CurriculumMapID=93& YearID=2014

Similar documents
Music Curriculum. Rationale. Grades 1 8

CURRICULUM FOR INTRODUCTORY PIANO LAB GRADES 9-12

Woodlynne School District Curriculum Guide. General Music Grades 3-4

DEPARTMENT/GRADE LEVEL: Band (7 th and 8 th Grade) COURSE/SUBJECT TITLE: Instrumental Music #0440 TIME FRAME (WEEKS): 36 weeks

Course Outcome Summary

Aligned to the New Jersey Student Learning Standards as Applicable

Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music.

Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music.

Township of Ocean Schools

PERFORMING ARTS Curriculum Framework K - 12

Curriculum Development In the Fairfield Public Schools FAIRFIELD PUBLIC SCHOOLS FAIRFIELD, CONNECTICUT MUSIC THEORY I

Township of Ocean Schools

BAND Grade 7. NOTE: Throughout this document, learning target types are identified as knowledge ( K ), reasoning ( R ), skill ( S ), or product ( P ).

Stafford Township School District Manahawkin, NJ

BRICK TOWNSHIP PUBLIC SCHOOLS (SUBJECT) CURRICULUM

MMS 8th Grade General Music Curriculum

INSTRUMENTAL MUSIC SKILLS

Grade Level 5-12 Subject Area: Vocal and Instrumental Music

Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music.

Grade 5 General Music

Essentials Skills for Music 1 st Quarter

ADVANCED STUDY GUIDE

PASADENA INDEPENDENT SCHOOL DISTRICT Fine Arts Teaching Strategies

Grade 4 Music Curriculum Maps

Music. Last Updated: May 28, 2015, 11:49 am NORTH CAROLINA ESSENTIAL STANDARDS

West Deptford Middle School Curriculum Map Band

Central DeWitt Community School District. K--12 Music Standards

COURSE: Chorus GRADE(S): 9, 10, 11, 12. UNIT: Vocal Technique

Strand 1: Music Literacy

Middle School Intermediate/Advanced Band Pacing Guide

WESTFIELD PUBLIC SCHOOLS Westfield, New Jersey

INSTRUMENTAL MUSIC SKILLS

7th Grade Beginning Band Music

1. Takadimi method. (Examples may include: Sing rhythmic examples.)

Alleghany County Schools Curriculum Guide

Formative Assessment Plan

Lesson 9: Scales. 1. How will reading and notating music aid in the learning of a piece? 2. Why is it important to learn how to read music?

CURRICULUM FOR ADVANCED PLACEMENT MUSIC THEORY GRADES 10-12

Introduction to Performance Fundamentals

Pine Hill Public Schools Curriculum

Intermediate Concert Band

Connecticut State Department of Education Music Standards Middle School Grades 6-8

Instrumental Music. Band

Content Area Course: Band Grade Level: Eighth Instrumental Music - Band

Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music.

Choir Scope and Sequence Grade 6-12

CHOIR Grade 6. Benchmark 4: Students sing music written in two and three parts.

Middle School Vocal Music

Music Curriculum Kindergarten

CALIFORNIA Music Education - Content Standards

BEGINNING INSTRUMENTAL MUSIC CURRICULUM MAP

Greenwich Public Schools Orchestra Curriculum PK-12

Florida Performing Fine Arts Assessment Item Specifications for Benchmarks in Course: M/J Chorus 3

Curriculum Mapping Piano and Electronic Keyboard (L) Semester class (18 weeks)

THE ANGLO-AMERICAN SCHOOL OF MOSCOW. K-12 Music

MMSD 6-12 th Grade Level Choral Music Standards

Course Overview. Assessments What are the essential elements and. aptitude and aural acuity? meaning and expression in music?

SMCPS Course Syllabus

Advanced Orchestra Performance Groups

2017 Revised August 2015 Developed August 2013

Content Area Course: Chorus Grade Level: Eighth 8th Grade Chorus

Key Signatures. Meters. Tempo. Clefs and Transpositions. Position Work for Strings. Divisi. Repeats

Grade-Level Academic Standards for General Music

Indiana Music Standards

Poway Unified School District Instrumental Music Scope and Sequence Grades 5 through 12

BAND REPORTING SCALES AND CURRICULUM GUIDE 2/9/2016

Music Standards for Band. Proficient Apply instrumental technique (e.g., fingerings, bowings, stickings, playing position, tone quality, articulation)

6-12 th Grade Level Choral Music Standards

West Windsor-Plainsboro Regional School District Band Curriculum Grade 11

Grade One General Music

Bi-Borough Music Curriculum

Keys: identifying 'DO' Letter names can be determined using "Face" or "AceG"

Archdiocese of Washington Catholic Schools Academic Standards Music

Alleghany County Schools Curriculum Guide

II. Prerequisites: Ability to play a band instrument, access to a working instrument

Instrumental Performance Band 7. Fine Arts Curriculum Framework

Third Grade Music. Curriculum Guide Iredell-Statesville Schools

SENECA VALLEY SCHOOL DISTRICT CURRICULUM

Curriculum Map for Intermediate Orchestra Grades 8.1

River Dell Regional School District. Visual and Performing Arts Curriculum Music

Music Preschool. Aesthetic Valuation of Music. Self awareness. Theory of Music. Creation of Music

ORCHESTRA Grade 5 Course Overview:

Content Area Course: Chorus Grade Level: 9-12 Music

Greenwich Music Objectives Grade 2 General Music

MMSD 5 th Grade Level Instrumental Music Orchestra Standards and Grading

Week. Intervals Major, Minor, Augmented, Diminished 4 Articulation, Dynamics, and Accidentals 14 Triads Major & Minor. 17 Triad Inversions

ST. JOHN S EVANGELICAL LUTHERAN SCHOOL Curriculum in Music. Ephesians 5:19-20

Elementary Music Curriculum Objectives

Week. self, peer, or other performances 4 Manipulate their bodies into the correct

ASD JHS CHOIR ADVANCED TERMS & SYMBOLS ADVANCED STUDY GUIDE Level 1 Be Able To Hear And Sing:

Fourth Grade Music. Curriculum Guide Iredell-Statesville Schools

K-12 Performing Arts - Music Standards Lincoln Community School Sources: ArtsEdge - National Standards for Arts Education

Instrumental Music III. Fine Arts Curriculum Framework. Revised 2008

MUSIC: Singing BAND, GR DRAFT

Plainfield Music Department Middle School Instrumental Band Curriculum

Music Approved: June 2008 Fillmore Central Revision: Updated:

