Compte rendu. Ouvrage recensé : par Sherryl Vint

Similar documents
David Katan. Translating Cultures, An Introduction for Translators, Interpreters and Mediators. Manchester, St. Jerome Publishing, 1999, 271 p.

Article. "Films for Use in Canadian Industry" Rowland Hill. Relations industrielles / Industrial Relations, vol. 7, n 4, 1952, p

Lawrence Venuti. The Scandals of Translation. Towards an Ethics of Difference. Routledge, 1998, 210 p.

Compte rendu. Ouvrage recensé : par Louise Wrazen

Malcolm Williams. Translation Quality Assessment: An Argumentation-Centred Approach. Ottawa, University of Ottawa Press, 2004, 188 p.

Kieran J. Dunne, ed. Perspectives on Localization. John Benjamins, Amsterdam/Philadelphia, 2006, 356 p.

Compte rendu. Ouvrage recensé : par Ann Thomas

Article. "Marxian Analysis" Earl F. Beach. Relations industrielles / Industrial Relations, vol. 30, n 4, 1975, p

"Exploring the creative process: hypermedia tools for understanding contemporary composition" Ouvrages recensés :

Compte rendu. Ouvrage recensé : par André Lefevere

Canadian University Music Review / Revue de musique des universités canadiennes, n 1, 1980, p

Compte rendu. Ouvrage recensé : par J. Joseph Edgette

Compte rendu. Ouvrage recensé : par Lynn Whidden

Compte rendu. Ouvrage recensé : par Judith Woodsworth

"Presentation" Natalia Teplova. TTR : traduction, terminologie, rédaction, vol. 22, n 1, 2009, p

Compte rendu. Ouvrage recensé : par Ian Brodie

Kieran J. Dunne, ed. Perspectives on Localization. John Benjamins, Amsterdam/Philadelphia, 2006, 356 p.

[Sans titre] Circuit Musiques contemporaines. Christopher Fox. Document généré le 3 avr :36. Résumé de l'article

Compte rendu. Ouvrage recensé : par Mark McFarland

TTR : traduction, terminologie, rédaction. Michelle Woods. Document généré le 12 jan :58

Article. "Spaces and Places of Opera" Robert A. Baker. Circuit : musiques contemporaines, vol. 17, n 3, 2007, p

Article. John Rea. Circuit : musiques contemporaines, vol. 19, n 2, 2009, p Pour citer cet article, utiliser l'information suivante :

Article. "Towards an Analysis of Compositional Strategies 1 " François Delalande. Circuit : musiques contemporaines, vol. 17, n 1, 2007, p

Compte rendu. Ouvrages recensés : par Paul St-Pierre

"Presentation" Denise Merkle. TTR : traduction, terminologie, rédaction, vol. 22, n 2, 2009, p

Canadian University Music Review. Robin Elliott. Document généré le 29 déc :17. Volume 24, numéro 2, 2004

Abstracts. Voix et Images. Document généré le 31 mars :41. Effets autobiographiques au féminin Volume 22, numéro 1, automne 1996

John Rink and Jim Samson, eds. Chopin Studies 2. Cambridge: Cambridge University Press, x, 253 pp. ISBN (hardcover)

FALSETTO, Mario. Stanley Kubrick. A Narrative and Stylistic Analysis. Westport / London : Praeger, 1994, 217 p.

Cinémas : revue d'études cinématographiques / Cinémas: Journal of Film Studies, vol. 21, n 1, 2010, p

Article. "The Translator s Task, Walter Benjamin (Translation)" Steven Rendall

TTR Traduction, terminologie, re?daction. Judith Woodsworth. Document généré le 8 mars :09

Function and Structure of Transitions in Sonata Form Music of Mozart

Article. "Translation and Comparative Literature: The Search for the Center" André Lefevere

Compte rendu. Ouvrage recensé : par Willem J. de Reuse

Acoustic Space. Circuit. R. Murray Schafer. Document généré le 2 déc :00. Résumé de l'article. Musique in situ Volume 17, numéro 3, 2007

