hard 2 spel dad Drama by Linda Daugherty and Mary Rohde Scudday Dramatic Publishing Company

Similar documents
Colorized covers are for web display only. Most covers are printed in black and white. Drama by Linda Daugherty and Mary Rohde Scudday

PILGRIMS. The Ra dio Play. By DIANE NEY. (Manu script) Dra matic Pub lishing Woodstock, Il li nois Eng land Aus tra lia New Zea land

The Dramatic Publishing Company

THE UGLY DUCK LING. (Touring ver sion) Adapted by RIC AVERILL. From the story by HANS CHRIS TIAN AN DERSEN

I VE HIT AN ICEBERG. Dra matic Pub lishing Woodstock, Il li nois Eng land Aus tra lia New Zea land. By DANNA CALL

The Hundred Dresses Musical Overview Product Code: HE9000

Feeding the Moonfish. Drama by Barbara Wiechmann. The Dramatic Publishing Company

A Winnie-The-Pooh Christmas Tail (Birthday Tail) Musical Overview Product Code: W03000

EL VIS PEOPLE. Dra matic Pub lishing Woodstock, Il li nois Eng land Aus tra lia New Zea land. By DOUG GRISSOM

Teaching Disco Square Dancing to Our Elders:

Cotton Patch Gospel Musical Overview Product Code: C05000

Code: D95. Cover design: Jeanette Alig-Sergel. Day of the Kings Daphne Greaves Dramatic Publishing

DON T FEAR THE REAPER

Country. The. of the Blind. Drama by Frank Higgins. Adapted from the story by H.G. Wells

At the Frog. One-act comedy by Werner Trieschmann. The Dramatic Publishing Company

What I Wanted to Say Saint Bede Academy Genesians Dramatic Publishing

COHU, INC. Elec tron ics Di vi sion In stal la tion and Op era tion In struc tions

ONCE UPON A VINE. Mu sic by ELISSA SCHREINER. Lyrics by SUNNIE MILLER. Book by AR NOLD SOMERS and and JU DITH WEINSTEIN

Paper or Plastic? Werner Trieschmann Dramatic Publishing

Colorized covers are for web display only. Most covers are printed in black and white.

Colorized covers are for web display only. Most covers are printed in black and white. One-act drama by Joanne Koch. The Dramatic Publishing Company

Crime and Punishment, in a feat that rivals the construction of the Hoover Dam, has been distilled into a taut 90-minute play.

Hilarious... riveting Boston Globe. Gray s Anatomy. Comedy/Drama by Spalding Gray. Adapted by Kathleen Russo

Comedy/Drama by Spalding Gray Adapted by Kathleen Russo

Mustardseed Comedy by Doug Cooney

Comedy/Drama by Spalding Gray Adapted by Kathleen Russo

Jack and the Giant Beanstalk

The Neverending Story

LOST BOY FOUND IN WHOLE FOODS

Dramatic Publishing Company, Woodstock, Illinois.

AL ICE IN WONDERLAND

The Short Tree and the Bird That Could Not Sing

Theory of Mind. Drama by Ken LaZebnik. The Dramatic Publishing Company

Telex. RadioCom TM. Op er at ing In struc tions FM-1 QSB-1 SMP. Professional Wireless Intercom System Management

BE LONG INGS. A Play in Two Acts by DANIEL FENTON. Dramatic Publishing Woodstock, Illinois England Australia New Zealand

THE LA BORS OF HERCULES FITCH

UNIFORM PRIVATE LAW CONVENTIONS AND THE LAW OF TREATIES

Tim Clue Spike Manton. Leaving Iowa. The Comedy About Family Vacations

College of MUSIC. James Forger, DEAN UNDERGRADUATE PROGRAMS. Ad mis sion as a Ju nior to the Col lege of Mu sic

ELEC TRIC CITY SUITE

Colorized cover are for web display only. Most covers printed in black and white.

De voted to Prof. Pavel Povinec 65-th an ni ver sary. 241 Am source was used in the test cham ber. The beam was collimated by me chan i cal

(Pedro s Magic Shoes)

THE WAT SONS GO TO BIRMINGHAM 1963

Brave NoWorld: You see somethin wrong with the world and there s only one question you gotta ask yourself: What are you gonna do about it?

