MERMAID ARTS CENTRE. Outline Technical Specifications as of 17 th January 2018.

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MERMAID ARTS CENTRE Outline Technical Specifications as of 17 th January 2018. At Mermaid we are regularly upgrading our inventory. Please ensure you have a current version of this document. Note: Please check with the technical team before your get-in to make sure all your requirements are met. This specs list is not a guarantee of availability of equipment. Auditorium The intimate auditorium is an end-on proscenium theatre with 242 seats on a retractable rake comprising 11 rows. With the seating retracted an open hall is created which may be configured to suit other formats. Configurations other than end-on, however, require the hire of extra seating. There is a red oak sprung floor throughout the auditorium which may not be painted or fixed into in any way. The stage comprises a removable black plywood deck @ 40mm above fixed floor. Stage floor and walls should not be painted any other colour than black. Screw fixings up to 30mm or staples only are permitted - NO Nails. If using full stage depth there is NO BACKSTAGE CROSSOVER. Access from Stage Right only. If required, a crossover is normally created by hanging cloths on Bar #11 (see flying system). An ORCHESTRA PIT with removable cover is sunk into the floor downstage of the pros. line. Use of the pit reduces stage depth by 1 metre. Critical Dimensions Total floor area (seating retracted): 19,875 x 14,150mm Total width (wall to wall) 14,150mm Proscenium opening (removable flats) 11,150 x 6,000mm Wings - SR & SL 1,500mm (Each side) Stage depth (Removable floor) DS of Pros. to back wall 7,900mm With Stage extension (Orch. pit must be closed) 8,900mm (NORMAL CONFIGURATION) Height of Stage floor 40mm Height of grid (RSJ's throughout) 7,070mm Max. Height of winch bars (Approx.) 6,200mm (Lx Bars 6,000mm) Orchestra Pit Dimensions of opening: Internal dimensions: Working area: 8,250 x 2,360mm 7,950 x 2,060mm @ 1,500mm below floor level 7,150 x 2,060mm with access stairs. NOTE: The DS edge of the stage floor overlaps the pit. The pit covers are extremely heavy. Opening and closing of the pit is both time & labour intensive, requiring a clear forestage, a minimum of 4 strong crew and approximately 90 minutes for each operation. Companies using the pit are normally required to close it as part of their get-out. For Health & Safety reasons Mermaid reserves the right to insist on using house crew at the visiting companies expense ( 120.- per open or close). Access 12m (40 ft) trailers can now be accommodated by arrangement. Load-in at stage level @ 1.2 m above street level. 6 metre push to upstage right. Trucks up to 6m. (20') may reverse up to dock, longer vehicles must park parallel to building. A tail-lift and/or ramp is recommended. Mermaid is located at the back of a very busy public offices complex. Please let us know your requirements so space can be reserved. Long vehicles may need to arrive early morning. Load-in doors Scene Dock Dock door (onto stage). 3m (H) x 2.25m (W) 5.8m (L) - to stage x 5.0m (W) x 5.5m (H) VERY LIMITED STORAGE SPACE! 5.0m (H) x 2.35 m (W) Scene dock & dressing rooms located Stage Right. No access SL. Mermaid Tech. Spec. 12/1/06 Page 1 of 8

