaen van Ostade), 8, 15, 49 (Van Musscher), 11, 45, 55 (Bloteling after Van Musscher), 13 (Munnickhuysen after Van Musscher), 14, 41, 47 (Pieter van Gunst after Van Musscher), 16 (Sluyter after Arnold Houbraken and Arnold Boonen), 20, 40 (Jacob Houbraken after Van Musscher), 38 (Jacobus Baptist after Van Musscher), 40 (Jacob Houbraken after Pothoven after Van Musscher), 51, 56 (Pieter Schenk after Van Musscher), 53 (Jacob Gole after Van Musscher), notes 4, 13, 17 18, 23, 28, 43, 45, 50, 57, 60, 62, 65, 67, 71, 76; 336, 339, 343, figs. 2 (Paul Bril?), 11 12 (Jacques Callot?), 17 (Aegidius Sadeler after Paul Bril), notes 5, 22, 49; 413, fig. 7 (Berchem), note 11; 469, figs. 14 (Bonasone), 15 (Monogrammist IHS), notes 31 32; 498, fig. 27 (Claude Lorrain), note 47, Roos, formerly. XXXVII: 231 33, figs. 2 5 (Pontius?, retouched and reworked by Rubens), note 4; LII: 66, 83, fig. 6 (Jan de Visscher after Wouwerman); LV: 11, fig. 21 (A. Bloemaert); 320, fig. 2 (Beresteyn), note 42, Roos, De Vries, and Brondgeest, formerly. LII: 293, 333, fig. 21 (Coecke van Aelst), Scheepvaartmuseum. LIV: 323, fig. 50 (Frans Post), note 58, Van der Schley, formerly. LVI: 198, 221, fig. 10 (Van Musscher) 9

, Van der Schley et al., formerly. LII: 61, 82, fig. 3 (Jan de Visscher); 276, 293, 325, 333, figs. 1, 3a, 21 (Coecke van Aelst); LV: 43, figs. 117 18 (A. Bloemaert), Van der Schley and Pruyssenaar, formerly. LV: 499, fig. 16 (Berchem), Six coll. XII: 351 58, note 19, pls. 4, 9 11 (Grandjean); XLIX: 341, figs. 132 33 (Rembrandt),, Pandora Album. XLIX: 342, figs. 137 38 (Rembrandt), Slebes et al., formerly. LV: 82, fig. 257 (A. Bloemaert), Sotheby s, formerly. XXXI: 242, 249, 270, figs. 34, 45, 73 74 (Goltzius); XXXIX: 382, fig. 17 (Dirck de Braij? after Salomon de Braij), note 31; XLIV: 23, fig. 31 (De Vlieger), note 57; 69, fig. 1 (Hulswit), note 7; XLV: 149, 155, figs. 4 (Molenaer), 11 (Potuyl), notes 11, 28; XLIX: 59, fig. 9 (Jost Amman); 188, figs. 21 22 (Jacob Esselens), note 22; L: 392, fig. 48 (Jan Siberechts?), note 44; LIII: 321, 333, 335, figs. 18 (Waterloo), 42 (copy after De Vlieger, possibly by Waterloo), 44 (De Vlieger), notes 20, 43, 45; 490 91, nos. 15 (copy after Helmbreeker s self-portrait), 22 (Martin Mijtens II); LV: 55, 109, figs. 158, 361 (A. Bloemaert); 328, fig. 17 (Verboom), note 57, Sotheby Mak van Waay, formerly. XXXVI: 77, fig. 4 (Van Noordt), note 17; 403, figs. 7 8 (Louis de Caulery), notes 19 20; XLIV: 347, fig. 14 (Van den Bossche); XLIX: 180, fig. 2 (Simon de Vlieger), note 6 ; LII: 68, 77, 82, figs. 13 (Jan de Visscher), 29 (Cornelis Visscher), note 60; LVI: 199, 221, fig. 12 (Van Musscher), Stadsarchief. XLVIII: 79, 84, 90, fig. 13, 19 20 (Berckenrode), 14 (anonymous), 27, 29 (Hollar), notes 52, 76; LVI: 213, figs. 42, 44 (Johannes Tangena after Van Musscher), note 51, Stedelijk Museum Amsterdam. L: 187, fig. 1 (Matisse), note 1, Stedelijk Museum, Fodor coll., see Amsterdam, Amsterdams