Dramatic Publishing Company, Woodstock, Illinois.

AGASTAT 2100 Series, Miniature Electropneumatic Timing Relay

A MIDNIGHT CRY. The Underground Railroad to Freedom. A Musical by JAMES DEVITA

Trial Version.

KING CHEMO. A play for young peo ple by BRIAN GUEHRING

THE FOR GIVING HARVEST

8 2.5 MIN UTE RIDE. (Changes the slide.)

Colorized covers are for web display only. Most covers are printed in black and white. Comedy/Drama by Jim Gordon

User Manual. DIGIspy. Firmware B3.07 DIGITAL AUDIO TRANSMISSION ANALYZER. Protocols. Transmission Errors. Audio Levels. Audio Signals.

A beginner piano method with coloured alphabet and pre-staff reading.

THE SOMEWHAT TRUE TALE OF ROBIN HOOD

I Can Hear the Bells

A beginner piano method with pre-staff kids notes and keyboard guides

Classroom Cantatas. can ta ta singers. Mendell Elementary School. Musical Mysteries. The Book Theme Songs

#21 Stand up and Bless the Lord. œ œ œ œ œ. up high is up. bless bove strength bless. and a - our and. choice; high, ours; dore; heart laud all forth

A MUSICAL. Preview Only. pizz.

A beginner piano method with pre-staff kids notes and keyboard guides

4. My Girl. say. She thought I'd had e - nough of her. Why can't she see? in and watch T. V. on my own, ev - ery now and then.

the westing game Adapted by darian Lindle from the newbery award-winning novel by Ellen raskin The Dramatic Publishing Company

For the installation of the Rev. Lauren Dow Wegner as Associate Pastor of Grace Lutheran Church and School, River Forest, Illinois

Precious Jade is a gem. Precious Jade. The Ellswor th American. Book and lyrics by Carol Kor ty Music by Shu-Hui Chen. The Dramatic Publishing Company

Op er at ing In struc tions

2. TOM SAWYER AND COMPANY

200 Se ries Communications Head sets

Classroom Cantatas. can ta ta singers. Neighborhood House Charter School. Peace Through Children s Eyes

A beginner piano method with pre-staff kids notes and keyboard guides

SM In ter faces

Lagniappe-Potpourri 2019: Audition Selections

from the Broadway musical Hamilton THE SCHUYLER SISTERS for S.A.B. voices and piano with optional SoundPax and SoundTrax CD*

THE SHAKESPEARE PRO JECT

EXSULTET. Re joice and sing now, all the round earth, bright with a glo ri ous splen dor,

Stalin and the Little Girl

THE SIGN OF THE FOUR

T1 Table[1.[Standard[Subdivisions T1

SmartDiscovery and VizServer from Inxight. Bloor. Research

Classroom Cantatas. can ta ta singers. Mather Elementary School. Out of Many We are One

A Poperetta for Unison and 2-Part Voices

One Day More. PDF 文件使用 "pdffactory Pro" 试用版本创建 Moderato PIANOCONDUCTOR 253 LES MISÉRABLES 17 (VALJEAN) (12/7/01) One day.

A Story of Great Good Fortune

SOLOS FOR THE LOWER VOICE

FIT, JUSTIFICATION, AND FIDELITY IN CONSTITUTIONAL INTERPRETATION* Ja mes E. FLE MING **

Cover photo by Malene Thyssen,

About This Resource. Break a leg!

Licht werke (Light-Works) (1988)

Model 7600(M)/7602(M) Wideband Power Am pli fier DC to 1MHz 141V/282V rms 17/34 Watts. Op er at ing and Main te nance Man ual

Pus hing and Bra king Aid. Trans la ti on of the ori gi nal user s Ma nu al. V-max

I Am a Daughter of God I Am a Daughter of God (flute obbligato) Follow Me Live the Legacy Woman of Faith...

Classroom Cantatas. can ta ta singers. Mendell Elementary School. The Games We Play

Paris Is So In Love!