Flying System Pile-wind motorised winch system - Total 14 no. bars for hanging scenery, lighting etc. Bars may only move in one direction at a time @ 4 metres / min., so this is NOT a flying system for quick scene changes. HEIGHT TO GRID S.W.L. (per bar) FRONT OF HOUSE: ONSTAGE: 7070mm 500kg. Evenly distributed. 2 no. Bars (12500 x 48mm) Bar #13 @ 5m downstage of pros. (FOH Lx bar) Bar #14 @ 9m downstage of pros. Max. trim @ 5.9m. 12 no. Bars (12500 x 48mm) Max. trim @ 6.3m. DETAIL: BAR POSITION MOST COMMON USE (May Vary) Bar #12 @ 400mm from u.s. wall Cyc Cloth or Full Blacks Bar #11 @ 980mm Legs / Cyc Cloth or Full Blacks with Crossover Bar #10 @ 1540mm Lx 4 Bar #9 @ 2150mm Masking Border / Lx 4 with Cyc on Bar 11 Bar #8 @ 2745mm Split Black Tabs or Legs Bar #7 @ 3325mm Lx 3 Bar #6 @ 3915mm Masking Border Bar #5 @ 4485mm Masking Legs Bar #4 @ 5065mm Lx 2 Bar #3 @ 5645mm Masking Border Bar #2 @ 6235mm Masking Legs Bar #1 @ 6815mm Lx 1 Advance Truss 12m x 30.5cm square truss @ 2m DS of Pros. Flown on Lodestar chain hoists. Max. trim @ 5.9m S.W.L. 350kg Evenly distributed. Stage Equipment Drapes 1 no. Pair House Tabs (Blue Velure) @ 340mm US of proscenium. Manually operated from DSR corner. 1 no. House Border (Blue Velure) 14m x 1m 2 no. Borders (Black Wool Serge) 12.5m x 1m 1 no. Border (BWS) 12.5m x 2m 1 no. PAIR Black Travellers (BWS) on moveable 12.5m tab-track 6.6m x 6m (each) 2 no. Drapes (BWS) 6m x 6m 6 no. Masking legs (BWS) on swivel bars 2m x 6m 2 no. Masking legs (BWS) on swivel bars 1.5m x 6m 1 no. White filled Cyclorama cloth 12m x 6m Ancillary Stage Equipment 11 no. Stage weights 12 no. Stage braces (2m 4m) 1 no. Zarges (12 rung) 3-way ladder 1 no. 3.6m (12') A-frame ladder 1 no. 2.4m (8') A-frame ladder 2 no. Step-ladders @ 0.8m & 2.0m 1 no. Tallescope (Max. Platform Height @ 5.9m) 1 no. 7.8m (26') extension ladder 2 no. Trestle tables (6' x 2') 4 no. Small Desks Mermaid Tech. Spec. 12/1/06 Page 2 of 8

Stage Lighting CONTROL DMX HOUSE LIGHTS DIMMING ETC Ion with 40 sub fader wing + remote tablet ETC - Express 125 console (max. 125 channels) + riggers remote. Channels 120-125 reserved for house lights! 2 x 10 way active DMX splitter (in control room) patchable to 18 outputs throughout auditorium. six channels on lx desk, cf. above; independent dimmer alternatively, an analogue controller is available 93 CHANNELS @ 16 amp (3kw) 1 69 69 no. Robert Juliat "Tivoli". In dimmer room. 73 96 24 (4 no. 6 channel 16A cee-form) Robert Juliat "Digipack" portable dimmer packs. PATCH Total 174 circuits throughout auditorium terminating at patch panel in dimmer room. These may be patched to dimmers 1 72 only. NOTE; only 1 patch output per dimmer channel. 84 circuits permanently distributed to 16A cee-form sockets on pre-wired bars. (See below) 30 circuits via socapex at high level (6 onstage & 24 FOH) 48 circuits at low level onstage (24 x socapex & 24 x 16A cee-form). 12 circuits at low level in auditorium available if seating rig is retracted. Pre-wired bars layout: Lx 4 Circuits 97-108 Lx 3 Circuits 85-96 Lx 2 Circuits 73-84 Lx 1 Circuits 61-72 FOH Booms Circuits 49-60 Advance Truss Circuits 37-48 FOH Circuits 25-36 SIDE LIGHTING/ BRAILING BARS FOH Booms 3 no. 48mm horizontal bars on both side-stage walls @ 2.25m, 4.0m & 6.0m above floor. 2 no. 4 metre long located 2.5m DS of pros. Bottom at 3.0m above floor level. LANTERNS 17 no. Selecon "Acclaim" 18-34 600w Axial profile spots 8 no. ETC Source Four 15-30 750w profile spots 4 no. ETC Source Four 25-50 750w profile spots 16 no. Robert Juliat 310H - 1200w fresnel spots 12 no. Strand Cantata 1200w fresnel spots 24 no. Thomas Par-64 1000w cans 8 no. Selecon "Aurora" 1000w cyc floods 7 no. Selecon 650W fresnel spots CABLING 2 no. 10m Socapex c/w plug & socket ends (16A) Ample 16A extension cables and splitters for most rigs. ` Small assortment of 16-15 adapters etc. GOBOS 10 no. M-size gobo holders for Acclaims 6 no. B-size gobo holders for Source Fours (Inc. 2 only to take Glass gobos) RIGGING BITS 12 no. boom arms 4 no. 3m x 48mm scaffold tubes 2 no. 6m x 48mm scaffold tubes 12 no. Spanset slings & shackles (assorted sizes) Assorted short scaf. bars & couplers AUX. POWER CONSUMABLES 2 no. 3-phase 125amp supplies. (1 x cee-form socket & 1 x tails). Also several 3-phase 32amp cee-forms throughout auditorium Note; Fused at 3 x 20A. Please ensure you have sufficient gel, PVC & Gaffa tape etc. for your requirements. WE DO NOT STOCK COLOUR FILTER, BLACKTACK AND OTHER CONSUMABLES. Mermaid Tech. Spec. 12/1/06 Page 3 of 8