Article. "Management Science How Goes Its Philosophy" J. W. Howard. Relations industrielles / Industrial Relations, vol. 30, n 2, 1975, p

Canadian University Music Review. Paul F. Rice. Document généré le 27 mars :40. Volume 17, numéro 2, 1997

"Beyond Translation Proper Extending the Field of Translation Studies"

Document généré le 12 déc :26. Canadian University Music Review

BRANIGAN, Edward. Narrative Comprehension and Film. London/New York : Routledge, 1992, 325 pp.

Canadian University Music Review. Beverley Diamond. Document généré le 30 déc :06. Volume 18, numéro 2, 1998

Article. "Translating for the Theatre: The Case Against Performability" Susan Bassnett

Music in Film: Film as Music

ETC. Claire Christie. Document généré le 18 mars :30. Numéro 24, novembre 1993, février URI : id.erudit.org/iderudit/36135ac

(hardcover). Canadian University Music Review. Gordon E. Smith. Document généré le 17 jan :30. Numéro 15, 1995

Grupmuv Towards a Self-Creative Practice: Cultivating a Sensible Observer

Lawrence Venuti. The Scandals of Translation. Towards an Ethics of Difference. Routledge, 1998, 210 p.

"Translation, Interpretation, and Common Meaning: Victoria Welby s Significal Perspective"

Maria Tymoczko. Translation in a Postcolonial Context. Early Irish Literature in English Translation. Manchester, St. Jerome Publishing, 1999.

Schubert's Impromptu in G-flat: A Response to Adam Krims

Article. "Hosanna in Toronto : «Tour de force» or «Détour de traduction»?" Jane Koustas

Deborah Mawer, ed. The Cambridge Companion to Ravel. Cambridge: Cambridge University Press, xv, 294 pp. ISBN (hardcover)

Article. " An awful wish to plunge within it : Byron s Critique of the Sublime" Bernard Beatty. Revue de l'université de Moncton, 2005, p

DECORATIVE HOME FURNISHING FABRICS

Article. "How Sublime (and Prolific) was Byron? What the Reviewers Said" Charles E. Robinson. Revue de l'université de Moncton, 2005, p

Polarity in Schubert's Unfinished Symphony

Report to/rapport au : OTTAWA PUBLIC LIBRARY BOARD CONSEIL D ADMINISTRATION DE LA BIBLIOTHÈQUE PUBLIQUE D OTTAWA. May 12, 2014 Le 12 mai 2014

On Re-enacting a Hotel Space

Ithaque : Revue de philosophie de l'université de Montréal

Cinémas. Wojciech Kalaga. Document généré le 9 mai :14. Questions sur l éthique au cinéma Volume 4, numéro 3, printemps 1994

"Refiguring the Primitive: Institutional Legacies of the Filmology Movement"

Legitimate Prejudices

Canadian University Music Review. William Echard. Document généré le 3 mai :11. Volume 21, numéro 2, 2001

Assessing Apparently Equivalent Translations in the News Media

Études/Inuit/Studies. Beverley Diamond. Document généré le 15 déc :46. Propriété intellectuelle et éthique Volume 35, numéro 1-2, 2011

"Translation, Systems and Research: The Contribution of Polysystem Studies to Translation Studies"

Bernard Bosanquet and the Development of Rousseau's Idea of the General Will

Publishing Your Research in Peer-Reviewed Journals: The Basics of Writing a Good Manuscript.

City, University of London Institutional Repository. This version of the publication may differ from the final published version.

Research Topic Analysis. Arts Academic Language and Learning Unit 2013

Ralph K. Hawkins Bethel College Mishawaka, Indiana

Beginnings and Endings in Western Art Music

A Shakespeare Music Catalogue: "What's in a Name?"