PRIVILEGE IN MEXICAN AND AMERICAN CRIMINAL LAW

ANY BODY HOME? a whodunit farce. by CARL RITCHIE and ELISE DEWSBERRY. Dramatic Publishing Woodstock, Illinois England Australia New Zealand

from the musical Chicago RAZZLE DAZZLE for S.A.B. voices and piano with optional SoundPax and SoundTrax CD* Preview Only simile

An Old Irish Blessing - May the road rise up to meet you. May the wind always be at your back. May the sun shine warm upon your face,

To Make You FeeL My love

The Ten Minute Tutor - Read-a-long Video F-31 ALICE IN WONDERLAND CHAPTER 10: THE LOBSTER DANCE. Adapted for The Ten Minute Tutor by: Debra Treloar

Transcription:

Colorized covers are for web display only. Most covers are printed in black and white. hard 2 spel dad Drama by Linda Daugherty and Mary Rohde Scudday Dramatic Publishing Company

hard 2 spel dad Colorized covers are for web display only. Most covers are printed in black and white. Drama. By Linda Daugherty and Mary Rohde Scudday. Cast: 3m., 5w. Imagine that every time you open a book, letters play tricks on you. They flip, they reverse, they jump upside down. Every sentence you read takes so much effort--so much energy--because the letters don t behave. By the time you reach the end of the sentence, you ve lost its meaning. You re embarrassed and feel stupid. This is what two young people with learning differences face in hard 2 spel dad. Still grieving and angry over the heroic death of her fireman father, 13-year-old Pamela hopes to make a fresh start when she and her mother move to a new town to help care for her grandfather. Pamela has a learning difference, dyslexia, and so, she thinks, does her new skateboarding friend Zak, 15 years old and still stuck in middle school. The two young people struggle to read their class assignment, Romeo and Juliet, but when, after watching the modern DVD version, Zak passionately retells the entire story, Pamela concocts a scheme she is convinced will show how smart Zak is. When this backfires, Zak, humiliated and angry, seeks solace in prescription drugs and alcohol with near tragic results. But hope triumphs as, finally, Pamela accepts her father s death, Zak s learning difference is diagnosed and addressed and they both look forward to starting high school. hard 2 spel dad dramatizes the loss of self-esteem, isolation, and risky behaviors that all too often accompany learning differences. The play will give audiences an understanding of what it feels like to learn differently, the school s critical role in accommodating learning differences, and the strength, courage and perseverance of those who turn these differences into distinctions. Premier production at the Dallas Children s Theater. Area staging. Approximate running time: 1 hour. Code: HA8. Cover photo: Dallas Children s Theater, Dallas, Texas, featuring Skyy Moore and Kimberly Kottwitz. Photo: Copyright Linda Blase 2010. Cover design: Jeanette Alig-Sergel. ISBN-10 1-58342-687-6 ISBN-13 978-1-58342-687-6 9 781583 426876 02010 www.dramaticpublishing.com Dramatic Publishing Company Dramatic Publishing 311 Washington St. Woodstock, IL 60098 ph: 800-448-7469 Printed on recycled paper

hard 2 spel dad By LINDA DAUGHERTY and MARY ROHDE SCUDDAY Dra matic Pub lish ing Woodstock, Il li nois Aus tra lia New Zea land South Af rica

*** NO TICE *** The am a teur and stock act ing rights to this work are con trolled ex clu - sively by THE DRA MATIC PUB LISH ING COM PANY with out whose per mis sion in writ ing no per for mance of it may be given. Roy alty must be paid ev ery time a play is per formed whether or not it is pre sented for profit and whether or not ad mis sion is charged. A play is per formed any time it is acted be fore an au di ence. Cur rent roy alty rates, ap pli ca tions and re stric tions may be found at our website: www.dramaticpublishing.com, or we may be con tacted by mail at: DRA MATIC PUB LISH ING COM - PANY, 311 Wash ing ton St., Woodstock IL 60098. COPY RIGHT LAW GIVES THE AU THOR OR THE AU THOR S AGENT THE EX CLU SIVE RIGHT TO MAKE COP IES. This law pro - vides au thors with a fair re turn for their cre ative ef forts. Au thors earn their liv ing from the roy al ties they re ceive from book sales and from the per for mance of their work. Con sci en tious ob ser vance of copy right law is not only eth i cal, it en cour ages au thors to con tinue their cre ative work. This work is fully pro tected by copy right. No al ter ations, de le tions or sub sti tu tions may be made in the work with out the prior writ ten con sent of the pub lisher. No part of this work may be re pro duced or trans mit ted in any form or by any means, elec tronic or me chan i cal, in clud ing pho to - copy, re cord ing, vid eo tape, film, or any in for ma tion stor age and re trieval sys tem, with out per mis sion in writ ing from the pub lisher. It may not be per formed ei ther by pro fes sion als or am a teurs with out pay ment of roy - alty. All rights, in clud ing, but not lim ited to, the pro fes sional, mo tion pic - ture, ra dio, tele vi sion, vid eo tape, for eign lan guage, tab loid, rec i ta tion, lec tur ing, pub li ca tion and read ing, are re served. For per for mance of any songs, mu sic and re cord ings men tioned in this play which are in copy right, the per mis sion of the copy right own ers must be ob tained or other songs and re cord ings in the pub lic do main sub sti tuted. MMX by LINDA DAUGHERTY and MARY ROHDE SCUDDAY Printed in the United States of Amer ica All Rights Re served (hard 2 spel dad) ISBN: 978-1-58342-687-6

