HINDUTANI MUIC 2016 (A) ( NEW YLLABU ) CHEME OF VALUATION ubject Code : 26 (N/) 1 Raga Bhimpalas That Kafi Varjswara Rishab, Dhaivat in Aroha Jati Avadhava mpoorna Vadi Ma ( Madham) mvadi ( dja) Ganasamaya IInd Prahar of afternoon Aroha Ni ga ma Pa ni Avaroha ni dha Pa ma ga re Pakkad ni ma, ga Pa ma ga ma ga re waralipi Chota Khayal thayi Drut Teental ni ni ni dha pa s ga s ma pa - - ga ra Va s ha ra va s da s run gi s ma s s s dha pa ga pa ga ga re Jo ha Aa ra s Aa s ga na va s Antara Pa Pa Pa ma ni Pa ga ma Pa Pa ni s cha tu ra u ga ra ba la mu ra s mu ra ni ni ga ra s ni ni ni dha Pa ko na de ja Bi la ma ra hi la va Pa dha Pa Pa ga ma pa ga re ran ga ko Ja ya u na Vo ga ra ni ni ni dha Pa Vo na ke Ka na bho na ka Vo ra ma [ Turn over
Code No 26 (N/) 2 2 s s s s s s s s s s s s s s s s s s s s s s s s s s
3 Code No 26 (N/) 1 2 3 4 1 2 3 4 2 Pt Kumar Gandarva : Kumar Gandarva occupies one of the top position in Hindustani music He was born in Karnataka having travelled all over in India uch a great musician was born on April 8, 1924 in [ Turn over
Code No 26 (N/) 4 village called 'ulibhaki' of Belgaum Dist belongs to Jangama sect of Kankalimath His father iddaramaiah and mother Gurusiddavva had a lot of interest in classical music His mystic concert at on early age tantalized the audience as well as ri hantha Veera Mahaswami of Gurumath of Glb Dist He had a good opportunity at the age of years in 1934 He was introduced the famous singer and Professor of music B R Devadar etc Thus he was very popular 1924 8 1934 3 Development of that system that is a scale which generate the group of similar Ragas During the development of Indian music waras from sound, ptaka from waras The term Mela is premitive to the term Thata There are 72 Thatas accepted in Carnatic music but only used about 19 Melas Creation of Thata : Combination of hudha Vikruta waras of a ptak led to initate any That may have all hudha waras The
5 Code No 26 (N/) creation of 32 Thats can be describe as under According to Vishnu Narayan Bhatkhande there are Thatas Bilawal, Kalyan, Khamag, Khafi, Asawari, Bhairavi, Bhairav, Purvi, Thodi, and Marava 72 [ Turn over
Code No 26 (N/) 6 4 a) Write short notes ( any two ) : A hruthi : The minute variation of the musical sound that we can hear is called as hruthi The hruthi was divided into 22 sections within an octave hruthi was divided into 7 notes The measurement are made accordingly to nskrit sloka They are described as follows : hruti No Name Ancient note Modern note 1 Tirva hadja 2 Kumudwati 3 Manda 4 Chandovati hadja Rishabh 5 Dayavati 6 Ranjani 7 Ratika Rishabh 8 Roudri Gandhra b) Music therapy : Earth, water, fire, wind and sky are the basic elements nature called as Panchatantra Water is the basic of wetness, fire of burning Digesting and brightening Nada is based on the ky But Nada contains the quantity of wetness by water brightness by fire etc In music therapy the diseases will be curved by removing the deficiency through presenting or listening the particular music composition o many doctors and researchers from various countries of the world have proved that mental and physical diseases can be curves by music therapy a) 22 22
7 Code No 26 (N/) 1 2 3 4 5 6 7 8 22 b) 2 5 = 5 A Fill in the blanks : 1 In Ektall 12 Matras are there 2 Vadi swara is called as Raja swara 3 In chowtal 2 Husi are there 4 Jayadeva is called musicologist 5 Pankashari Gawai is called as musician 1 12 2 [ Turn over
Code No 26 (N/) 8 3 2 4 5 5 B Write the Definition of following Technical terms : 1 Voice : What we hear is voice When two things hits each other it is called as voice There are two types of voice - Pleasant and unpleasant 2 Raga : To entertain the listener of make them happy A special swara is beloved and that is called Raga 3 Anuvadi : Except Vadi and mvadi wara in Raga the rest all waras are called Anuvadi 4 Theka : Thaal has its own important Bol to exhibit the composition of certain Tabla bol composed according to units of Matras 5 Tihayi : The composition of Tabla bols which is played thrice from the part of the Thaal and which has to end upon the som matra with the bol dha at the end of the Tihayi 1 2 3 4 5 5