THE HAPPY PALS NEW ORLEANS PARTY ORCHESTRA.

Similar documents
D6422L Lambert. Johnny Dodds

jingle Bells full score

Concise Guide to Jazz

With Michael and David Doucet, Lionel Batiste, & Lars Edegran: 10. Over the Waves 11. Mobile Stomp. With the Treme Brass Band: 12. Sweet Georgia Brown

Preview Only STARS AND STRIPES FOREVER. JOHN PHILIP SOUSA Arranged by WYCLIFFE GORDON INSTRUMENTATION

Preservation Hall Jazz Band

trinkle tinkle full score

He s the best I ve ever seen -Johnny Cash

THE LIFE AND TIMES OF LIL HARDIN

love me or leave me full score

Cara: Most people would say it s about playing but I don t think it s about playing, I think it s about making friends and having good fun.

blues in hoss flat full score

I Can t Believe That You re in Love With Me Words and Music by CLARENCE GASKILL and JIMMY McHUGH Arranged by DARMON MEADER.

Preview Only. Legal Use Requires Purchase. My Ship JAZZ. Lyrics by IRA GERSHWIN Music by KURT WEILL Arranged by DAVE RIVELLO INSTRUMENTATION

Preview Only. Legal Use Requires Purchase. The Wayfaring Stranger. TRADITIONAL Arranged by MIKE COLLINS-DOWDEN INSTRUMENTATION

A. began in New Orleans during 1890s. B. Jazz a mix of African and European traditions. 1. Storyville District w/ Creoles of Color

What s Happening... The Sounds of the Season. Markham District High School

The Power Of Two. by Doug Beach & George Shutack. Rhythm Section Study. Jazz Drum Set with MP3s

Drummer s Guide to Big Band

ida, sweet as apple cider As recorded by the dave pell octet full score

DEVELOPMENTS IN INSTRUMENTAL JAZZ; 1910 TO THE PRESENT DAY: AOS3

REHEARSAL STRATEGIES HARLEM CONGO BY LOREN SCHOENBERG,

How Great Thou Art. Words: Stuart K. Hine Music: Swedish Folk Melody

To highlight Armstrong s versatility as a great entertainer and ambassador of goodwill in the twilight of his career.

REBIRTH J AZZ BAND. "H er,e to Sta11" Recorded live at the Grease Lounge, 5. IT AIN'T MY FAULT (SmokeyJohnsonJ (4.ooJ

the jeffrey sultanof master edition sleep as recorded by the terry gibbs dream band Arranged by manny Albam edited by jeffrey sultanof full score

Instrumental & Vocal Music Program

Preview Only. Legal Use Requires Purchase. Moondance JAZZ. Words and Music by VAN MORRISON Arranged by VICTOR LÓPEZ INSTRUMENTATION

Made Me Glad. Words & music by Miriam Webster. Arranged by Mark Cole. Based on the popular recording from the Hillsong Music Australia album Blessed

Flow To You. Words & music by Lynn DeShazo. Arranged by Dan Galbraith

air mail special full score

first year charts Preview Only Legal Use Requires Purchase Pacific Attitude for jazz ensemble JAZZ VINCE GASSI INSTRUMENTATION

REVIEW SESSION, EXAM 1

taught themselves. LIE asks about the music stand in the photograph. KT studied with Manuel Manetta. RBA says that Charlie

air mail special full score

Improvised Tenor Saxophone Solos

SAMPLE THE COMPOSER THE COMPOSITION INSTRUMENTATION LIST

MIX 1 HD24 SONG LIBRARY. Moment 8 4:23. Safety Love 8 5:00. Mellow Soul 8 4:49. All Your Heros 8 4:42. Full of Possibilities 8 4:21

epistrophy full score

THE INFLUENCE OF RHYTHM AND BLUES

soloist of all time"). ^WB says he Aamself can still play well. He

THE AUSTRALIAN. Adelaide s Errol Buddle scaled heights of American jazz

Sounds of June 7: June 14: June 21:

Paul Edis Sextet. Electronic Press Kit 1. Bio 2. The Band 3. Quotes and Reviews 4. Photos 5. Mp3/Videos/Contact Details

Lawrence University Performing Arts Series Filled with Music Legends, Rising Stars

Hot Horns Presents Brass Can Do Anything!

