Composer s Note It is a difficult task to capture the feelings and emotions of Good riday ut Terry's incredily eautiful texts hich are sometimes almost difficult to speak paint such vivid pictures. My hope is that the music does not find itself in the ay of these images ut instead sutly enhances them. Whether that is done through discovering the nearly-defensive tone of Caesar Is Our King or the handing off of melody eteen the choir and cello in Only God Knos the crisp consonants called for in lack-skinned Simon or the cold and lonely lullay in No Crying He Makes the idea as to simply find the essence of the text and offer it a musical companion. The conductor the choir and the cellist should keep the text in mind through the hole ork. Author s Note The Tradition of the Stations of the Cross Taylor Scott Davis To encounter the Stations of the Cross via the visual and performing arts is to alk ith esus from ilate s house to Calvary and then to atch as esus ody is placed in the tom. Tradition holds that during Holy Week in the ancient Church pilgrims made their ay to erusalem to alk the path he alked during the last days and events of his suffering. Scripture reading and prayer accompanied this alk underscoring significant places and events along the ay. y the sixteenth century CE fourteen stations came to e accepted in many circles. Eight of those stations related to events recorded directly in the gospels (the asis of this ork) hile the other six are devotional allusions to legend and the gospels. The Stations of the Cross invite the orshiper into a drama that is not a time of pretending ut a time of entering into the story. The Texts of these Anthems This ork is intended to create a conversation eteen ancient scripture texts and current hard speech. Each anthem in this choral cycle ith the exception of the Maundy Thursday anthem Salvation Stands ith Open Arms is in dialogue ith the specific ilical passage from hich it emerged. The Maundy Thursday anthem is in dialogue ith the several passages and ell- knon Lenten songs that descrie the crucifixion scene. The anthem texts are simple as pain is simple as hope is simple. Yet a careful reading singing and hearing of each anthem ill reveal ords or phrases that expose complexities in processing pain and hope and in living as Christ-folloers in our complex and confusing time. Read sing hear and think deeply and prayerfully. Terry W. York Availale Editions Choral Score Cello art A Lenten Devotional Guide (printed copy) Lenten Devotional Guide (e-copy) C
rogram Notes Return to Me is designed as a musical ourney through the Stations of the Cross. The music depicts nine scenes eginning ith the sharing of the read and ine in the upper room on Maundy Thursday. The texts of each piece may e reprinted in the order of orship as an aid to the orshiper. Silence The music is set in a simple style ith solo cello choir and piano. The starkness of the settings helps depict the gravity of the events taking place. Silence is an important element in this service and adequate time for personal reflection should e given at the conclusion of each musical segment. Silence during the processional and recessional is also very appropriate. rayer One may ish to rite prayers or meditations that may e inserted into the program at appropriate points. Artork It is possile to enhance the performance of this ork through the use of printed proected or displayed art depicting the Stations of the Cross. If the art is proected it should e done in a ay that gives adequate time for reflection on each piece of artork. It is etter to allo time to focus on only one or to pieces per musical selection. lease e aare that some artork may e copyrighted and that copyright las must e oserved. Scripture The simplest and most effective form for this service ould e to read scripture prior to each of the choral anthems. The contrast eteen hearing the ilical language and hearing the musical interpretation of that scene in modern day language ill create a poignant experience for the orshiper. Devotional Guide Luke :1 3:56 Salvation Stands ith Open Arms ohn 19:1 3 Hail King of the es ohn 19:15 17 Caesar Is Our King Luke 3:6; Matthe 11:8 30 lack-skinned Simon Luke 3:7 8 Daughters of erusalem Weep Luke 3:3 38 What Was That He Said Isaiah 53:10 1 Only God Knos Luke 3: 6 This Mid-Day Night Luke 3:50 56 No Crying He Makes Dr. Terry York has ritten a daily Lenten Devotional Guide to aid the congregation during this ourney through the Lenten season. It may e purchased in a digital format to e used on church esites aceook pages church nesletters or other digital formats. It may also e printed as a personalized devotional ooklet. rinted copies of this guide are also availale from MorningStar Music ulishers.
