The Tour-o-Keys Model and the Prolongational Structure in Sonata-Form Movements by Haydn and Mozart SMT 2018 Nicholas Stoia ns72@duke.edu Examle 1. Tour o keys with one develoment key Haydn, String Quartet O. No. 1, iii, mm. 41-55. Andante 41 42 4 44 45 develoment #: i... s s oco sequence (HK: iii) 46 47 48 49 50 8 vb 8 vb cresc. (#:) Ger. 6 51 52 5 54 55 (#:) ( 6 4 5 ) recaitulation HC standing on the dominant D: I (HK: I)
Examle 2. Haydn, String Quartet O. No. 1, iii, reductions. (a) Tour-o-keys model MT exosition ST develoment 41 44 45 47 49 51 52 recaitulation MT ST 55 tour o keys: # (iii) "dominant-ness" "tonicness" (b) Tonal-olarity model encomassed by home-key dominant II
Examle. Tour o keys with two develoment keys searated by a tonicized region Mozart, Piano Sonata K. 280, iii, mm. 78-108. 78 Presto 79 80 81 82 8 84 85 86 87 88 89 develoment section g: (HK: ii) i... PAC 90 91 92 9 94 95 96 97 98 F: tonicized region d: i... (HK: I) (HK: vi) 99 100 101 102 10 104 105 106 107 108 (d:) HC standing on the dominant recaitulation F: I... (HK: I)
Examle 4. Mozart, Piano Sonata K. 280, iii, reduction. exosition MT Tr ST develoment 8 904 78 # 9 96 102 105 # recaitulation MT 108 ST tour o keys: g (ii) F (I) ton. reg. g: II d: III d (vi) "dominantness" "tonicness" "ivot region"
Examle 5. Tour o keys in which the dominant alone articulates the inal develoment key Haydn, Symhony No. 54, ii, mm. 50-75. Adagio assai 50 develoment section re-core core 51 52 5 54 55 56 57 58 d: (HK: ii) dominant arrival 59 60 61 62 6 64 65 (d:) PAC I6 F: I6 6 5 (HK: I) I... 66 67 68 69 70 (F:) PAC recaitulation 71 72 7 74 75 a: 7 (HK: vi) vii dominant arrival standing on the dominant C: I... (HK: I)
Examle 6. Haydn, Symhony No. 54, ii, reductions. (a) Tour-o-keys model exosition MT ST develoment 50 ( ) 55 56 57 60 6 66 70 71 72 recaitulation 7 75 MT ST 5--n tour o keys: d (ii) F (I) a (vi) dominant only (b) Tonal-olarity model encomassed by home-key dominant III
Examle 7. Tour o keys that concludes with two develoment-key dominants Haydn, String Quartet O. 54 No., i, mm. 59-78. develoment section Allegro 59 60 61 62 6 64 65 66 G: z HC PAC sequence: (HK: biii) 67 68 69 70 71 72 7 74 z (G:) II z b: i iii (HK: v) tonicized region 75 76 77 78 79 sequence: 65 (b:) iv 6 II 5 D: 6 5 I... (HK: bii) tonicized region
Examle 7 (continued) 80 81 82 8 84 85 86 (D:) z z D: I #: I 87 88 89 90 91 92 9 vii (#:) (HK: ii) dominant arrival standing on the dominant 94 95 96 97 98 99 100 z sequence z z z c#: (HK: vi) z dominant arrival standing on the dominant 101 102 10 104 105 106 107 (c#:) dim. recaitulation E: I... (HK: I)
Examle 8. Haydn, String Quartet O. 54 No., i, reductions. (a) Tour-o-keys model exosition MT Tr ST develoment 59 A 66 69 72 78 79 86 87 88 # 97 98 # recaitulation MT Tr 107 A ST tour o keys: G (biii) b (v) ton. reg. G: iii #: iv D (bii) ton. reg. G: #:I # (ii) "dominant-ness" c# (vi) (b) Tonal-olarity model 72 encomassed by home-key dominant # # III
Examle 9. Tour o keys ending on /vi, ollowed by inverted home-key in the retransition Mozart, Piano Sonata K. 280, i, mm. 57-8. 57 Allegro assai 58 59 60 61 62 6 develoment section 64 65 66 67 68 69 70 d: (HK: vi) i... 71 72 7 74 75 76 77 (d:) retransition recaitulation 78 79 80 81 82 8 (d:) HC standing on the dominant F: 4 (HK: I) I
Examle 10. Mozart, Piano Sonata K. 280, i, reductions. (a) Tour-o-keys model exosition MT ST1 ST2 develoment 57 6 64 67 71 75 78 81 82 recaitulation MT 8 ST1 ST2 A A tour o keys: d (vi) home key "dominant-ness" (b) Tonal-olarity model encomassed by home-key dominant A 4
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