Days Of Elijah. Words & music by Robin Mark. Arranged by John Wasson

Days Of Elijah. Words & music by Robin Mark. Orchestrated by Brad Henderson

SWING AND JAZZ. Frank Sinatra/Micheal Buble. A foggy day. come fly with me. Fever. For once in my life. East of the sun. The lady is a tramp

REHEARSAL STRATEGIES I AIN T GOT NOTHIN BUT THE BLUES BY LOREN SCHOENBERG

How Lucky Can One Guy Be: JOHNNY

any old time full score

Jazz in America The National Jazz Curriculum

Reel I [only!- ' l^a'1^ ^?.<-\- ~ V> ^ ^^

Jazz at Lincoln Center Radio McCoy Tyner and Ravi Coltrane Season 17 Program 1; Airdate: 10/1/09

!"#$%&&'()*+),! !"#$%&&'()*+),. just his presence is a creative experience. Wynton Marsalis artistic director of jazz, lincoln center

boplicity full score

Edinburgh s Usher Hall puts Jazz and Folk music centre stage

Guide to the Jim Cullum Collection ARS036

happy hooligan full score

West Helena Blues. West Helena Blues

Hi Larry, Cheers, Jeff

Arranging in a Nutshell

Carterville Intermediate School Band/Music/Gifted

WEST END BLUES / MARK SCHEME

HORNS SEPTEMBER 2014 JAZZ AUDITION PACKET. Audition Checklist: o BLUES SCALES: Concert Bb and F Blues Scales. o LEAD SHEET/COMBO TUNE: Tenor Madness

BOPLICITY / MARK SCHEME

down for the count full score

Sample. Forever, In Golden Paradise. Gary P. Gilroy (ASCAP) Grade: 2 Duration: 3 10

Florida Bandmasters Association District 19 High School All District Jazz Ensemble Audition Information

2019 NAfME All-Northwest Jazz Audition Materials Saxophones and Brass

As a courtesy to the performers and fellow audience members, please take a moment to turn off or silence all mobile devices.

Mafu Zulu. Voulay kanay Asse Ellay Oomsin di si. Boogie Woogie Bugle Boy Andrew Sisters

How Deep The Father s Love For Us

Preview Only. Legal Use Requires Purchase. Mid-Riff. BILLY STRAYHORN Edited and Transcribed by JEFF LINDBERG INSTRUMENTATION

Preview Only. Legal Use Requires Purchase. Poultry In Motion JAZZ KRIS BERG INSTRUMENTATION

NEMC COURSE CATALOGUE

Year and Best Male Rock Vocal Performance, as well as two American Music Awards. It was inducted into the Music Video Producers Hall of Fame.

Marshal Royal: The Art of Lead Alto. An Analysis by Seth Carper. Marshal Royal is arguably the most important lead alto player in the history

LOCATION REGISTRATION AND FEES

Movin. Original Music by Hap Palmer. Hap-Pal Music and Educational Activities

my Rimine)ton The Treme Brass Band Bruce "Sun pie" Barnes Henry Gray Uncle Lionel Miss Lollypop Lars Edegran

CMEA High School Audition Repertoire Jazz 4-Year Rotation (revised June 14, 2017)

New Orleans. Storyville, French Opera House, 1900

Are you a student who is looking for a CHALLENGE? Are you a student who is MOTIVATED to try something new and STICK WITH IT?

NORBERT SUSEMIHL S NEW ORLEANS ALL STARS * * * * * *

AHOMINGS Research Project

Preview Only. Legal Use Requires Purchase. Emily JAZZ. Music by JOHNNY MANDEL Words by JOHNNY MERCER Arranged by LISA DeSPAIN INSTRUMENTATION

2016 OMEA CONFERENCE CONTEMPORARY A CAPPELLA IN THE CHORAL CLASSROOM

Hal Leonard Popular Hits For Tenor Sax - Instrumental Play- Along Book/CD

Advanced Lesson Plan for Young Performers Initiative: Rockin In Rhythm BEFORE THE VIDEO


NEMC COURSE CATALOGUE

Jazz Artist Project Directions:

HOCKINSON HIGH SCHOOL JAZZ BAND AUDITIONS 18-19

The Evolution of Jazz

You may not own many jazz CDs now, and you may not think you know anything

List of Original Compositions, by Genre

JEREMY SASSOON SOLO PLAYLIST. Jazz/Swing

SAMPLE CHA CHA DE SALSA VINCENT CASSOTTA KJOS BEGINNING CONCERT BANDVVORKS NEIL A. KJOS MUSIC COMPANY SAN DIEGO, CALIFORNIA

Transcription:

www.happypals.ca The Happy Pals New Orleans Party Orchestra is a seven-piece jazz band based in Toronto Canada, playing authentic old-time New Orleans party music. They ve been featured every Saturday at Toronto s legendary Grossman s Tavern for over thirty years, and have attracted literally generations of fans. The Happy Pals play swinging, rocking tunes you can dance, sing or just hang out to pop standards, blues, hymns, marches, Dixieland, calypso, Rock n Roll, you name it! Tunes by Kid Thomas, King Oliver, Fats Domino, George Lewis, Johnny Cash, Glenn Miller, Hank Williams, Frank Sinatra, Bob Dylan and more! Listen to sound samples of the Happy Pals at www.happypals.ca. It s live stomping jazz music for all occasions, and it s Big Fun. Don t miss it. Here s what critics around the world are saying: "New Orleans jazz is alive and well and has taken root in, of all places, Toronto, Canada... Bourbon Street beckons for this kind of sound." -All About Jazz, USA "Their infectious brand of New Orleans-style jazz was great entertainment and had the audience roaring for more. They didn't let them leave without an encore." -Just Jazz Magazine, England "This is raw, unadulterated, exciting New Orleans jazz. -The Jazz Gazette, Belgium "They re the real thing and the music is fabulous... Great stuff - and superb for dancing of course." -Just Jazz Magazine, England

The Happy Pals and a fan at Rapperswil, Switzerland, 2010 The Happy Pals at Davos Sounds Good, Switzerland, 2009 The Happy Pals recording with Dr. Michael White, 2009 The Happy Pals and dancers, Grossman s Tavern

THE MUSICIANS Patrick Tevlin Leader, Trumpet, Vocal Patrick Tevlin has been a band leader in Toronto since 1976. On his first trip to New Orleans two years later Tevlin saw, heard and met trumpet master Kid Thomas Valentine, and he has never looked back. He built a style based on Kid Thomas along with other great New Orleans trumpeters including Dede Pierce and Louis Armstrong. In 1983 Tevlin switched to tenor sax and clarinet, and joined mentor Kid Bastien s Happy Pals, where he played for twenty years and recorded five albums. His sax is rooted in New Orleans jazz as well as the early R&B style of stars like Fats Domino and Ray Charles. His clarinet is influenced by New Orleanians like George Lewis and Johnny Dodds. When Kid Bastien died suddenly in 2003, Tevlin switched back to trumpet and took over leadership of the Happy Pals. Four new Happy Pals CDs have been issued since, and another is in the works. Tevlin switched careers from science (He holds a Ph.D. in physics.) to full-time music in 2005. In addition to the Happy Pals he regularly performs and records with several groups based in Toronto and has toured Europe solo as a featured guest. Toby Hughes Alto Sax, Vocal Toby Hughes grew up with New Orleans music and was taught by Bastien / Ken Colyer clarinettist Bruce Bakewell. He first heard the Happy Pals at Grossman s as a child. Toby joined the Happy Pals in 2003, replacing Patrick Tevlin who moved over to trumpet. Toby s sax is influenced by Louis Jordan, King Curtis and Jamaican ska master Tommy McCook. Toby plays in a variety of jazz bands around Toronto, including the Magnolia Brass Band where he handles the tenor saxophone. As well, Toby leads Toronto s ska dance band Frankie Foo and the Yoyo Smugglers. Lindsay Kid Kotowich Trombone, Vocal Kid Kotowich started out on trumpet and guitar in high school, playing everything from classic soul and rhythm & blues to glam rock. After Hurricane Katrina devastated New Orleans in 2005 she became very interested in the music and culture of the Crescent City, and participated in several fundraisers for New Orleans musicians. She and a group of fellow students worked with Patrick Tevlin to put together the Lil Blue Devils New Orleans Jazz Band, all of whose members were in their teens. Lindsay soon developed an interest in New Orleans style trombone, particularly Jim Robinson and Kid Ory, and joined the Happy Pals on trombone early in 2009. She has performed in festivals in Canada, the US and Europe, and is featured on the Happy Pals latest CDs. She also leads the trombone section of Toronto s Magnolia Brass Band.