Historisch Museum, Fodor coll., Henk J. Stokking Art Gallery. XXVIII: 163, fig. 30 (after Jordaens), Swart, formerly. LII: 277, 287, 301, 327 28, 330 32, figs. 2, 3b, 13, 14a b, 31 37 (Coecke van Aelst), University of Amsterdam, Library. XLVIII: 86, fig. 24 (Jan Mol),,, Special coll. LVI: 216, figs. 50 (Jan Stolker? after Van Musscher), 52 (Ludolf Bakhuizen), notes 63, 66, Van Gogh Museum. XX: 381 82, fig. 1 (Van Gogh); XLIV: 98, fig. 4 (Van Gogh), R.W.P. de Vries, formerly. XLVII: 282, 311, fig. 22 ("False Amand" hand? after G. F. Grimaldi); LII: 68, 75, 79, 82 84, figs. 13, 25, 32 (Jan de Visscher); LVI: 194, 207, 220, figs. 1 2, 29 30 (Van Musscher), De Vries Roos, formerly. LVI: 208 9, 223 24, figs. 32 (copy after Van Musscher), 36 (Matthijs Naiveu after Van Musscher), De Winter, formerly. LII: 61, 82, fig. 3 (Jan de Visscher), De Winter and IJver, formerly. LVI: 199, 221, fig. 12 (Van Musscher) Ananoff, Alexandre. L Oeuvre dessiné de Boucher. Catalogue Raisonné I. Review. V: 54 66 Anastasi, William. LII: 519, fig. 8 Anckarsvärd, Michael Gustaf, formerly. LII: 307, 335, fig. 41 (Coecke van Aelst) Ancona, Museo Civico. XIX: 280 86, figs. 8 10, pl. 35 (Titian), Private coll. VII: 157, pl. 34 (Guercino); XV: 22 25, figs. 1 2, pls. 17 20 (Ligorio) Andersen, Wayne V. I, 4: 44 46 (CÉZANNE); V: 265 80 (CÉZANNE) Anderson, Harry W. and Mary Margaret. LVI: 367, fig. 21 (Wayne Thiebaud), note 17, Susan. LIII: 471 76 (CORNELIS DUSART) Andover, MA, Phillips Academy, Addison Gallery of American Art. L: 202, fig. 6 (Sol LeWitt), note 48 10

Andrea del Sarto: The Renaissance Workshop in Action, exh. cat. by Julian Brooks, with Denise Allen and Xavier F. Salomon. Review. LIV: 101 6 Andrea Mantegna. Review. XXXI: 172 76 Andrea Palladio, 1508 1580. The Portico and the Farmyard. Review. XIII: 401 02 Andreani, Andrea. L: 84, fig. 5a (chiaroscuro woodcut after Malpizzi); LIV: 171, fig. 38 (chiaroscuro woodcut) Andreasi, Ippolito. XXII: 3 28, figs. 1 2 (after), 3 (attributed to), 4 5 (after Giulio Romano), 6 (circle of), pls. 1 2, 3 13 (after Giulio Romano), 14 26 Andréossy, Comte Antoine François, formerly. LV: 435, fig. 1 and front cover (Dürer), note 1 Andrews, Keith. II: 157 60 (BRONZINO); V: 379 81 (NATIONAL GALLERY OF SCOTLAND); VI: 158 62 (REVIEW); 260 61 (ULIVELLI); 289 90; VIII: 53 54 (REVIEWS); IX: 38 39 (ELSHEIMER); XIII: 3 7 (ELSHEIMER); XVIII: 176 78; XX: 398 99; XXII: 212 14 (REVIEWS); 294 98 (P. DE GREBBER). Catalogue of German Drawings in the National Gallery of Scotland. Review. XXXII: 396 97. Catalogue of Netherlandish Drawings in the National Gallery of Scotland. Review. XXVI: 49 52 coll. II: 169; VI: 372, note 37, pl. 14 (Reni); XXV: 24, pl. 1 (Poelenburg) Angeli, Giulio Cesare. XL: 139, fig. 6 Fra Angelico. II: 282; XLVIII: 510, fig. 14 Angeluccio. IV: 375 83, figs. 1 3, pls. 1 13; IX: 367 83, pls. 14a, 15b, 17b Angers, David d. XI: 277 79, fig. 1; XLI: 140 50, figs. 1 13 