General Music. The following General Music performance objectives are integrated throughout the entire course: MUSIC SKILLS

PASADENA INDEPENDENT SCHOOL DISTRICT Fine Arts Teaching Strategies

Preparatory Orchestra Performance Groups INSTRUMENTAL MUSIC SKILLS

MMSD 6-12 th Grade Level Instrumental Music Orchestra Standards

Transcription:

Atlas - Instrumental Music Curriculum Level 2 http://greenbrook.rubiconatlas.org/atlas/browse/view/unitcalendar?sourcesiteid=& CurriculumMapID=93& YearID=2014 Page 1 of 2 Green Brook Township School District Instrumental Music Curriculum Level 2 Middle School, Visual & Performing Arts, District Middle Curriculum Sep Oct Nov Dec Jan Feb Mar Apr May Jun Unit: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 Concert Bb, Eb, and F Review (Gr. 5) Syncopation, Minor Scale, Eighth Rest (Gr. 5) Winter Concert Music Assessment Unit (Gr. 5) Ab Major, Articulation, Texture (Gr. 5) Cut Time (Gr. 5) Spring Concert Music Assessment Unit (Gr. 5) 3/8 and 6/8 Time Signatures (Gr. 5) Cut Time (Gr. 6 Review) 3/8 and 6/8 Time Signatures (Gr. 6 Review) 16th notes, 16th/8th, Dotted 8th/16th (Gr. 6)

Atlas - Instrumental Music Curriculum Level 2 http://greenbrook.rubiconatlas.org/atlas/browse/view/unitcalendar?sourcesiteid=& CurriculumMapID=93& YearID=2014 Page 2 of 2 Eighth-Note Triplets (Gr. 6) Winter Concert Assessment Unit (Gr. 6) Last Updated: Tuesday, April 12, 2011, 6:09AM 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 Atlas Version 8.0 Rubicon International 2013. All rights reserved

Atlas - Concert Bb, Eb, and F Review (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3209& YearID=2014& Curricul... Page 1 of 5 Green Brook Township School District Instrumental Music Curriculum Level 2 > Concert Bb, Eb, and F Review (Gr. 5) Middle School, Visual & Performing Arts, District Middle Curriculum New Jersey Core Curriculum Standards Unit: Concert Bb, Eb, and F Review (Gr. 5) (Week 10, 4 Weeks) 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.1 The Creative Process Identify the elements of music in response to aural prompts and printed music notational systems. Demonstrate the basic concepts of meter, rhythm, tonality, intervals, chords, and melodic and harmonic progressions, and differentiate basic structures. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.2 History of the Arts and Culture 1.2: History of the Arts and Culture: All students will understand the role, development, and influence of the arts throughout history and across cultures. A. History of the Arts and Culture 1.2.5.A.3 Determine the impact of significant contributions of individual artists in dance, music, theatre, and visual art from diverse cultures throughout history. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.3 Performance Sing or play music from complex notation, using notation systems in treble and bass clef, mixed meter, and compound meter. 1.3.5.B.4 Decode how the elements of music are used to achieve unity and variety, tension and release, and balance in musical compositions. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.4 Aesthetic Responses & Critique Methodologies B. Critique Methodologies Use evaluative tools, such as rubrics, for self-assessment and to appraise the objectivity of critiques by peers. Description of Unit Essential Questions

Atlas - Concert Bb, Eb, and F Review (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3209& YearID=2014& Curricul... Page 2 of 5 Students will review the concert keys of Bb, Eb, and F. The keys will be presented, extending the range within each key. 1) Why is it important for a musician to be fluent in all keys? Knowledge Students will know 1) how to play in the key of concert Bb. 2) how to play in the key of concert Eb. 3) how to play in the key of concert F. Skills Students will be able to A) play in the key of concert Bb, and execute the major scale in the Region II format. B) play in the key of concert Eb, and execute the major scale in the Region II format. C) play in the key of concert F, and execute the major scale in the Region II format. Assessments Pre-Assessment: What is the key signature of your Concert Bb Major Scale? Diagnostic: Other written assessments Students must identify the key signature of their Concert Bb Major scale. Concert Bb Major Scale in Quarter Note /Eighth Note Pattern Students will play the Concert Bb Major Scale in the quarter/ eighth note Regions pattern. 1.2.5.A.3 Songs in Concert Bb Major Students will play "Botany Bay", "Drive Time" (technical exercise), "Shepherd's Hey". 1.2.5.A.3

Atlas - Concert Bb, Eb, and F Review (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3209& YearID=2014& Curricul... Page 3 of 5 1.3.5.B.4 Pre-Assessment: What is the key signature of your Concert Eb Major Scale? Diagnostic: Other written assessments Students will identify the key signature of their Concert Eb Major scale. Concert Eb Major Scale in Quarter Note /Eighth Note Pattern Students will play the Concert Bb Major Scale in the quarter/ eighth note Regions pattern. 1.2.5.A.3 Songs in Concert Eb Major Students will play "Molly Malone", "No Longer Back" (Technical Exercise), "Turkish March". 1.2.5.A.3 1.3.5.B.4 Pre-Assessment: What is the key signature of your Concert F Major Scale? Diagnostic: Other written assessments Students will identify the key signature of the Concert F Major scale. Concert F Major Scale in Quarter Note /Eighth Note Pattern Students will play the Concert F Major Scale in the quarter/ eighth note Regions pattern. 1.2.5.A.3

Atlas - Concert Bb, Eb, and F Review (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3209& YearID=2014& Curricul... Page 4 of 5 Songs in Concert F Major Students will play "Knucklebuster" (technical exercises), "Give Me That Old Time Religion". 1.2.5.A.3 1.3.5.B.4 Unit Test Summative: Exhibition Students will complete a performance assessment on material covered in the unit. 1.2.5.A.3 1.3.5.B.4 Activities Activities to Differentiate Instruction Concert Bb Major Scale in quarter note/ eighth note pattern. Songs in Concert Bb Major: "Botany Bay", "Drive Time" (Technical Exercise), "Shepherd's Hey". Concert Eb Major Scale in quarter note/ eighth note pattern. Songs in Concert Eb Major: "Molly Malone", "No Longer Back" (Technical Exercise), "Turkish March". Concert F Major Scale in quarter note/ eighth note pattern. Songs in Concert F Major: "Knucklebuster" (technical exercises), "Give Me That Old Time Religion" Tempo Variation - Students will play at slower tempo, written tempo, or faster tempo based on ability. Varied length of demonstrated examples - A student experiencing difficulty will play a segment of an example, while a student who excels will play a challenging example. Integrated/Cross-Disciplinary Instruction Resources

