A portal for film archives in Europe - The European Film Gateway

Similar documents
A Gateway to Film Heritage in Europe Archimages09 18 November 2009 Paris

A Gateway to Film Heritage in Europe

A Gateway to Film Heritage in Europe

Before EFG: MIDAS. A Gateway to Film Heritage in Europe. Il Cinema Ritrovato Bologna 4 July 2009

A Gateway to Film Heritage in Europe BAAC & LCSA Annual Conference 5 October 2009 Vilnius

The European Film Gateway. September 2008 August Project presentation. Cofunded by the Community Programme econtentplus

Results of the Survey on Orphan Works 2009/10

EFG1914: FINAL PUBLIC PROGRESS REPORT

EUROPEAN COMMISSION Directorate-General for Communications Networks, Content and Technology

LES SITUATIONS EUROPÉENNES [ L EUROPE, LA NATION, LA RÉGION? ] 2

LIBER Road Map towards Digitisation

EUROPEAN COMMISSION Directorate-General for Communications Networks, Content and Technology

The EU and film archives

STANDARDISATION MANDATE TO THE CEN ON THE HARMONISATION OF

Media and Data Converging Media and Content

EUROPEAN COMMISSION Directorate-General for Communications Networks, Content and Technology

EUROPEAN COMMISSION Directorate-General for Communications Networks, Content and Technology

Project Acronym: EFG1914 Grant Agreement number: Project Title: EFG1914. D5.1: Report on type and quantity of non-film material digitised

Project Acronym: EFG1914 Grant Agreement number: Project Title: EFG1914. D1.2: First Digitisation Progress Report to the Commission

Audiovisual archiving in Lithuanian Central State Archive

EUROPEAN COMMISSION Directorate-General for Communications Networks, Content and Technology

UvA-DARE (Digital Academic Repository) Film history in the making Olesen, C.G. Link to publication

EUROPEAN COMMISSION Directorate-General for Communications Networks, Content and Technology

EUROPEAN COMMISSION Directorate-General for Communications Networks, Content and Technology

Media and Data Converging Media and Content

ACE General Assembly in Bologna, 1 July 2010

CLARIN AAI Vision. Daan Broeder Max-Planck Institute for Psycholinguistics. DFN meeting June 7 th Berlin

EUROPEAN COMMISSION DG Communications Networks, Content & Technology

CLARIN - NL. Language Resources and Technology Infrastructure for the Humanities in the Netherlands. Jan Odijk NO-CLARIN Meeting Oslo 18 June 2010

List of selected projects Creative Europe - Media. EACEA FILMEDU Selection year: 2018 Application deadline: 01-mars-18

ACE PROPOSAL to be included in the DRAFT COMMUNICATION FROM THE COMMISSION ON STATE AID FOR FILMS AND OTHER AUDIOVISUAL WORKS

Susan K. Reilly LIBER The Hague, Netherlands

Digitised Content: How we Make It Relevant to Researchers, Teachers and Students

(Presenter) Rome, Italy. locations. other. catalogue. strategy. Meeting: Manuscripts

UNESCO/Jikji Memory of the World Prize. Nomination form To be submitted by 31 December 2004

ACE response to the revised Communication from the Commission on state aid for films and other audiovisual works

Concept Michael Loebenstein (Austrian Film Museum) Ingo Zechner (Ludwig Boltzmann Institute for History and Society)

Can we make all 78 rpm records available on the Internet? Pekka Gronow BAAC, Vilnius,

FILM RESTORATION SUMMER SCHOOL / FIAF SUMMER SCHOOL PROGRAMME

SDDS Plus - Efficient reporting and coordination concept

Internet of Things: Cross-cutting Integration Platforms Across Sectors

The Norwegian Digital Radio Archive - 8 years later, what happened? Svein Arne Brygfjeld, National Library of Norway

WP6- Analysis in the Visual Domain

CNR National Research

Defining National Solutions for Managing Book Collections and Improving Digital Access

Workshop on repositories and journals

The well-tempered catalogue The new RDA Toolkit and music resources

National heritage collections: the case of BAnQ. Maureen Clapperton, Director General of the Bibliothèque nationale

