'<.ue ec uu TRANSCRIPTION

Similar documents
A is going usually B is usually going C usually goes D goes usually

Um... yes, I know that. (laugh) You don't need to introduce yourself!

1999 {Don't worry, I won't hurt you I only want you to have some fun}

Dominque Silva: I'm Dominique Silva, I am a senior here at Chico State, as well as a tutor in the SLC, I tutor math up to trig, I've been here, this

They can sing, they can dance After all, miss, this is France And a dinner here is never second best Go on, unfold your menu Take a glance and then

Our Dad is in Atlantis

SEXUAL PERVERSITY IN AÑO NEUVO Ross Peter Nelson Playwright s Phone Number. A 12-year-old elephant seal. The alpha male. EDDIE EDDIE EDDIE EDDIE EDDIE

The Movies Written by Annie Lewis

EXCERPT FROM WILLING OBJECTS BY SERAFINA DONAHUE

Edited by

PEOPLE WHO LIE. written by. Xavier Gonzalez

Transcript: Reasoning about Exponent Patterns: Growing, Growing, Growing

THE STORY OF TRACY BEAKER EPISODE 1 Based on the book by Jacqueline Wilson Sändningsdatum: 23 januari 2003

DIFFERENTIATE SOMETHING AT THE VERY BEGINNING THE COURSE I'LL ADD YOU QUESTIONS USING THEM. BUT PARTICULAR QUESTIONS AS YOU'LL SEE

Cady: Hi. I don't know if anyone told you about me. I'm a new student here. My name is Cady Heron.

Chapter X. In which Christopher Robin and pooh come to an enchanted place, and we leave them there

Look Mom, I Got a Job!

Victorian inventions - The telephone

Contractions Contraction

Interviewee: Emile Lacasse, Sr. Interviewer: Carroll McIntire May 12, 1994

Big Life. Paul Calandrino Characters. Brad - 30s Angelina - 30s

Check here. Task 1 Fill in the blanks. Hold the, please. transfer. The is not good. signal. bother. Sorry to you. I'll your call.

Candice Bergen Transcript 7/18/06

Note: Please use the actual date you accessed this material in your citation.

BBC LEARNING ENGLISH 6 Minute Grammar Present tenses

************************ CAT S IN THE CRADLE. him"

What makes a video go viral?

BBC LEARNING ENGLISH 6 Minute Grammar The present perfect with just, already and yet

CAILLOU MARCHES ON. Caillou Eps. # Disappearing Carrots - Recording p.1

Elementary Podcast 2-5 Transcript

Lexie World (The Three Lost Kids, #1) Chapter 1- Where My Socks Disappear

DISK: TRANSCRIPT DISC #176 PAGES: 8

Is it a bad thing if children tell lies? Scientists don't think so. This short video explains why.

ECO LECTURE TWENTY-THREE 1 OKAY. WE'RE GETTING TO GO ON AND TALK ABOUT THE LONG-RUN

Our Story Of How It All Began

Our Story Of How It All Began

1 MR. ROBERT LOPER: I have nothing. 3 THE COURT: Thank you. You're. 5 MS. BARNETT: May we approach? 7 (At the bench, off the record.

FILED: NEW YORK COUNTY CLERK 09/15/ :53 PM INDEX NO /2017 NYSCEF DOC. NO. 71 RECEIVED NYSCEF: 09/15/2017 EXHIBIT I

Carl Wiser (Songfacts): We got an with some great pictures from the '70s of the Bella Vista.

I HAD TO STAY IN BED. PRINT PAGE 161. Chapter 11

Teacher Man by Frank McCourt

DOCUMENT NAME/INFORMANT: PETER CHAMBERLAIN #2 INFORMANT'S ADDRESS: INTERVIEW LOCATION: TRIBE/NATION: OOWEKEENO HISTORY PROJECT

THE WEIGHT OF SECRETS. Steve Meredith

Hey I just met you. And this is crazy G D. But here's my number. So call me maybe G D. It's hard to look right. at you baby. But here's my number

Do you chew gum regularly? And then what do you do with it when you have finished?

BRIDGET She can't. They'll look fantastic. "The timber shelves in clear lacquered beech veneer with six castors and a TV bench."