Angers, Musée des Beaux-Arts. XI: 277 79, fig. 1 (David d Angers); XV:170, note 28, pl. 33a (Restout); XVII: 133, pl. 11 (Poussin); XXXVI: 123, fig. 1 (Isaac Oliver, copleted by Peter Oliver), note 2; XLI: 140 50, figs. 1 7, 9 13 (David d Angers), notes 12 16, 19 20, 24, 27, 31, Musée des Tapisseries. XXV: 393 404, figs. 4, 14 (Bondol and Bataille), Musée Pincé. XLVII: 355, figs. 2 4, 6 8 (Cornelis de Vos), note 6; LV: 73, 83, figs. 221, 261 (A. Bloemaert) Ango, Jean-Robert. XXXVII: 35 46, figs. 1 16; XXXIX: 292, 294, figs. 4 (? and Hubert Robert), 5 (?), 6 (and Hubert Robert), 8 (and Hubert Robert); XLVII: 150, 155, figs. 23 (? after Daniele da Volterra), 24 (after) Angulo, Diego, and Alfonso E. Pérez Sánchez. A Corpus of Spanish Drawings. Vol. I. Spanish Drawings, 1400 1600. Review. XIV: 176 80. A Corpus of Spanish Drawings. Vol. III. Seville School, 1600 1650. Review. XXV: 165 70. A Corpus of Spanish Drawings. Vol. IV. Valencia, 1600 1700. Review. XXVIII: 87 92 Ann Arbor, MI, University of Michigan Museum of Art. III: 150; 282 83 (review); VII: 166, note 12, pl. 38a (Canuti); XI: 161 63, note 2, pl. 27 (Monti); XIII: 178 (review); XVIII: 370, pl. 34 (Jordaens); XXX: 378, figs. 32 33 (Toeput); XLVII: 474, fig. 4 (Delacroix), note 4; L: 81, fig. 1 (Malpizzi); LI: 111, fig. 4 (Johann König), note 49 Annear, Harold Desbrowe, formerly. XLVI: 496, fig. 80 (Gainsborough) Annenberg, Mr. and Mrs. Walter H., formerly. XLVII: 447 51, figs. 1 4 (Cézanne), note 1 Annesley, Noël. XXXV: 227 28 (LORE HEINEMANN) Anonymous artist. V: 377, fig. 2 (engraving after Rubens);VII: 54, pls. 29, 32; VIII: 139 40, figs. 9, 11 12; X: 12, pls. 10 12; 42 43, fig. 1; XIII: 6, fig. 2; 142 43, fig. 2 (engraving after Goltzius); XV: 159, fig. 22; 368 69, fig. 3; XVI: 39 40, fig. 4 (after Filippino Lippi); 160 61, fig. 4 (engraving after Della Bella); 443, fig. 6 (retouched by Rubens); XVIII: 22 11

23, fig. 10; 159 60, fig. 6, note 9; XIX: 29, pl. 27; XXI: 145 47, fig. 11 (after Lamberti); XXIII XXIV: 47 48, pl. 22; XXV: 136, fig. 7 (after Michelangelo); 143 45, note 3, pl. 2 (after Roberti); XXVI: 122, fig. 1 (after Crayer); 223, fig. 3 (woodcut after Parmigianino); XXVII: 355 56, fig. 15; XXVIII: 172, fig. 36; 315, fig. 1; XXX: 203, figs. 4, 6; XXXI: 269, fig. 72 (engraving after Goltzius); 372, fig. 9 (engraving after Mantegna); XXXIII: 157, fig. 2 (engraving after Paradisi); XXXVI: 137, fig. 21 (after Peter Oliver), note 106; XXXIX: 115, 132, figs. 4 (after Schongauer), 24 (after Dürer); 321, fig. 5; XL: 139, 144, figs. 9 (engraving), 10 (Porcelain Meissen Ware), 15 (engraving); XLI: 18, fig. 4; 112 13, fig. 10 (after Michelangelo); XLIII: 361, figs. 12 13 (after Bandinelli after Raphael); XLIV: 294, fig. 19; 372, fig. 1 (after Michelangelo); 429 31, 434 44, figs. 30 34 (after Watteau), 35 (after Watteau and Vleughels), 42 48, 52 73; 457, fig. 9 (etching after Watteau); 503, fig. 9 (engraving); XLV: 397, fig. 2 (etching