Two-Part Transition or Two-Part Subordinate Theme?

gpalemo 0474DEEED533B0A4E8ED3236B0B401E3 Gpalemo 1 / 6

PHL 317K 1 Fall 2017 Overview of Weeks 1 5

December 2018 Language and cultural workshops In-between session workshops à la carte December weeks All levels

Level 3 French, 2013

Layers of Illusions: John Rea s Hommage à Vasarely

RUSKIN S EDUCATIONAL IDEALS (Ashgate, 2011) vii pp. learning especially among those bent on reforming education and teaching young women as

The Human Intellect: Aristotle s Conception of Νοῦς in his De Anima. Caleb Cohoe

John Deathridge Wagner: Beyond Good and Evil. Berkeley: University of California Press. xiii, 302 pp. ISBN

Canonization and Translation in Canada: A Case Study

Marks, Laura U. The Skin of the Film : Intercultural Cinema, Embodiment, and the Senses. Durham and London : Duke University Press, 2000, 298 p.

Advanced Uses of Mode Mixture in Haydn's Late Instrumental Works

The Construction of Music as a Social Phenomenon: Implications for Deconstruction

Hypatia, Volume 21, Number 3, Summer 2006, pp (Review) DOI: /hyp For additional information about this article

AP English Literature and Composition

Clementi s Progressive Sonatinas, Op. 36: Sonata semplice or Mediating Genre between Minuet and Sonata Design?

ABSOLUTE DIRECTORS ROCK, CINéMA ET CONTRE-CULTURE (CAMION NOIR) (FRENCH EDITION) BY FRANCK BUIONI

Manufactured Landscapes : An Interview with Ed Burtynsky

Unsettling Partition: Literature, Gender, Memory (review)

Translation and Science

scholars have imagined and dealt with religious people s imaginings and dealings

Defining the profession: placing plain language in the field of communication.

1/8. The Third Paralogism and the Transcendental Unity of Apperception

Royce: The Anthropology of Dance

Article Critique: Seeing Archives: Postmodernism and the Changing Intellectual Place of Archives

An Analysis of Schubert's "Der Neugierige": A Tribute to Greta Kraus

Transcription:

Compte rendu Ouvrage recensé : The Enlightement Cyborg: A History of Communications and Control in the Human Machine, 1660-1830. By Allison Muri. (Toronto: University of Toronto Press, 2007. viii + 308 p., ill., notes, bibl., index. ISBN 0-8020-8850-3 $60) par Sherryl Vint Scientia Canadensis: Canadian Journal of the History of Science, Technology and Medicine / Scientia Canadensis : revue canadienne d'histoire des sciences, des techniques et de la médecine, vol. 32, n 1, 2009, p. 81-84. Pour citer ce compte rendu, utiliser l'adresse suivante : URI: http://id.erudit.org/iderudit/037636ar DOI: 10.7202/037636ar Note : les règles d'écriture des références bibliographiques peuvent varier selon les différents domaines du savoir. Ce document est protégé par la loi sur le droit d'auteur. L'utilisation des services d'érudit (y compris la reproduction) est assujettie à sa politique d'utilisation que vous pouvez consulter à l'uri https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Érudit est un consortium interuniversitaire sans but lucratif composé de l'université de Montréal, l'université Laval et l'université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. Érudit offre des services d'édition numérique de documents scientifiques depuis 1998. Pour communiquer avec les responsables d'érudit : info@erudit.org Document téléchargé le 12 février 2017 04:44

