BERKELEY SYMPHONY ANNOUNCES SEASON

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BERKELEY SYMPHONY ANNOUNCES 2013-2014 SEASON SEASON HIGHLIGHTED BY WORLD PREMIERES FROM EDMUND CAMPION AND SAMUEL CARL ADAMS IN ADDITION TO BAY AREA PREMIERES FROM ESA-PEKKA SALONEN AND KAIJA SAARIAHO s Also Feature Masterworks from Rachmaninoff, Brahms, Mendelssohn and Beethoven and Introduce Audiences to Mezzo-Soprano Kelley O Connor, Pianist Alessio Bax and Violinist Anthony Marwood Berkeley, CA, March 26, 2013 Music Director Joana Carneiro and Berkeley Symphony today announced programming for the 2013-2014 season including a world premiere by Edmund Campion, co-commissioned with Cal Performances; a world premiere work for violin and ensemble by Samuel Carl Adams; and the Bay Area premieres of Esa-Pekka Salonen s Nyx and Kaija Saariaho s Adriana Songs. Recognized for its exuberant spirit and steadfast commitment to presenting original and unique programs, Berkeley Symphony has received ASCAP awards for adventurous programming in eight of the past 11 seasons. The Orchestra continues this commitment with a 2013 2014 season that combines important contemporary works alongside masterworks of the standard repertoire including Rachmaninoff s Piano Concerto No. 2, Brahms Symphony No. 2, Mendelssohn s Symphony No. 3 and Beethoven s Symphony No. 5. I am thrilled to continue the Orchestra s passionate devotion to performing new works and to explore the relationships between composers past and present, says Music Director Joana Carneiro. Our audiences continue to welcome this exploration which enables us to pave the way for the repertory of tomorrow. I am honored to present two new world premieres by Berkeley composers, whom I have long admired, in addition to bringing Bay Area premieres by two of the finest contemporary composers of our generation. And with the combination of perhaps some of the most defining classical masterworks in history, our season will showcase the best of both worlds. Berkeley Symphony opens the 2013-2014 season on Thursday, October 3, 2013 with the world premiere of The Ossicles by Bay Area-based composer and UC Berkeley composition faculty member Edmund Campion, co-commissioned with Cal Performances. Using a blend of acoustic instruments and emerging computer technology, Campion s music explores the relationship between sound and space. San Francisco Chronicle critic Joshua Kosman commented that Campion keeps clarity and even beauty at the fore and is described as essentially an impressionist, writing music based on gesture and its expansion by San Francisco Classical Voice s Benjamin Frandzel. Fast-rising Italian pianist Alessio Bax, considered by The New Yorker as perhaps the most elegant of today s young pianists, joins the orchestra for Rachmaninoff s Piano Concerto No. 2, the work that established his fame as a concerto composer and remains one of his most enduringly popular works. Wagner s beautiful symphonic poem Siegfried Idyll completes the program. On Thursday, December 5, 2013, Joana Carneiro and Berkeley Symphony will present a program featuring music from Australian composer Brett Dean alongside two masterworks from the classical repertoire. The

evening begins with Dean s most widely known work - Carlo inspired by the music of Italian Renaissance composer Carlo Gesualdo and scored for strings, sampler and tape. I am looking forward to this first time conducting Brett Dean s work, though I have known and admired his work for many years, said Maestra Carneiro. San Francisco Symphony Associate Principal Cellist Peter Wyrick joins Berkeley Symphony to perform Haydn s Cello Concerto No.1. In addition to his respected section and solo work with the San Francisco Symphony, Peter Wyrick has served as principal cellist of the Mostly Mozart Festival Orchestra and Associate Principal Cellist of the New York City Opera Orchestra. As a member of the Ridge String Quartet, he performed throughout the world and recorded the Dvorák piano quintets with pianist Rudolf Firkusny, an RCA recording that won France s Diapason d Or and a Grammy nomination. Mr. Wyrick has participated in Finland s Helsinki Festival, the Spoleto Festival - both in this country and in Italy and the Santa Fe Chamber Music Festival. Brahms Symphony No. 2, perhaps his most beloved, completes the program. Each of