Night of the Cure. TUCKER, late 20s. ELI, mid-40s. CHRIS, mid-30s

LEITMOTIF (Medley) Being Your Baby There's a Place Only in Dreams Thinking Love is Real Magdalene Wine on the Desert Spring and Fall

S p i r i t o f L a n g u a g e

City & Guilds Qualifications International ESOL Access level Practice Paper 5

Speaker 2: Hi everybody welcome back to out of order my name is Alexa Febreze and with my co host. Speaker 1: Kylie's an hour. Speaker 2: I have you

NOT AUTHORIZED FOR PERFORMANCE

-1- It's Up To You: Choose Your Own Adventure

THE BENCH PRODUCTION HISTORY

BBC LEARNING ENGLISH 6 Minute Grammar Talking about the future

Song Lyrics. The Dover House Singers invite you to an. Wednesday 28th March pm St. Margaret s Church Hall, Putney Park Lane, SW15 5HU

Life After You by Daughtry Examples of: Alliteration, internal rhyme, half/ near rhyme, true rhyme, simile, hyperbole, paradox, and anaphora.

10:00:32 Ia is stubborn. We fight about TV and cleaning up. 10:00:39 What annoys me most is that she's so stubborn.

File No WORLD TRADE CENTER TASK FORCE INTERVIEW FRANK PASTOR. Interview Date: October 23, Transcribed by Maureen McCormick

LLT 180 Lecture 8 1. We're over on page 194. We had just gotten done. We had Wart saying clearly

Elementary Podcast 2-7 Transcript

Match the questions and answers. Type the letter in the box.

EXTRA in English Episode 12: Football Crazy Script

Confessions. by Robert Chipman

During the Depression, the Marx Brothers Made Moviegoers Laugh

crazy escape film scripts realised seems strange turns into wake up

THE HAPPY GUY. Written By 15-DE05-W029. One man's happy life is the envy of many, but perhaps his life is not so different after all.

Romeo and Juliet. a Play and Film Study Guide. Student s Book

AME THAT TRADITIO! A OU CER Hi everybody and welcome everyone to our weekly, untelevised game show; Name That Tradition!

Sketch. A Square Peg in a Round Hole. Ronald Lear. Volume 48, Number Article 19. Iowa State University

Palliative Care Chat - Episode 18 Conversation with Barbara Karnes Page 1 of 8

I Tom. L the film starts does the film start? In past simple questions, we use did: L you. I you live do you Live?

LISTENING Test. Now listen to an example: You hear: Woman: Where did you go this weekend? The correct answer is C. Are there any questions?

For more material and information, please visit Tai Lieu Du Hoc at American English Idioms.

TIGHTEN UP YOUR WIG. From the 1968 release "The Second" Words and music by John Kay

And all that glitters is gold Only shooting stars break the mold. Gonna Be

NONE OF THE ABOVE 2009 by Jenny Lyn Bader excerpt from ACT I, Scene 1 For licensing inquiries, contact Dramatists Play Service

I CAN HELP, TOO CFE 3255V

The Lunch Thief! by Rhodora Fitzgerald

Iris by the Goo Goo Dolls

The Addams Family. .wmv download: Script. Stop it! I'm warning you.

ABBOT AND COSTELLO. Cast. Abbot and Costello Car WWII Originally broadcast in Bud Abbott Lou Costello Mrs. Niles Mr. Niles

MITOCW MIT7_01SCF11_track01_300k.mp4

A Charlie Brown Thanksgiving

ONE LOVE Music by: Bob Marley Arr. Aaron Nigel Smith

Nicktoons Unite! 1/2

#029: UNDERSTAND PEOPLE WHO SPEAK ENGLISH WITH A STRONG ACCENT

SATURDAY NIGHT FEVER

Choose the correct word or words to complete each sentence.

Sarah looks outside the window to see Laurien driving her car rather recklessly and parking diagonally. Laurien jumps out of her car and runs inside

Five Fingers Make A Fist. Written By. Felix Hockey 19/08/17

BABIES. A short comedy by Don Zolidis

April... Spring song characters Gus Octavia... Dec Tick Tock Father Time Summer song characters...

MITOCW big_picture_integrals_512kb-mp4

March 12 th, 13 th and 14th 2015

Telephone Phrasals C.O C.O. 2 H.O (wait) 5 S.U (talk louder) 3 H.U (replace receiver) 1 P.T (connect/ transfer) 6 P.