IM POR TANT BILL ING AND CREDIT RE QUIRE MENTS All pro duc ers of the play must give credit to the au thors of the play in all pro grams dis trib uted in con nec tion with per for mances of the play and in all in stances in which the ti tle of the play ap pears for pur poses of ad ver - tis ing, pub li ciz ing or oth er wise ex ploit ing the play and/or a pro duc tion. The names of the au thors must also ap pear on a sep a rate line, on which no other name ap pears, im me di ately fol low ing the ti tle, and must ap pear in size of type not less than fifty per cent (50%) the size of the ti tle type. Bio graph i cal in for ma tion on the au thors, if in cluded in the playbook, may be used in all pro grams. In all pro grams this no tice must ap pear: Pro duced by spe cial ar range ment with THE DRA MATIC PUB LISH ING COM PANY of Woodstock, Il li nois

hard 2 spel dad pre miered at Dallas Chil dren s The ater (Robyn Flatt, Ex ec u tive Ar tis tic Di rec tor) from April 9 through April 25, 2010, di rected by Robyn Flatt. Orig i nal Cast Pop-Pop...Larry Randolph* Evelyn Hanson....Fay Fuselier Pamela Massey...Kimberly Kottwitz / Alex Mutti Kath er ine Massey...Lisa Schreiner* Zak Por ter...will Altabef / Skyy Moore Ms. Donahue... Sally Fiorello An nie Por ter...am ber Devlin Da vid Por ter...steve Jones Orig i nal Pro duc tion Staff Scen ery De sign....randel Wright Cos tume De sign...barbara Cox Sound De sign...marco Sa linas Prop er ties De sign...jen Spillane Light ing De sign & Pro duc tion Stage Man ager..linda Blase* * De notes mem ber of Ac tors Eq uity As so ci a tion, the un ion for pro fes sional ac tors and stage man ag ers in the United States. 4

hard 2 spel dad CHAR AC TERS POP-POP/Mr. Sperry...an el derly man with Alz hei mer s dis ease EVELYN HANSON...the care taker, 40s to 60s PAMELA MASSEY...girl about 13 KATH ER INE MASSEY... Pamela s mother, early 30s ZAK POR TER...boy about 15 MS. DONAHUE...30s to 40s AN NIE POR TER...Zak s mother DA VID POR TER....Zak s fa ther 5

hard 2 spel dad SET TING: The re cent past. A bare stage that be comes var - i ous lo ca tions. AT RISE: Big Band-era mu sic plays from a boom box. EVELYN sits to the side in sturdy lawn chair, re lax ing and read ing a book. POP-POP is sit ting in his wheel - chair cen ter, star ing out blankly. Af ter a mo ment or two he checks his wrist watch. EVELYN (not look ing up from her book and talk ing over the mu sic). Now you don t need to be look ing at your watch. Your family ll be here, Mr. Sperry. (POP-POP stares out blankly a mo ment, then looks at his watch again.) EVELYN (cont d. Still read ing her book). It s still early. You don t need to get all worked up. You just sit here and en joy the sun shine, honey. (No re sponse from POP-POP. He checks his watch.) EVELYN (cont d). You ll get your good vi ta min D out here to day. 7