the composer s four symphonies are considered masterpieces. The second, written only one year after the first, is considered one of the most beautiful and mellifluous. In notes commenting on the picturesque seaside village of Pörtschach where he composed the work, Brahms himself noted the melodies flow so freely that one must be careful not to trample on them. A world premiere work for violin and ensemble by Berkeley-native Samuel Carl Adams highlights the third program on the Zellerbach Hall Series on Thursday, February 6, 2014. The son of composer John Adams and a graduate of Berkeley s Crowden School, Samuel Adams has received commissions from numerous orchestras and ensembles, including the San Francisco Symphony. British violinist Anthony Marwood, praised by BBC Music Magazine as a consummate artist blessed with boundless energy, intellectual curiosity and creative wizardry, features as soloist for this work. Following on the theme of works for chamber orchestra, Joana Carneiro and Berkeley Symphony perform Stravinsky s Pulcinella Suite to open the program and conclude the evening with Mendelssohn s Symphony No. 3, Scottish." Joana Carneiro and Berkeley Symphony conclude the 2013-2014 season on Thursday, May 1, 2014 with a program featuring Bay Area premieres from two highly regarded Finnish composers: Esa Pekka Salonen s Nyx and Kaija Saariaho s Adriana Songs. Esa-Pekka Salonen s talents as both a conductor and composer have been widely noted with Boston Globe critic Jeremy Eichler commenting that he displays a kind of complete musicianship rarely encountered today. Nyx is my return to the genre of pure orchestral music since Helix (2005), writes the composer. It employs a large orchestra, and has exposed concertante parts for solo clarinet and the horn section. Rather than utilizing the principle of continuous variation of material, as is the case mostly in my recent music, Nyx behaves rather differently. Its themes and ideas essentially keep their properties throughout the piece while the environment surrounding them keeps changing constantly. Mere whispers grow into roars; an intimate line of the solo clarinet becomes a slowly breathing broad melody of tutti strings at the end of the 18-minute arch of Nyx. Kaija Saariaho s Adriana Songs is adapted from her opera Adriana Mater. Writing in The New York Times, critic Anthony Tommasini said this: Essentially the Adriana Songs, with French texts by Mr. Maalouf, are an exploration of the experience of bearing and raising a child in time of global hostilities and war.. Like many of Ms. Saariaho's scores, this one abounds in spectral music that explores often static but shimmering masses of sound. After a clanking dissonant percussion burst begins the piece, the music just hovers for long stretches, with tremulous sustained tones, quietly flickering colors and eerie instrumental effects, like softly scraping strings. Kelley O Connor, described as a very young contralto with an astonishing voice by San Francisco Classical Voice critic Janos Gereben, is featured as soloist for the work. The program concludes with Beethoven s beloved Symphony No. 5. In 2013-2014, working in collaboration with EarShot: the National Orchestral Composition Discovery Network, and its partner organizations - the American Composers Forum, League of American Orchestras,

New Music USA and the American Composers Orchestra - Berkeley Symphony will expand its Under Construction New Music Series/Composers. This new partnership continues the tradition of the Berkeley Symphony as the West Coast artistic incubator for emerging orchestral composers and broadens its reach to a new national level. The program will now consider applicants from across the country, while continuing its dedication to fostering local emerging composers. Participants will also benefit from an increase in locally and nationally established composers who will act as mentors throughout the program. EarShot is organized by American Composers Orchestra in collaboration with American Composers Forum, the League of American Orchestras and New Music USA. Funding for EarShot is made possible with the support of the Andrew W. Mellon Foundation and The Aaron Copland Fund for Music. Berkeley Symphony continues its vigorous education program, serving all 11 public elementary schools in Berkeley. The nationally