Stalin and the Little Girl

Similar documents
Six Songs for a Young Man

To Make You FeeL My love

Trial Version.

from the Broadway musical Hamilton THE SCHUYLER SISTERS for S.A.B. voices and piano with optional SoundPax and SoundTrax CD*

A MUSICAL. Preview Only. pizz.

COHU, INC. Elec tron ics Di vi sion In stal la tion and Op era tion In struc tions

Terms and Conditions. By printing the attached sheet music, you acknowledge that you have read and agree to these Terms and Conditions.

2. TOM SAWYER AND COMPANY

Classroom Cantatas. can ta ta singers. Mendell Elementary School. The Games We Play

ELF. A Medley from the Broadway Musical

Joel Martinson (Choral score) Selah Publishing Co., Inc. Hn. J œ œ œ œ œ œ. j œ. 8 5 Choir: (Women or Men) for review only. ni- mi- pax.

O God, You Search Me. SSAA Choir, Harp, and Solo Instrument. œ œ œ œ œ œ œ œ œ œ. œ œ Œ œ œ. # # œ. œ j œ œ œ œ

#21 Stand up and Bless the Lord. œ œ œ œ œ. up high is up. bless bove strength bless. and a - our and. choice; high, ours; dore; heart laud all forth

Preview Only. Legal Use Requires Purchase. LYDIA, THE TATTOOED LADY for T.T.B.B. voices and piano* Music by HAROLD ARLEN Lyric by E. Y.

Preview Only W PREVIEW PREVIEW PREVIEW PREVIEW EW PREVIEW PREVIEW PREVIE REVIEW PREVIEW EVIEW PREVIEW PREVIEW PREV

An Old Irish Blessing - May the road rise up to meet you. May the wind always be at your back. May the sun shine warm upon your face,

EXSULTET. Re joice and sing now, all the round earth, bright with a glo ri ous splen dor,

A Cappella! Editor: Mary Lynn Lightfoot Rehearsal Resource Pages: Victor C. Johnson Music Engraving: Linda Taylor Cover Design: Kathy Lowrie

from Yentl PAPA, CAN YOU HEAR ME? for S.A.B. voices and piano* Preview Only

from Yentl PAPA, CAN YOU HEAR ME? for S.A.T.B. voices and piano with optional SoundTrax CD* Preview Only

We Are the Future by Paul Rardin

œ œ œ œ œ œ œ œ œ œ œ œ œ bœ bœ. œ œ œ œ œ œ œ œ œ œ œ!! œ œ œ œ œ œ œ œ œ œ! œ œ bœ . œ œ œ œ œ œ œ œ œ! œ œ œ œ œ! œ œ œ! œ œ œ œ œ D(4-1) D(4-1)

4. My Girl. say. She thought I'd had e - nough of her. Why can't she see? in and watch T. V. on my own, ev - ery now and then.

DYLAN BRENNEIS SONGS FROM

One Day More. PDF 文件使用 "pdffactory Pro" 试用版本创建 Moderato PIANOCONDUCTOR 253 LES MISÉRABLES 17 (VALJEAN) (12/7/01) One day.

Come, Jesus, Come. Holy Child Morning Star. Living Lord. King of kings. Carl P. Daw, Jr. Alfred V. Fedak. Come, Jesus, Come

A beginner piano method with coloured alphabet and pre-staff reading.

For the installation of the Rev. Lauren Dow Wegner as Associate Pastor of Grace Lutheran Church and School, River Forest, Illinois

SAMPLE. Christmas Series. What Happened in Bethlehem that Cold Winter Night. Music by Steven Ottományi. Text by M.D. Ridge

Paris Is So In Love!

from the musical Chicago RAZZLE DAZZLE for S.A.B. voices and piano with optional SoundPax and SoundTrax CD* Preview Only simile

Classroom Cantatas. can ta ta singers. Mendell Elementary School. Countries and Oceans. Continent Cantata

To an Isle in the Water

SIMPLIFIED HYMN ARRANGEMENTS FOR THE LDS CHOIR

Here I Go Again. As Performed by "Whitesnake" Words & Music by Bernie Marsden and David Coverdale. Arranged for Concert Band, Voice and Rock Band by

Evening Prayer. SATB a cappella. words by Thomas Ken ( ) music by Sheena Phillips

The Lisbon Carol A/D. œ œ œ œ. J œ œ œ. the of gi ing cre. an kings, from Star. cient yet the and tion - - œ œ œ œ œ. œ œ œ œ œ œ.