and aquatint after Goya); 440, 445 46, 451, 471 72, figs. 12 (associated with Konrad Gesner), 13 (woodcut), 14 15 (woodcuts after Pierre Gourdelle?), 17 (woodcut after Pierre Gourdelle?), 19 (associated with Konrad Gesner), 20 (woodcut after Pierre Gourdelle?), 21 (woodcut), 22, 23 (woodcut after Pierre Gourdelle?), 25 (associated with Konrad Gesner), 26 (woodcut), 27 (associated with Konrad Gesner), 28 (woodcut), 29 (associated with Konrad Gesner), 30 (woodcut), 31 (after anonymous artist associated with Konrad Gesner), 32 (woodcut), 53, 55, 60 62; 531, figs. 4 5; XLVI: 95, fig. 6; 353, 356, figs. 3 4 (after Bartolommeo Ramenghi? after Parmigianino), 5 (after Parmigianino); XLVII: 76, fig. 8 (engraving after Gaulli); 280, 293 94, 302, 306 11, 315, figs. 21, 40, 43 (after Dughet), 45 (after Moucheron), 51 (copyist after the "False Amand" hand after Dughet), 55, 57 59 (after Dughet), 60 62, 66 67; XLVIII: 79, fig. 14 (etching or engraving); 459, fig. 3 (and Domenico Stagi); XLIX: 208, fig. 68; 457, fig. 40 (after Theodoor van Thulden); 490, 505, 521, figs. 19 (engraving), 47 (etching and engraving), 80 (engraving after Giuseppe Arcimboldo); L: 349, fig. 32 (engraving after Hans Bol); LI: 6, fig. 4 (engraving published by Antoine Lafréry); 454, fig. 9; LIII: 16, 43, 52, figs. 15, 39, 47; 191, figs. 4 5, 8, 10 (after Lucas van Leyden); 215, fig. 4 (etching); 279 80, 282, 290 91, figs. 8 9, 12 (after Taddeo Zuccaro), 28 (engraving published by Hieronymus Cock), 29 (anonymous, perhaps Avanzino Nucci after Peruzzi); 315, fig. 8; 428, fig. 4 (engraving); 489 90, nos. 8 (copy after Cavedone s self-portrait), 15 (copy after Helmbreeker); LIV: 173, fig. 46 (chiaroscuro woodcut after Raffaellino da Reggio); 314, 363, figs. 30 (after Frans Post), 113 (engraving); 382, fig. 5; 385, fig. 1 (with Bartholomeus Spranger); LV: 59, 66, 78, 103, figs. 171, 197, 241, 335; 382, fig. 7; LVI: 39, 62, figs. 14 (after), 15, 39 (after); 293, 297, 301, figs. 6 and 18 (after Daniele da Volterra), 13 (after Daniele da Volterra or studio); 326, figs. 23 (formerly attributed to Luca Giordano), 24 25 (formerly attributed to Cavedone) (of the Second Avian Project). XLV: 436 513 passim, figs. 1, 16, 18, 39 (Pierre Vase?), 47 51, 54, 59, 69, 72, 75, 77, 84, 97 99, 102, 114, 117 18, 122, 124, c. 1570. I, 3: 52, pl. 37, 16th century. XXXI: 341 42, fig. 20; 383, fig. 12; LIII: 425, fig. 1, 17th century. XLV: 531 32, figs. 6 8; LVI: 37, fig. 11 (?), 18th century. XLI: 348, fig. 6; XLVI: 111, figs. 1 3 (Rembrandt imitator?); LVI: 74 76, figs. 54, 55 (after Giovanni Battista Gaulli), 56 (after Giulio Romano and Giovanni Francesco Penni), 57 (after Carlo Rainaldi and Francesco Bolognese), 58 (after Pietro da Cortona), Ancient Roman. LVI: 35, fig. 5 (copy after a lost Greek model); 468 69, figs. 11, 13,, 1st century BC. LVI: 476, fig. 8,, c. AD 117 138. LVI: 465, fig. 6 12