recognized program consists of musician classroom visits, instrument lessons and performance opportunities for students from kindergarten through the fifth grade. The students grow with the program year after year, building on their knowledge while learning with and performing alongside the orchestra. Suzanne McCulloch, Berkeley Unified School District s Visual and Performing Arts Supervisor, called Berkeley Symphony s music education programs an invaluable asset. Berkeley Symphony audiences are among the best in the country vigorously committed to exploration of contemporary music and both passionate and knowledgeable about the greatest works of the repertoire, said Executive Director René Mandel. I m extremely grateful that major funding institutions such as the Hewlett Foundation and Meyer Sound are taking note of our commitment to the music of our time. UNDER CONSTRUCTION NEW MUSIC SERIES / COMPOSERS PROGRAM A NEW PARTNERSHIP WITH EARSHOT, THE NATIONAL ORCHESTRAL COMPOSITION DISCOVERY NETWORK Berkeley Symphony will work together with the EarShot New Music Reading program the National Orchestral Composition Discovery Network, to present two Under Construction concerts on December 8, 2013 and May 4, 2014. Continuing Berkeley Symphony s decades-long commitment to cultivate the next generation of composers and audiences of new music, the Berkeley Symphony/EarShot partnership will increase the reach of the Under Construction program through a national call for scores. Bringing the additional resources of EarShot partners orchestral professionals from American Composers Orchestra, the American Composers Forum, the League of American Orchestras, New Music USA and the American Composers Orchestra to the Bay Area, the Under Construction/EarShot partnership will offer Bay Area composers and students expanded professional development workshops with renowned industry experts and mentor composers. Three selected composers will participate in the yearlong mentorship program, writing a substantial symphonic work developed in open rehearsal style concerts. Participating composers receive artistic and career guidance from Music Director Joana Carneiro and mentor composers, as well as from orchestra musicians. The composers and mentors for the 2013 2014 Under Construction/EarShot Partnership Series will be announced in early September. MUSIC IN THE SCHOOLS Since 1992, Berkeley Symphony s Music in the Schools program, in partnership with the BUSD, has provided a comprehensive, hands-on and age-appropriate music curriculum to elementary school students in Berkeley. This award-winning program includes more than 20 interactive in-school concerts and hundreds of classroom musician visits. In addition, Berkeley Symphony will continue to host its annual Meet the Symphony and I m a Performer Family Concerts on Saturdays, November 2, 2013, and April 12, 2014, respectively. The latter concert will be a community collaboration in which both adults and children are invited to perform with the Orchestra. FUNDING Funding for Berkeley Symphony s 2013 2014 season comes in part from The William and Flora Hewlett Foundation. The $150,000 grant over a three-year period will provide support to the Symphony s collaborations with world-class artists, the commissioning of local and international composers and its award-

winning Music in the Schools education program. The Symphony is also funded in part by the ongoing generous support of Meyer Sound. ABOUT JOANA CARNEIRO As Music Director, Joana Carneiro has captivated the public with her commanding stage presence and adventurous programming that has highlighted the works of several prominent contemporary composers, including John Adams, Esa-Pekka Salonen and Gabriela Lena Frank. The 2013-2014 season features two world premieres by Edmund Campion and Samuel Carl Adams, as well as works by Brett Dean, Kaija Saariaho and Esa-Pekka Salonen. Maestra Carneiro s commitment to expanding the community base of Berkeley Symphony and upholding the Orchestra s artistic excellence was recognized by the League of American Orchestras, which honored her with the Helen M. Thompson Award in 2010. She was appointed Music Director of Berkeley Symphony in January 2009, succeeding Kent Nagano as only the third Music Director in the 40-year history of the Orchestra. Noted for her vibrant