Roberta Tevlin Piano, Vocal Sweet Roberta Tevlin had a background in classical piano when she heard recordings of the great New Orleans trombonist Jim Robinson in 1977. She was inspired to take up trombone immediately. She joined the Magnolia Brass Band in 1980, then the Happy Pals in 1983. In recent years Roberta has switched her focus back to piano, playing a rhythm style based on New Orleans powerhouses like Billie Pierce and Sister Annie Pavageau. Roberta s vocal style has been compared to Billie Pierce and the legendary Sweet Emma Barrett, who Roberta met on her first trip to New Orleans in 1979. Alex Ralph Banjo Originally from Oregon, Alex Ralph grew up playing guitar. With the band Foxfire he has recorded three CDs of all-original music in styles ranging from country to reggae to club dance music. Alex began filling in on tenor banjo with the Happy Pals in 2004, and has developed a driving four-beat reminiscent of Lawrence Marrero. He has toured Europe with the Happy Pals annually since 2007, performed in New Orleans, and recorded on the Happy Pals most recent three CDs. Tyler Thomson String Bass, Vocal Bassist Tyler Thomson attended Rosedale Heights School for the Arts in Toronto, where he indulged a life-long passion for music. He focussed on alto saxophone there, but also played piano, guitar and of course string bass. He was one of the founders of the Lil Blue Devils New Orleans Jazz Band, with a group of dedicated fellow students. Tyler has been playing with The Happy Pals since 2007, and has performed in New Orleans French Quarter Festival and in Europe. His powerful bass is influenced by the New Orleans slap style and by early rockabilly. Chuck Clarke Drums, Vocal Drummer Chuck Clarke started out playing classical music on French horn. He took up drums in high school, where he played with various jazz and rock bands, eventually coming under the influence of New Orleans greats like Alec Bigard, Cié Frazier and Sammy Penn. He has developed into one of the finest traditional stylists around. Chuck has provided the light but driving beat of the Happy Pals since 1982, and anchors Toronto s Magnolia Brass Band on bass drum. As well, Chuck plays a fine New Orleans style trumpet, reminiscent of Kid Howard.

A BRIEF HISTORY The Happy Pals have been playing New Orleans dancehall jazz in Toronto for over three decades. The band was founded by legendary trumpeter Cliff Kid Bastien in the 1970s. Bastien was a Cockney who discovered the music of New Orleans as a teenager in the 1950s. He soon emigrated to Canada and began spending more and more time in New Orleans learning from the masters. Bastien is now widely considered to have been the foremost disciple of New Orleans trumpet great Kid Thomas Valentine, who he first saw playing a neighbourhood dance at the Westwego Louisiana firehall. Bastien began his long residency at Grossman s Tavern in Toronto sometime between 1968 and 1971, depending on who you ask. After a brief hiatus, the band was renamed The Happy Pals in the late 1970s. Drummer Chuck Clarke joined in 1982, followed by Patrick Tevlin on tenor saxophone and Roberta Tevlin on trombone in 1983. One Saturday in February 2003, Bastien didn t show up for a gig. Some of the musicians went to search him out while the rest of the band started up. Word soon came back: Cliff Kid Bastien had died. The band was playing the traditional New Orleans hymn Just a Closer Walk with Thee when the phone rang. Musicians flew in from the United States and Europe for Bastien s funeral, which was conducted with the New Orleans style Magnolia Brass Band. The wake took over the whole weekend at Grossman s Tavern. The Annual Kid Bastien Forever New Orleans Jazz Festival is held every February to raise the roof and remember the Kid. After Bastien s passing, tenor sax player Patrick Tevlin switched back his first instrument, trumpet, to take on the leadership of The Happy Pals. Alto saxophonist Toby Hughes took over the reed chair. The Happy Pals New Orleans flavour is undiminished, since Tevlin is also a long-time disciple of Kid Thomas Valentine. The Happy Pals are featured each year at New Orleans French Quarter Festival. The Happy Pals have recently released four new CDs, New Orleans Party Orchestra (2005), The Happy Pals with Brian Carrick (2007), Moonlight Bay (with Dr. Michael White, 2009) and Lost Tracks (2009), which have garnered widespread acclaim. One of Bastien s missions in life was to help young musicians get a start playing New Orleans jazz. That tradition has only grown: The Happy Pals trombonist, bassist and banjoist are in their early twenties, as is the band s touring drummer all of them playing solidly in the New Orleans style. As Tevlin puts it, if young people are a part of live music, then live music has a future. After Hurricane Katrina devastated New Orleans in August 2005, The Happy Pals organized or participated in five separate fundraisers, which brought in over $33,000 for New Orleans Musicians. Toronto s Happy Pals have toured Europe annually since 2007, and been featured at Switzerland s JazzAscona, and Davos Sounds Good jazz festivals, and Italy s SwingInPic. The Happy Pals 2010 European tour is in the planning stages now, and will include Blues n Jazz Rapperswil-Jona, New Orleans Meets Zofingen, and JazzAscona.

