HAPPY TIMES. a film by Zhang Yimou Berlin International Film Festival, Berlinale Out of Competition Selection

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a film by Zhang Yimou 2002 Berlin International Film Festival, Berlinale Out of Competition Selection 106 Minutes. Rated PG by the MPAA. In Mandarin with English subtitles. A Sony Pictures Classics Release. EAST COAST: WEST COAST: EXHIBITOR CONTACTS: MAGIC LANTERN, INC. BLOCK-KORENBROT SONY PICTURES CLASSICS SARA FINMANN MELODY KORENBROT CARMELO PIRRONE MELINDA FOUGHT ZIGGY KOZLOWSKI MARISSA MANNE 250 WEST 57TH STREET 8271 MELROSE AVENUE, 550 MADISON AVENUE, SUITE 1718 SUITE 200 8TH FLOOR NEW YORK, NY 10107 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 586-7233 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 586-7282 FAX: (323) 655-7302 FAX: (212) 833-8844 www.magiclanternpr.com Visit the Sony Pictures Classics internet site at: http:/www.sonyclassics.com

Cast Zhao Wu Ying Stepmother Little Fu Li Wu Ying s Stepbrother Old Niu Aunty Liu Lao Zhang Lao Bai ZHAO BENSHAN DONG JIE DONG LIHUA FU BIAO LI XUEJIAN LENG QIBIN NIU BEN GONG JINGHUA ZHANG HONGJIE ZHAO BINGKUN Filmmakers Director Writer Producers Executive Producers Co-Producer Director of Photography Sound Editor Composer Art Director Costume Designer ZHANG YIMOU GUI ZI ZHAO YU YANG QINGLONG ZHOU PING ZHANG WEIPING EDWARD R. PRESSMAN TERRENCE MALICK WANG WEI ERIN O ROURKE HOU YONG WU LAIA ZHAI RU SAN BAO CAO JIUPING TONG HUARNIAO Based on the Novella by MO YAN Shifu, You ll Do Anything for a Laugh Happy Times is a Guangxi Film Studios, Zhu Hai Guo Gi Enterprise Development Company and Beijing New Picture Distribution Company Production. 2

Synopsis Happy Times, the second of Zhang Yimou s films set in a modern city, is a bittersweet comedy. Zhao (Zhao Benshan) is a poor, aging bachelor who hasn t had luck in love. Thinking he has finally met the woman of his dreams, he leads her to believe he is wealthy and agrees to a wedding far beyond his means. Desperate for funds, he turns to his friends, who are weary of his fanciful schemes. Zhao s best friend (Li Xuejian) hatches the idea to raise the money by refurbishing an abandoned bus they will rent out by the hour the Happy Times Hotel to young couples starved for privacy. But this plan goes awry when Zhao is too old-fashioned to allow the couples to have the privacy they are looking for. No one will pay for the Happy Times Hotel if they can t shut the door. While dining with his intended spouse, Zhao is introduced to her spoiled son (Ling Qibin) and blind stepdaughter Wu Ying (Dong Jie). The stepmother sees Wu as nothing but a burden to her and her son since she and her father divorced. Sad and lonely, Wu is interested in only one thing: the prospect of her father coming to take her to Shenzhen so she can have an operation to fix her eyes. To be rid of Wu, the stepmother insists that Zhao take her to the Happy Times Hotel and give her a job. Zhao and Wu reluctantly agree to this arrangement, but when they arrive at the bus, Zhao sees the bus being hauled away to the dump. Not knowing what to do next, he brings Wu back to his home and promises her a job at the hotel once it is completed. Zhao and Wu return to her stepmother s home to find that she has sold Wu s belongings and given her room to her son. She once again insists that Zhao find Wu a job, and informs Zhao that Wu is a good masseuse. As Zhao s compassion increases for Wu, he decides to maintain the lie that he is a wealthy hotel manager. To continue this ruse, he once again enlists the help of his friends to build a makeshift massage room in an abandoned warehouse, another one of his hotels. Here everyone perpetuates the deception further by pretending to be customers for Wu, as they tip her generously with Zhao s money. When Zhao runs out of this tip money, things start to unravel. A plot is developed to use rice paper, which has the feel of real money, to give to Wu. Everyone feels the situation could go on forever until Wu notices something strange about the massage parlor. She begins to investigate and comes to the realization that everything around her is fake. Simultaneously, Zhao feels he cannot continue this deception and is compelled to tell Wu the truth and to come clean with his fiancé, who he discovers has been cheating on him and is about to be married to another man a rich one. As the film reaches its poignant conclusion, both Zhao and Wu s actions demonstrate the strong bond that has developed between them. 3

