Alexis Perepelycia Arranger, Composer, Director, Interpreter, Publisher, Teacher Argentina, Rosario About the artist Personal web: Associate: www.alexisperepelycia.com.ar SADAIC About the piece Title: A trip to Tlön Composer: Alexis Perepelycia Arranger: Alexis Perepelycia Licence: Creative Commons Licence Publisher: Alexis Perepelycia Instrumentation: Cello solo Style: Contemporary Alexis Perepelycia on free-scores.com http://www.free-scores.com/download-pdf-sheet-music-praxis-leye-pelicae.htm Contact the artist Write feedback comments Share your MP3 recording Web page access with QR Code : This work is not Public Domain. You must contact the artist for any use outside the private area. Prohibited distribution on other website. First added the : 2014-01-28 Last update : 2014-01-28 04:58:18
Relative Time min : sec Violoncello 0' 00" pizz. sfffz vib. accell. A trip to Tlön Glissando and accelerando till sound disaears Implement a Metal or Hard Plastic Slider on Index Finger 5" Reverb - from distant to closer effect when the sound stops attack this chord again vib. accell. faster each time Sample Cello Attack various attacks Loop Playback Hi Pass Filtered Aleatoric Rhythm Keep Repeating and evolving 25" Random Fluted Sounds + Hi Pitched + No Notes + Airy Bow Noise over Strings Graphics on Score just for Reference in a freely way p Subtle DLY + Reverb to Signal p Gradually Hi Pass Filtered to Direct Signal p 50"
2 Random Noises Different Textures 0 1'10" Sample Playback + Press Chop Button Micro-granulated Sounds Increase Gradually the Choing Speed till get a Granulated Sound Dramatic Silence Wait for Signal. As Fast As Possible Random Notes on Relative Register poco rall. 1'45" Play Several Times f DLY & Hold Same articulation as previous Allways Gliss Ascending Play Several Times 2'10" Aleatoric Rhythm & Transpositions Loop Playback Hi Freq. Filtered Sound Keep Repeating and evolving 2'30" molto rall. Playback Gliss to Extremely Low Transposition Start Gradually Granulating Keep Lower Transposition
Hit the body of the Cello Each accent is to be followed by a small pause Accents w/ Right Hand (different sound than Left) I I D 3'00" 3 Sample Gradually Add Delay to Direct Signal Several Transpositions pizz. vib. accell. Silence Wait for Sounds Playback at Low Transposition Gliss 69hz vib. muy lento 3'30" Excesive Pressure on Bowing - Release Gradually on Large Values arco 4'10" Playback at Low Transposition f III corda p SlightlyDelay 2 Thicken Texture f III corda mp ff sul tasto Feedback Delay Time arco OH Bounces over Strings rall. poco a poco 4'40" 5'10" Thumb mutes II - III - IV strings Aleatoric Rhythm - Hi Pitch DLY + Reverb Sample Bounces Repeat Several Times 0
4 5'40" Dramatic Silence Playback from Low Transposition Gradually Glissando Granular Texture of Choed Sounds Start slowly and Gradually Accelerate 0 Tremoli = As Fast as Possible Note Change = As Slow As Possible 6'40" 0 Hi-Pass Filtering 2 Blend w/ Cello Sound 7'00" DLY Feedback Sound Overlaing Delay Time Excesive Pressure on Bowing Noise when reach the full dynamic q=70 7'15" II corda Small Pause DLY
Excesive Pressure on Bowing Noise when reach the full dynamic I corda G r a d u a l l y D e c r e a s i n g p Delay Time 7' 40" 5 8' 20" p Excesive Pressure on Bowing Noise when reach the full dynamic 3 3 Aleatoric Rhythm Thumb mutes II - III - IV strings 0 arco OH bounces over Strings Sample Bounces DLY Time Reverberation Repeat Several Times q=120 pizz. as loud as possible gliss. q=100 arco sul pont. sfz 9'05" Reverberation Playback at Lower Transportation p sfz sfz rall. Get As much Noise as Possible from Bowing Playback at Several Transpositions 8' 20"
6 Closer notes to G 10'10" Hi Pass Filter Lowest Transposition Possible very slowly sul pont p Hi Pass Filter p tr. presto gliss slow Subtle DLY increaces Sibilance from harmonics I IV Bow Underneath Strings Plays Strings1º y 4º Sampler ON DLY time Distant Reverb 11'10" Get Artificial Harmonics sul ponticello cres. molto 11'20" Filter ON change Sibilance from harmonics Randomly 11'40" p III fff fff ff left hand = hit the boby of the cello aleatoric rhythms 0 Sample + Playback Filter Sounds Randomly
7 12'10" DLY Time 12'20" q=60 III corda gliss. always Delay Time Repeat sequence several times, accelerating to the fastest possible, till reach the lowest note IV corda Playback w/ Granulator 12'50" I Delay Time Feedback Volumen D Hit body of Cello with Both Hands Development of rhythm figures 13'20" Wait till the Delay Stops!!