Atlas - Concert Bb, Eb, and F Review (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3209& YearID=2014& Curricul... Page 5 of 5 Sound production and Pitch (Vocal Music, Science) Note Reading (Vocal Music) Note Values (Vocal Music, Math) Standard of Excellence, Book 2 Neil A. Kjos Music Company << Previous Year Last Updated: Monday, April 11, 2011, 11:08AM Atlas Version 8.0 Rubicon International 2013. All rights reserved

Atlas - Syncopation, Minor Scale, Eighth Rest (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3210& YearID=2014& Curricul... Page 1 of 4 Green Brook Township School District Instrumental Music Curriculum Level 2 > Syncopation, Minor Scale, Eighth Rest (Gr. 5) Middle School, Visual & Performing Arts, District Middle Curriculum New Jersey Core Curriculum Standards Unit: Syncopation, Minor Scale, Eighth Rest (Gr. 5) (Week 14, 4 Weeks) 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.1 The Creative Process Identify the elements of music in response to aural prompts and printed music notational systems. Demonstrate the basic concepts of meter, rhythm, tonality, intervals, chords, and melodic and harmonic progressions, and differentiate basic structures. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.3 Performance Sing or play music from complex notation, using notation systems in treble and bass clef, mixed meter, and compound meter. 1.3.5.B.4 Decode how the elements of music are used to achieve unity and variety, tension and release, and balance in musical compositions. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.4 Aesthetic Responses & Critique Methodologies B. Critique Methodologies Use evaluative tools, such as rubrics, for self-assessment and to appraise the objectivity of critiques by peers. 1.4.5.B.4 Define technical proficiency, using the elements of the arts and principles of design. Description of Unit Students will be introduced to syncopation (the stress of the unaccented part of a measure), the minor scale formula and how it relates to the major scale formula, and how to play examples containing eighth rests. Essential Questions 1) Why are syncopated rhythms important in music? 2) How would you describe the difference between a minor scale and a major scale sound?

Atlas - Syncopation, Minor Scale, Eighth Rest (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3210& YearID=2014& Curricul... Page 2 of 4 3) What can musicians do while they are playing ensure they are placing notes and rests that are less than one beat in the correct place? Knowledge Students will know 1) how to play a syncopated rhythm. 2) how to create a minor scale using a whole step/half step formula (and then play it). 3) how to count an eighth rest. Skills Students will be able to A) play a syncopated rhythm while tapping their feet. B) create a minor scale based from a given note following a whole/half step formula, and then be able to play the scale. C) sccessfully play through an example containing eighth rests Assessments Pre-Assessment: What is syncopation? Diagnostic: Other written assessments Students use their prior knowledge to define syncopation. Syncopation Examples Students will play examples containing syncopation. 1.3.5.B.4 1.4.5.B.4 Pre-Assessment: What are minor scales? Diagnostic: Other written assessments Students will define minor scales.

Atlas - Syncopation, Minor Scale, Eighth Rest (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3210& YearID=2014& Curricul... Page 3 of 4 Minor Scale Examples Students will play examples in the key of concert g minor. 1.3.5.B.4 1.4.5.B.4 Pre-Assessment: What is an eighth rest? Formative: Other written assessments Students will define eighth rest. Eighth Rest Examples Students will play examples containing eighth rests. 1.3.5.B.4 1.4.5.B.4 Unit Test Summative: Exhibition Students will complete a performance assessment on all unit content. 1.3.5.B.4 1.4.5.B4 Activities Activities to Differentiate Instruction

Atlas - Syncopation, Minor Scale, Eighth Rest (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3210& YearID=2014& Curricul... Page 4 of 4 Syncopation Examples: "Syncopation Sensation", "The Riddle Song", "Nobody Knows the Trouble I've Seen", "Liza Jane" Write minor scale based on a starting pitch and the whole step/half step formula. concert g minor examples: g minor scale (natural and melodic), "Minka, Minka", "Turning You Loose" (Tecnical Example) Eighth Rest Examples: "Academic Festival March", "Breezin'", "Yankee Doodle" Tempo Variation - Students will play at slower tempo, written tempo, or faster tempo based on ability. Varied length of demonstrated examples - A student experiencing difficulty will play a segment of an example, while a student who excels will be given more challenging examples to play. Integrated/Cross-Disciplinary Instruction Sound production and Pitch (Vocal Music, Science) Note Reading (Vocal Music) Note Values (Vocal Music, Math) Resources Standard of Excellence, Book 2 Neil A. Kjos Music Company << Previous Year Last Updated: Monday, April 11, 2011, 11:28AM Atlas Version 8.0 Rubicon International 2013. All rights reserved

Atlas - Winter Concert Music Assessment Unit (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3211& YearID=2014& Curricul... Page 1 of 4 Green Brook Township School District Instrumental Music Curriculum Level 2 > Winter Concert Music Assessment Unit (Gr. 5) Middle School, Visual & Performing Arts, District Middle Curriculum New Jersey Core Curriculum Standards Unit: Winter Concert Music Assessment Unit (Gr. 5) (Week 18, 5 Weeks) 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.1 The Creative Process Identify the elements of music in response to aural prompts and printed music notational systems. Demonstrate the basic concepts of meter, rhythm, tonality, intervals, chords, and melodic and harmonic progressions, and differentiate basic structures. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.2 History of the Arts and Culture 1.2: History of the Arts and Culture: All students will understand the role, development, and influence of the arts throughout history and across cultures. A. History of the Arts and Culture 1.2.5.A.2 Relate common artistic elements that define distinctive art genres in dance, music, theatre, and visual art. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.3 Performance Sing or play music from complex notation, using notation systems in treble and bass clef, mixed meter, and compound meter. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.4 Aesthetic Responses & Critique Methodologies B. Critique Methodologies Use evaluative tools, such as rubrics, for self-assessment and to appraise the objectivity of critiques by peers. Description of Unit Essential Questions