Wayne: That's correct. Copyright 2017 LARadioSpecialist.com

Stop it! KATHERINE: Dr. Switzer? DR. SWITZER: Yes, come in. I'm just washing. my hands. KATHERINE: I'm Katherine Bigmans. Janet. Carlisle referred me.

Great Central Strummers Songbook

Hello! & Welcome to A Twisted Plays/Junior Drama Sample Script! On the following pages you will find a sample of the script that is available for

Transcription:

Commission d'enquête sur l'octroi et la gestion des contrats pub lics dans l'i ndustrie de la construction f"'\1 ~ b DU '<.ue ec uu TRANSCRIPTION Nom du projet: Identification Appel : No. de conversation : Type: Langue(s) : Identification Personnes : No de téléphones interceptés : No téléphone entrant/ sortant: COLISÉE Dat e: 2002-11-05 Heure début: 15:13:00 Heure f in: 15:26:28 Durée : 13m28s mac0021-200211051513 1 Tra nscri pt ion ~ Trad uction Français D Anglais [8:1 Autre(s) :_ a) Vito RIZZUTO (VR) b) Jonathan MILLETIE (JM) c) Hi1 D Contenu de la conversation 1. Hi1: Alain bonjour. 2. VR: Va Jonathan. 3. Hi1: Hey how are you, ho ld on ok? 4. VR: Ali right. 00:00:00 5. Hi1: Thank you. 6. JM : Hi. 7. VR: How are you doing? 8. JM : Ok, we got this underway. 9. VR: Vou, Jonathan we got insurance? 10. JM : Veah, 1 just was, 1 spent twenty minutes on the phone. V our w ife and the, my ins, my insu re, insurance guy that's related to you. 11. VR: No kidding. 12. JM : Veah, he says, we gave him two thousand policies last year. 13. VR: (Laugh) 14. JM : He says, he says, 1 never knew that this was the sa me family. 15. VR: (Laugh) 16. JM : Can you believe? But? 17. VR: Veah. 18. JM : Please don't get me into trouble, please. We have to have a pact w ith women. Don't make me look bad in front of your w ife and 1 won't make you. So Johanna says, now l'm gonna lower the insurance seven hundred. 1 said no you're not. 19. VR: Veah. 20. JM : lt's nine fifty. 21. VR: What do you mean ni ne fifty? 00:01:00 1

22. JM: For the house, I want nine fifty. 23. VR: Nine fifty? 24. JM: Same price. 25. VR What do you mean nine fifty? 26. JM: The land doesn't burn. 27. VR Ah, you mean nine fifty insurance you mean? 28. JM: Yeah. 29. VR: Plus furniture though? 30. JM: Yeah, plus furniture. 31. VR: Oh, ok. 32. JM: So she says no I only need seven hundred. 33. VR: (Laugh) 34. JM: I said no. 35. VR: Y a ok. 36. JM: We're taking nine fifty. 37. VR: How, how much will it be the policy? 38. JM: Now he's calling us back but euh. 39. VR: But he's gonna pass it through or what? 40. JM: Yeah, of course. So he says, he says, I never knew. 41. VR: (Laugh) 42. JM: I said where did you get your two thous, thousand policies last year? 43. VR: Yeah. 44. JM: It's not from me, it's from my uncle. 45. VR: (Laugh) 46. JM: So the guy starts freaking out. 47. VR: That's right hein? 48. JM: Is that, is that beautiful or what? 49. VR: Beautiful, beautiful. 50. JM: Beautiful. 51. VR: Yeah, yeah, good. 52. JM: Anyway, we have it under control. 53. VR: Ok, so any news from, from Paul? 00:02:00 54. JM: Yeah. So Paul, Tony Magi. 55. VR: Yeah. 56. JM: He needs three million bucks. So Paul says euh, I want to get together with him. 57. VR: Yeah. 58. JM: I said no no no no no, we get together always together. 59. VR: Yeah. 60. JM: I have a rule. 2