Book Reviews / Compte rendus 81 ouvrages incontournables pour qui s intéresse à l histoire de l utilisation de l eau au Canada et aux États-Unis. Il n en reste pas moins que le livre de Benedickson est une contribution originale et constitue, à ce titre, un apport important à l historiographie. ROBERT GAGNON Université du Québec à Montréal The Enlightement Cyborg: A History of Communications and Control in the Human Machine, 1660-1830. By Allison Muri. (Toronto: University of Toronto Press, 2007. viii + 308 p., ill., notes, bibl., index. ISBN 0-8020- 8850-3 $60) Allison Muri s The Enlightenment Cyborg sets out to achieve two main goals: to address the surprising absence of an adequate history of the cyborg figure in the figure of the human machine of the seventeenth and eighteenth centuries and to correct what she calls the misappropriation of the Enlightenment in post-modern readings of the cyborg (p.6-7). Muri is successful in her first aim and this volume provides a compelling and thoroughly researched account of the 17 th and 18 th century discourse on the human machine, drawing attention in useful ways to the shared assumptions concerning the perceived relationships of human to mechanism, material embodiment to human spirit, and mind to matter in both the early modern and the post-modern conceptions of the human machine (p.5). Thus, from the point of view of the history of technology, this is a useful and timely contribution to discussions of the cyborg so central to recent humanities scholarship on the post-human, providing a rich intellectual background for this figure and deepening our understandings of the concerns regarding subjectivity and embodiment that it articulates. The second objective, however, is less convincingly accomplished. Muri does offer pertinent amendments to the impoverished image of the Enlightenment that circulates within some post-modern discourse and thus enhances our understanding of this period in intellectual history as dialectical and complex rather than monolithic. Yet at the same time, in her impassioned defence of this more complicated view of the Enlightenment and of the relevance of the human machine to more recent discussion of the cyborg, Muri s work can, ironically, take on an a-historical tone. At times her desire to stress the continuities between the human machine and the cyborg causes her to pay insufficient attention to differences of context between the seventeenth and twenty-first centuries; as well, she sometimes indulges an unhelpful polemic too anxious to insist that there is nothing

82 Book Reviews / Compte rendus new in post-modern discussions of the cyborg figure and her work fails to account for the differences as well as the continuities between the human machine and the cyborg. Therefore, the book is thus at its strongest when it traces the human machine figure and its relation to earlier historical conceptions of subjectivity, technology and the relation between the two, and at its weakest when trying to critique more recent discussions of the cyborg and their failure to take this history into account. It is divided into six chapters. The introduction provides an overview of cyborg theory and articulates her theory of the enlightenment cyborg. Matter, Mechanism, and the Soul traces continuities between writings on the cyborg and seventeenth and eighteenth century discussions of the Man-Machine especially in relation to an understanding of the body as something composed of particles that are governed by mechanical motion. Some Contexts for Human Machines and the Body Politics links the command-control-communication nexus in cyborg studies with earlier notions of clockwork which informed understandings of the Man- Machine. The Man-Machines: Communications, Circulations, and Commerce, the strongest chapter, usefully contextualises discussions of Muri s enlightenment cyborg within contemporary struggles over the nature of sovereignty and political organisation and thus offers an important context for more recent politicised uses of the cyborg image. The Woman-Machine: Techno-lust and Techno-reproduction offers an extensive history of the gendering of technology and insightful readings of eighteen century texts, but unfortunately then produces what at times seem to be anachronistic readings of contemporary images of sexualised female cyborgs as they rely too directly on the parallels between the Woman-Machine and the cyborg, thus ignoring the intervening periods of Victorian culture and modernism which also have significant influence on the recent texts. Finally the conclusion Cyborg Conceptions defends the continued relevance of the human body and the physical text even in an era of virtual electronics. Here she argues our texts, electronic or otherwise, are still engaged in very human themes of life, love, sex, and death; we still, as ever, make war and make love; there are still those who traverse boundaries, and those who erect them. There are and will continue to be good and bad citizens, good and bad students, avid and apathetic readers. Whatever difficult choices the computer age will necessitate, electronic textuality will not change these very human traits. What has changed is our analogies for the page as body and the text as thoughtful reflection (p.231). The invocation of what seem to be notions of universal human values and timely aesthetic standards in this conclusion is one of the ways the book betrays a curious a-historicism even while it provides a cultural history.

