General Bibliography Contemporary Chinese Art Berghuis, Thomas J. Performance Art in China. Timezone 8 Limited, 2006. Debevoise, Jane. Between State and Market: Chinese Contemporary Art in the Post-Mao Era. S.l.: Brill Academic Publishers, 2014. Gao, Minglu. Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art. Mit Press, 2011. Gao, Minglu, Asia Society. Galleries, and San Francisco Museum of Modern Art. Inside/out: New Chinese Art. University of California Press, 1998. Gladston, Paul. Avant-Garde Art Groups in China, 1979-1989, Chicago Press. 2013. Hou, Hanru, and Hsiao-Hwei Yu. On the Mid-Ground. Timezone 8 Limited, 2002. Phillips, Christopher, and Hung Wu. Between Past and Future: New Photography and Video from China. Smart Museum of Art, 2007. Silbergeld, Jerome, and Dora C. Y. Ching. ARTiculations: Undefining Chinese Contemporary Art. Princeton, N.J: Princeton University Press, 2010. Vine, Richard. New China, New Art. illustrated edition. Prestel, 2008. Wu, Hung Making History: Wu Hung on Contemporary Art. Timezone 8, 2009. Wu, Hung ed. Contemporary Chinese Art: Primary Documents. Duke University Press, 2010. Modern and Pre-modern Chinese Art Andrews, Julia Frances. The Art of Modern China. Berkeley, Calif. ; London: University of California Press, 2012. Clunas, Craig. Art in China. 2nd ed. OUP Oxford, 2009. Clunas, Craig. Pictures and Visuality in Early Modern China. London: Reaktion Books, 1997. Clunas, Craig. Superfluous Things: Material Culture and Social Status in Early Modern China. Honolulu: University of Hawai i Press, 2004. Hay, Jonathan. Sensuous Surfaces: The Decorative Object in Early Modern China. Honolulu, HI; London: Reaktion Books, 2010. Lv Peng. A History of Art in 20th-Century China. Large type edition. Edizioni Charta Srl, 2010. (pocket edition also available) Pearce, Nicholas (ed) Original Intentions: Essays on Production, Reproduction, and Interpretation in the Arts of China. Gainesville, FL: University Press of Florida, 2012. Powers, Martin J. Pattern and Person: Ornament, Society, and Self in Classical China. Annotated edition edition. Cambridge, Mass: Harvard University Press, 2006. Silbergeld, Jerome, Dora C. Y. Ching, Judith G. Smith, and Alfreda Murck. Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong. Princeton, N.J: Princeton University Press, 2011. Sullivan, Michael. The Arts of China. 5th Revised edition. University of California Press, 2009. Sullivan, Michael. Art and Artists of Twentieth-century China. Berkeley, Calif. ; London: University of California Press, 1996. Wu, Hung. Body and Face in Chinese Visual Culture: 239. Harvard University Press, 2005. 1
Wu, Hung. Reinventing the Past: Archaism and Antiquarianism in Chinese Art and Visual Culture. University of Chicago Press, 2010. The Cultural Revolution Barmé, Geremie. Shades of Mao: The Posthumous Cult of the Great Leader. M.E. Sharpe, 1996. Chiu, Melissa, Sheng Tian Zheng, and Asia Society. Art and China s Revolution. Asia Society, 2008. Jiang, Jiehong. Burden or Legacy: From the Chinese Cultural Revolution to Contemporary Art. Hong Kong University Press, 2007. King, Richard C et al Art in Turmoil: The Chinese Cultural Revolution, 1966-76. Contemporary Chinese Studies. Vancouver: UBC Press, 2010. Schoppa, R. Keith. Revolution and Its Past: Identities and Change in Modern Chinese History. 3rd ed. Boston ; London: Prentice Hall, 2011. Wang, Ban. The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century China. Stanford University Press, 1997. State and Society in 20 th and 21 st century China Buck-Morss, Susan. Dreamworld and Catastrophe: The Passing of Mass Utopia in East and West. Cambridge, Mass.: MIT Press, 2002. Dickson, Bruce et al Remaking the Chinese State: Strategies, Society, and Security. Asia s Transformations. London: Routledge, 2001. Gries, Peter Hays, and Stanley Rosen, eds. State and Society in 21st Century China: Crisis, Contention and Legitimation. Routledge, 2004. Farquhar, J., and Q. Zhang. Ten Thousand Things: Nurturing Life in Contemporary Beijing. New York: MIT Press, 2012. Kam, Louie The Cambridge Companion to Modern Chinese Culture. Cambridge Companions to Culture. Cambridge ; New York: Cambridge University Press, 2008. MacFarquhar, Roderick. The Politics of China: the eras of Mao and Deng. New York: Cambridge University Press, 1997. Perry, Elizabeth et al Popular Protest and Political Culture in Modern China. 