8 hard 2 spel dad (An noyed, he jig gles his wrist and looks at his watch. EVELYN turns off the boom box.) EVELYN (cont d. Gently scold ing). I don t know why you wear that watch. It just up sets you. (He taps his watch, an noyed. She abruptly closes her book.) EVELYN (cont d). See, I can t even fin ish this chap ter. (Pat ting him on the shoul der.) I ll be right back af ter I put the dishes in. (POP-POP looks at his watch. EVELYN sighs, lifts his chin to look him in the eyes and gives him a big smile.) EVELYN (cont d). You just sit here and en joy the sun - shine, Mr. Sperry. And don t look at that watch! (She ex its. POP-POP stares into space. Af ter a mo ment he looks at his watch and shakes his head, con fused and an noyed. He sighs and, re signed, stares blankly into space. A car horn honks. Sound of car stop ping and a car door slam ming. PAMELA, ex cited and happy, rushes on shout ing.) PAMELA. Pop-Pop! Hey, Pop-Pop! We re here! We made it! (Drop ping her stuff.) We fi nally made it! (She en thu - si as ti cally spins his wheel chair in a cir cle. Star tled, POP-POP laughs.) POP-POP. Hey hey hey!

(She stops and, hold ing his face be tween her hands, stares at him in tently.) PAMELA (gently). Hello, Pop-Pop, it s me. POP-POP. Mar tha! PAMELA (clearly and gently). No, Pop-Pop, it s not Mar - tha. It s me Pamela. Mom and I are here. We re go ing to take re ally good care of you. (She pecks his cheek and points off.) PAMELA (cont d. Ex cit edly pour ing out of her). See? There s Mom. See, by the car? It does n t look like a car, does it, cause we ve got so much stuff piled on top? We got all our stuff in. Well, we sold all the fur ni ture. But Mom says you ve got too much fur ni ture any way. Oh, I m so glad to get out of that car! It took days to get here! (Pat ting POP-POP s cheeks af fec tion ately.) Hey, Pop-Pop, you look so good! (POP-POP smiles and PAMELA rubs noses with him and he re sponds.) POP-POP. Where s Billy? hard 2 spel dad 9 (PAMELA, frozen, stares at him. Af ter a mo ment, KATH ER INE calls from offstage.) KATH ER INE (off). Pammy! PAMELA (com ing to and call ing off). Com ing! You like walks, don t you, Pop-Pop? I mean, of course, I know you can t walk much. But do you like to go on walks?

10 hard 2 spel dad I m go ing to push you all over this town! (Reach ing in her pocket and tak ing out coins.) Look, Pop-Pop, I got all these squished pen nies like from four dif fer ent states. We stopped at all these truck stops and they had these ma chines that squished them with dif fer ent pic - tures. I m go ing to col lect them. Look at this one with (KATH ER INE en ters.) KATHERINE. Pamela, I need your help. PAMELA. Mom, look! Pop-Pop looks re ally happy to see us! KATH ER INE (pre oc cu pied). Yeah? PAMELA. Re ally, re ally happy! (Hand ing him a penny.) Look at this one, Pop-Pop. It s Mt. Rushmore with the pres i dents faces. We did n t get to go there but we got the penny. It s my fa vor ite. (KATH ER INE crosses to POP-POP.) KATH ER INE (warmly). Hi, Dad. How you do ing? (POP-POP, hold ing the penny, stares blankly at her.) PAMELA. He s do ing just great. KATH ER INE (kneel ing be fore wheel chair). Dad it s me. POP-POP. Mar tha? KATHERINE. No, Dad. It s Kath er ine your daugh ter. (POP-POP stares at her blankly. KATH ER INE pats his arm gently.)

KATH ER INE (cont d. Stand ing, re signed). Pamela, come on. We ve got a whole car to un pack. POP-POP. You get Billy to help you. (KATH ER INE stops a mo ment, frozen, then con tin ues.) KATH ER INE (re signed). Come on, Pamela. I need you. (She ex its.) PAMELA (overly cheer ful). Okay, Pop-Pop. We ll be right back. (With a con jur ing ges ture.) Don t go any where! Just kid ding. (PAMELA runs off. POP-POP stares af ter her. Af ter a mo ment, ZAK en ters on skate board, stops next to POP-POP and stares in di rec tion of car. He flips skate - board up and catches it, star tling POP-POP.) ZAK. Hey. POP-POP. Hey ZAK (still star ing in the di rec tion of the car). What s go - ing on? POP-POP (turn ing to ZAK). Hey ZAK. Mr. Sperry, it s me. It s Zak. POP-POP. Hey Zak ZAK. Who are those peo ple? POP-POP. I don t know ZAK. What you got there, Mr. Sperry? (POP-POP hands ZAK the penny.) hard 2 spel dad 11 ZAK (cont d. Ex am in ing the penny). Oh cool.

