Bibliography. Barthes, Roland. The Pleasure of the Text. Trans. Richard Miller. New York:

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1 Bibliography Barthes, Roland. The Pleasure of the Text. Trans. Richard Miller. New York: Farrar,Straus, and Giroux,1975. Barker, Chris. Cultural Studies: Theories and Practice. Sage Publications, 2000. Bethune, Brian. Cracking The Da VinCi Code. Maclean s 117 (2004): 36-39. Bernhauer, J. Michel Foucault s Force of Flight: Toward an Ethics for Thought. London: Humanities Press International, 1990. Bock, Darrell L. Breaking The Da Vinci Code. Thomas Nelson, 2004. Braidotti, R. Patterns of Dissonance: A Study of Women in Contemporary Philosophy. Trans. Elizabeth Guild, Cambridge: Polity Press, 1991. Brooker, Peter. A Concise Glossary of Cultural Theory. Arnold, 1999. Brown, Dan. The Da Vinci Code. Doubleday. 2003. Burstein, Dan. Et al. Secrets of the Code: The Unauthorized Guide to the Mysteries Behind The Da Vinci Code. Weidenfeld & Nicolson, 2004. De Certeau, Michel. The Practice of Everyday Life. Trans. Steven Rendall, Berkeley: University of California Press, 1984. Diemert, Brain. Pursuit of Justice: Graham Greene s Refiguring of the Detective Story in It s a Battlefild. Paper on Language and Literature 30 (1994): 285-297. Eagleton, Terry. Literary Theory: An Introduction. Oxford: Blackwell, 1983. Easthope, Antony. Literature into Cultural Studies. London and New York, 1991. Eco, Umberto. Foucault s Pendulum. Ballantine Books, 1990. Ehrman, Bart D. Truth and Fiction in The Da Vinci Code. Oxford University Press, 2004.

2 Foucault, M. Discipline and Punishment: The Birth of the Prison. Trans. A. Sheridan, New York: Vintage Books,1979. - - -. History of Sexuality. Pantheon Books, 1984. Gramsci, A. Prison Notebooks. London: Lawrence & Wishart, 1968. Hull, Richard. The Purloined Letter: Poe s Detective Story V.S. Panoptic Foucauldian Theory. Style, 1990. Hall, S. For All on White: Metaphor of Transformation. Critical Dialogue in Cultural Studies, London: Routlefge, 1996. Iser, Wolfgang. The Fictive and the Imaginary: Charting Literary Anthropology. Baltimore: John Hopkins Up, 1993. Kantrowitz Barbara, et al. The Bible s Lost Stories. Newsweek 142 (2003): 48-56 Klinghoffer, David. Religious Fiction. National Review 55 (2003): 48-49 Kristeva, J. Stabat Mater. Tales of Love. Trans., Leon Roudiez. New York: Columbia University Press, 1987. - - -. The Kristeva Reader. ed. Tori Moi. New York: Columbia University Press, 1986. - - -. Tales of Love. Trans. Leon Roudiez. New York: Columbia University Press, 1987. - - -. Desire in Language: The Semiotic Approach to Literature and Art. Ed. Léon Roudiez. Trans. Alice Jardine, Thomas Gora and Léon Roudiez. New York, Columbia University Press, London, Basil Blackwell, 1980. - - -. Powers of Horror: An Essay on Abjection. Trans. Leon S. Roudiez. New York : Columbia University Press, 1982. - - -. Revolutionary in Poetic Language. Trans. Margaret Waller. Columbia University Press, 1984.