, the Antique. LVI: 35, 37, 62, 64 67, 69, figs. 4, 10, 40, 42 44, 46 47, 49 (all after); 465, 468, 472, figs. 5, 10, 12, 19 (all after), Antwerp, c. 1520 30. XXXVI: 55, fig. 3, Austrian Master, 1424. V: 24 31, pl. 17, Bruges, see Anonymous artist, Netherlandish, Southern, Brussels tapestry factory, see Unidentified Brussels tapestry factory, Burgundian artist. XLVI: 214, fig. 10, Dutch (c. 1650 60). XXXIX: 404, fig. 10, English, 18th century. LVI: 489, fig. 7, Flemish, see Anonymous artist, Netherlandish, Southern, French. XIX: 30, pl. 30a; XLVII: 153, 155, fig. 25; LVI: 85, fig. 3 (after Carlo Rainaldi and Francesco Bolognese); 174, figs. 12 13, French (before 1378). XXV: 392 93, fig. 2, French (16th century). XLVI: 322 52, figs. 2 8, 11 (woodcut), 12, 13 (woodcut), 14, 16, 18 26, French (17th century). XVII: 140, pl. 18; XVIII: 138 39, fig. 4, French (Lyonnais, 16th century). LII: 165, figs. 49 50 (drawn woodblocks), French (school of Fontainebleau). XV: 153, fig. 16, German. LI: 225, fig. 4; LVI: 489, fig. 5 (?), German (1493). XXXIV: 125, fig. 4, German (16th century). XXII: 468, fig. 1; XLIX: 539, fig. 9, German (Gothic). XVIII: 27 29, pl. 11, German (Nuremberg). XXIII XXIV: 506, fig. 2, German (Nuremberg, c. 1490). III: 401, German (Weimar). XXXII: 318, fig. 10, Greek, Ancient. XLIII: 334, fig. 17 (bronze), Haarlem School, c. 1650. LV: 506, fig. 23, Hellenistic. XLI: 129, fig. 2, Hungarian. V: 28 29, fig. 8, Italian. II: 388 89, 393, 397, figs. 4 5, note 38, pl. 28; XXIX: 195, fig. 1; XLV: 114, fig. 22; XLVI: 9, 17, fig. 17, Italian (c. 1325 50). XLVI: 193, fig. 5, Italian (c. 1560). XXVI: 27 28, 39, fig. 23, Italian (16th century). XXVI: 6 8, 40, fig. 4; XXXVIII: 230, fig. 5; XLI: 49, fig. 1; XLIX: 257, fig. 7 (woodcut), Italian (18th century). XLIX: 150, fig. 8 (after Giulio Romano and Giovanni Francesco Penni); LIII: 493, no. 39 (copy after Titian), Italian (Bolognese). VII: 421 22, fig. 6; XXXIV: 14, fig. 13, Italian (Bolognese, 16th century). VIII: 139 40, pl. 27, Italian (Central). XXXII: 386, figs. 1 2, Italian (Emilian). XXXI: 341 42, figs. 12, 22, Italian (Emilian, 16th century). XXI: 141, pl. 4, Italian (Emilian, 18th century). XXI: 148, pls. 16 17, Italian (Ferrara, 1470 80). III: 11, 15, fig. 20, Italian (Florentine). X: 15 19, pl. 14; XII: 275 76, fig. 25; XXV: 237 41, figs. 1 4 (after A. Pollaiuolo); XXXI: 340, fig. 3; XXXVII: 59, fig. 4 (after A. Pollaiuolo); XLVI: 391, fig. 4 (Maturino?), Italian (Florentine, 1465 80). III: 12, 15, fig. 21, Italian (Florentine, 15th century). XXXIII: 30, figs. 1 3 13