Atlas - Winter Concert Music Assessment Unit (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3211& YearID=2014& Curricul... Page 2 of 4 Students will be able to demonstrate sections of band music, ultimately for a summative assessment containing all sections. 1) How does knowing and playing band pieces enhance the overall concert experience for you and for your bandmates? Knowledge Students will know 1) how to play technical sections of all Winter Concert pieces. Skills Students will be able to A) demonstrate playing technical sections of all Winter Concert pieces close to tempo. Assessments Piece No. 1 Students will demonstrate technical sections of a musical piece. 1.1.5.B1 1.1.5.B2 1.2.5.A2 1.3.5.B1 1.4.5.B2 Piece No. 2 Students will demonstrate technical sections of a musical piece. 1.1.5.B1 1.1.5.B2 1.2.5.A2 1.3.5.B1 1.4.5.B2 PIece No. 3 Students will demonstrate technical sections of a musical piece. 1.1.5.B1 1.1.5.B2 1.2.5.A2

Atlas - Winter Concert Music Assessment Unit (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3211& YearID=2014& Curricul... Page 3 of 4 1.3.5.B1 1.4.5.B2 Piece No. 4 Students will demonstrate technical sections of a musical piece. 1.1.5.B1 1.1.5.B2 1.2.5.A2 1.3.5.B1 1.4.5.B2 Winter Concert Band Music Test Summative: Written Test Students will demonstrate technical sections of all of musical pieces. 1.1.5.B1 1.1.5.B2 1.2.5.A2 1.3.5.B1 1.4.5.B2 Activities Activities to Differentiate Instruction Students will play through a band piece each week. Varied length of demonstrated examples - A student experiencing difficulty will play a segment of an example, while a student who excels will be given challenging examples to play. Integrated/Cross-Disciplinary Instruction Sound production and Pitch (Vocal Music, Science) Note Reading (Vocal Music) Note Values (Vocal Music, Math) Resources Current Band Music << Previous Year Last Updated: Monday, April 11, 2011, 11:33AM

Atlas - Winter Concert Music Assessment Unit (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3211& YearID=2014& Curricul... Page 4 of 4 Atlas Version 8.0 Rubicon International 2013. All rights reserved

Atlas - Ab Major, Articulation, Texture (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3212& YearID=2014& Curricul... Page 1 of 4 Green Brook Township School District Instrumental Music Curriculum Level 2 > Ab Major, Articulation, Texture (Gr. 5) Middle School, Visual & Performing Arts, District Middle Curriculum New Jersey Core Curriculum Standards Unit: Ab Major, Articulation, Texture (Gr. 5) (Week 23, 6 Weeks) 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.1 The Creative Process Identify the elements of music in response to aural prompts and printed music notational systems. Demonstrate the basic concepts of meter, rhythm, tonality, intervals, chords, and melodic and harmonic progressions, and differentiate basic structures. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.3 Performance Sing or play music from complex notation, using notation systems in treble and bass clef, mixed meter, and compound meter. 1.3.5.B.4 Decode how the elements of music are used to achieve unity and variety, tension and release, and balance in musical compositions. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.4 Aesthetic Responses & Critique Methodologies B. Critique Methodologies 1.4.5.B.1 Assess the application of the elements of art and principles of design in dance, music, theatre, and visual artworks using observable, objective criteria. Use evaluative tools, such as rubrics, for self-assessment and to appraise the objectivity of critiques by peers. 1.4.5.B.3 Use discipline-specific arts terminology to evaluate the strengths and weaknesses of works of dance, music, theatre, and visual art. Description of Unit Students will be introduced to key of Concert Ab Major, various articulations (legato, staccato, and tenuto), and musical texture in terms of melody vs. countermelody. Essential Questions 1) Why are there different ways to articulate notes? 2) How is texture approached in terms of melody vs. countermelody?

Atlas - Ab Major, Articulation, Texture (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3212& YearID=2014& Curricul... Page 2 of 4 Knowledge Students will know 1) how to play in the key of Concert Ab Major. 2) how to play using the following articulations: legato, staccato, and tenuto. 3) how to approach musical texture in terms of melody and counter melody. Skills Students will be able to A) play in the key of Concert Ab Major. B) play using legato, staccato, and tenuto articulations. C) approach melody or counter melody appropriately based on the knowledge of musical texture. Assessments Pre-Assessment: What is your Concert Ab Major Scale? Diagnostic: Other written assessments Students will use prior knowledge of transposition to determine their Concert Ab Major Scale. Ab Major Examples Students will play examples in the key of Concert Ab Major. 1.3.5.B.4 1.4.5.B.1 1.4.5.B.1 Pre-Assessment: What is Articulation Diagnostic: Other written assessments Students will define the term "articuation" based on their prior knowledge. Articulation Examples

Atlas - Ab Major, Articulation, Texture (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3212& YearID=2014& Curricul... Page 3 of 4 Students will play examples that contain the following articulations: legato, tenuto and staccato. 1.3.5.B.4 1.4.5.B.1 1.4.5.B.3 Pre-Assessment: What is texture in the musical sense? Diagnostic: Other written assessments Students will define texture. Musical Texture Examples Students will play examples using texture (melody/ countermelody). 1.3.5.B.4 1.4.5.B.1 1.4.5.B.3 Unit Test Summative: Exhibition Students will complete a performance assessment on all unit content. 1.3.5.B.4 1.4.5.B.1 1.4.5.B.3

Atlas - Ab Major, Articulation, Texture (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3212& YearID=2014& Curricul... Page 4 of 4 Activities Activities to Differentiate Instruction Ab Major Exmaples: Ab Major Scale, "Greased Lightning" (Technical Exercise), "Oh Susana". Articuation Examples: "Shenandoah", "Mache Slav", "Greensleeves", (Legato/ Tenuto), "Theme From Symphony No. 94", "Parade of the Tin Soldiers" (Staccato) Examples using texture(melody/countermelody): "The British Grenadiers", "Hey Ho" (Round) Tempo Variation - Students will play at slower tempo, written tempo, or faster tempo based on ability. Varied length of demonstrated examples - A student experiencing difficulty will play a segment of an example, while a student who excels will be given challenging examples to play. Integrated/Cross-Disciplinary Instruction Sound production and Pitch (Vocal Music, Science) Note Reading (Vocal Music) Note Values (Vocal Music, Math) Resources Standard of Excellence, Book 2 Neil A. Kjos Music Company << Previous Year Last Updated: Monday, April 11, 2011, 11:51AM Atlas Version 8.0 Rubicon International 2013. All rights reserved