Contents 1. Salvation Stands ith Open Arms 5. Hail King of the es 1 3. Caesar Is Our King 1. lack-skinned Simon 9 5. Daughters of erusalem Weep 37 6. What Was That He Said 7. Only God Knos 51 8. This Mid-Day Night 59 9. No Crying He Makes 67
1. Salvation Stands ith Open Arms SAT Cello and iano 5 Terry W. York ASCA Taylor Scott Davis Tenor ass Chant-like floing ( q = 60 ) Unison Sal - va - tion stands ith o - pen 3. arms iano 3 3. 3 With nail - prints red and flo - 3 ing. 3 ( ) 3. 5 Sal - va - tion stands up - on a 3. nail 3 ( ) 3. Text: Nely authored and copyright 01 ith this pulication. Referencing Luke 3:3-38 (NRSV). Music: Nely composed and copyright 01 ith this pulication. Copyright 01 irnamood ulications (ASCA) A division of MorningStar Music ulishers Inc. St. Louis MO All rights reserved. rinted in U.S.A. 1.800.67.117.MorningStarMusic.com Reproducing this pulication in any form is prohiited y la ithout the permission of the pulisher. The CCLI License does not give permission to copy this music.
6 S A T 7 With love and pain oth Unison glo Sal - va - tion s flesh is torn and - ing. ( ) 9 rit. ro rit. - ken y thorns and nails and spear is ro - a tempo a tempo. ken y ( ) rit. a tempo S A 1 T. y greed and hate and ar is ro - ken (Cello) loco
1. Hail King of the es To-part Mixed Voices Cello and iano Terry W. York ASCA Taylor Scott Davis Cello qî = 50 6 8...... 8 6 iano 8 6. edal harmonically.... S A 5 Unison. Re - T........... Text: Nely authored and copyright 01 ith this pulication. Referencing ohn 19:1-3 (NRSV). Music: Nely composed and copyright 01 ith this pulication. Copyright 01 irnamood ulications (ASCA) A division of MorningStar Music ulishers Inc. St. Louis MO All rights reserved. rinted in U.S.A. 1.800.67.117.MorningStarMusic.com Reproducing this pulication in any form is prohiited y la ithout the permission of the pulisher. The CCLI License does not give permission to copy this music.
13 9.. ec - tion pierc-es his heart; e -.... Thorns pierce his ro.. n...... 13 tray-al slaps his.. soul;.. Sol - diers slap his face. n......
1 17 Laugh - ter sad - dens his spir -. it. As those he deep - ly loves mock his..... 0 A it faster ( q = 76 ) Hail king of the.. name. Hail king of the es...... A it faster ( q = 76 ) p.....
3. Caesar Is Our King SAT Tenor Solo Cello and iano 1 Terry W. York ASCA Taylor Scott Davis Soprano Alto q = 65 f 5 Cru - ci - fy him! Cru - ci - fy him! Tenor ass f 5 Cru - ci - fy him! Cru - ci - fy him! Cello 5 iano f 5 5... T 3 (Tenor Solo) f ruato Shall I cru - ci - fy your king espressivo f Text: Nely authored and copyright 01 ith this pulication. Referencing ohn 19:15-17 (NRSV). Music: Nely composed and copyright 01 ith this pulication. Copyright 01 irnamood ulications (ASCA) A division of MorningStar Music ulishers Inc. St. Louis MO All rights reserved. rinted in U.S.A. 1.800.67.117.MorningStarMusic.com Reproducing this pulication in any form is prohiited y la ithout the permission of the pulisher. The CCLI License does not give permission to copy this music.