Lagniappe-Potpourri 2019: Audition Selections

Kees Schoonenbeek Arranger, Composer, Director, Publisher, Teacher

Classroom Cantatas. can ta ta singers. Neighborhood House Charter School. Peace Through Children s Eyes

Up on a Haunted Housetop. Preview Only. A Spooky Holiday Adventure, with Optional Narrator

BEAUTY FOR BROKENNESS (GOD OF THE POOR) Beauty for brokenness

Calypso Cradle Carol Jill Gallina

SAMPLE MISSA MARIA MAGDALENA. Kyrie Free and mysterious; molto rubato h = 54 SOLO (SOPRANO 2) SOPRANO ALTO TENOR BASS ORGAN

GLORIOUS FREEDOM (TTB)...

from the Broadway musical Elf SPARKLEJOLLYTWINKLEJINGLEY for S.A.B. voices and piano with optional SoundPax and SoundTrax CD* Preview Only

No. 3. Little Black Boxes. Allegro q = 156. cue: VILLAGER: Look! Piano. cresc. poco a poco. box -es. These. keep. lit - tle black.

O Wondrous Type! O Vision Fair for SATB choir and organ

The Ten Minute Tutor - Read-a-long Video F-31 ALICE IN WONDERLAND CHAPTER 10: THE LOBSTER DANCE. Adapted for The Ten Minute Tutor by: Debra Treloar

There Is a Name. Stanley M. Hoffman. Joseph H. Albeck. Guitar/Choral Score. Music by. Words by

From: MercyMe - Welcome to the New. Greater. BART MILLARD, MIKE SCHEUCHZER, NATHAN COCHRAN, ROB SHAFFER, BARRY GRAUL, DAVID GARCIA and BEN GLOVER

I Can Hear the Bells

A Girl Born in Afghanistan

from Yentl PAPA, CAN YOU HEAR ME? for S.S.A. voices and piano* Preview Only

Composed and Performed by Ms. Scotts 4th Grade Class Classroom Cantatas Tobin K-8 School Character Cantata can ta ta Cantata Singers, 2014 singers

S.A.T.B. SOLI, CHORUS, AND PIANO

The Sound Of Silence Words & Music by Paul Simon

Preview Only W PREVIEW PREVIEW PREVIEW PREVIEW EW PREVIEW PREVIEW PREVIE REVIEW PREVIEW EVIEW PREVIEW PREVIEW PREV

Preview Only. Legal Use Requires Purchase

Book of Psalms ~ Volume 2

from Waitress the Musical She Used to Be Mine SARA BAREILLES Published Under License From Hal Leonard Music Publishing

Come, Ye Faithful, Raise The Strain Exodus 15 John of Damascus, c Translated by John M. Neale, , alt. Alto

Preview Only W PREVIEW PREVIEW PREVIEW PREVIEW EW PREVIEW PREVIEW PREVIE REVIEW PREVIEW EVIEW PREVIEW PREVIEW PREV

Dixie Highway. Preview Only. Andrew H. Dabczynski (ASCAP) instrumentation. Conductor Score... 1 Violin II Viola... 5 Cello... 5 String Bass...

Memories of Lincoln. Music by William H. Neidlinger Arranged by Christopher J. Hoh. Text by Walt Whitman Compiled by William H.

Now All the Vault of Heaven Resounds Two-Part or SAB Choir and Organ, with opt. Congregation, Handbells (3 5 octaves), Brass Quintet, and Timpani.

From: Bruno Mars - Unorthodox Jukebox. When I Was Your Man. PETER HERNANDEZ, PHILIP LAWRENCE, ARI LEVINE and ANDREW WYATT. Arranged by MAC HUFF

Classroom Cantatas. can ta ta singers. Mather Elementary School. Out of Many We are One

ROSE OF BETHLEHEM. for S.A.T.B. voices, opt. Cello, accompanied* œ œ œ. Preview Only. œ J. J œ. œ œ œ.

cd2 January Song Book page 1 Gung Hay Fat Choy Yel - low o - range, red fill the streets with-- joy.