About the Director ZHANG YIMOU (Director), born in Xian, China in 1950, was in secondary school when the Cultural Revolution erupted in 1966. His studies were suspended and he was sent to work in the countryside in 1968, first on farms in Shanxi Province for three years, and from 1971 to 1978 as a laborer in a spinning mill. Interested in art and photography from an early age, Zhang pursued a hobby as a still photographer despite the scarcity of books and materials or the chance for his work to be published. When the Beijing Film Academy held a nation-wide examination in 1978, Zhang enrolled and passed with high marks but was rejected because at age 27, he was five years beyond the accepted age limit. After two unsuccessful trips to Beijing to repeal the decision, he wrote directly to the Minister of Culture, pleading his case on the grounds that he had wasted ten years because of the Cultural Revolution. Two months later, he was accepted to study in the Film Academy's Department of Cinematography. After graduating in 1982, he was assigned to work in the Guangxi Film Studio. In 1985 he moved to the Xian Film Studio and worked as a cinematographer on such films as One and the Eight (1982), directed by Zhang Junchao, Yellow Earth (1983) and The Big Parade (1985), both directed by Chen Kaige. Zhang made his directorial debut in 1988 with Red Sorghum, starring Gong Li in her first film role. The film won the Golden Bear Award for Best Picture at the 1989 Berlin Film Festival. He went on to direct several more films with Gong Li including Ju Dou (1990) which was nominated for an Oscar in 1991; Raise the Red Lantern (1991) which was awarded the Silver Lion at the Venice Film Festival and was also nominated for an Academy Award; The Story of Qiu Ju (1992) which won the Golden Lion at the 1992 Venice Film Festival; To Live (1994) which won the Grand Jury Prize and Best Actor Award at the 1994 Cannes Film Festival; and Shanghai Triad, which was an Official Selection in Cannes in 1995 and received the Best Foreign Language Film prize from the National Board of Review. Keep Cool was further premiered in competition in Venice in 1996. In 1997 he directed the Puccini opera Turandot in Florence, Italy with Zubin Mehta serving as conductor. In 1998, he and Mehta once again collaborated on a re-staging of the opera in Beijing's Forbidden City. Not One Less was awarded the coveted Golden Lion, the top prize of the Venice Film Festival in 1999. The Road Home, starring Zhang Ziyi, won the Silver Bear at the 2000 Berlin Film Festival and the Audience Award at the 2001 Sundance Film Festival. His upcoming film, Hero, stars Maggie Cheung, Jet Li, Tony Leung and Zhang Ziyi with music by Tan Dun. 4

About the Cast ZHAO BENSHAN (Zhao) was born in 1958. He was originally a folk theater actor in Liao Ning Province and has received several awards in the field. From 1990, Zhao Benshan started performing in the CCTV (China Central Television) special program for Chinese New Year s Eve. He became very famous nationwide, and his performance is a huge success year after year. It has been a must-see for the past decade. He also wins top awards every year and is considered an A-list actor in China. Zhao Benshan has also appeared in many films and telefilms as an actor. In 1999, he won the Hundred Flower Best Actor Award (the winner is selected by the audience) for his role in the film, Male Director for Female Affairs. DONG JIE (Wu Ying) went to Beijing Dance Academy at the age of 10. When she was 15 years old, she was chosen by the professional dance group in Guangzhou and started her career as a professional dancer. Happy Times is her first feature film. 5