DISCOGRAPHY Listen to sound samples of the Happy Pals CDs at www.happypals.ca. The Happy Pals Lost Tracks New Orleans North CD-011, 2009. Patrick Tevlin tpt; Dr. Michael White clt; Toby Hughes as; Kid Kotowich, Roberta Tevlin tbn; Roberta Tevlin, Roberta Hunt pno; Rainer Hunck, Alex Ralph, Ted Jensen bj; Tyler Thomson, Philip J. Carney sbs; Chuck Clarke d. Cradle Song; Motor Car Horn; Trouble In Mind; King Of The Road; Big Lunch Blues; Kid Bastien, Kid Thomas and Moonlight Bay. The Happy Pals with Dr. Michael White Moonlight Bay New Orleans North CD-010, 2009. Patrick Tevlin tpt; Dr. Michael White clt; Toby Hughes as; Kid Kotowich tbn; Roberta Tevlin pno; Rainer Hunck, Alex Ralph, Ted Jensen bj; Tyler Thomson sbs; Chuck Clarke d. Je Vous Aime; Everybody Loves Saturday Night; I'll Never Smile Again; Big Chief Battleaxe; Riverside Blues; Dinah; Moonlight Bay; Royal Telephone; Last Train To San Fernando; Make Me A Pallet On Your Floor; You Tell Me Your Dreams; Maori Farewell Song; China Boy; My Happiness. The Happy Pals with Brian Carrick Kid Bastien Forever Kick-Ass New Orleans Jazz Party 2007 New Orleans North CD-007, 2007. Patrick Tevlin tpt; Brian Carrick clt, ts; Toby Hughes as; Roberta Tevlin tbn; Roberta Hunt pno; Rainer Hunck, Alex Ralph bj; Philip J. Carney sbs; Chuck Clarke d. My Blue Heaven; When You and I Were Young, Maggie; Love in Bloom; Bugle Boy March; Bright Star; Undecided; Mobile Stomp; Over the Waves; How About You?; High Society. The Happy Pals New Orleans Party Orchestra New Orleans North CD-006, 2005. Patrick Tevlin tpt; Toby Hughes as; Roberta Tevlin tbn; Roberta Hunt pno; Rainer Hunck bj; Philip J. Carney sbs; Chuck Clarke d. Algiers Strut; Mama's Gone Goodbye; Don't Think Twice, It's Alright; I Come To The Garden Alone; Folsom Prison Blues; Short Dress Gal; Lovely Way To Spend An Evening; Climax Rag; Love Songs Of The Nile; Maryland My Maryland. Kid Bastien's Happy Pals Live at Grossman's Sunny South Records, 1993. Kid Bastien tpt; Patrick Tevlin ts; Roberta Tevlin tbn; Roberta Hunt pno; Len Samuels bj; Jimmy Jones sbs; Chuck Clarke d. Jamabalaya; Sing On; Sammy s Blues; Kat s Got Kittens; In The Upper Garden; Please Don t Talk About Me When I m Gone; Sail Along Silvery Moon; C est Magnifique; Blue & Broken Hearted; Laissez Les Bon Temps Roulez! Kid Bastien's Happy Pals The Canoe Club Sessions Volume One Sunny South Records Tapeworm # 3, 1989. Kid Bastien tpt; Patrick Tevlin clt, tenor; Roberta Tevlin tbn; Charlie Trainor pno; Elizabeth Brown bj; Chuck Clarke d. You Tell Me Your Dreams; Willie The Weeper; Roll Along Kentucky Moon; Algiers Strut; Ole Miss; Laughing Samba; Exactly Like You; When We Danced At The Mardi Gras; I Don t Want To Set The World On Fire; The Old Spinning Wheel In The Parlour; Lily Of The Valley. Kid Bastien's Happy Pals With Norrie Cox Sunny South Records Tapeworm # 2, 1988. Kid Bastien tpt; Norrie Cox clt; Patrick Tevlin ts; Roberta Tevlin tbn; Elizabeth Brown bj; Colin Bray sbs; Stephen Brown pno; Chuck Clarke d. Sing On; S il Vous Plait; Meet Me Tonight In Dreamland; Big Chief Battle Axe; April Showers; In The Shade Of The Old Apple Tree; Short Dress Gal; Silver Bells; New Iberia Blues; Into Each Life Some Rain Must Fall. Kid Bastien's Happy Pals Sunny South Records LP 104, 1984. Kid Bastien tpt; Patrick Tevlin ts; Roberta Tevlin tbn; Stephen Brown pno; Jack King bj; Rainer Hunck sbs; Chuck Clarke d. Clarinet Marmalade; The Curse Of An Aching Heart; Sheik Of Araby; Somebody Else Is Taking My Place; Caldonia; Lil Liza Jane; Precious Lord, Take My Hand; Down On The Farm; Bogalousa Strut; Shake It And Break It; Home (When Shadows Fall).