61. VR: Yeah. 62. JM: When he gives me somebody, they report to me. When, I give you somebody, they report to me. 63. VR: That's right. 64. JM: Is that ok, with you? 65. VR: Perfect. 66. JM: I think it has to be this way. 67. VR: But then you think that's it's gonna, could be good the thing or what? Could you do something there? 68. JM: Nah, nah, he's not trustworthy. He's not. 69. VR: No, but we gone, will take it over. Hey, I'll control this fucker, you know what I mean? Now, I'm gonna be. 70. JM: No no if. Are you, are you sure you can control him? 71. VR: Of course. 72. JM: All right then I'll control Bloom and Debrowski. 73. VR Yeah I can control him. If we can. Listen, he's willing to give us half of the project, if we can help him out, you understand? 74. JM: Help is like taking candy from a baby. 75. VR: You understand? 00:03:00 76. JM: Right. 77. VR: If we can help him with the project and he lets it through we can get a half of it for ourselves. 78. JM: I can do that as long as you can control him because nobody can control this guy. 79. VR: Don't worry about it, I, I can control him. He's, how, I know, you know a way to control him, because he's gonna pass half of the project to us. 80. JM: All right, so then I'm gonna set it up, hold on. 81. VR: You, you understand what I'm trying to say? 82. JM: Let me link Paul in then, you wanna talk to him for two secs? 83. VR: Well. 84. JM: Just keep it ve, we'll keep it very generic, is that ok? 85. VR: Yeah, Yeah. 86. JM: Hold on a second, we'll get together; he needs three million bucks so we will get from the bank tomorrow. Hold on a second. 87. VR: Yeah, But why three million, he needs more, he needs sixty four million the guy. 88. JM: Ah, ok sixty four million. He's, he's smoking dope all day long, hold on one second. 89. VR: No, but he's gonna get it for, what three million, what he's talking about, three million for what? 90. JM: Take out Debrowsky, Bloo, Bloom. That's his problem you know that hein? 91. VR: No, his problem is more than that, because he as to take out the people I know before Bloom. 3

92. JM : Veah, yeah, 1 know that tao. 1 know who they are, from the form 00:04:00 workers hold on one second. Just a second. (mise en attente de 46 secondes) Veah you know dad? 93. VR: Veah. 94. JM : That 1 have the hiccups for the first time si nee l'm seventeen. 95. VR: Vou what? 96. JM : Have the hiccups. 97. VR: Oh yeah. 00:05:00 98. JM : When is the last time you had the hiccups? 99. VR: This morning. 100. JM : Are you serious? 101. VR: Uhhh, uhhh. 102. JM : This is fucking, you and me here like born from the same elath. Vou had the hiccups this morning? 103. VR: Veah. 104. JM : Hiccups? 105. VR: Veah, 1 always get them, if 1 drink tao fast. 106. JM : Vou do? 1 haven't had that since l'm seventeen. Anyways, you know it's like you and me we're running the central bank of Canada now. 107. VR: Veah. (Laugh) 108. JM : The red group, they wanna give us. Hold on a second. ls he on the phone Garry? Tell him to hang up, l'm ca lling him right back. Tell him to answer his cell phone. Right, right now. Th is Magi, 1 don't trust this guy, but anyways. 109. VR: Ah, the thing is listen, if this guy can get out of his problem, in the sense that he starts building the place. 1 thin k. 110. JM : V, he's not trustworthy, the way he's, [inaudible] he's fuck. 111. VR: Listen to me Jonathan, li sten to me, he's ready, if we get somebody 00:06:00 who can help him out, either by f inance, private f inance, or finding f inance, for him to continue the project he's w illing to give us half of the project. Vou get it? 112. JM : Veah, l'm gonna link him in now. 113. VR: Ma, before we do anything, will make him sa le. 114. JM : (Inaudible). Who's gonna gives us the eh you know? And then l'm gonna ca li you right back. Hold on. 115. VR: Ok. 116. JM : Don 't go away. 117. VR: Talk to him. Bye. 118. JM : No, no, hello? 119. VR: Veah. 120. JM : lt's gonna sound like you 're getting eut off. Vou're gonna be at- 121. VR: Cali me my number; cali me my number-. 122. JM : No, no, no, 1 want you to be on the phone. There's nothing, don't worry about it. Hold on one second, sounds like you are getting eut 4