Book Reviews / Compte rendus 83 Thus, The Enlightenment Cyborg is an uneven book. Part of the difficulty seems to be an insistence on reading the cyborg figure in recent theory solely from the point of view of Enlightenment concepts. On the one hand, this does result in an enriched understanding of the intellectual history of this figure that is a significant contribution to scholarship. On the other, this also results in an insistence upon correcting aspects of recent theory in ways that seem at times to miss the point. For example, in critiquing the tendency of recent theorists to equate understandings of subjectivity with Descartes cogito, Muri argues that such accounts fail to acknowledge that accounts significantly different from Descartes became dominant, particularly in medicine, and hence such notions of cyborg identity [are] primarily constructed through textual tradition and therefore subject to the whims of theoretical vogue rather than the relationships of actual machines and real bodies (p.14). This argument is valid and thus expands our understanding of the history of mind/body relations and complicates our understanding of such images as they appear in recent cyborg theory. Yet at the same time, whatever the relevance of Descartes theories to the history of actual machines and real bodies, his conception of subjectivity has been absolutely fundamental to the history of philosophy and its conception of subjectivity. Muri s concept of recent cyborg theory minimizes this important fact and thereby tends to mistake or conceal the degree to which such theory responds to a dominant metaphysics of subjectivity rather than to factual matters of mind/body relation. Muri s addenda are valuable interventions into this conversation, but her tendency to overcompensate for what she perceives to be the onesidedness of such theory and its image of the Enlightenment undermine this contribution. Donna Haraway who is often credited with inventing cyborg studies speaks of the cyborg as a powerful myth and metaphor as much as a material object, and Muri s work too often neglects the degree to which the cyborg image is over-determined. Other aspects of the book are indispensable contributions to our understanding of the cyborg figure and its use as a political metaphor. For example, one of its main contentions is that the material extension of the nervous system creates a new paradigm for the governing mechanism of the body human consciousness (p.83), a shift which Muri demonstrates dates not to the development of microprocessors and Norbert Wiener s theories of cybernetics, but rather to the the revolution in paradigms from humans as clockwork machines to humans as homeostatic machines that were evident from around the time that feedback mechanisms were being developed and used for alchemical experimentation (p.91). Yet again there is a tendency to exaggerate the degree to which her approach is innovative. She writes:

84 Book Reviews / Compte rendus The cyborg merely reiterates well-established clichés about the much-contested grounds of identity and human nature. It is striking how so many media theorists took the ubiquitous analogies of nervous and computer communication to mean that electrical communications devices literally have altered our nervous system, and thus also foreshadow new forms of social decay or democracy (p.97). This critique is true of some claims of media theorists, but such oversimplification by no means characterizes all that is published under the rubric postmodern cyborg theory. Further, while the introductory chapter is quite thorough in its review of the positions of recent critical theorists who use the cyborg image, this nuanced understanding of their work is not evident in the later chapters that outline analogous ideas in earlier writing and present Muri s critique of the recent theory. Thus, it is unclear against precisely whom such attacks are being launched a tendency to disparage many theorists guilty of such errors but no specific links between her critique and specific thinkers. There are also some omissions in her literature review that would require her to qualify such claims as this one regarding what she seems to regard as an evidently ridiculous idea that interaction with computers has physically altered our nervous system. A book such as N. Katherine Hayles My Mother was a Computer (2005), for example, does offer compelling evidence as to why and how computers are changing the way we think evidence that goes beyond taking the computer as merely a metaphor for consciousness. In the final analysis, despite its many merits, The Enlightenment Cyborg sweeping claims about the limitations of recent cyborg theory are not supported effectively, which is a significant flaw. The more restricted argument that such theory does not draw upon an adequate historical understanding of the cyborg figure is, however, well supported and a major contribution to scholarship in the field. Had the book more effectively modulated its claims to keep them in line with what is actually achieved, it would have been a much more satisfying volume. What it does accomplish is worthy, but unfortunately Muri s tendency to exaggerate the innovation of her sources and her own work undermines the presentation of what is valuable in this book. SHERRYL VINT Brock University