12 hard 2 spel dad (KATH ER INE en ters, car ry ing suit cases.) KATHERINE. Hi. ZAK. Hi. (She ex its as if into house.) ZAK (cont d. To POP-POP). They mov ing in? (PAMELA en ters with hat, back pack and arms full of stuff.) PAMELA. Hi. Who are you? Oh, yeah, you live around here, right? ZAK. Yeah. You mov ing in here? PAMELA. Well, duh. What does it look like? (She drops ev ery thing in a pile.) ZAK. You go ing to live here? With the old man? PAMELA (an noyed). Yeah, with my grand fa ther. (Tak ing penny from ZAK.) And that s Mr. Sperry to you. What s your name any way? POP-POP. Zak. PAMELA (to ZAK, sur prised). Yeah? ZAK. Yeah. PAMELA (pull ing up POP-POP s hand to high five ). Way to go, Pop-Pop! ZAK. Yeah, way to go, Mr. Sperry. (To PAMELA.) What grade you in? PAMELA. Eighth. And my mom s mak ing me go to school to mor row. I ve been in that car for days and we re not even moved in and she s mak ing me go to school to mor - row.

hard 2 spel dad 13 ZAK (turning to go). Yeah, life s tough. See you later. PAMELA. Hey, how old are you? ZAK. Fif teen. (He skates off.) PAMELA (call ing af ter). Yeah, well, I know how to skate - board, too! (EVELYN en ters, dry ing her hands on her apron.) EVELYN (throw ing her arms around PAMELA). Pamela, baby, let me look at you! My heav ens, you have grown! Oh, you re so pretty! Your momma wants you to hurry up and get your stuff in side. Now, come on, I ll help you. (To POP-POP.) Come on. You can help, too. (She piles boom box and some of PAMELA s stuff in POP- POP s lap. PAMELA picks up her dropped hat and puts it on POP-POP s head. He laughs joy fully.) PAMELA. I got him, Miss Evelyn! EVELYN (ex it ing). That s enough sun for you. Let s not turn your grand fa ther into a French fry. PAMELA (col lect ing her back pack and push ing POP- POP). Come on, Pop-Pop. Man, I m to tally starv ing! Aren t you hun gry, Pop-Pop? What do you want to eat? You got pea nut but ter? I sure hope you ve got some pea nut but ter! (Push ing POP-POP and con tin u ing to talk, ex its.) (Lights cross fade, school bell rings and, with pop u lar mu sic un der scor ing, ZAK storms on, hold ing a pa per air plane. He an grily throws it into the air and sits apart, head in his hands. From an other di rec tion, KATH ER INE

14 hard 2 spel dad hur ries on hold ing a stack of pa pers, which she quickly flips through, check ing. PAMELA en ters with back pack, drag ging her heels. Mu sic fades.) KATH ER INE. Okay, this is your class room. You ll need to give these to your teacher. (She hands PAMELA a stack of pa pers.) PAMELA (dropping her back pack on the floor, whin ing). Oh, Mom KATHERINE. Now don t start. I let you sleep in, right? I rushed over here on my lunch hour to get you en rolled. We can t meet with the coun selor un til to mor row. Now I ve got to get back to work. Pamela, it s a fresh start, new school, be nice. PAMELA. Mom, I m al ways nice. KATHERINE. You know what I mean. PAMELA. It s too hard hav ing to start a new school in the mid dle of the year! KATHERINE. Pammy, my dad needs me now. He only has me. PAMELA. And me! KATHERINE. Right. And we re ally could n t af ford the house any more. PAMELA. I know, Mom, I know. Hey, I wanted to move, too, you know. KATHERINE. So what s the prob lem? PAMELA. The prob lem is school. KATH ER INE. You have to go to school, Pamela. (No re - ply from PAMELA.) The greater the dif fi culty, the greater the glory. PAMELA. Yeah, right.