3 Kulman, Linda, Jay Tolson, and Katy Kelly. Jesus in America: Behind the Wild Success of a Theological Thriller Lies a Centuries-old Urge to Rapture the Original Jesus. US. News & World Report 135 (2003). Lacy, Norris J. The Da Vinci Code: Dan Brown and the Grail that Never was. Arthuriana 14 (2004): 81-93. Linhart, Robert. The Assembly Line. Trans. Margaret Crosland, London: John Calder, 1981. Macherey, Pierre. A Theory of Literary Production. Reading Popular Narrative: A Source Book. Ed., Bob Ashley, Leicester University Press: London and Washington, 1997. Makinen, Merja. Feminist Popular Fiction. New York: Palgrave, 2001. McCormick, Patrick Painted out the Picture: Part of the Best-selling Appeal of The Da Vinci Code is a Conspiracy that Has Kept Women from Taking Their Rightful Place in the Church. U.S. the Catholic 68(2003): 36-39. McNay, Lois. Foucault and Feminism: Power, Gender, and the Self. Boston: Northeastern University Press, 1992. McGuigan, J. Cultural Populism. London: Routledge, 1992. McHale, Brain. Postmodernist Fiction. New York: Methuen, 1987. Moretti, Franco. Clues. Signs Taken for Wonders: Essay in the Sociology if Literary Forms. Trans., Susan Fischer, David Forgacs, David Miller.Verso, 1988. Miller, D. A. The Novel and the Police. Berkeley: U of California P, 1988. Nealon, Jeffery T. Work of the Detective, Work of the Writer. Detecting Texts. Ed., Patricia Mervale, Susan Elizabeth. PENN, 1999. Newman, Sharan. The Real History Behind The Da Vinci Code. Berkley Books, 2005. O Grady, Kathleen. An Interview with Kristeva. Parallax 8 (1998):5-16.

4 Oliver, Kelly. Reading Kristeva: Unraveling the Double-bind. Indiana University, 1993. Parry, Alan. Deconstruction and Theory Revisited: Including the Excluded. Annual Convention of the American Psychological Association, 20-24 August 1999. 1-51. Pederson-Krag, Geralding Detective Stories and the Primal Scene. Psychoanalytic Quarterly 13 (1949):203-14. Putnam, Bill, and John Edwin Wood. Unravelling The Da Vinci Code: Bill Putman and John Edwin Wood Peel Away the Evidence to Find an Extraordinary Hoax at the Heart of Dan Brown s Best Selling Novel. History Today 55 (2005):18-20. Rolvsjord, Randi. Music as a Poetic Language. Online. Internet. 11 May. 2006. Voices: A World Forum for Music Therapy Retrieved. May 14, 2006. <http://www.voices.no/mainissues/mi40004000138.html> Sauer, Geoffrey. Review of Foucault s Pendulum. Online. Internet. 12 Feb. 1990. The Modern World. Nov 20, 2003. <http://www.themodernword.com/eco/eco_humanitas90.html> Schor, N. Dreaming Dissymmetry: Barthes, Foucault, and Social difference. Men in Feminism. Ed., A. Jardine and Paul Smith, New York : Routledge, 1989. Seltzer, Mark. Henry James and the Art of Power. Ithaca: Cornell Up, 1984. Sheridan, Alan. Michel Foucault: The Will to Truth. Tavistock, 1980. Smart, Barry. Michel Foucault. Tavistock, 1985. Smith, Philip. Cultural Theory: An Introduction. Malden, MA: Blackwell, 2001. Spanos, William V. Repetitions: The Postmodernism Occasion in Literature and Culture. Baton Rouge: Louisiana State UP, 1987.

5 Swope, Richard. Approaching the Threshold(s) in Postmodernism Detective fiction : Hawthrone s Wakefild and Other Missing Persons. Critique 39 (1998): 207-228. Todorov, Tzvetan. The Poetics of Prose. Ithaca: Cornell UP, 1977. Wiliams, Raymond. Keywords: A Vocabulary of Culture and Society. New York: Oxford University Press, 1976. William, Raymond. Keywords: A Vocabulary of Culture and Society. London: Fontana, 1976. Wilson, Robert Anton. Mary Mary, Quite Contrary. Online. Internet. 16 Sep. 2004. Conspiracy Coincidence & Code. <http://72.14.235.104/search?q=cache:z6ftfkgudm4j:maybelogic.org/coin cidancecode/modules.php%3fname%3dnews%26file%3darticle%26sid%3 D2+Roberto+Anton+Wilson,+The+Widow%27s+Son,+Magdalene&hl=en& ct=clnk&cd=24> - - -. The Widow s Son. New Falcon Publications, 2004. Wilson-Smith, Anthony, God and those Details. Maclean s 117 (2004): 4. Zizek, Slavoj. Two Ways to Avoid the Real of Desire. Looking Away: An Introduction to Jacques Lacan Trough Popular Culture. Cambridge: MIT Press, 1992.