5 dim. n (Tutti) Unison Shall I cru - ci - fy your king A - edal harmonically 8. ay ith this man or n. Cae - sar is our king. A - n 10 ay ith this man Whom it n Div. pleas - es us to hate. A - n
3 S A Unison 1 A - ay ith this. man or n n Cae - sar is our T ay n. n n or n n Cae - sar is our cresc. n. n nn n 15 n... king. A - ay ith this man or Cae - sar is our king. A - king. n n n
. lack-skinned Simon AT Cello and iano 9 Terry W. York ASCA Taylor Scott Davis Cello Laoring ( q = 60 ) > > > > simile iano edal harmonically *A 5 T **lack - skinned Si - mon n Tote the cross. n n n *Sopranos may sing ith Altos. **Each time lack-skinned occurs put a percussive final consonant on eats and. Text: Nely authored and copyright 01 ith this pulication. Referencing Luke 3:6; Matthe 11:8-30 (NRSV). Music: Nely composed and copyright 01 ith this pulication. Copyright 01 irnamood ulications (ASCA) A division of MorningStar Music ulishers Inc. St. Louis MO All rights reserved. rinted in U.S.A. 1.800.67.117.MorningStarMusic.com Reproducing this pulication in any form is prohiited y la ithout the permission of the pulisher. The CCLI License does not give permission to copy this music.
30 9 Dark - skinned Si - mon ear the load. lack - skinned n n n n 1. Si - mon ack ent lo Kno hat man - easts n n n n
31 18 kno. Kno hat man-easts kno. lack Si - mon lack Si - mon. 1 f. ƒ n. Tote it like a. f don - key; tote it for. ƒ the Lam f f ƒ
5. Daughters of erusalem Weep SAT Cello and iano 37 Terry W. York ASCA Taylor Scott Davis Soprano luidly ( q = 6-7 ) 5 Alto 5 Daugh - ters of e - ru - sa - lem eep. Tenor V 5 ass 5 Cello 5 iano 5 5 *(or rehearsal only). *iano accompaniment provided in measures -1 is for rehearsal only. Text: Nely authored and copyright 01 ith this pulication. Referencing Luke 3:7-8 (NRSV). Music: Nely composed and copyright 01 ith this pulication. Copyright 01 irnamood ulications (ASCA) A division of MorningStar Music ulishers Inc. St. Louis MO All rights reserved. rinted in U.S.A. 1.800.67.117.MorningStarMusic.com Reproducing this pulication in any form is prohiited y la ithout the permission of the pulisher. The CCLI License does not give permission to copy this music.
38 5 (close to n ). 5 V Weep not for me ut for your - selves and your chil-dren; 5 () 5 () 5. 5 5 7 5. 5 Daugh - ters of e - ru - sa - lem eep. V 5 Weep for your - selves or the ( 5 5 () 5 5
6. What Was That He Said SAT aritone Solo Cello and iano Terry W. York ASCA Taylor Scott Davis Cello q = 7 - - - - U p U - - - - U U iano u u S A T 5 Unison Strip him of his clothes Unison Soon he ill e dead. Text: Nely authored and copyright 01 ith this pulication. Referencing Luke 3:3-38 (NRSV). Music: Nely composed and copyright 01 ith this pulication. Copyright 01 irnamood ulications (ASCA) A division of MorningStar Music ulishers Inc. St. Louis MO All rights reserved. rinted in U.S.A. 1.800.67.117.MorningStarMusic.com Reproducing this pulication in any form is prohiited y la ithout the permission of the pulisher. The CCLI License does not give permission to copy this music.
5 7 What as that hat as that What as that he said What as that he said 9 Nailed up - on the cross He dies ith the thieves.