Atlas - Cut Time (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3215& YearID=2014& Curricul... Page 1 of 3 Green Brook Township School District Instrumental Music Curriculum Level 2 > Cut Time (Gr. 5) Middle School, Visual & Performing Arts, District Middle Curriculum New Jersey Core Curriculum Standards Unit: Cut Time (Gr. 5) (Week 29, 4 Weeks) 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.1 The Creative Process Demonstrate the basic concepts of meter, rhythm, tonality, intervals, chords, and melodic and harmonic progressions, and differentiate basic structures. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.3 Performance Sing or play music from complex notation, using notation systems in treble and bass clef, mixed meter, and compound meter. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.4 Aesthetic Responses & Critique Methodologies 1.4 Aesthetic Responses & Critique Methodologies: All students will demonstrate and apply an understanding of arts philosophies, judgment, and analysis to works of art in dance, music, theatre, and visual art. A. Aesthetic Responses 1.4.5.A.2 Make informed aesthetic responses to artworks based on structural arrangement and personal, cultural, and historical points of view. B. Critique Methodologies Use evaluative tools, such as rubrics, for self-assessment and to appraise the objectivity of critiques by peers. Description of Unit The students will learn the 2/2 time signature (cut time), where all of the note values they encounter will be half of their normal value as compared to Essential Questions 1) Why do we have cut time? 2) Is cut time necesary? Why or why not?

Atlas - Cut Time (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3215& YearID=2014& Curricul... Page 2 of 3 common time. They will play cut time examples of varying difficulty. They will be required to write in the subdivision of all examples played. Knowledge Students will know 1) the elements of the cut time signature, based on prior knowledge of time signatures. 2) how to play in cut time. Skills Students will be able to A) demonstrate knowledge of counting in cut time through written-in sub division for all examples played. B) play in various cutime examples using the subdivision discussed in class. Assessments Pre-assessment: What does the 2/2 (cut time) time signature indicate? Diagnostic: Other written assessments Students will describe the 2/2 (cut time) time signature based on prior knowledge of time signatures. Cut Time Examples Students will play examples in cut time, subdividing in two. 1.4.5.A.2 Unit Test Summative: Exhibition Students will be performance tested on cut time. 1.4.5.A.2 Activities Activities to Differentiate Instruction

Atlas - Cut Time (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3215& YearID=2014& Curricul... Page 3 of 3 Cut time examples: "Cut and Paste"; "Oats, Peas and Beans"; "The Victors", "High School Cadets March", "Danish Roll", "Manhattan Beach March" Tempo Variation - Students will play at slower tempo, written tempo, or faster tempo based on ability. Varied length of demonstrated examples - A student experiencing difficulty will play a segment of an example, while a student who excels will be given more challenging examples to play. Integrated/Cross-Disciplinary Instruction Sound production and Pitch (Vocal Music, Science) Note Reading (Vocal Music) Note Values (Vocal Music, Math) Resources Standard of Excellence, Book 2 Neil A. Kjos Music Company << Previous Year Last Updated: Monday, April 11, 2011, 11:56AM Atlas Version 8.0 Rubicon International 2013. All rights reserved

Atlas - Spring Concert Music Assessment Unit (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3216& YearID=2014& Curricul... Page 1 of 4 Green Brook Township School District Instrumental Music Curriculum Level 2 > Spring Concert Music Assessment Unit (Gr. 5) Middle School, Visual & Performing Arts, District Middle Curriculum New Jersey Core Curriculum Standards Unit: Spring Concert Music Assessment Unit (Gr. 5) (Week 33, 3 Weeks) 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.1 The Creative Process Identify the elements of music in response to aural prompts and printed music notational systems. Demonstrate the basic concepts of meter, rhythm, tonality, intervals, chords, and melodic and harmonic progressions, and differentiate basic structures. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.2 History of the Arts and Culture 1.2: History of the Arts and Culture: All students will understand the role, development, and influence of the arts throughout history and across cultures. A. History of the Arts and Culture 1.2.5.A.2 Relate common artistic elements that define distinctive art genres in dance, music, theatre, and visual art. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.3 Performance Sing or play music from complex notation, using notation systems in treble and bass clef, mixed meter, and compound meter. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.4 Aesthetic Responses & Critique Methodologies B. Critique Methodologies Use evaluative tools, such as rubrics, for self-assessment and to appraise the objectivity of critiques by peers. Description of Unit Essential Questions

Atlas - Spring Concert Music Assessment Unit (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3216& YearID=2014& Curricul... Page 2 of 4 Students will be able to demonstrate certain sections of the band music, ultimately for a summative assessment containing all sections. 1) How does knowing band pieces enhance the overall concert experience for you and your bandmates? Knowledge Students will know 1) how to play technical sections of all Spring Concert pieces. Skills Students will be able to A) demonstrate playing technical sections of all Spring Concert pieces close to tempo. Assessments Piece No. 1 Students will demonstrate technical sections of a musical piece. 1.1.5.B1 1.1.5.B2 1.2.5.A2 1.3.5.B1 1.4.5.B2 Piece No.2 Students will demonstrate technical sections of a musical piece. 1.1.5.B1 1.1.5.B2 1.2.5.A2 1.3.5.B1 1.4.5.B2 Piece No. 3 Students will demonstrate technical sections of a musical piece. 1.1.5.B1 1.1.5.B2 1.2.5.A2

Atlas - Spring Concert Music Assessment Unit (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3216& YearID=2014& Curricul... Page 3 of 4 1.3.5.B1 1.4.5.B2 Piece No. 4 Students will demonstrate technical sections of a musical piece. 1.1.5.B1 1.1.5.B2 1.2.5.A2 1.3.5.B1 1.4.5.B2 Spring Band Music Test Summative: Exhibition Students will demonstrate technical sections of all musical pieces. 1.1.5.B1 1.1.5.B2 1.2.5.A2 1.3.5.B1 1.4.5.B2 Activities Activities to Differentiate Instruction Students will play one of the band pieces each week. Varied length of demonstrated examples - A student experiencing difficulty will play a segment of an example, while a student who excels will play more challenging examples. Integrated/Cross-Disciplinary Instruction Sound production and Pitch (Vocal Music, Science) Note Reading (Vocal Music) Note Values (Vocal Music, Math) Resources Current Band Music << Previous Year Last Updated: Monday, April 11, 2011, 12:01PM

Atlas - Spring Concert Music Assessment Unit (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3216& YearID=2014& Curricul... Page 4 of 4 Atlas Version 8.0 Rubicon International 2013. All rights reserved