off. One second. We're running the b the central bank of Canada now, hold on. 123. VR: (Cough) Did you talk to Tony Magi? 00:07:00 124. JM: [Inaudible] It's noon. 125. VR: Did you talk to Tony Magi? 126. JM: Hold on a second dad. I'm sorry I have the hiccups. I don't know what happened to me. 127. PAUL: Hello, yo. 128. VR: Yah. 129. JM: Yah Paul. 130. PAUL: Yah. 131. JM: I have dad on the phone 132. PAUL: Yah OK.. 133. VR: How do you do Paul? 134. JM: All right. So Listen, we will, we'll keep this in encrypted code. Tell me something, how much money does he want? Him. 135. PAUL: Euh. 136. VR: Paul, you. 137. JM: How much? 138. PAUL: From what I discussed before right? 139. JM: Yeah. How much? 140. PAUL: He's looking for fifty four mil. 141. VR: Yeah. 142. JM: Oh, then so you're right dad, sorry. 143. VR: Yeah. Paul. 144. PAUL: Yeah. 145. VR: Did you, did you look at those papers? How do they look? 146. PAUL: Yeah well they look, they look fine; the only thing I'm trying, I'm having a hard time understanding, that's why I wanted to speak to him, was that euh CMAC did they make a commitment or not? 00:08:00 147. JM: Who? 148. VR: Oh yeah, I understand. It's not marked that you can't see by those papers, right? 149. PAUL: No It doesn't say. It just says that they're they're, they were waiting for a progress report which they never got because the're saying the progress is working in, on place is so much and for them they don't quantify as seeing enough before they can do a first advance payment. 150. JM: Paul, I just got a print out right here on my computer. 151. PAUL: Yeah. 152. JM: That BMO. 153. PAUL: Yeah. 154. JM: Is in for 27 million. 5

155. VR: Who? 156. PAUL: For 27? 157. JM: Yeah. 158. PAUL: Are you sure? 159. JM: Bank, yeah, Bank of Montréal. 160. VR: Who? 161. JM: Hold a sec. Robin, it's 27 million? Today's the deadline. 27 million. 162. VR: Who? 163. JM: We have it right in front of us. 164. PAUL: Oh yeah? 165. VR: Yah but, but not for that project, another project. 166. JM: No for that, Robin for that project? 167. VR: No, no, no, no. 168. JM: Is that for the old port? 169. VR: No, no, no, no. 00:09:00 170. PAUL: I don't think so. 'Cause the BMO is not even in the picture. 171. VR: No, no, no, it's not. 172. JM: I'm sorry, I was wrong. 173. PAUL: Jonathan, BMO is not in the picture. 174. JM: I'm sorry. 175. VR: There's nobody in the picture. 176. JM: I was wrong, you hear me. 177. VR: Already I told you yesterday there's no bank involved in this. 178. JM: Dad I'm sorry I was wrong. Robin told me it's not his fault. 179. VR: Yeah. Listen the guy, he already, everybody including Bloom and everybody, there's twenty eight million dollars put in that. If you look at the report, there was a. 180. PAUL: Yeah, yeah, there's twenty, there's twenty seven something in there already. 181. JM: All right. I'm sorry I'm wrong, it's twenty seven, he as the right number. 182. VR: Yeah, but it belongs to the people and some of their money, you understand, there is no bank involved. 183. PAUL: I know but, Jonathan what I'm saying is that he's got twenty seven million tied up, not from other people but from people who committed to, to, to, to euh. 184. JM: Yeah but not not, so, so listen, listen Paul, you have to understand. 185. PAUL: Right now, it's seventy four, it's seventy four point six percent sold. 186. VR: Yeah that's right, see seventy four percent sold. 187. PAUL: Ok. One hundred and forty seven units. 00:10:00 188. VR: Yeah. 189. JM: Yeah but you know, this guy is famous for cost overrun. 6

