Name: Quiz name: Film History/Terms Review ate: 1. Who is responsible for the first motion picture as a result of betting about the way a horse runs? rmat Edison Standford Melies 2. Which device is spun and the illusion of movement is created as a person looks through slits on the side of the mechanism? zoetrope kinetoscope vitascope mutoscope 3. Which machine could only 1 person peer into at a time, it cost a penny per movie (maybe a minute each), and had a long strip of film moved by a motor? mutoscope zoetrope kinetoscope vitascope 4. What invention is George Eastman known for? projector flexible film actor's union mutoscope
5. Who didn't have a whole lot of faith in the idea of motion pictures? Meissonier ickson Melies Edison 6. He invented the 1st crude projector. Jean Louis Meissonier T homas rmat T homas Edison art Simpson 7. He broke away from Edison and created something like a kinetoscope, only this invention worked more like a flipbook inside the mechanism. mutoscope vitascope telescope zoetrope 8. redit for this machine was given to Edison even though rmat was the real inventor so that it would get more recognition. vitascope kinetoscope microscope mutoscope
9. He introduced fade outs, dissolves, double exposures, and special effects to the film community and wanted to tell stories with film. Oh, yeah, he was also a French magician. Melies Meissonier rmat King Louis 10. Melies' greatest film. T he Great T rain Robbery T rip to the Moon Zorro Saving Private Ryan 11. He introduced editing to films and was also concerned with the idea of telling a story. His greatest film was T he Great T rain Robbery. Edwin Porter harlie haplin ouglas Fairbanks Russell rowe 12. great director of his time...he was a household name. ates haplin Griffith emille
13..W. Griffith was known for making movies about what particular topic? World War I Relationships hicken Nuggets ivil War 14. T his movie opened in L, February 8, 1915, grossed over $10 million in its first run, was hailed for its technical quality, was controversial as it glamorized the KKK, and was historically inaccurate. It also used blackface. T he irth of a Nation Indiana Jones and the T emple of oom Our ountry T he Great T rain Robbery 15. He was known for his slapstick comedy, especially that of the Keystone ops. He thought it was funny to watch those who are charged with keeping order acting like baffoons. haplin Langdon Sennett Keaton 16. He was always inexpressive. He did physical humor and often took great falls. harlie haplin Harry Langdon Mack Sennett uster Keaton
17. He was "Willie Work." Used humiliation and sight gags in his humor, and often made $1.5M per film. Harold Lloyd harlie haplin ill Murray.W. Griffith 18. ouglas Fairbanks created an actor's union, was married to Mary Pickford, played a lot of swashbuckler roles, but was most known for his role as Willie Work Zorro T he T ramp r. Horrible 19. Mary Pickford was merica's sweetheart, was married to Fairbanks, owned a studio, and often played characters 1/2 her age. What other character type is she known for? childish smart seductive tomboy
20. harlie haplin was nicknamed "T he T ramp," directed his own films, used slapstick humor, and was improvisational. Where did his costume come from? a director once forced him to wear it his mom assembled it for him odds and ends in the dressing room Salvation rmy 21. T ypically a will follow an order. It may start with an establishing shot, to a long, to a medium, to a long, to a medium, to a close-up, etc... sequence cut montage storyboard
22. T his still from Karate Kid is taken from a part of the movie where a song plays, and it shows a faster passage of time. T his technique is called a montage sequence cross-cut long shot 23. Which of the following is not part of mise-en-scene? costumes acting lighting script 24. T his shot is an example of a high shot bird's-eye view long shot 25. T his is an example of a high shot bird's-eye shot
26. T his shot is an example of a(n) close-up high shot eye-level shot 27. T his storyboard frame is going to become a in a film. high shot bird's-eye shot extreme close-up 28. T he placement of a reaching hand makes it obvious that this is a point-of-view shot high shot bird's-eye shot 29. T his shot is primarily used with 2 people in the frame. It's easy for the viewer to put the conversation in perspective. over-the-shoulder shot medium shot pan close-up
30. T his shot is considered a close-up fish-eye shot utch tilt 31. T his shot is an example of a utch tilt fish-eye shot long shot 32. If you are filming a conversation between 2 characters, and if you draw an imaginary circle around the actors and a line through the middle, what rule states that you have to keep the camera(s) on one side of that line so that the characters are always facing the same way during that scene? rule of 180 o rule of circle rule of film rule of conversation E rule of 360 o 33. T hese shots typically are outdoors and help the viewer understand where the scene will be taking place. establishing shot long shot medium shot
34. 35. 36. 37. T his shot is an example of a(n) short shot medium shot establishing shot long shot T his shot is the most comfortable for viewers because it a distance typically used in conversation. long medium close-up extreme close-up T his is an example of a long shot medium shot close-up extreme close-up T his is an example of a(n) high shot close-up extreme close-up
38. T his picture shows what it might look like if a camera man is going to perform a pan tilt 39. Notice the handle on the side. T his will make it easy for the cameraman to perform a pan 40. When a camera, while remaining stationary, looks up or down, it is called a pan tilt 41. 41. Moving in closer on a subject through a process of magnification is called tilt pan
42. Moving away from a subject while magnifying them at the same rate creates an interesting camera movement called tilt 43. Going around a subject in a circle (or partial circle) is called a(n) fade arc shot pan 44. What type of transition is being used here? wipe fade crossfade dissolve 45. T his type of shot is called a, when one image goes out while another slowly comes in. fade crossfade wipe cross-cut 46. When you jump from one scene's action to the action of another scene which is happening simultaneously, it is called a cross-cut
46. When there is a different, quick shot interlaced into the main action of a scene that gives the viewer a little bit more information, it is called a crossfade cross-cut shock cut cut-away