Atlas - 3/8 and 6/8 Time Signatures (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3217& YearID=2014& Curricul... Page 1 of 3 Green Brook Township School District Instrumental Music Curriculum Level 2 > 3/8 and 6/8 Time Signatures (Gr. 5) Middle School, Visual & Performing Arts, District Middle Curriculum New Jersey Core Curriculum Standards Unit: 3/8 and 6/8 Time Signatures (Gr. 5) (Week 36, 2 Weeks) 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.1 The Creative Process Identify the elements of music in response to aural prompts and printed music notational systems. Demonstrate the basic concepts of meter, rhythm, tonality, intervals, chords, and melodic and harmonic progressions, and differentiate basic structures. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.3 Performance Sing or play music from complex notation, using notation systems in treble and bass clef, mixed meter, and compound meter. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 5, 1.4 Aesthetic Responses & Critique Methodologies B. Critique Methodologies Use evaluative tools, such as rubrics, for self-assessment and to appraise the objectivity of critiques by peers. Description of Unit The students will discuss the difference between simple meter and compound meter, leading into learning the 3/8 and 6/8 time signatures. The students will learn the realtionship of beat and pulse, and apply it to their counting of both time signatures. Essential Questions 1) Why is it necessary for music to have many different types of time signatures? Knowledge Students will know Skills Students will be able to

Atlas - 3/8 and 6/8 Time Signatures (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3217& YearID=2014& Curricul... Page 2 of 3 1) how to tell the difference between simple and compound meter, based on prior knowledge of time signatures. 2) how to count and play in 3/8 time. 3) how to count and play in 6/8 time. A) explain the difference between simple and compound meter. B) play and count in 3/8 time. C) play and count in 6/8 time. Assessments Pre-Assessment: What does the 3/8 time signature indicate? Diagnostic: Other written assessments Students will describe the 3/8 time based on prior knowledge of time signatures. 3/8 Time Signature Examples Students will play examples in 3/8 time. Pre-Assessment: What does the 6/8 time signature indicate? Diagnostic: Other written assessments Students will describe the 6/8 time signature based on prior knowledge of time signatures. 6/8 Time Examples Students will play examples in 6/8 time.

Atlas - 3/8 and 6/8 Time Signatures (Gr. 5) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3217& YearID=2014& Curricul... Page 3 of 3 Unit Test Summative: Exhibition Students will be performance tested on all unit content. Activities Activities to Differentiate Instruction 3/8 Examples: "We Three Kings", "Triple Threat" (3/4 3/8 comparison exercise) Pre-assessment: What does the 6/8 time signature indicate? 6/8 time signature exercises: "Over the River", "Oodles of Noodles" Tempo Variation - Students will play at slower tempo, written tempo, or faster tempo based on ability. Varied length of demonstrated examples - A student experiencing difficulty will play a segment of an example, while a student who excels will play more challenging examples. Integrated/Cross-Disciplinary Instruction Sound production and Pitch (Vocal Music, Science) Note Reading (Vocal Music) Note Values (Vocal Music, Math) Resources Standard of Excellence, Book 2 Neil A. Kjos Music Company << Previous Year Last Updated: Monday, April 11, 2011, 12:39PM Atlas Version 8.0 Rubicon International 2013. All rights reserved

Atlas - Cut Time (Gr. 6 Review) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3218& YearID=2014& Curricul... Page 1 of 3 Green Brook Township School District Instrumental Music Curriculum Level 2 > Cut Time (Gr. 6 Review) Middle School, Visual & Performing Arts, District Middle Curriculum New Jersey Core Curriculum Standards Unit: Cut Time (Gr. 6 Review) (Week 1, 4 Weeks) 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 8, 1.1 The Creative Process 1.1.8.B.2 Compare and contrast the use of structural forms and the manipulation of the elements of music in diverse styles and genres of musical compositions. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 8, 1.3 Performance 1.3.8.B.1 Perform instrumental or vocal compositions using complex standard and non-standard Western, non-western, and avant-garde notation. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 8, 1.4 Aesthetic Responses & Critique Methodologies 1.4 Aesthetic Responses & Critique Methodologies: All students will demonstrate and apply an understanding of arts philosophies, judgment, and analysis to works of art in dance, music, theatre, and visual art. A. Aesthetic Responses 1.4.8.A.1 Generate observational and emotional responses to diverse culturally and historically specific works of dance, music, theatre, and visual art. Description of Unit The students will learn the 2/2 time signature (cut time), where all of the note values they encounter will be half of their normal value as compared to common time. They will play cut time examples of varying difficulty. They will be required to write in the subdivision of all examples played. Essential Questions 1) Why do we have cut time? 2) Is cut time necesary? Why or why not?

Atlas - Cut Time (Gr. 6 Review) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3218& YearID=2014& Curricul... Page 2 of 3 Knowledge Students will know 1) the elements of the cut time signature, based on prior knowledge of time signatures. 2) how to play in cut time. Skills Students will be able to A) demonstrate knowledge of counting in cut time through written-in sub division for all examples played. B) play in various cutime examples using the subdivision discussed in class. Assessments Pre-assessment: What does the 2/2 (cut time) time signature indicate? Diagnostic: Other written assessments Students will describe the 2/2 (cut time) time signature based on prior knowledge of time signatures. Cut Time Examples Students will play examples in cut time, subdividing in two. 1.1.8.B.2 1.3.8.B.1 1.4.8.A.2 Unit Test Summative: Exhibition Students will be performance tested on cut time. 1.4.5.A.2 Activities Activities to Differentiate Instruction Cut time examples: "Cut and Paste"; "Oats, Peas and Beans"; "The Victors", "High School Cadets March", "Danish Roll", "Manhattan Beach March" Tempo Variation - Students will play at slower tempo, written tempo, or faster tempo based on ability.

