Piano/Vocal q = 98 Rhodes Em9 Priscilla The Musical I Say A Little Prayer Audition Extract Musical Supervisor: Stephen "Spud" Murphy 2 4 mp (Kbd.2 Stgs) Am7 5 Tick 6 7 8 The mo Em9 ment I wake Am7 up. Be fore I put Em9 on my make up Am7 9 10 11 12 Em9 I say a little prayer for you. Am7 B7 (+Bs.) While comb ing my Em9
2 1 14 15 hair Am7 now. And Em9 Piano/Vocal won dring what dress to wear now. Am7 16 17 18 19 a lit tle Em9 I say prayer for you. Am7 B7 or (+Mark Tree) 20 ev 21 in my 22 er, and ev er, Youll stay heart and I will love you. or C D/C Bm7 Em7
2 ev 24 Piano/Vocal 25 To er and ev er, C D/C Bm7 Em7 we nev er will part. Oh how I love you. G Dm G 26 geth er, to geth 27 28 er, thats how it must C D/C Bm7 Em7 G/D be, to live without you, would 29 0 1 on ly be heartbreak for me. C D/C B7
Piano/Vocal Priscilla The Musical True Colours Audition Extract (Tick) q = 85 +Track: 4 Clicks into Bar 1 4 Musical Supervisor: Stephen "Spud" Murphy If Tick this world makes you cra zy, and youve D C11 C7 ta ken all you can bear, just call me up because you know Ill be there. And Ill see your /A B Dm C B 6/ Gm 7 true col lours shin ing through. I see your true col lours, and B 6 Csus4 C B /A True Colours/Sempre Libera
2 10 Piano/Vocal Tick/bernadette thats why I love you. So dont be a fraid to let them show your 14 18 B Csus4 C B B 6 Dm true co lours, youre true colours are beau ti ful. like a B /C B /C B /C C6 rain bow. Like a rain rall. bow. B B B rall. True Colours/Sempre Libera
Piano/Vocal Priscilla The Musical Colour My World 2nd Round Audition Extract q = 165 (Tutti) A 4 5 6 2 Musical Supervisor: Spud Murphy f Bb/C C7 (Drs. ill) Youll never see a dark cloud hang ing round me. mf (+Ryhthm Sect.) Gm7/ 7 8 9 10 Now there is on ly blue skies to sur round me. C7 C11 #15/15A Colour My World Playoff
2 11 12 1 14 15 16 17 18 Theres never been a grey day since you found me. (+Tbn.) B Ev sim. comp Gm7/ ry thing I touch is turning to gold. So you can C7 (Drs.) 19 20 21 22 colour my world with sun shine yellow each day. Oh you can f (+Hns 8va) 2 24 25 26 Ab Bb colour my world with happiness all the way. Just take the (Hns) Eb Bb Gm7sus4/C C7 Piano/Vocal #15/15A Colour My World Playoff
27 28 29 0 green from the grass and the blue from the sky up a bove. And you can Piano/Vocal Ab Bb 1 2 4 colour my world just paint it with your love. Just colour my 5 6 7 8 C 9 40 41 42 Eb Bb Gm7sus4/C C7 world. mf NB: bar count and melody syncopation (Ryhthm Sect.) Just as long as you are think ing of me. Gm7/ (Drs.) #15/15A Colour My World Playoff
4 Piano/Vocal 4 44 45 46 There will al ways be a rainbow a bove me. C7 C11 47 48 49 50 51 52 5 54 D 55 56 57 Since I found the one who really loves me. sim. comp Gm7/ Ev ry thing I touch is turning to gold. Just colour my C7 world. Ab Bb7 Bb6 Bb Bb/C #15/15A Colour My World Playoff
58 59 60 Just co lour my world. Piano/Vocal Ebadd9 Cm7sus4 Eb 5 #15/15A Colour My World Playoff
Piano/Vocal Priscilla The Musical We Belong Audition Extract Musical Supervisor: Stephen "Spud" Murphy q = 10 2 4 " # # # # " ) Piano C mf ( 5 6 7 8 " * Many times " ) C (+Bs.) I tried + to + +, * you, many times tell Ive cried " * a lone. 9 Adam 10 11 12 " * Always Im surprised + " ) C how + well you cut my + feelings to #2 We Belong + " * the bone. C/E (+Drs.Time)
2 1 14 15 16 " * " ) Dm Dont wan + (Kbd.2Sustains) na leave + + you real Piano/Vocal ly,, * C2 Ive invest ed too C + much time. 17 18 19 20 " * + to give you + + up that eas y, * to the doubts that com pli cate your mind. " ) Dm G2 A 21 22 2 24 " We " f * belong to the ) " C (+Gtr.Power Chords) light, we belong to the " thun " der (, Am/G G G " ". #2 We Belong. We be,, "