About the Filmmakers GAI ZI (Writer) graduated from the Xibei University in China. He was Executive Vice Chief Editor of Li Jiang, a very important Chinese literary publication. In recent years, he has published several novels, among them The River Wetter By Rain and The Sleepy Girl in the Morning. He is one of the representative figures of the young generation of contemporary Chinese literature. ZHAO YU (Producer) is the Head of Guangxi Film Studios. ZHOU PING (Producer) is the Managing Director of the Zhu Hai Guo Gi Enterprise Development Company, which financed the film. Happy Times is her first foray into film production. ZHANG WEIPING (Producer) is the Managing Director for Beijing New Pictures Distribution Company. He has produced and co-produced Zhang Yimou s Keep Cool, Not One Less and The Road Home. EDWARD R. PRESSMAN (Executive Producer) With over 60 diverse motion pictures to his credit, native New Yorker Pressman has brought many emerging filmmakers together with projects that have put them on the map, such as: Oliver Stone s The Hand, David Byrne s True Stories, Brian De Palma s Sisters and Phantom of the Paradise, Terrence Malick s Badlands, Alex Proyas The Crow and Sylvester Stallone s Paradise Alley. On the international front, Pressman served in much the same capacity, with projects such as: Rainer Werner Fassbinder s first English language film Despair, the Taviani Brothers Good Morning Babylon. Pressman was crucial in bringing Wolfgang Peterson s Das Boot to the big screen in America, as he also fostered David Hare s Paris By Night and Bo Widerberg s Victoria. Pressman has produced many other films, including: Paul Williams Out Of It, The Revolutionary and Dealing, Joan Tewkesbury s Old Boyfriends, John Byrum s Heartbeat, John Milius Conan the Barbarian, Fred Schepisi s Plenty, Sam Raimi s Crimewave, Cherry 2000, Alex Cox s Walker, Oliver Stone s Wall Street and Talk Radio, Kathryn Bigelow s Blue Steel, Chris Monger s Waiting For The Light, Charles Burnett s To Sleep With Anger, Barbet Schroeder s Reversal of Fortune, David Mamet s Homicide, John Frankenheimer s Year Of The Gun, Mark Frost s Storyville, Abel Ferrara s Bad Lieutenant, The Blackout and New Rose Hotel, Danny DeVito s Hoffa, Nicholas Kazan s Dream Lover, Danny Cannon s Judge Dredd, Harold Becker s City Hall, The Island of Dr. Moreau, Alan Rickman s The Winter Guest, James Toback s Two Girls and a Guy and Black and White, Leslie Woodhead s Endurance, a production with Terrence Malick that inspired the formation of Sunflower (not to be confused with the other Shackleton project), Peter MacDonald s Legionnaire, Mary Harron s American Psycho and Bharat Nalluri s The Crow: Salvation. Pressman recently served as executive producer of George Butler s Shackleton: The Endurance, and Richard Kwietniowski s Owning Mahoney, starring Philip Seymour Hoffman, Minnie Driver and John Hurt. 6

Pressman attended New York s Fieldston School, and graduated with honors from Stanford University with a B.A. in Philosophy. He pursued graduate studies at the London School of Economics. American Film magazine named Pressman the Best Producer of the 1980s. In 1991 he received the John Cassavetes Award from the Independent Feature Project/West for his outstanding body of work and his contributions to independent filmmaking. He was also awarded the Chevalier Des Arts et Lettres medal. Pressman serves on the Advisory Board of the Independent Feature Project/West, on the Board of Trustees of the Public Theater/New York Shakespeare Festival, and on the Board of Directors of New York s Film Society of Lincoln Center. In the fall of 2001 Pressman, in partnership with John Schmidt, launched ContentFilm, a new fully-financed production and distribution company. The company, will finance, produce and distribute an initial slate of twelve to fifteen feature films to be shot mainly on digital video. Pressman serves as Chairman/CEO of the new company; Schmidt serves as President/COO. ContentFilm has greenlit a number of high-profile projects, including The Cooler, Party Monster and The Hebrew Hammer. In addition, the company acquired worldwide rights to Larry Fessenden s Wendigo, working with Magnolia Pictures on the film s domestic release. Happy Times is the first film to be produced by Sunflower Productions, a company formed by Pressman, Terrence Malick and Sony Pictures Classics. TERRENCE MALICK (Executive Producer) was born in Ottawa, Illinois, and grew up in Texas and Oklahoma. He graduated from the American Film Institute, and has directed three films: Badlands (1973), Days of Heaven (1978) and The Thin Red Line (1998). HOU YONG (Director of Photography) was Zhang Yimou s classmate in the cinematography class at the Beijing Film Academy. He has worked on such films as: The Day the Sun Turned Cold by Hong Kong director Yim Ho and Tian Zhuanghunag s Horse Thief and The Blue Kite. This is his third film with Zhang Yimou, following Not One Less and The Road Home. WU LAIA (Soundman) is a graduate of the Beijing Film Academy in Sound. His previous films include: East Palace, West Palace by Zhang Yuan, Eighteen Springs by Hong Kong director Ann Hui, Spicy Love Soup by Zhang Yang, and Not One Less and The Road Home by Zhang Yimou. ZHAI RU (Editor) is originally from Beijing and worked as continuity on the films In the Heat of the Sun by Jian Wen, Temptress Moon by Chen Kaige and Zhang Yimou s Keep Cool, Not One Less and The Road Home. SAN BAO (Composer) was born in Beijing in 1968 and is a graduate of the Beijing Music Institute. He has worked as composer on the films The Divorce and Be There or Be Square. CAO JIUPING (Art Director) graduated from the Xian Art Institute in 1982, and has worked on all of Zhang Yimou s films. 7