6 11 Roll the dice roll the dice or the clothes he leaves. or the clothes he leaves. 13 Div. f. Shame up - on shame The Div. Shame up - on shame; The f. Shame up - on shame The cresc. f cresc. edal harmonically f. >
7. Only God Knos SAT Alto Solo and Cello 51 Terry W. York ASCA Taylor Scott Davis Alto Solo q = 68 Soprano Alto Tenor ass Cello. sempre dolce. 5 On - ly God knos The pain of nails in. hands and feet. Text: Nely authored and copyright 01 ith this pulication. Referencing Isaiah 53:10-1 (NRSV). Music: Nely composed and copyright 01 ith this pulication. Copyright 01 irnamood ulications (ASCA) A division of MorningStar Music ulishers Inc. St. Louis MO All rights reserved. rinted in U.S.A. 1.800.67.117.MorningStarMusic.com Reproducing this pulication in any form is prohiited y la ithout the permission of the pulisher. The CCLI License does not give permission to copy this music.
5 8. The pain of end - ing neck and On - ly God knos. () (). (). p 11 knees. On - ly God knos (). ẇ () () ()
58 53 On - ly God knos; God the ar - ent God the cresc. Child On - ly God knos; God the ar - ent God the... Child.. cresc.. 56 God the Child.. n ƒ. ƒ end melody ƒ 59 () rit. p U () rit. p u rit.. U p
8. This Mid-Day Night SAT divisi a cappella 59 Terry W. York ASCA Taylor Scott Davis Soprano Expressively ( q = 6 ) Alto The Sav - ior s grief a heal - ing sor - ro; Tenor ass V The Sav - ior s grief a heal - ing sor - The Sav - ior s grief a heal - ing sor - The Sav - ior s grief a heal - ing sor - ro; ro; ro; iano (or rehearsal only) Text: Nely authored and copyright 01 ith this pulication. Referencing Luke 3:-6 (NRSV). Music: Nely composed and copyright 01 ith this pulication. Copyright 01 irnamood ulications (ASCA) A division of MorningStar Music ulishers Inc. St. Louis MO All rights reserved. rinted in U.S.A. 1.800.67.117.MorningStarMusic.com Reproducing this pulication in any form is prohiited y la ithout the permission of the pulisher. The CCLI License does not give permission to copy this music.
60 5 3 His night a om for our to-mor -ro. His V His night a om 5 5 for our to-mor -ro. 3 3 His tears His night a om a om 5 for our to-mor -ro. 3 His tears his His night a om for our to-mor -ro. His tears his 5 5 3 3 7 V a a a a - ter and his lood; This mid - day night a om a - ter and his lood; mid - day night a om a molto rit. - ter and his lood; mid - day night a om a - ter and his lood; mid - day night a om a U U U U U u.... molto rit. molto rit.. molto rit. molto rit.
61 10 V a tempo. om for our to a tempo om for our to a tempo a tempo. a tempo - mor ro. The Sav-ior s death. - mor - ro. * om for our to - mor - ro. om for our to - mor - ro.. q = 68 (oh.) q = 68 the 13 ar - ent s loss the Spir - it s leav - ing;. Ho (oh.) V. *The final syllale of tomorro in the Alto part is sustained through measure 19 eat 3.
9. No Crying He Makes SAT and iano 67 Terry W. York ASCA Taylor Scott Davis Tenor ass Gently ( q = 5 ) iano p edal harmonically p. A - gain God s Son sleeps. A - 7.. gain no cry - ing he. makes. A - gain his od - y is. Text: Nely authored and copyright 01 ith this pulication. Referencing Luke 3:50-56 (NRSV). Music: Nely composed and copyright 01 ith this pulication. Copyright 01 irnamood ulications (ASCA) A division of MorningStar Music ulishers Inc. St. Louis MO All rights reserved. rinted in U.S.A. 1.800.67.117.MorningStarMusic.com Reproducing this pulication in any form is prohiited y la ithout the permission of the pulisher. The CCLI License does not give permission to copy this music.
68 10 n rapped a - gainst the cold rapped a - gainst the cold rapped rapped a - gainst the cold rapped a - gainst the S A T 1 rapped a - gainst the. cold the Where are the cold. cold. p shep - herds n 15 Where are the kings o - seph here are o - seph here are