, Italian (Florentine, c. 1530 40). XLIII: 318, fig. 1, Italian (Florentine, Baroque). XX: 260 72, Italian (Florentine or Bolognese, late 17th-century). LIII: 489, no. 4, Italian (Lombard). XXIII XXIV: 178, 180, 185, figs. 7, 14, Italian (North). IV: 135 36, fig. 5; LV: 305, fig. 24, Italian (North, B. Parentino?). LV: 305, fig. 23, Italian (North, 16th century). XXXIV: 207, fig. 2; XLVIII: 341, figs. 1, 5, 7 9, 11, 13, Italian (North, 17th century). XXI: 142 43, fig. 7, Italian (Piedmontese). XI: 361 64, pl. 13, Italian (Roman). XI: 361 64, pl. 14, Italian (Roman, 16th century). VIII: 138, pl. 25; XV: 120, pl. 5; XXI: 141, pl. 5, Italian (Roman, 17th century). XLI: 122, fig. 4; XLII: 265, fig. 7, Italian (Roman, c. 1690 95). LV: 497, 522, fig. 14, Italian (Tuscan). VIII: 397 98, fig. 1; XX: 239 46, fig. 1, pls. 1 3, Italian (Umbrian). VIII: 397 98, fig. 2, Italian (Umbrian-Marchigian). VIII: 398 99, fig. 4, Italian (Venetian). IX: 40 41, fig. 4; XIX: 277 78, fig. 3, pl. 30; XLII: 319, fig. 4 (woodcut); XLVI: 10, fig. 9, Italian (Venetian, c. 1520). XXXI: 393, fig. 4, Italian (Veronese, late 15th century). LV: 302 5, figs. 19, 21 (partially reworked), 20, 22, Italian (Veronese, 16th century). VIII: 140, fig. 10, Liechtenstein Master. I, 2: 34 38, fig. 1, pls. 24 31; III: 47 48, fig. 1, pls. 38 39, Neapolitan School. XLVI: 9, 24, fig. 37, Netherlandish. XLIII: 227, fig. 1 (after Jan van Eyck), Netherlandish? LII: 235, figs. 5 7, Netherlandish (c. 1400). XXV: 406 07, fig. 18, Netherlandish (17th century). XXXIX: 407, fig. 12 (or German?), Netherlandish, Northern. V: 162, pl. 22; XXX: 444, fig. 1; XXV: 72, fig. 4 (? retouched by Rubens), Netherlandish, Southern. XV: 161, pl. 17; XVI: 45 48, pl. 36, Netherlandish, Southern (c. 1650). XXXIX: 405, 408, figs. 11, 14 (?), Netherlandish, Southern (Bruges, before 1403). XXV: 402 03, fig. 13, Northern (early 16th century). XXXIV: 127, fig. 6, Portuguese. XLVIII: 469 71, figs. 3 4, 6, 8 9, Roman. L: 214, fig. 4 (sculpture, copy of a Hellenistic Greek bronze by Boethos of Chalkedon, c. 250 200 BC), Roman (2nd century AD). XLV: 387, fig. 6; L: 55, fig. 9 (sculpture); LI: 5, fig. 2 (copy after a Greek prototype), Roman (3rd century AD). LI: 21, fig. 10, Roman (late 3rd century AD). LI: 23, fig. 11, Roman School. XLVI: 17, 28, figs. 19, 46, Roman School (16th century). XLV: 387, 389, figs. 4 5, Spanish (Baroque). XXI: 401 07, Spanish (Madrid). XVIII: 22, fig. 9 Anonymous draftsman, see Anonymous artist Anonymous engraver. LV: 544, fig. 5 (after Audubon) Anonymous photographer. LV: 243, fig. 20 14

Anonymous printmaker. LI: 453 54, 460, 462, figs. 4, 6, 8 (etching and engraving after Simpol), 17 (etching and engraving after Elye), 20 (etching and engraving after Picart); LV: 235 37, 242, 245, figs. 9 (illustration in La Chronique des Arts et de la curiosité, 1879), 10 (illustration in La Vie Parisienne, 1882), 11 (print of the Exposition de la Société des Aquarellistes, 1882), 13 (illustration in the Catalogue de l exposition de la Société des Aquarellistes, 1884), 19 (front page of Le Blanc & Noir, August 1888), 21 (ensemble of caricatures regrouped by Le Blanc & Noir, 1888) Anonymous school, see Anonymous artist Anonymous sculptor, active in the Marches. XLVI: 8, 17, fig. 18 Anonymous woodcutter. LII: 289 90, fig. 19 (woodcut after Coecke van Aelst) Anonymus Foro Semproniensis. XXXI: 