Music Theory on the Radio: Excavating Hans Keller s Functional Analyses Society for Music Theory Arlington, Virginia November 5, 2017 William O Hara Gettysburg College wohara@gettysburg.edu Table 1: Formal Outline of Mozart, K. 421 with Keller s Analytical Interludes I. Allegro II. Andante III. Menuetto Functional Analysis #1: Mozart, String Quartet in D Minor, K. 421 (1957) As written IV. Allegro ma non troppo [to m. 32] IV. Allegro ma non troppo [mm. 25 48] IV. Allegro ma non troppo [mm. 49 to end] Added by Keller A1: incorporates primary theme and secondary theme (in both exposition and recapitulation forms) from mvt. I A2: incorporates themes from mvt. II and mvt. III (minuet), along with new triple-meter material Interval (3 minutes) A3: extended interlude, incorporating Mvt. III s minuet and trio themes, along with primary themes from mvt. I and mvt. IV. A4: very brief, based on mvt. IV, first variation [mm. 25 32] A5: incorporates mvt. IV, first variation, and mvt. I, primary theme
Table 2: Hans Keller s Functional Analyses 1 # Compo ser 1 Mozart 2 Beetho ven 3 Mozart 4 Haydn 5 Haydn 6 Haydn 7 Haydn iece analyzed Broadcast(s)/erformances erformer(s) String Quartet in D Minor, K. 421 String Quartet in F Minor, Op. 95 iano Concerto in C Major, K. 503 String Quartet in D Major, Op. 64, No. 5 String Quartet in F Major, Op. 50, No. 5 String Quartet in E Major, Op. 20, No. 1 String Quartet in D Minor, Op. 76, No. 2 BBC3: Sept. 7, 1957; Dec. 11, 1957 NDR: Feb. 5, 1958 ISM: ISM Conference, Stratford- Upon-Avon, Dec. 31, 1957. BBC3: March 2, 1958 NDR: May 5, 1958 BBC3: Dec. 7, 1958 DSS: August 1958 (repeated August 1959); NDR: Autumn 1959 BBC3: March 11, 1960 NDR: recorded an 17, 1959; broadcast with 4 in Autumn 1959 NDR: recorded an 16, 1959; broadcast date unknown NDR: broadcast on an. 21, 1959; recording date unknown Notes Aeolian String Quartet ublished in The Score 22 (Feb. 1958) ro Musica (BBC3) & Hamann (NDR) Quartets Denis Matthews, piano; Chas. Mackerras & The Goldsbrough Orchestra Dartington (DSS, BBC3) & Benthien (NDR) Quartets Described in Music Review essays (1956) Commisioned by BBC Benthien Quartet Commissioned by NDR Hamann Quartet Commissioned by NDR Hamann Quartet Commissioned by NDR 1 Compiled from Keller, Wordless Functional Analysis The Second Year and Beyond I ; Keller, Functional Analysis: The Unity of Contrasting Themes (Frankfurt am Main: eter Lang, 2001); and Renee Atcherson, Bibliography, Hans Keller: A Memorial Symposium, Music Analysis 5/2-3 (1986), 407 440.
8 9a 10 11 12 13 14 15 Beetho ven Mozart Mozart Mozart Britten.S. Bach Mozart Mozart iano Concerto in G Major, Op. 58 iano Sonata in A Minor, K. 310 Clarinet Quintet in A Major, K. 581 String Quartet in F Major, K. 590 String Quartet No. 2 in C Major, Op. 36 Brandenburg Concerto No. 3 in G Major, BWV 1048 String Quartet in G Minor, K. 516 iano Quartet in G Minor, K. 478 BBC3: broadcast May 6, 1959; manuscript dated March 29, 1959 [unknown; performed in concert, not radio] completed March 9, 1961; Hampton Music Club, March 24, 1961; BBC: March 3, 1962 1961 Aldeburgh Festival [ran une 28 uly 9, 1961] Radcliffe Festival of British Music, October 23, 1962 [earlier broadcast possible; Keller (1984) claims that Britten commissioned 11 after hearing 12 on the radio.] Completed May 5, 1963; premiered at 1963 Tilford Bach Festival [May-une, in Surrey] Clifford Curzon, piano; Stanley ope & London Symphony Orchestra Susan Bradshaw and Susan McGaw, pianists Thea King, clarinet; English String Quartet Dedicated to Clifford Curzon Keller (1960a, 73) notes that 9b will be the piece for piano quintet; never written. Dartington Quartet Commissioned by Benjamin Britten BBC: November 4, 1978 ublished in Music Analysis 4/1-2 (1985) Manchester Univ., May 10, 1985 David Fanning, piano, & the Lindsay Quartet Abbreviations: BBC3 = BBC Radio Third rogramme; NDR = Norddeutscher Rundfunk (Hamburg); DSS = Dartington Summer School (Devonshire, England); ISM = Incorporated Society of Musicians May 22, 1985 letter from HK to Mischa Donat
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4 39 TR IS IS # # SMA 43 # n 46 II. Andante 6 8 j j j 6 8 j j j j 6 8 6 8 j lay second movement as written.
Violin I Violin II Viola Violoncello I A3: To follow third movement 103 4 4 4 4 MIN 3 4 # 3 4 # 3 4 3 # n 4 TRIO 109 # # > > # # > # > # n # # n # # # b # n b # # I 115 & # # > > > > > > TRIO - Simplified >, > >, & # # b B # # b # # b b
2 122 Simplified TRIO - Minor MIN - Simplified # Simplified TRIO - Minor 130 > > > > # # MIN I n 137 # # I # n # n # # b # n n b 144 MIN / MIN / MIN / # # # 4 w
I 151 MIN / #........................ j # 3 156 # # j j I. #.. #............ #......... I 159 # # # j....... #.. #............ #...
MIN 3 b 4 # n w 162 n b > > > b > 170 180 MIN # I # n n # n n 187 # # 6 8 j I 6 # n 8 # # b 6 8 b 6 8
2 194 FINALE # # j j # # j I j j j j j j j # # 199 MIN FIN MIN # j # # 204 FIN j # #. # MIN 3 8 210 3 6 8 j. 8 # # j FIN I 3 8 6 8 j j j j # n j 3 8 6n 8 # # # # # 3 8 6 8 215 MIN # 9 6 8 8
220 6 8 FIN j 3 I 6 8 6 8 j n # # b # j j 6 8 # j I 225 j MIN # # j j # # j I 229 4 # # 4....... #.. 4......... 4 # etc.