Atlas - Cut Time (Gr. 6 Review) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3218& YearID=2014& Curricul... Page 3 of 3 Varied length of demonstrated examples - A student experiencing difficulty will play a segment of an example, while a student who excels will play challenging examples. Integrated/Cross-Disciplinary Instruction Sound production and Pitch (Vocal Music, Science) Note Reading (Vocal Music) Note Values (Vocal Music, Math) Resources Standard of Excellence, Book 2 Neil A. Kjos Music Company << Previous Year Last Updated: Monday, April 11, 2011, 2:58PM Atlas Version 8.0 Rubicon International 2013. All rights reserved

Atlas - 3/8 and 6/8 Time Signatures (Gr. 6 Review) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3219& YearID=2014& Curricul... Page 1 of 3 Green Brook Township School District Instrumental Music Curriculum Level 2 > 3/8 and 6/8 Time Signatures (Gr. 6 Review) Middle School, Visual & Performing Arts, District Middle Curriculum New Jersey Core Curriculum Standards Unit: 3/8 and 6/8 Time Signatures (Gr. 6 Review) (Week 5, 4 Weeks) 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 8, 1.1 The Creative Process 1.1.8.B.2 Compare and contrast the use of structural forms and the manipulation of the elements of music in diverse styles and genres of musical compositions. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 8, 1.3 Performance 1.3.8.B.1 Perform instrumental or vocal compositions using complex standard and non-standard Western, non-western, and avant-garde notation. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 8, 1.4 Aesthetic Responses & Critique Methodologies B. Critique Methodologies 1.4.8.B.2 Differentiate among basic formal structures and technical proficiency of artists in works of dance, music, theatre, and visual art. Description of Unit The students will discuss the difference between simple meter and compound meter, leading into learning the 3/8 and 6/8 time signatures. The students will also learn the realtionship of beat and pulse, and apply it to their counting of both time signatures. Essential Questions 1) Why is it necessary for music to have many different time signatures? Knowledge Students will know Skills Students will be able to

Atlas - 3/8 and 6/8 Time Signatures (Gr. 6 Review) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3219& YearID=2014& Curricul... Page 2 of 3 1) how to tell the difference between simple and compound meter. 2) how to count and play in 3/8 time. 3) how to count and play in 6/8 time. A) explain the difference between simple and compound meter. B) play and count in 3/8 time. C) play and count in 6/8 time. Assessments Pre-assessment: What does the 3/8 time signature indicate? Diagnostic: Other written assessments Students will describe the 3/8 time based on prior knowledge of time signatures. 1.1.8.B.2 3/8 time Examples Students will play examples in 3/8 time. 1.1.8.B.2 1.3.8.B.1 1.4.8.B.2 Pre-assessment: What does the 6/8 time signature indicate? Diagnostic: Other written assessments Students will describe the 6/8 time signature based on prior knowledge of time signatures. 1.1.8.B.2 6/8 Time Examples Students will play examples in 6/8 time. 1.1.8.B.2 1.3.8.B.1 1.4.8.B.2 Unit Test Summative: Exhibition Students will be performance tested in all unit content. 1.1.8.B.2 1.3.8.B.1 1.4.8.B.2

Atlas - 3/8 and 6/8 Time Signatures (Gr. 6 Review) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3219& YearID=2014& Curricul... Page 3 of 3 Activities Activities to Differentiate Instruction 3/8 Examples: "We Three Kings", "Triple Threat" (3/4, 3/8 comparison exercise) Pre-assessment: What does the 6/8 time signature indicate? 6/8 time signature examples: "Over the River", "Oodles of Noodles" Tempo Variation - Students will play at slower tempo, written tempo, or faster tempo based on ability. Varied length of demonstrated examples - A student experiencing difficulty will play a segment of an example, while a student who excels will play challenging examples. Integrated/Cross-Disciplinary Instruction Sound production and Pitch (Vocal Music, Science) Note Reading (Vocal Music) Note Values (Vocal Music, Math) Resources Standard of Excellence, Book 2 Neil A. Kjos Music Company << Previous Year Last Updated: Monday, April 11, 2011, 3:02PM Atlas Version 8.0 Rubicon International 2013. All rights reserved

Atlas - 16th notes, 16th/8th, Dotted 8th/16th (Gr. 6) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3220& YearID=2014& Curricul... Page 1 of 3 Green Brook Township School District Instrumental Music Curriculum Level 2 > 16th notes, 16th/8th, Dotted 8th/16th (Gr. 6) Middle School, Visual & Performing Arts, District Middle Curriculum New Jersey Core Curriculum Standards Unit: 16th notes, 16th/8th, Dotted 8th/16th (Gr. 6) (Week 9, 6 Weeks) 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 8, 1.3 Performance 1.3.8.B.1 Perform instrumental or vocal compositions using complex standard and non-standard Western, non-western, and avant-garde notation. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 8, 1.4 Aesthetic Responses & Critique Methodologies 1.4 Aesthetic Responses & Critique Methodologies: All students will demonstrate and apply an understanding of arts philosophies, judgment, and analysis to works of art in dance, music, theatre, and visual art. A. Aesthetic Responses 1.4.8.A.7 Analyze the form, function, craftsmanship, and originality of representative works of dance, music, theatre, and visual art. Description of Unit Students will learn to play sixteenth notes, sixteenth/eighth note combinations, dotted eighth/ sixteenth note combinations using the correct subdivisions of the beat Essential Questions 1) Why is subdivision so important in music? Knowledge Students will know (based on prior knowledge of rhythms covered to this point) 1) how to play sixteenth notes. Skills Students will be able to A) demonstrate playing sixteenth notes accurately through using subdivision.

Atlas - 16th notes, 16th/8th, Dotted 8th/16th (Gr. 6) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3220& YearID=2014& Curricul... Page 2 of 3 2) how to play sixteenth/eighth note combinations. 3) how to play dotted eighth/ sixteenth note combinations. B) demonstrate playing the sixteenth/eighth note combinations accurately through using subdivision. C) demonstrate playing the dotted eighth/ sixteenth note combinations accurately through using subdivision. Assessments Pre-assessment: What are sixteenth notes and how can they be subdivided? Diagnostic: Other written assessments Students will define sixteenth notes and how they are subdivided. 1.3.8.B.1 1.4.8.A.7 Sixteenth Note Exercises Students will perform examples containing sixteenth notes. 1.3.8.B.1 1.4.8.A.7 Pre-assessment: Can eighth notes and sixteenth notes be combined on the same beat? Why or why not? Diagnostic: Other written assessments Students will explain how eighth notes and sixteenth notes can be combined into one beat. 1.3.8.B.1 1.4.8.A.7 Sixteenth note/eighth note combination examples Students will play examples containing sixteenth note/eighth note combinations. 1.3.8.B.1 1.4.8.A.7 Pre-assessment: How many beats would a dotted eighth note have? Diagnostic: Other written assessments Students will identify how many beats a dotted eighth note receives based on prior knowledge of how a dot affects a given note. 1.3.8.B.1 1.4.8.A.7 Dotted eighth/ sixteenth note examples