I Seek Your Shelter. œ œ œ œ œ œ. œ œ œ, œ

HYMN ARRANGEMENTS FOR THE LDS CHOIR VOLUME 2

A Cuckoo s feathers are ashen gray, But they were not always that way. In ancient times they were a colorful array Until one fateful, frightening day.

SOLOS FOR THE LOWER VOICE

Cover photo by Malene Thyssen,

Dedicated to Joseph Willcox Jenkins, Composer - Conductor The Glendy Burk for SATB Voices with Piano Accompaniment

From: Waitress: The Musical. She Used to Be Mine. from Waitress the Musical SARA BAREILLES. Published Under License From. Hal Leonard Music Publishing

I M WALKIN. j œ. œ œ œ. œ F. œ 3. j œ œ. œ œ œ œ. b 1. Words and Music by Antoine Domino and Dave Bartholomew Arr. Dan Coates.

For Review Only. Pangasinan Pronunciation Guide. Consonants are pronounced like the typical Italian ones except: c which is pronounced like k

Let All Creation Bless the L ord

I Am a Daughter of God I Am a Daughter of God (flute obbligato) Follow Me Live the Legacy Woman of Faith...

The Race a fable for Narrator, Violin, Violoncello and Piano (or Piccolo, Bass Clarinet and Piano)

commissioned by the Salt Lake Vocal Artists underwritten by Crystal Tones Invocation for SATB, piano, and singing bowls* Say, Lord!

Preview Only. Legal Use Requires Purchase

Meet 12 Famous Composers Through Song Arranged, with new Words, by Sally K. Albrecht. Recording Orchestrated by Alan Billingsley and David Hagy

Grateful Hymn of Praise

DO NOT COPY. Holy God, We Praise Thy Name. Hymns of Praise Anthem Series. Robert Lau. paraclete press

I saw three ships. Trad. English carol arr. DAVID WILLCOCKS. Gaily. ships. saw Sa. come and. sail his Beth. ing la le. in dy, hem - - Christ.

Epistle to be Left in the Earth

the Differentiated Recorder Part One

A beginner piano method with pre-staff kids notes and keyboard guides

Hope. Choral Works of John Muehleisen. for a cappella SSA Choir (with occasional div.) Music by John Muehleisen. Poem by Emily Dickinson ( )

Reading a poem aloud: metre. Richard Dury Bergamo, 29 th October 2008

From HAMILTON MY SHOT. for S.A.T.B. voices and piano with optional SoundTrax CD* Performance time: approx. 5:40. Preview Only

De voted to Prof. Pavel Povinec 65-th an ni ver sary. 241 Am source was used in the test cham ber. The beam was collimated by me chan i cal

FOR PERUSAL ONLY. Fresh Ayre Music. Te Deum

Preview Only W PREVIEW PREVIEW PREVIEW PREVIEW EW PREVIEW PREVIEW PREVIE REVIEW PREVIEW EVIEW PREVIEW PREVIEW PREV

PHIL THE FLUTER S BALL

Composed and Performed by Ms. Keeney s 2nd Grade Class Classroom Cantatas Tobin K-8 School Animal Profiles can ta ta Cantata Singers, 2014 singers

Music Technology. Advanced Subsidiary Unit 1: Music Technology Portfolio 1. Release date: Friday 11 September 2009 Time: 60 hours

Transcription:

duration: ca. 10 min. q = ca.40 very rubato, esecially silences? 4 > # > Stalin and the Little Girl # AN ICN (or unaccomanied bass-baritone voice) # words & music by William Vollinger (ASCA) 2012 # Gel-ya! I do not want to hold you a-ny - more, my love-ly? # n lit-tle daugh-ter. I can-not re-main gen-tle ve-ry long. NTES: I ossible, the above icture should be rojected on a screen on a darkened stage, the soloist to one side. The use o an iad with a d o the score makes the ace o the singer glow ominously. I this is not ossible, the hoto should then be rinted in the rogram. (The words are hyhenated the way they are actually sung or said, not as in a dictionary.) gross

2? j İ.... >. > tired? want to ut you down or -e-ver.. I do not want your lo - - - - wers, Be-?............... cause eve-ry time they're o - en-ing u their bright love-ly e - tals, they're? al - so swal-low-ing u tired? And then it takes? smi?. stentorian me! near-ly se-ven-ty-two years me! to sto me! you j rom - ling at me. mm ho-. #.. to-gra-hers, ut a-way your came-ras, un-til I can ul -ly? # ß # y # # to-tal-ly sen-tence all o you to death, and then leave me a -? w and lone on - ly or one mo-ment o eace.