ARCHIVAL DESCRIPTION GOOD, BETTER, BEST

COLLECTION DEVELOPMENT POLICY OF THE NATIONAL LIBRARY OF FINLAND

Hearing on digitisation of books and copyright: does one trump the other? Tuesday 23 March p.m p.m. ASP 1G3

Christian Aliverti, Head of the Section of Bibliographic Access at the Swiss National Library, Librarian. Member of the Management Board of the Swiss

Collecting bits and pieces

LIST OF PUBLISHED STANDARDS

Digital Television Regulation from a European Perspective

EOD and 20th century s digitisation desert: can we make it bloom? Silvia Gstrein, University of Innsbruck Tartu, University Library 7 June 2013

Panel 2 How to best recognise orphan status

Christian H. Wolff Pamphlet collection

Library on Gender and Equality & Historical Archive of the General Secretariat for Gender Equality of Greece (Ministry of the Interior)

Ref.: Tel.: Fax: January 2014

Frequently Asked Questions about Rice University Open-Access Mandate

Preserving Digital Memory at the National Archives and Records Administration of the U.S.

Vision and Implementation Plan for a National Clearing House for Print Disabled Canadians

IASA TC 03 and TC 04: Standards Related to the Long Term Preservation and Digitisation of Sound Recordings

Europeana Core Service Platform

Capital Works process for Medium Works contracts

ManusOnLine. the Italian proposal for manuscript cataloguing: new implementations and functionalities

Bibliothèque numérique de l enssib

The digital bookshelf. Vigdis Moe Skarstein, National Librarian, Norway

Aggregating Digital Resources for Musicology

2018 FILM RESTORATION / FIAF SUMMER SCHOOL PROGRAM

Information Standards Quarterly

CHANGEMENTS DANS LES PÉRIMÈTRES DE LA CULTURE

Time-Based Media Art Working Group Interview

What Provision of Accessible Digital Books do French Academic Libraries Make?

2017 GUIDE. Support for theatres

Community Theater Journal, New York State; Collection ua

Ingrid Parent Library and Archives Canada Canada

The Estonian National Bibliography Challenges and Opportunities in the Digital Age

Dr. Tanja Rückert EVP Digital Assets and IoT, SAP SE. MSB Conference Oct 11, 2016 Frankfurt. International Electrotechnical Commission

Management of and Access to Print Collections in some National and Repository Libraries in Europe: collection for use or for preservation

Do we use standards? The presence of ISO/TC-46 standards in the scientific literature ( )

THE AFRICAN DIGITAL LIBRARY: CONCEPT AND PRACTICE

Recomm I n t e r n a t i o n a l T e l e c o m m u n i c a t i o n U n i o n

Catalogs, MARC and Other Metadata

ITU-T Y.4552/Y.2078 (02/2016) Application support models of the Internet of things

Signatures of All Things I am Here to Read : Digital Research as Practice, Digital Networks as Public Engagement

Reading Room of The Library of the Academy of Sciences

RULES & REGULATIONS. B- SHORT FILM SECTION Films that run for a maximum of 45 minutes can compete for the following prizes:

( ). London: The Library, University College London, 1976.

Archiving Your Research: the UNM Institutional Repository

Use and Usability in Digital Library Development

GENDER EQUALITY COMMISSION Strasbourg, April Gender Equality in Eurimages

EFFECTIVE JANUARY 1st, 2016

Collection Development Policy J.N. Desmarais Library

Metadata FRBR RDA. BIBLID (2008) 97:1 p (2008.6) 1

RDA: The Inside Story

ITU-T Y Reference architecture for Internet of things network capability exposure

Dietrich Schüller. Safeguarding audiovisual information for future generations. Inforum 2016 Prague May 2016

2018 GUIDE Support for cinemas

Transcription:

A portal for film archives in Europe - The European Film Gateway IASA 2009 Annual conference Athens, 24 Sep 2009 Julia Welter Deutsches Filminstitut DIF welter@deutsches-filminstitut.de

EFG The European Film Gateway... is funded by econtentplus runs for three years until September 2011 is co-ordinated by the Deutsches Filminstitut (Frankfurt) aims at providing access to digitised materials from European film archives and cinémathèques