190. PAUL: Yeah Ok. 191. JM: Do you understand? 192. PAUL: That's, that's what's called. 193. JM: Transfer pricing. 194. PAUL: Yeah that's, that's. 195. JM: He calls you a partner and he says it cost fifty million and then he says it cost sixty and puts ten in his pocket. 196. PAUL: Well that's, that's where in the document CMAC worries are. 197. JM: Well of course that's where their worries are and, but you know who's on the other side of this phone? 198. VR: Yeah but. 199. JM: Dad, you can control that, right? 200. VR: I could I tell, listen I could don't worry about it, trust me. 201. JM: So, what do we wanna do Paul? 202. PAUL: Well, we got, because see in here, we got to check with CMAC. Are they committing to this project or not? 203. JM: I'll find that out. I'm gonna make one more phone call right after this. 204. VR: Paul, Paul, Paul. 205. PAUL: Yeah. 206. VR: Paul, suppose they're not, what can we do? 207. JM: We'll take it to GE. 208. PAUL: Well we'll go to GE, exactly. 209. VR: Yeah, yeah. Ok, Ok then you know what you are gonna do, you got, you gotta phone Tony, Ok. 210. PAUL: Yeah. 211. JM: Who's gonna call Tony? 212. VR: Him, Paul is gonna call him, and tell him. 00:11:00 213. JM: Can he call me on the phone? 214. VR: Hey? Who? 215. JM: Me. Can he call with me on the phone? 216. VR: Yeah, but I want Paul. Paul is got the file. I want Paul to call him with you whatever, and I. 217. JM: And I want your permission to call with me on the phone. 218. VR: No problem, I'm saying, but let Paul. I wanna him to say. 219. JM: Are you authorizing Paul to say. 220. VR: Yeah, I was gonna ask you. 221. JM: Privately who's behind. 222. VR: I'm authorizing Paul to say this. 223. PAUL: Yeah. 224. VR: Tell him when you call him, tell him that I said for you to call him and that it's concerning what we he talked with me and that if he needs 7

some questions, answer the questions, that's all. 225. PAUL: Ok, exactly. Ok, good. 226. JM: So dad, so why don't we meet tomorrow, all of us. 227. VR: Yeah. 228. JM: What time? 229. VR: I can meet tomorrow at anytime you want, give me the time. 230. JM: Paul? 231. PAUL: Yeah. 232. JM: Call him up. 233. PAUL: Yeah. 234. JM: I'll link him all in. 235. VR: No, no, call him up Paul, tell him I told you to call him and ask him some questions. 236. PAUL: Yeah. 237. VR: And then you tell him that I put you in the file and euh, I meant you're answering to me, you understand? That's it. 238. PAUL: Yeah. Ok, Ok. 239. JM: Can, can my name be mentionned there too, V? 240. VR: Well later on yeah, if, if we see that we can do something, then yes. 241. JM: No, I need my pride too. 242. VR: Well of course, we need you for GE no? 243. JM: Thank you. 244. VR: We need you for GE no?. 245. JM: Thank you. So you know what, Paul, get him on the phone, I'll get dad back on the phone. Ok? 246. PAUL: Yeah. 247. VR: But you don't have to get me on the phone. 248. JM: Yes I do. 249. VR: No, I don't want to be on the phone, you talk, ask him exactly what I told you. If any problem. 250. PAUL: Yeah. Yeah. 251. VR: Then you get me on the phone. Ok? 252. PAUL: Ok. 253. JM: All right. I'll call dad back. 254. PAUL: Hey, exc- while, while you're on the phone, just two things. 255. JM: Yeah. 256. VR: Yeah. 257. PAUL: The, the r-, the other document, I did get from you yesterday. 258. VR: Yeah. 259. PAUL: One, one is that, I don't think we can do anything euh which is the girl there euh because of the credit, I pull a credit and it's way down the. 00:12:00 8

260. VR: What? 261. JM: I already fixed it. 262. VR: The wife, the wife? 263. JM: No, nothing to do with you dad. 264. VR: Ah, ah. 00:13:00 265. PAUL: With Jonathan, yeah. 266. VR: Yeah Ok. 267. PAUL: Ok. anyways so I'll call him and then I'll get back to you. 268. VR: Ok. 269. JM: Hey? V. 270. VR: Yeah. 271. JM: There's two files, one through. 272. VR: Ok, Ok, Ok. I got it, I got it, no problem. 273. JM: Ok. [inaudible]. 274. VR: No Problem. 275. JM: Ok. 276. VR: Take care. 277. JM: Call me right back. 278. VR: Take care. 279. JM: Get him on the phone, Magi. I'll speak with him with you, Ok? 280. VR: Right. Bye. 281. PAUL Yeah, Ok. 282. JM: Bye. 283. VR: Bye, bye, bye. Bye. [Fin] 00:13:22 9