379, 381, figs. 9 10 Anselmi, Michelangelo. VIII: 278, 281, pls. 29c (attributed to), 34 35; XLVI: 8, 18, figs. 21 (after Correggio), 22; XLIX: 22, 25, figs. 10 12; L: 507 22, figs. 2 (after), 3 8, 23 26 Anslo, Cornelis Claesz. XLIX: 307, figs. 31 34 (portraits) L Antinoro. VIII: 134, pl. 18 Antoniacci, Cesare. LVI: 343, 345, 347, figs. 15 16, 18 (?), 19 20 (etching), 24 26 Antonio di Donnino del Mazziere. L: 25, fig. 7 Antoon van Dyck et son iconographie. Eaux-fortes, gravures et dessins de la Fondation Custodia, Collection Frits Lugt. Review. XX: 287 Antwerp, Begijnhofkerk. I, 3: 24 26, fig. 5 (Jordaens), Church of St. Charles Borromeo. XXVI: 44 49, fig. 2 (Seghers), note 7, Koninklijk Museum voor Schone Kunsten. III: 355 56, fig. 1 (Aertsen); VII: 260 61, fig. 1 (F. Floris); XII: 134 35, fig. 2 (A. Francken); XV: 403 17 (review); XVI: 296 99, figs. 4 (Keirincx), 7 (Govaerts), notes 7, 21; XIX: 152 53, fig. 3 (L. and J. Doetechum), pl. 31 (P. Bruegel); XXII: 82 85 (review); XXIII XXIV: 223 25, fig. 9 (Jordaens); XXVII: 322, fig. 2 (C. de Vos), note 6; 329, fig. 16 (C. de Vos); XXVIII: 147, fig. 8 (Jordaens); XXXIII: 81 82 (review); XXXV: 270, 277, figs. 4, 14 (Smits), notes 8, 24; XLI: 217, fig. 2 (Jan van Eyck); XLIX: 192, fig. 31 (Jan van de Cappelle), note 31; LI: 313, fig. 26 (Pieter Bruegel the Elder), note 71; LII: 388, fig. 2 (Rubens), note 14, Museum Mayer van den Bergh. XLI: 233, fig. 3 (Ghent-Bruges illuminator), note 11; 242, 244, 254, figs. 6 (Maximilian Master), 15, 21 (G. David), note 12; XLV: 147, figs. 1 and back cover (Molenaer), note 7; LV: 75, fig. 229 (A. Bloemaert), Museum Plantin-Moretus. XV: 162 63, fig. 1 (Cornelis Galle II), note 10; 403 17 (review); XVIII: 61 (review); XXX: 407, figs. 15, 17 (Agostino Carracci), note 47; XLIX: 533, 539 40, figs. 1 (ex-libris of the Golitsyn princes), 10 (Rubens after Hans Holbein the Younger), 12 (inscription in the book of copies by Rubens after Holbein), note 53; LI: 325, fig. 1 (Van den Wyngaerde), note 18; 344, 346, 348, figs. 1, 4 5 (Vrancx); 362, 365, figs. 2 (Faydherbe), 3 (Van der Voort), 4 (Verbrugghen), notes 8, 30 31; 389, fig. 18 (Verhagen), note 18, Rijksarchief. LII: 278, fig. 5 (autograph receipt by Coecke van Aelst), note 12, Royal Museum of Fine Arts, see Antwerp, Koninklijk Museum voor Schone Kunsten, Rubenshuis. I, 3: 24 26, fig. 6, note 37, pl. 15 (Jordaens); XXIX: 426, fig. 8 (Van Mildert); XXXIII: 82 83 (review); XLI: 305 16 (review), Stedelijk Prentenkabinet. I, 3: 21 22, fig. 3 (Jordaens); IV: 446 47, figs. 7 8 (Rubens); VIII: 162 63, fig. 2 (Van Dyck), note 5; XXI: 163 66, note 5, pl. 39 (Fruytiers); XXIII XXIV: 216 17, 223 25, pls. 27, 34 (Jordaens); XXVIII: 149, 172, figs. 10 (Jordaens), 36 (unknown artist), Stichting Terninck. XXIII XXIV: 49, fig. 4 (Boeckhorst), Lowet de Wotrenge Fine Art, formerly. LV: 48, fig. 134 (studio of A. Bloemaert?) 15