Sound MIX-POSITIONS 1 Normally from Control Room for theatre / playback. 2 From in the auditorium (Lose 8 seats) CONSOLE Midas Venice F32 24 mono inputs 4 stereo inputs - 4mono groups/2 stereo groups 6 x auxiliary inbuilt firewire A/D/A convertor Allen & Heath GL 3300 24-8 - 2 (8 x Auxiliary/Groups) PATCH 24 no. XLR sends, 8 no. returns onstage. (12 + 4 DSR, 12 + 4 DSL) 18 no. loudspeaker outlets (Speakon & XLR) throughout auditorium, patched from control room. Diagram available on request. LOUDSPEAKERS 4 no. D&B C6 FoH (12 LF Driver + 90 x 50 deg. Horn) Flown @ 50cm DS of Pros. (2 Left / 2 Right 2 no. D&B C7 foh Sub-Bass cabinets 4 no. EM 76 (12" + 80 x 40 deg. horn) (MARTIN AUDIO) 2 no. AQ 8 (8 + 90 x 50 deg. Horn) 2 no. EM 201 Sub-Bass cabinets 4 no. EM 26 (8 + horn) Fills / monitors AMPLIFIERS 2 no. D&B E-PAC (full-range or mid/hi) 1 no. D&B D6 (subs) 4 no. Martin Audio 1.6 (2 x Auxiliary) OUTBOARD 3no. DBX 231 Graphic EQ 3 no. DBX 266XL 2 Channel Compressor / Gates 1 no. Symetrix 553E - Graphic Eq. (31-band / 2 chan. - (Spare) 2 no. DBX 266XL 2 Channel Compressor / Gates 1 no. Yamaha SPX 990 - Digital effects processor 2 no. Tascam MD 301 - Minidisc player / recorder MICS. ETC. 6 no. Shure SM58 Dynamic Vocal mics 4 no. Shure SM57 - Dynamic Instrument mics 2 no. Crown CM 700 - cardioid condenser mics 1 no. AKG D-1000 - condenser mic. (Not available if Show Relay is required.) 4 no. Behringer DI 100 - Active DI boxes 3 no. BSS AR-133 Active DI boxes CABLING 1 no. 12m. 12-way sub-multi & stage box (XLR) Run to Foh Position 1 no. 20m. 4-way sub-multi (XLR) Run to Foh Position 10 no. 10m Mic. Leads 4 no. 8m Mic. Leads 10 no. 5m Mic. Leads 4 no. 2m Mic. leads (includes comms. - see below) 8 no. Speakon speaker cables (8m). 4 no. Speakon speaker cables (5m). 8 no. Speakon speaker cables (1m). 6 no. Speakon back to back connectors STANDS 2 no. Speaker stands 8 no. Boom microphone stands (Tall) 4 no. Boom microphone stands (Short) Mermaid Tech. Spec. 12/1/06 Page 4 of 8