Atlas - 16th notes, 16th/8th, Dotted 8th/16th (Gr. 6) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3220& YearID=2014& Curricul... Page 3 of 3 Students will perform examples utilizing the dotted eighth note/ sixtenth note rhythm. 1.3.8.B.1 1.4.8.A.7 Unit Test Summative: Exhibition Students will be performance tested on all unit content. 1.3.8.B.1 1.4.8.A.7 Activities Activities to Differentiate Instruction Sixteenth Note Examples: "Kemo Kimo", "The Thunderer", "Listen to the Mocking Bird" Pre-assessment: Can eighth notes and sixteenth notes be combined on the same beat? Why or why not? Sixteenth note/eighth note combination examples: "The Tirra Lirra Loo", "Big Rock Candy Mountain" Pre-assessment: How many beats does a dotted eighth note have? Dotted eighth/ sixteenth note examples: "Little Brown Jug", "Our Boys Will Shine Tonight" Tempo Variation - Students will play at slower tempo, written tempo, or faster tempo based on ability. Varied length of demonstrated examples - A student experiencing difficulty will play a segment of an example, while a student who excels will play challenging examples. Integrated/Cross-Disciplinary Instruction Sound production and Pitch (Vocal Music, Science) Note Reading (Vocal Music) Note Values (Vocal Music, Math) Resources Standard of Excellence, Book 2 Neil A. Kjos Music Company << Previous Year Last Updated: Monday, April 11, 2011, 3:07PM Atlas Version 8.0 Rubicon International 2013. All rights reserved

Atlas - Eighth-Note Triplets (Gr. 6) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3221& YearID=2014& Curricul... Page 1 of 2 Green Brook Township School District Instrumental Music Curriculum Level 2 > Eighth-Note Triplets (Gr. 6) Middle School, Visual & Performing Arts, District Middle Curriculum New Jersey Core Curriculum Standards Unit: Eighth-Note Triplets (Gr. 6) (Week 15, 2 Weeks) 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 8, 1.3 Performance 1.3.8.B.1 Perform instrumental or vocal compositions using complex standard and non-standard Western, non-western, and avant-garde notation. Description of Unit Students will learn how to count and play eighth note triplets. The students will learn the subdivision necessary to place the three eighth notes evenly over one beat. Essential Questions 1) Would placing note values smaller than a beat correctly within a beat be possible without subdivision? 2) How is a subdivision important in an ensemble setting? Knowledge Students will know (based on prior knowledge of subdivision) 1) how to subdivide eighth note triplets. 2) how to play eighth note triplets. Skills Students will be able to A) subdivide eighth note triplets. B) play eighth note triplets. Assessments Pre-assessment: What are eighth note triplets and how are they subdivided? Diagnostic: Other written assessments Students will define eighth note triplets and how they are counted. 1.3.8.B.1

Atlas - Eighth-Note Triplets (Gr. 6) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3221& YearID=2014& Curricul... Page 2 of 2 Eighth Note Triplet Examples: Students will perform examples containing eighth note triplets. 1.3.8.B.1 Unit Test Summative: Exhibition Students will be performance tested on all unit content. 1.3.8.B.1 Activities Activities to Differentiate Instruction Eighth Note Triplet Examples: "Stars of the Heavens", "Light Calvary Overture", "Soldiers Chorus from Faust", Theme from "Zampa", March from "The Nutcracker". Tempo Variation - Students will play at slower tempo, written tempo, or faster tempo based on ability. Varied length of demonstrated examples - A student experiencing difficulty will play a segment of an example. A student who excels will play challenging examples. Integrated/Cross-Disciplinary Instruction Sound production and Pitch (Vocal Music, Science) Note Reading (Vocal Music) Note Values (Vocal Music, Math) Resources Standard of Excellence, Book 2 Neil A. Kjos Music Company << Previous Year Last Updated: Monday, April 11, 2011, 3:11PM Atlas Version 8.0 Rubicon International 2013. All rights reserved

Atlas - Winter Concert Assessment Unit (Gr. 6) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3252& YearID=2014& Curricul... Page 1 of 3 Green Brook Township School District Instrumental Music Curriculum Level 2 > Winter Concert Assessment Unit (Gr. 6) Middle School, Visual & Performing Arts, District Middle Curriculum New Jersey Core Curriculum Standards Unit: Winter Concert Assessment Unit (Gr. 6) (Week 17, 5 Weeks) 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 8, 1.1 The Creative Process 1.1.8.B.2 Compare and contrast the use of structural forms and the manipulation of the elements of music in diverse styles and genres of musical compositions. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 8, 1.3 Performance 1.3.8.B.1 Perform instrumental or vocal compositions using complex standard and non-standard Western, non-western, and avant-garde notation. 1.3.8.B.2 Perform independently and in groups with expressive qualities appropriately aligned with the stylistic characteristics of the genre. 1.3.8.B.3 Apply theoretical understanding of expressive and dynamic music terminology to the performance of written scores in the grand staff. 2009 CCCS: Standard 1: Visual & Performing Arts, Grade 8, 1.4 Aesthetic Responses & Critique Methodologies B. Critique Methodologies 1.4.8.B.1 Evaluate the effectiveness of a work of art by differentiating between the artist s technical proficiency and the work s content or form. Description of Unit Students will be able to demonstrate sections of the band music, ultimately for a summative assessment containing all sections. Essential Questions 1) How does knowing band pieces enhance the overall concert experience for you and your bandmates? Knowledge Students will know Skills Students will be able to

Atlas - Winter Concert Assessment Unit (Gr. 6) http://greenbrook.rubiconatlas.org/atlas/browse/unitmap/view/default?sourcesiteid=& UnitID=3252& YearID=2014& Curricul... Page 2 of 3 1) how to play technical sections of all Winter Concert pieces. A) demonstrate playing technical sections of all Winter Concert pieces to tempo. Assessments Piece No.1 Students will demonstrate technical sections of a musical piece. 1.1.5.B1 1.1.5.B2 1.2.5.A2 1.3.5.B1 1.4.5.B2 Piece No. 2 Students will demonstrate technical sections of a musical piece. 1.1.5.B1 1.1.5.B2 1.2.5.A2 1.3.5.B1 1.4.5.B2 Piece No. 3 Students will demonstrate technical sections of a musical piece. 1.1.5.B1 1.1.5.B2 1.2.5.A2 1.3.5.B1 1.4.5.B2 Piece No. 4 Students will demonstrate technical sections of a musical piece. 1.1.5.B1 1.1.5.B2 1.2.5.A2