Alexis Perepelycia Arranger, Composer, Director, Interpreter, Publisher, Teacher Argentina, Rosario About the artist Personal web: Associate: www.alexisperepelycia.com.ar SADAIC About the piece Title: Composer: Arranger: Licence: Instrumentation: Style: Comment: Eclosion Alexis Perepelycia Alexis Perepelycia Creative Commons Licence Piano, Flute, Percussion Contemporary Eclosión (Upsurge) explores the meaning o the word, within a musical language developed by a small ensemble and the computer. Each acoustic instrument eeds the computer in dierent stages o the piece. The word becomes music when dierent instruments or all together perorms sudden or abrupt strong increase o events. The Piano doubles as a third percussionist while playing thick, either loud or sot clusters, but also it blends into the Flut... (more online) Alexis Perepelycia on ree-scores.com http://www.ree-scores.com/download-pdf-sheet-music-praxis-leye-pelicae.htm Contact the artist Write eedback comments Share your MP recording Web page access with QR Code : First added the : 2014-01-28 This work is not Public Domain. You must contact the artist or any use outside the private area. Prohibited distribution on other website. Last update : 2014-01-28 0:6:1
Eclosión (or piano, lute, two percussionists & computer) q=0 Relative Time Min : Sec : Dec 0:00:00 Flute Gran Cassa Bongó Crash Cymbal Piccolo Snare Snare Tom-toms Wood Blocks Chinesse Cymbal q=0 Piano I n t r o = C o m p u t e r Alexis Perepelycia A l o n e 0:18: 00 Pre-recorded Piano clusters, Reverse Playback Several Aleatoric Articulations Synthetic Mode or Flute & Piano: B - C - bd - be - ##F - ##G - #A - B Synthetic Mode or Flute & Piano: B - C - bd - be - ##F - ##G - #A - B
2 accel. 4 G.C. Bongó Cr. Ch. Tamb. Pic. Tamb. Tom-t. W. Bl. mp cymbals: elt mallets allways exept when indicated snare sticks Tempo 1º molto accel. m cluster = as many notes as possible within this range accel. Tempo 1º : Trigger Sounds molto accel. large bass elt mallet: sot : Samples Piano 6
: Increasing Delay Level and Decreasing Delay Time to Piano 6 G.C. Ch. Tamb. Pic. ppp ppp
4 q=90 0:8:00 7 G.C. Ch. Tamb. Pic. : Piano = Decreasing Feedback to Non Delayed sound q=90
molto rall. Bongó : Sampling Flute 8 elt mallets: stacatto ppp W. Bl. molto rall.
6 q=100 12 Bongó p mp m q=100
7 A : Increase Delay Time and Level on Flute 16 pppp Bongó Tom-t. mp A p
8 : Randomly triggered Flute Samples w/ Reversed Pla ppp 18 mp Bongó Tom-t. sz m
20 Bongó Tom-t. 9 sz 0 mp m sz
10 B : Samples Piano 24 ppp G.C. Ch. B cluster: as many o these notes as possible
: R e v e r s e d Damped cluster: less density than previous 27 and P i a n o P l a y b a c k cluster: less density than previous mp Ch. Tamb. Tom-t. 11 0 rimshot (head+rim) pp
12 cluster: less density than previous 1 Bongó Cr. Ch. Tamb. Pic. Tamb. W. Bl. elt mallet 0 0 p mp p m w/ tip o wood stick on bell m m
: Sampling Flute 7 1 p p mp mp
14 40 W. Bl. : Reverse Playback Flute Previous Phrase pppp pppp p : Increase Delay Time and Feedback on Woodblocks p pp ppp pppp
46 W. Bl. : Keep Playing Flute Sounds 1
16 4 W. Bl. : Gradually Fading Out Wait till the sound disapears
: In this Section [C], Random Delay times are Applied to the Percussion when Rolls and Long Values are occur. C molto rall. 62 m Tom-t. p C molto rall. 17 p p
18 q=80 6 Tom-t. mp q=80 p m
68 Cr. Tom-t. 19 m pppp sz sz pppp
20 Wait till delayed sounds stop!! 72 molto accel. G.C. Cr. p pppp molto accel. Wait till delayed sounds stop!! m Wait till delayed sounds stop!! p
D molto rit. : Sampling Percussion Short Phrases 7 Bongó 21 Cr.
22 : Playback Short Reversed Percussion Sounds Increases and Decreases Density molto rit. 77 Bongó Tamb. Tom-t. elt mallets molto rit. mp m sz
2 q=6 80 Tamb. Pic. Tom-t. mp q=6
24 E 8 molto accel. : Slowly Increase Reverberation Level and Decay Time on Flute ppp Tamb. Pic. Tom-t. E molto accel.
2 88
26 89 molto rall. molto rall.
q=60 molto rall. : Gradually Apply Reverberation to Piano : Sample Piano Clusters 27 : Playback Damped Piano Clusters Gradually Resducing Loudness q=60 molto rall. 91 cluster: as many o these notes as possible within this spectrum mp
28 molto rall. 9 pp molto rall.
29 F : Gradually Apply Gently Delays to Piano and Flute till the end o the Section Delay Times and Feedback Time shold blend into the Piano and Flute gestures ppp 97 q=60 molto espressivo pp F q=60 molto espressivo pp
0 102 m
1 10
2 108
112 accel. accel.
4 G not nessecerely at these tempos, yet a ast accelerando q=70 q=7 q=8 q=80 11 p G.C. Bongó Cr. Ch. Tamb. Pic. mp Tamb. m Tom-t. W. Bl. Gq=70 q=7 q=8 q=80 mp q=90 q=90
q=100 q=9 120 G.C. Cr. Ch. Tamb. Pic. Tamb. q=10 sz Tom-t. q=9 q=100 let ring let ring pp sz q=110 q=10 sz ppp q=110 sz sz sz ppp sz
H 6 molto rall. : Long Decay, Dark and Thick Reverberation to the Piano Clusters Turn ON the AUTOPAN. I needed, or a better spazialization, you might play with the Pan Speed, to ind the more adecuate option or the space. 127 Bongó Tamb. Very Long Wait!! wood tip sticks ppp H molto rall.
7 11 Bongó
8 1 Bongó molto rit. 6 pppp wood tip sticks sz mp molto rit. as many notes as possible within this spectrum
9 Bongó 1 m m mp p as many notes as possible within this spectrum mp
40 17 Bongó p 6 ppp as many notes as possible within this spectrum p
41 19 sz m m mp as many notes as possible within this spectrum pp
start palying Next Section, or till Reverberation : Sounds continue till Instruments 42 141 Decay stops!! p pp as many notes as possible within this spectrum p p pp
Section Open To Improvisation till the End [+ or - 1 minute] : Preerebly use o Delays and Sampling I 4 w/ Reverse Playback as previously Use any rhythm, dynamic & at any register This Section Play these at any rhythm, dynamic & at any octave Might be 144 Played or Omitted I Play these notes at any rhythm, density, dynamic & at any octave pre. large values as used on clusters.