Antwerp Drawings and Prints, 16th-17th Centuries. Review. XVIII: 277 Antwerp Master, so-called Pseudo-Bles. XXXVI: 52 59, figs. 1, 2 (after) Anzelewsky, Fedja. VI: 262 65 (MARTIN SCHONGAUER); XXXVII: 262 70 (M. SCHONGAUER). Dürer und seine Zeit. Review. VI: 55 Apelles coll. XXXVII: 383, fig. 19 (Alonso Cano), note 29, formerly. XLV: 327, 334, fig. 6 (Cano) Apgar, Garry. XXIII XXIV: 254 57 (REVIEW) Apollonio di Giovanni. XII: 127 28, fig. 1 (attributed to) Aquila, Francesco. XVII: 150, fig. 2 (engraving after Gherardi), Johannes. V: 28 29, fig. 7, Pietro. II: 49, fig. 3; XXIII XXIV: 9, fig. 2 (engraving after Voet); XXXI: 356, fig. 13, Pompeo Cesura dell. II: 172 Aranjuez, Convento de S. Pascual. XLVIII: 499, fig. 2 (Federico de Madrazo), note 8 Architectural Drawings from Lowther Castle, Westmorland. Review. XXI: 181 Arcimboldo, Giuseppe. XLIX: 521, fig. 80 (engraving after) Arensberg, Louise and Walter, formerly. XLII: 9, fig. 6 (Picasso), note 13 Aretino, Spinello, see Spinello Aretino Arezzo, Badia di SS. Flora e Lucilla. XLIX: 165, fig. 4 (Vasari), note 9, Casa Vasari, Sala del Camino. L: 502, fig. 10 (workshop of Vasari), Conservatorio di S. Caterina. XIX: 428 31, figs. 2, 5 (Spinelli), note 13, Fraternita dei Laici, Collezione Bartolini. L: 498 500, figs. 5 (Vasari), 7 (watermark on Vasari sheet), notes 17, 21, Galleria e Museo Medioevale e Moderno. XIX: 426 36, figs. 1, 7 (Spinelli), note 10, Palazzo Comunale. XIX: 428 30, fig. 4 (Spinelli), note 16, Pinacoteca. XXX: 88, fig. 8 (Vasari), S. Domenico. XIX: 428 41, figs. 3, 6, 8 (Spinelli), note 15, S. Margherita, formerly (destroyed). XXXVI: 181, fig. 1 (Vasari) Argenville, Dezallier, d, see Dezallier d Argenville, Antoine-Joseph Argoutinsky-Dolgoroukoff, Wladimir, Prince, formerly. XLV: 204 5, figs. 6, 8 (copy after Elsheimer, Hendrik Goudt?), note 13; 298, fig. 12 (El Greco), note 22 Ariccia, Palazzo Chigi. X: 20 22, fig. 2 (Bernini) Armand, Alfred, formerly. XLVI: 193, fig. 4 (Bezzi), note 18; LII: 70, 82, fig. 17 (Jan de Visscher) Armstrong, Carol. A Degas Sketchbook. Review. XL: 255 57 Arnhem, Gelders Archief. LIII: 324 26, figs. 25 (De Vlieger), 26 (Waterloo), 27 (Herman Saftleven), 28 (Esselens), notes 27 30 Arona. IX: 365, fig. 1 (sculpture designed by Cerano) Arp, Hans. L: 164, 168, figs. 3, 7 Arpino, Cavaliere d (Giuseppe Cesari). III: 258; 407; XXVII: 207, fig. 17 (after); XLVI: 219, fig. 5; LII: 98, fig. 9 (ascribed to); LIII: 489, no. 1 (self-portrait); LIV: 517, 521, figs. 17 18, 20, 23 (or studio of) Arras, Musée des Beaux-Arts. LIV: 52, fig. 7 (Vernansal), note 15; LVI: 173, fig. 9 (Jean- Baptiste Corneille after Girolamo da Treviso), note 19; 517, 526, figs. 2, 21 (Louis Silvestre the Younger), notes 5, 40 Arrighi, Ludovico degli. LII: 433, figs. 6 10 (writing manual) Arrigo Fiammingo, see Broeck, Hendrik van den The Arrogant Connoisseur. Richard Payne Knight, 1751 1824. Review. XXI: 181 82 Arsoli, Palazzo Massimo. XLVI: 80, figs. 40, 42 (Benefial), notes 80, 82 16