CONSUMABLES Please ensure you have sufficient PVC, Gaffa tape and gel for your requirements. Communications 2 no. Metro Audio Master stations (1 normally used for show-relay) 4 no. Metro Audio headsets & beltpacks The centre is wired for 2 separate channels of headset communication with outlets throughout the stage & backstage area. Show Relay Microphone on proscenium relayed to outlets throughout building. 5 x relay speakers available. Currently 1 in each dressing room, 1 in Green Room and 1 in control room. CCTV Camera relays activity on stage to tech office. Dressing Rooms Dressing Room #1 located Stage right can accommodate 7-8 people. Includes mirror-lights and shower room. Dressing Room #2 located upstairs adjacent to the Multi-Use Space (see below) can accommodate 6-7 people. Also includes mirror-lights, shower & wc facilities. The Multi-Use Space (see below) is large enough to accommodate several people, and may be used as a chorus room. There are no mirrors in this room. Wardrobe 4 no. 1.8m Costume rails Washing machine, tumble dryer, iron & (cheap) ironing board available in Green Room. Green Room The Green Room is comfortable for 8-10 people. Includes microwave, kettle and refrigerator. Lift A disabled hoist in the foyer may be used to bring goods upstairs. Max. load; 400kg Internal dimensions: 1.48m (D) x 1.05m (W) x 2.6m (H). Door opening: 0.9m x 2.0m Multi-Use Space A second room on the first floor is available for wardrobe, workshops, meetings, rehearsals, recording etc. 30 chairs available. Also 2 paint sinks and shower & wc facilities. Please advise on your requirements so we can reserve this room for you. Dimensions: 9.1m (L) x 4.75m (W) x 3.0m (H) 35mm Cinema Installation The screen is located on a motorised drum directly behind the proscenium and rolls into place. The projector and audio rack are located in the control room. Screen dimensions; 8.8 x 3.8m Projector (35mm only); Cinemeccanica Victoria 5 with ZX4000H lamp housing (2.5kw Xenon) Picture formats supported; Cinemascope / Widescreen 1.85 / Widescreen 1.66 / Academy Audio formats (analog only); Dolby A / Dolby SR / Mono Loudspeakers; Krix Audio - Left / Centre / Right / + 10 no. surround speakers (5 left / 5 right) Audio-Visual 1 no. Sharp PG-C45X Video projector (2500 Ansi-lumens). NOT AVAILABLE UNTIL FURTHER NOTICE. 1 no. Pioneer DV-360-S DVD player Crew Mermaid normally provides 1 house technician for up to 8 hours to assist with get-in, and 1 technician for the get-out. Additional technical cover will be charged for. We do not provide sound Mermaid Tech. Spec. 12/1/06 Page 5 of 8

engineers, lighting operators or stage management for the running of shows. A member of our technical staff is however on standby at all times. Please advise if you wish us to engage lighting riggers/operators, sound technicians or any stage crew on your behalf. Contact Eoin Fegan Technical Manager Tel: +353 (0)1 272 4303 Fax: " 272 4031 Email: tech@mermaidartscentre.ie Mermaid Tech. Spec. 12/1/06 Page 6 of 8

AUDITORIUM PLAN IN NORMAL CONFIGURATION SCANNED IMAGE FOR GUIDE ONLY DO NOT SCALE Mermaid Tech. Spec. 12/1/06 Page 7 of 8

AUDITORIUM PLAN WITH ORCHESTRA PIT OPEN SCANNED IMAGE FOR GUIDE ONLY DO NOT SCALE Mermaid Tech. Spec. 12/1/06 Page 8 of 8