2nd ed. Politics in Asia and the Pacific : Interdisciplinary Perspectives. Boulder ; Oxford: Westview Press, 1994. Perry, Elizabeth et al. Chinese Society: Change, Conflict and Resistance. 3rd ed. Asia s Transformations. London: Routledge, 2010. Wang, Hui, and Theodore Huters. China s new order: society, politics and economy in transition. Cambridge, Mass.; London: Harvard University Press, 2006. Yu, Hua. China in Ten Words. London: Gerald Duckworth & Co Ltd, 2012. Chinese History & Philosophy De Bary, William Theodore. Sources of Chinese Tradition. 2nd ed. Introduction to Asian Civilizations. New York: Columbia University Press, 1999. 2
Lai, Karyn. An introduction to Chinese philosophy. Cambridge, UK; New York: Cambridge University Press, 2008. Van Norden, Bryan ed Readings in Classical Chinese Philosophy. 2nd ed. Indianapolis: Hackett, 2006. Wilkinson, Endymion Porter, Harvard University, and Asia Center. Chinese history: a new manual. Boston, Mass.; London: Harvard University Asia Center, 2012. Yuan, Xingpei, David Richard Knechtges, Chuanxi Zhang, Xiaonan Deng, and Yulie Lou. The history of Chinese civilization. Cambridge; New York: Cambridge University Press, 2012. Contemporary Asian Art Desai, Vishakha N. Asian Art History in the Twenty-first Century. Sterling and Francine Clark Art Institute, 2007. Chiu, Melissa, and Benjamin Genocchio. Contemporary Art in Asia: A Critical Reader. Mit Press, 2011. Chiu, Melissa, and Benjamin Genocchio. Contemporary Asian Art. Thames & Hudson, 2010. Art History, Theory, Methodologies D Alleva, Anne. Methods and Theories of Art History. Laurence King Publishing, 2005. Dumbadze, Alexander, and Suzanne Hudson. Contemporary Art: 1989 to the Present. John Wiley & Sons, 2012. Foster, Hal et al Art since 1900: modernism, antimodernism, postmodernism. London: Thames & Hudson, 2011. Harris, Jonathan. Art history: the key concepts. London; New York: Routledge, 2006. Leung, Simon, and Zoya Kocur. Theory in Contemporary Art Since 1985. John Wiley & Sons, 2004. Nelson, Robert S., and Richard Shiff, eds. Critical Terms for Art History. Second. University Of Chicago Press, 2003. Summers, David. Real spaces: world art history and the rise of Western modernism. London [etc.]: Phaidon, 2003. Wood, Paul. Art in theory. Malden (Mass.): Blackwell publ., 2003. Zijlmans, Kitty. World Art Studies: Exploring Concepts and Approaches. Valiz, 2008. Globalisation Apter, Emily. The Translation Zone: A New Comparative Literature. Princeton: Princeton University Press, 2005. Crary, Jonathan. 24/7: Terminal Capitalism and the Ends of Sleep. London ; New York: Verso Books, 2013. Elkins, James, Is Art History Global? The Art Seminar v. 3. London: Routledge, 2007. Elkins, James, Zhivka Valiavicharska, and Alice Kim, eds. Art and Globalization. Pennsylvania State University Press, 2010. 3
Foster, Hal. The Art-Architecture Complex. 2nd Revised edition edition. Verso Books, 2013. Harris, Jonathan, ed. Globalization and Contemporary Art. Wiley-Blackwell, 2011. Hardt, Michael, and Antonio Negri. Empire. Harvard University Press, 2009. Harvey, David. Spaces of Global Capitalism. Verso, 2006. Hopfener, Birgit (ed) Negotiating Difference: Chinese Contemporary Art in the Global Context. Verlag und Datenbank für Geisteswissenschaften, 2011 Jameson, Fredric, and Masao Miyoshi. The Cultures of Globalization. Duke University Press, 1998. Smith, Terry. Contemporary Art: World Currents. Laurence King, 2011. Modernity, Postmodernity, Contemporaneity Berardi, Franco Bifo, Gary Genosko, and Nicholas Thoburn. After the Future. Oakland, CA: AK Press, 2011. Condee, Nancy. Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity. Edited by Terry Smith and Okwui Enwezor. Duke University Press, 2009. Crimp, Douglas, and Louise Lawler. On the Museum s Ruins. Cambridge, Mass.: MIT Press, 1993. Dirlik, Arif, and Xudong Zhang. Postmodernism and China. New edition. Duke University Press, 2000. Dumbadze, Alexander Blair. Contemporary art: 1989 to the present, 2013. Foster, Hal. Postmodern Culture. Pluto Press, 1985. Hall, Stuart, David Held, Don Hubert, and Kenneth Thompson, eds. Modernity: An Introduction to Modern Societies. Wiley-Blackwell, 1995. Jameson, Fredric. Postmodernism: Or, the Cultural Logic of Late Capitalism. Verso Books, 1992. The Avant-garde & its Legacies Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. London ; New York: Verso Books, 2012. Bourriaud, Nicolas. Relational Aesthetics. Dijon: Les Presse Du Reel, 1998. Buchloh, Benjamin H. D. Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975. MIT Press, 2003. Bürger, Peter. Theory of the avant-garde. Minneapolis, MN; Manchester: University of Minnesota Press ; Manchester University Press, 1984. Foster, Hal. The Return of the Real: Critical Models in Art and Theory Since 1960. MIT Press, 1996. Dezeuze, Anna. The Do-It-Yourself Artwork. Manchester; New York; New York: Manchester University Press, 2012. Krauss, Rosalind E. The originality of the avant-garde and other modernist myths. Cambridge, Mass.: MIT Press, 1985. Kuspit, Donald B. The cult of the avant-garde artist. Cambridge; New York: Cambridge University Press, 1994. 4
Smith, Karen. Nine lives: the birth of avant-garde art in new China. [China]: timezone 8 ; [Berkeley] : Distributed by DAP in North America, 2008. Appropriation & Subversion Evans, David, ed. Appropriation: Documents of Contemporary Arts. Whitechapel Art Gallery, 2009. Harris, Jonathan, ed. Identity Theft: Cultural Colonisation and Contemporary Art. Liverpool University Press, 2009. Harris, Jonathan ed. Dead History, Live Art?: Spectacle, Subjectivity and Subversion in Visual Culture Since the 1960s. Tate Liverpool Critical Forum 9. Liverpool: Liverpool University Press, 2007. Negri, Antonio. The Politics of Subversion: a Manifesto for the Twenty-first Century. Cambridge: Polity Press, 2005. Media Aceti, Dr Lanfranco, Julian Stallabrass, Susanne Jaschko, and Bill Balaskas. Red Art: New Utopias in Data Capitalism: Leonardo Electronic Almanac, Vol. 20, No. 1. 1 edition. Goldsmiths, University of London, 2014. Debord, Guy. Society of the Spectacle. New edition. Rebel Press,London, 1992. Hands, Joss. @ Is for Activism Dissent, Resitance and Rebellion in a Digital Culture. London; New York, NY: Pluto, 2011. http://site.ebrary.com/id/10479683. Kac, Eduardo. Telepresence and Bio Art. University of Michigan Press, 2005. Fuller, Matthew. Evil Media. Cambridge, Mass: MIT Press, 2012. Slater, Josephine Berry, Pauline Van Mourik Broekman, and Michael Corris. Proud to Be Flesh: A Mute Magazine Anthology of Cultural Politics After the Net. 1st edition. London; Brooklyn, NY: Mute Publishing Ltd, 2009. Stallabrass, Julian. Internet Art : The Online Clash of Culture and Commerce. Tate Publishing, 2003. Steyerl, Hito. E-Flux Journal: The Wretched of the Screen. Berlin: Sternberg Press, 2012. Stockmann, Daniela. Media Commercialization and Authoritarian Rule in China. Cambridge University Press, 2012. Wang, Jing. Brand New China: Advertising, Media, and Commercial Culture. Harvard University Press, 2010. High Culture Fever: Politics, Aesthetics, and Ideology in Deng s China. University of California Press, 1996. Yang, Guobin. The Power of the Internet in China: Citizen Activism Online. Reprint. Columbia University Press, 2010. Zhao, Yuezhi. Communication in China: Political Economy, Power, and Conflict. Lanham, Md.: Rowman & Littlefield, 2008.. Media, Market, and Democracy in China: Between the Party Line and the Bottom Line. Urbana: University of Illinois Press, 1998. Zhu, Ying. Two Billion Eyes: The Story of China Central Television. New York: New Press ; Distributed by Perseus Distribution, 2012. 5