WHAT IS NEW ORLEANS JAZZ, ANYWAY? Here s what jazz historian Bill Russell had to say about it: At the dawn of [the last] century a new music was born in New Orleans. It was a good time music, to make the people happy. Its appeal was so immediate that the music soon swept the whole country, then circled the globe. It was not so much a kind of music as a style of playing. Essentially it was simply a way of playing melody with a beat. New Orleans musicians learned to work together to produce the loose relaxed beat which is so irresistible that one cannot help but dance, or at least sway and pat one s foot to its swing. The easy going, almost hypnotic rhythm at times seems to run effortlessly by itself. In this style of music, where all the musicians strive to help each other rather than grab the spotlight, it is natural for improvised ensemble choruses to be a feature. Working together harmoniously can generate a feeling of power. The ensembles often build with cumulative effect and surging momentum to thrilling climaxes. New Orleans musicians seem by nature to be a friendly lot. It takes only a minute to get to know true New Orleans musicians. The friendly warmth and enthusiasm with which they work together is part of their life. Their audiences cannot help having a good time, because the band is having such a grand time. 1 Jazz, as every amateur historian will tell you, went up the river from New Orleans to Chicago in the 1920s. But jazz never left New Orleans; the city s rich musical tradition lived on in the dancehalls, the parties and the parades. New Orleans functional, neighbourhood music is what The Happy Pals play tunes people want to hear, that they don t have to sit up straight to listen to. What makes it New Orleans style? The beat has to be infectious and danceable. There has to be a melody you can sing along to. It has to be functional music, for the people. It has to be a lot of fun and be beautiful at the same time. Who are The Happy Pals big influences? Kid Thomas and his wonderful band with Emanuel Paul on saxophone and Sammy Penn on drums to start with. New Orleans musicians like clarinettist George Lewis, trumpeters Dede Pierce and Elmer Talbert, the magnificent trombonist Jim Robinson, drummers like Warren Baby Dodds and Cié Frazier to name a few. New Orleans music doesn t stop with jazz. The Happy Pals are just as likely to play a rock & roll tune by Fats Domino, a bit of Bob Dylan or Creedence, or a country song by anyone from Willie Nelson or Johnny Cash to Hank Williams or Jimmie Rodgers. In short, New Orleans music is about having a good time at a great party. 1 1 Bill Russell, New Orleans Style, Jazzology Press, New Orleans, 1994.