? # # > # > j? I do not want to inner agitation hold you a - ny - more, Gel-ya, Be -. j. 4 #? cause I'm ex-treme-ly a -raid that your name real - ly is "Gel-ya". do? w name not want to 4 y And I real - ly know your name. I knew your a - ther's y y > some-times, but wrote it on-ly that one time. Num-ber sev-en-teen - mechanical? mil-lion - our -hun-ded - twen-ty-six - thou-sand - two-hun-dred our-teen:? Ardan Markizova, Se-cond sec-re-ta-ry o the Bur-yat Mon-gol Au-ton-o-mous? So-vi-et So-cial-ist Re-ub-lic with se-cialre-son-si-bil-i-ties or a-gri-cul-ture.? >. #. It was on-ly that one time that I de - ci-ded that he was a - -? # # # π # # a a nese sy, # and there-ore had him killed be-ore he could kill me. But no - bo-dy can

4? # # # # # # kill me? # earully sweet now. # I wish that # N> > some - w bo-dy could. w gross Could you? #> # > lease kill w me Gel-ya? gross w Sto #> # > smi-ling and kill me in-stead,? n> # > gross Gel-ya! I can-not re-main gen-tle ve-ry long.?. mm?.,. come u on my.. I kee on.... molto accel... wai - ting or your a - ther's name to list or one more time: a temo Ardan Markizova, mechanical? Se-cond sec-re-ta-ry o the Bur-yat Mon-gol Au-ton-o-mous So-vi-et So-cial-ist Re-? ub-lic with se -cial re -son-si-bil-i-ties or a-gri-cul-ture and a? # tired # n a-an -ese sy. And then it takes near -ly se-ven-ty -two years

?. molto accel..... un-til my list comes to its end and i - nal - ly it rea-ches a temo?.... the last name, 5? It's my name my name my name y my name my name,?? And then it starts im-me-di-ate-ly back to the ve-ry irst name. I know that be - cause those se-ven-ty - two years have ha-ened mil-lions o times.? God,? eace, till You and? # rom the gut h God oh God oh God oh God oh God oh God oh lease make me an a- the-ist i on-ly or one mo-ment o # # deserate I can ul -ly and to-tal-ly sen-tence each o- ther to death, N> # > # y and? then I can ut Gel - ya down. Let us both do that oh God oh God oh God oh God oh God oh God I ray,

6 back o throat,? > alla > marcia > > ~ introsective dee dee dee dee dee? > > > > dee dee beore this hotograh turns into a oster, dee dee dee dee dee? > > > > dee dee and this oster kees growing larger and larger and larger, dee dee dee dee dee? > > > > dee dee much larger than a man can ever hold a little girl, dee dee dee dee dee? > > > > dee dee or this arade that takes nearly seventy -two years dee dee dee dee dee dee dee? > > > > to ass by this tomb that my redecessor is saely encased in, dee dee dee dee dee? > > > > dee dee on which I eternally and suddenly ( ) everlastingly stand in review. # dee dee dee dee dee Where is your mother, Gelya? She should be re-son-si-ble e-? #. callling nough to take you rom my de -tes - ta - ble? b > > > > > > Come or - ward and claim your arms, Dominca Markizova! > child!

? > 7 What do you mean that you were murdered?? > You were not mur-dered! >? > I still can see you! disgusted # You are her mo - ther! # So take this? > > > Here she is.? love gross ly lit-tle daughter o yours away. I can-not re - main gen-tle ve - ry long. Now eace and ha - i - ness my? riends,? da! gritting teeth my riends, j b > w No!. my riends, j lease don't hand her Ï roar w w? # da da back to me! da Take her rom me! RRRAHHH! ound something or stam? I on - ly I could ~~ tear o your

8? ace. I on - ly I could tear o my? ~ ace. I on - ly I could tear o those ~~? ret - ty lit - tle lo - wers and they o - en all their love - ly lit - tle? e -tals and they swal-low me u, to di -gest me in -to the roots o my own cre -? y y a-tion. h ut me down, Gel-ya! w > # > loud whiser (I'm araid.)