EFG gives access to already existing digitised collections EFG showcases not only moving images, but filmrelated material in general (images, texts, sound) EFG homogenises and cleans data from heterogenous local databases EFG circumvents dumbing-down of metadata by additionally providing a domain-specific access point

Why EFG? Growing number of digitisation projects and digital repositories of film institutions Need for a registry of collections, items and filmspecific authority files on a trans-institutional and international level Common interoperability standards Lack of knowledge and best practices when it comes to dealing with IPR issues

What is EFG supposed to achieve? Build a digital showcase for collections of Europe s film archives and cinémathèques Central access to distributed material Building authority files Sound material: Interviews etc. Moving images: Films and film clips, trailers etc. Images: Posters, images, stills, drawings etc. Text material: Reviews, correspondence, censorship documents etc. Central access point to federated digital collections and repositories Registry of digital objects and authority records (works of film, persons)

Consortium: 15 Archives Deutsches Filminstitut, Frankfurt Cineteca di Bologna Danish Film Institute, Copenhagen Nederlands Filmmuseum, Amsterdam Czech National Film Archive, Prague Filmarchiv Austria, Wien Cinémathèque Française, Paris Greek Film Archive, Athens Hungarian Film Archive, Budapest National Audiovisual Archive, Helsinki Norwegian National Library, Oslo Cinecittà Luce S.p.A., Rome Cinemateca Portuguesa, Lissabon Lithuanian Central State Archive, Vilnius Lichtspiel-Kinemathek Bern

Consortium: 6 other partners CNR-ISTI, Pisa (technology provider and technical service provider) FernUniversität Hagen (technical service provider) Reelport GmbH, Cologne (storage & streaming infrastructure) EDL Foundation, The Hague (co-ordination) Association des Cinémathèques Européennes (ACE), Frankfurt/Brussels (sustainability) Eremo, Rome (dissemination & consulting) Altogether 21 partners from 15 countries

Main challenges Metadata interoperability Existing cataloguing rules (FIAF) are not consistently applied (or not at all applied) Lack of a common standard for exchange of data between film archives Wide variety of data record structures Authority files and unique identifiers for film works and film-related persons usually only exist inside institutions Varying quality and depth of indexing across institutions Interoperability protocols (such as OAI-PMH) rarely implemented Rights issues Most works are still under copyright and archives usually do not own the rights Existing agreements do not cover www access Legal limbo concerning orphan works

Metadata interoperability No trans-institutional identifiers for film works and persons applied in the film archive sector Unambigious identification of film works difficult Intellectual work necessary to consolidate data Primary goal not to generate new metadata But: Consolidate existing filmographic information and link digital resource descriptions to filmographic records

EFG Metadata Schema EFG schema consists of 8 entities: AVCreation (defined by EN15 907 CWS) AV Manifestation (defined by EN15 907 CWS) NonAVCreation (defined by ESE / CWS) NonAVManifestation (defined by ESE / CWS) Agent (Persons, Corporations) (defined by EAC) Event (defined by EN15 907 CWS) Item (defined by ESE) Collection

Rights issues Copyright in most EU countries expires not before 70 years after the death of the creator(s) Very few works of film and film-related works are in public domain Creator often hard to find ( Orphan works )

Rights issues Survey of copyright regulations in European countries concerning the use of Public domain works Copyrighted works Orphan works Guidelines for film archives: What to do and how to proceed when researching, clearing and negotiating rights towards internet access

Rights issues Aim for the full film, but be prepared to compromise: parts of films, reduced streaming quality, etc. Offer collaboration with rights owners and exploiters: Inclusion in EFG and Europeana means broader exposure & promotion Dare to provide access to a film considered orphan after having performed a diligent (and well-documented) search for the rights owner

Time schedule Jul Sept 2009 From October on October 2009 November 2009 Summer 2010 Until August 2011 Test ingests from 5 archives Ingests from other content providers First test ingests from EFG to Europeana Beginning to establish the front-end EFG portal public launch Consolidating film work and person authority files, linking objects to authority records, further ingests

Thank you! www.europeanfilmgateway.eu