hard 2 spel dad 15 KATHERINE. Go straight home af ter school. Miss Evelyn s go ing to leave at four-thirty. You keep your eye on your grand fa ther, okay? I ll be home about five. Love you. PAMELA. Bye, Mom. I love you, too. (KATH ER INE starts to go.) It s gonna be okay. (KATH ER INE gives her a hug and ex its. PAMELA takes a deep breath, try ing to pre pare her self. She no tices ZAK sit ting apart.) PAMELA (cont d). Hey, what re you do ing out here? ZAK. Leave me alone. PAMELA. I mean, what are you do ing here? ZAK. What s it look like? PAMELA. I mean, you re fif teen, right? Why aren t you at the high school? ZAK. Be cause I m stu pid. PAMELA. No, you re not. ZAK. So why am I still in the eighth grade? PAMELA. Oh ZAK. Aren t you sup posed to be in class? PAMELA. Yeah, un for tu nately. (Look ing at sched ule.) Hey, what kind of teacher s Ms. Donohue? ZAK (laughing too loudly). Oh, man! (MS. DONOHUE en ters from class room. ZAK turns away. MS. DONOHUE no tices the pa per air plane and picks it up.) PAMELA. Hello. MS. DONAHUE. Zak, who s your friend?

16 hard 2 spel dad (No re sponse from ZAK.) PAMELA. Hi, I m Pamela Massey. (Hand ing MS. DONA - HUE the pa pers.) I m your new stu dent. We just moved here, like yes ter day. MS. DONAHUE. Why don t you go on in, Pamela? PAMELA. Okay. (She turns to go and stops, check ing sched ule.) Hey, what class is this Oh, I see, uh, Eng - lish I. (To MS. DONAHUE.) Oh, are you Zak s teacher, too? MS. DONAHUE. Yes. PAMELA. Can he come back to class now? MS. DONAHUE. Go on in, Pamela. I need to talk to Zach - a riah. PAMELA (amused). Zach a riah? MS. DONAHUE. Go find a desk, Pamela. (PAMELA ex its.) MS. DONAHUE (cont d). Zak, we need to have a meet ing. (Hand ing note to ZAK.) Here s a note for your par ents. This is the sec ond time you ve taken my Eng lish class. You have to keep up with the read ing. If you d just try harder ZAK (stuff ing the note in his pocket). You want me to go back into class now? MS. DONAHUE. No. I want you to sit out here a lit tle lon - ger and re flect on your be hav ior. (Hand ing pa per air - plane to ZAK.) And I want you to fin ish this es say. And proof read it. You would make a much better grade if you would just check your spell ing. When you re done you can come back to class.

hard 2 spel dad 17 (MS. DONAHUE ex its into class. Pop u lar mu sic un der - scores as ZAK sits a mo ment, smooths out the crum pled pa per air plane, looks at it, dis gusted, and rips it in two. He takes out his cell phone, texts, looks a mo ment at the screen, an grily pushes the send but ton and ex its. Lights cross fade as EVELYN pushes on POP-POP as if from in side his house. EVELYN sits and reads news pa per while POP-POP snacks from a bag of gold fish. Af ter a mo ment, PAMELA en ters with a groan, car ry ing a heavy back pack stuffed with books and drops it on the floor. Mu sic fades.) EVELYN. My word, what you got there? PAMELA (an noyed). Books. (Kiss ing POP-POP on the cheek.) Hey, Pop-Pop. POP-POP. Hey EVELYN. How was your first day at Jef fer son Ju nior High? PAMELA. It s school. EVELYN. You need all those books? PAMELA (open ing back pack and pull ing out books). I guess. This one s for Eng lish this is algebra, earth science, health. EVELYN. Health? PAMELA. Yeah. Stuff like AIDS and drugs and safe sex. EVELYN. Oh, my, Lord. Well, I guess that s good. PAMELA (hold ing up pa per back of Ro meo and Juliet). And this we have to read for Eng lish. EVELYN (lov ingly tak ing book from her and thumb ing through it). Ro meo and Juliet. You ever read it? PAMELA. No. EVELYN. Ever seen it?