Metodoloogiline seminar Aeg, ruum, aegruum 8.12.2009
OBJEKTTASANDI AEG, RUUM, AEGRUUM METATASANDI AEG, RUUM, AEGRUUM FÜÜSILISUS MENTAALSUS KONTSEPTUAALSUS
Ajaline ja ruumiline maailm (aja ja ruumi poeetika, markeeri/ma/tus) Kunstiline maailm (tinglikkus) Kronotoobiline maailm (hierarhilisus)
Kronotoop kui aegruumiline element (tee, uks, sild, trepp, algus, lõpp ) Kronotoop kui struktuurne hierarhia (jutustuse, tegelase, autori kronotoop) Kronotoop kui tervik
1.Topograafiline kronotoop: konkreetne aeg ja ruum: homofoonia. 2. Psühholoogiline kronotoop: subjektiivne aeg ja ruum: polüfoonia 3. Metafüüsiline kronotoop: mentaalne aeg ja ruum: heterofoonia
SEMANTIZATION LEVELS NARRATIVE WORD PERFORMANCE PICTURE TOPOGRAPHICAL HOMOPHONY STORY POSSIBLE WORLD INTERTEXTUALITY STRUCTURE OF MANUSCRIPT EVENTS PSYCHOLOGICAL POLYPHONY NARRATION POSSIBLE CONFLICT SELF AND OTHER PERFORMING METAPHYSICAL HETEROPHONY VERBAL DESCRIPTION IDEOLOGICAL CONCEPTION, GROUNDS OF HISTORY, NEOMYTHOLOGISM PICTORIAL DEPICTION
SEMIOSPHERE LEVELS ANTHROPOCENTRIC WORLD THEOCENTRIC WORLD TOPOGRAPHICAL HOMOPHONY STORY WORLD OF SIGNS (THINGS, NAMES, SITUATIONS, BEHAVIOUR) PROTOSTORY PSYCHOLOGICAL POLYPHONY CHARACTER SELF- CONSCIOUS- NESS WORLD OF SEMIOTIC STATES, THOUGHTS, WORDS PROTO- CHARACTER SUB- CONSCIOUS- NESS METAPHYSICAL HETEROPHONY PROFA- NATION WORLD OF PROFANE TEXTS WORLD OF HYPERTHEME SACRA- LIZATION WORLD OF SACRED AND SACRALIZED TEXTS
SEMIOSPHERE LEVELS ANTHROPOCENTRIC WORLD THEOCENTRIC WORLD TOPOGRAPHICAL HOMOPHONY STUDENT THEORIST (ARTICLE) RASKOLNIKOV NAPOLEON, LAZARUS, CHRIST. PSYCHOLOGICAL POLYPHONY THEORETICAL BEHAVIOUR CRIME RASKOLNIKOV RASKOL: SPLIT NATURAL BEHAVIOUR SAVED CHILDREN, GIVING MONEY METAPHYSICAL HETEROPHONY PROFA-NATION SOURCES OF THEORY: STIRNER, CARLYLE, NAPOLEON III, MILL, BENTHAM RASKOLNIKOV BALANCE SACRA- LIZATION SOURCES OF DREAMS: NEKRASSOV, PUSHKIN, LERMONTOV, VOLTAIRE)
L. MANOVICH temporal montage (old) spatial montage (new) Twentieth-century film practice has elaborated complex techniques of montage with different images replacing each other in time, but the possibility of what can be called a spatial montage of simultaneously coexisting images has not been explored as systematically (323)
L. Manovich Ontological montage: the coexistence of ontologically incompatible elements within the same time and space (159) Stylistic montage: compositing Juxtaposition of stylistically diverse images in different media (cubism, Forrest Gump)
CHRONOTOPICAL THEORY OF CULTURE LEVELS CULTURAL SYNCHRONY CULTURAL DIACHRONY TOPOGRAPHICAL OF CULTURE Actual culture, living space (urban-rural), nature, sacral and profane places, material culture CULTURAL ENVIRONMENT Disciplinarities: describing, actualising, explication, reconstruction Traditional culture, sustainability, historical values and artefacts PSYCHOLOGICAL OF CULTURE Actual aspects of identity CULTURAL SELF- DESCRIPTION Inter-, multidisciplinarity: assumed, fixed, constructed, told, showed, presented Historical sources and boundaries of identity METAPHYSICAL OF CULTURE Verbalisation Texts, artefacts CULTURAL VALUES: MODELS AND SELF- MODELS Transdisciplinarity: researches position and methods, knowledge management Imagination Performance, spectacle, event