25 26 27 28 ", Piano/Vocal " ( *, long to the sound of the " ) C " words weve both fall en un, + " (+Hns.) " / + /G " der G G " " + " What Am7 G/B + 29 0 1 2 " ev er we de ny or " ) C " + em brace,, for worse or (+Hns.) for " bet Am/G " " ter, we " + * G "" G * 6/G " be long, 4 5 6 7 " * * " + " + * we be long, we belong to geth er We be long. " " + ) C " + " + /G " #2 We Belong G G + 6/G C
AUDITION SCENE 1 THAT IT S ONLY A THRILL O BOY MEETING GIRL OPPOSITES ATTRACT IT S PHYSICAL ONLY LOGICAL YOU MUST TRY TO IGNORE THAT IT MEANS MORE THAN THAT MISS UNDERSTANDING/DIVAS OH WHAT S LOVE GOT TO DO, GOT TO DO WITH IT WHAT S LOVE BUT A SECOND HAND EMOTION WHAT S LOVE GOT TO DO, GOT TO DO WITH IT WHO NEEDS A HEART WHEN A HEART CAN BE BROKEN? SCENE I1A: DRESSING ROOM/BERNADETTE S LAT enters the backstage dressing room and pulls off his wig. The phone rings on his dressing table. Lights up on MARION. Hello. Ding dong, Avon calling MARION Marion It s so good to hear your voice. There s nothing wrong is there? I hope you don t need money darls cos MARION Don t get your tits in a tangle. Did you like the photos? I loved the photos. He s looking so grown up. MARION He sure is, Tick, and guess what? He s started asking about you. Oh what have you told him? MARION That his dad works in showbiz in Sydney. Show business More like target practice. You should see it here. Good idea. How s next weekend? MARION
Are you kidding? He needs to meet his father, Tick. MARION Marion, I m not a father I m a drag queen on the verge of a nervous breakdown MARION How about this then? I need a show and it sounds like you need a change of scenery. Why don t you come out here? Oh, Marion, I d love to see him really; I just I just don t think I m ready yet. MARION You ve had six years, husband. Rehearsal s over I think about him every day... MARION Thoughts are cheap Tick get your act together and head for the Alice. It s time to meet your son. MARION hangs up the phone and exits. looks at his snapshot of BENJI.
AUDITION SCENE 2 SCENE II14: BENJI S BEDROOM enters. Hey, Benji. Hi; you gonna read me a story? BENJI Sure... So what s it like to finally have a father? It s good. BENJI I don t always dress up in women s clothes, you know. I mean, don t get the wrong idea. I do lots of different people. Men too. Elton John. George Michael Ricky Martin... Elvis? Would you do Elvis Presley for me? BENJI Sure, I ll give it a shot (Beat) You know what I am, don t you. Yes. Really? You re the best in the business, Mum says. Your mum was always prone to exaggeration. Are you going to stay around? Would you like that? BENJI BENJI BENJI BENJI There s lots of room. Mum s got her own room. I got my own room. You can have your own room, too. You and your boyfriend.
I don t have a boyfriend, Benji. Mum says it s about time you did. And you wouldn t mind Nah. Can you do Elvis for me now? Sure. BENJI BENJI
AUDITION SCENE NIGHT: in the desert. The bus parked near a small fire glows downstage right. ADAM, wrapped in a towel, sips soup from a cup. is furious. You stupid, pampered, little idiot. If you go flouncing around asking for trouble, why are you so bloody stunned when it finds you? ADAM I just wanted to have some fun. That s all that counts, isn t it? It doesn t matter that you could ve got us all killed. This trip tomorrow is SO important to me, and you re doing everything in your power to fuck it up Sometimes it s hard to tell where your selfishness ends and your stupidity begins. If we wanted to get bashed, we could ve stayed in Sydney exits behind the bus. ADAM begins to cry.