performances in a wide diversity of musical styles, Joana Carneiro is considered one of the most exciting and outstanding young conductors today. Prior to her Berkeley Symphony appointment, she served as Assistant Conductor with the Los Angeles Philharmonic from 2005 to 2008, where she worked closely with Esa-Pekka Salonen and led performances at Walt Disney Concert Hall and the Hollywood Bowl. Together with her leadership in Berkeley, she is the official guest conductor of the Gulbenkian Orchestra in her native Lisbon and an active guest conductor worldwide. ABOUT BERKELEY SYMPHONY Founded in 1969 as the Berkeley Promenade Orchestra, Berkeley Symphony has established a reputation for presenting major new works for orchestra alongside fresh interpretations of the classic European repertoire. Berkeley Symphony has been recognized in eight of the past 11 seasons with an Award for Adventurous ming from the American Society of Composers, Authors and Publishers (ASCAP). In addition to its subscription concerts and Under Construction Series, Berkeley Symphony regularly partners with Cal Performances, the performing arts presenter and producer of the University of California, Berkeley, to provide music for visiting artists. Berkeley Symphony s award-winning yearlong Music in the Schools program reaches every public elementary school student in Berkeley. San Francisco public radio station KALW 91.7 FM is Berkeley Symphony s broadcast partner, airing all Berkeley Symphony subscription concerts. TICKET INFORMATION 2013 2014 season subscriptions to the Zellerbach Hall Concert Series (4 concerts) will go on sale April 2, 2013. Prices range from $54 to $266. Half-priced packages are available for first-time subscribers. Subscribers can save up to 50% off single ticket prices and enjoy a 10% discount on additional single ticket purchases throughout the season. The Under Construction New Music Series tickets are $10. The Family Concerts tickets are $10 for adults and $5 for children under 18. All single tickets will go on sale June 3, 2013. Orders for 2013 2014 season subscriptions can be placed online at berkeleysymphony.org, over the phone at (510) 841-2800, faxed to Berkeley Symphony s box office at (510) 841-5422 or mailed to 1942 University Avenue, Suite 207, Berkeley, CA 94704. Discounts are available for groups of six or more. Berkeley Symphony offers a $7 Student Rush ticket one hour prior to each performance for those with valid student IDs. For more information or to request a brochure, call Berkeley Symphony at (510) 841-2800, e-mail tickets@berkeleysymphony.org or visit berkeleysymphony.org. BERKELEY SYMPHONY 2013-2014 SEASON Zellerbach Hall Concert Series Season Opener: I Thursday, October 3, 2013 at 7:00 p.m.

Alessio Bax, piano Edmund Campion: The Ossicles (World Premiere co-commission with Cal Performances) Wagner: Siegfried Idyll Rachmaninoff: Piano Concerto No. 2 in C minor, Op. 18 II Thursday, December 5, 2013 at 8 p.m. Peter Wyrick, cello Brett Dean: Carlo Haydn: Cello Concerto No. 1 in C Major Brahms: Symphony No. 2 in D Major, Op. 73 III Thursday, February 6, 2014 at 8 p.m. Anthony Marwood, violin Stravinsky: Pulcinella Suite Samuel Carl Adams: New Work for Violin and Ensemble (World Premiere Commission) Mendelssohn: Symphony No. 3 in A minor, Op. 56, Scottish IV: Thursday, May 1, 2014 at 8 p.m. Kelley O Connor, mezzo-soprano Esa-Pekka Salonen: Nyx (Bay Area premiere) Kaija Saariaho: Adriana Songs (Bay Area premiere) Beethoven: Symphony No. 5 in C minor, Op.67 Audience members are invited to attend a free pre-concert talk at 7 p.m. on December 5, 2013, February 6 and May 1, 2014. Under Construction New Music Series Dates: Sunday, December 8, 2013 and Sunday, May 4, 2014 Time: 7:00 p.m. Location: TBA Tickets: $10 Family Concerts Dates: Saturday, November 2, 2013 and Saturday, April 12, 2014 Time: 10:00 a.m. & 11:30 a.m. Location: Malcolm X Elementary School, Berkeley Tickets: $10 Children 12 and under: $5 PHOTO CREDITS Joana Carneiro / Christiana Ceppas

Edmund Campion / Kathleen Karn Alessio Bax / Lisa-Marie Mazzucco Peter Wyrick / Michael Colpitts Samuel Carl Adams / Deborah O'Grady Anthony Marwood / Sussie Ahlburg Kelley O'Connor / Zachary Maxwell Stertz PRESS CONTACT Karen Ames and Brenden Guy, Karen Ames Communications (415) 641-7474 karen@karenames.com; brenden@karenames.com