Call for Scores. Contents. Deadline. Contact and mailing address for submissions. Organizers

Similar documents
Wes-Boland Eisteddfod

LBSO Listening Activities. Fanfare for the Common Man Suggested time minutes

UNIT: THE ORCHESTRA. Fernando Solsona Berges. Subject: Methodology for Multilingual Education and Learning Foreign Languages. Teacher: Inma López

DELAWARE MUSIC EDUCATORS ASSOCIATION ALL-STATE ENSEMBLES GENERAL GUIDELINES

Preview Only. A Holiday Encore for Band. Arranged by ROBERT W. SMITH (ASCAP) and MICHAEL STORY (ASCAP)

The tempo MUSICAL APPRECIATIONS MUSICAL APPRECIATION SHEET 1. slow. Can you hear which is which? Write a tick ( ) in the PIECES OF MUSIC

Requirements for the aptitude tests at the Folkwang University of the Arts

Alta High School Instrumental Music Audition Packet

Instruments of the orchestra

West Michigan Homeschool Fine Arts Solo and Ensemble Festival

Music Competition 18th, 19th and 20th, may 2018.

Instrumental Handbook

Instruments. Of the. Orchestra

Huntsville Youth Orchestra Auditions. Philharmonia VIOLIN

Greater Cleveland Instrumental Solo and Ensemble Contest Association. RULES AND REGULATIONS (revised September 2016)

Flint School of Performing Arts Ensemble Audition Requirements

Prelude. Name Class School

MARTIN SCHEUREGGER Do not keep silent

OF THE ARTS ADMISSIONS GUIDE 2016 ACADEMY

NCBA Eastern District All-District Frequently Asked Questions

WINGS. Suzanne Gaye Sheppard

Music Study Guide. Moore Public Schools. Definitions of Musical Terms

LIMITED MUSICAL INSTRUMENTS CHOICE: A GENDER STEREOTYPE. Osayande Robinson Ighagbon and Agbidi, Norense Julie (Mrs.)

Soaring Through Ionian Skies (A Diatonic Adventure for Band) Preview Only ROBERT W. SMITH (ASCAP)

CUSTOMS TARIFF - SCHEDULE XVIII - 1

ENGR 3000 Technology of the Steel Pan Lecture 1. Lecturer: Sean Sutherland

Fall Audition Procedure for Santa Rosa Symphony Youth Ensembles

Welcome to the West Babylon Musical Instrument Program!

South Central District Bandmasters Association Frequently Asked Questions about All-District Band Auditions and Clinic

Are you a student who is looking for a CHALLENGE? Are you a student who is MOTIVATED to try something new and STICK WITH IT?

Summer Monday, June 25 Friday, July 27, Somerville School

2018 UQSO and UQW auditions. Friday 16 th February Nickson Room, School of Music, UQ

Alleluia(Tuba Part) - Sheet Music By Alleluia(Tuba Part)

The Conservatory School Middle Grades Audition Guidelines

33th LUXEMBOURG MUSIC COMPETITION FOR YOUTH

The Elements of Music. A. Gabriele

Summer 2017 Monday, June 26 Friday, July 28, 2017

International Ensemble Modern Academy - Master's Degree Programme at the Frankfurt University of Music and the Performing Arts

This includes all the information you will need concerning the following:

Sound/Path/Field. for multiple musical ensembles, organ, and outdoor theater by. Robert Morris

THE ELEMENTS: PERIOD 2, FOR LARGE ORCHESTRA ALEXANDER EUGENE LAFOLLETT A DISSERTATION

Slavonic Dance No. 8

Huntsville Youth Orchestra Auditions. Sinfonia VIOLIN

Norman Public Schools MUSIC ASSESSMENT GUIDE FOR GRADE 8

Year 7 Music. Home Learning Project. Name... Form.. Music Class... Music Teacher.

Orchestra Audition Information and Excerpts

1 Hour IAI F Hours

Application for Associate Membership

ThinkIR: The University of Louisville's Institutional Repository

Opportunity-to-Learn Standards as Needs Assessment Checklist

ADAGIO AND DANCE. Cedric Adderley. Complete Band Instrumentation

Balboa Theatre Organ Specification DIVISION PEDAL 32 Resultant 16 Tuba Mirabilis 16 Diaphone 16 Horn Diapason 16 Tibia Clausa (Solo) 16 Gamba II 16

TABLE OF CONTENTS CHAPTER 1 PREREQUISITES FOR WRITING AN ARRANGEMENT... 1

Tobias Escher. Steinberg Media Technologies GmbH, All rights reserved. Iconica

Padua College Instrumental & Vocal Music Program

2019 McMurry New Music Project

SPECIALISATION in Master of Music Professional performance with specialisation (4 terms, CP)

19th International Brass Festival

Teach Your Students to Compose Themselves!

WMEA WIAA State Solo and Ensemble Contest 2018

CHAPTER 14 INSTRUMENTS

CMS Band Fees 6th Grade Flute Required Grade Level Fee: $50 Please check one of the following payment options: Student Name:

Guide to Band Instruments

MOZART, THE COMPOSER Lesson Plans

Re: schedule, players, proposals.

ADAM VIDIKSIS NIGHTFALL HYSTERIA. for concert band

CO-CURRICULAR MUSIC PROGRAM HANDBOOK 2018

Best Practices for Using LCMPT

WSMA Festival Rules and Information

North Jersey School Music Association

DO WHAT YOU LOVE MAKE MUSIC WITH THE TASMANIAN YOUTH ORCHESTRA IN 2019

about Orchestra Linus Metzler L i m e n e t L i n u s M e t z l e r W a t t s t r a s s e F r e i d o r f

All Strings: Any movement from a standard concerto or a movement, other than the first, of a Bach sonata or suite, PLUS

Music Standard 1. Standard 2. Standard 3. Standard 4.

MINOR IN MUSIC. Ensembles. Large Ensembles. Note Students enrolled in studio instruction must be concurrently enrolled in an ensemble.

INSTRUMENTAL TEACHING PROGRAMME

Texas Music Educators Association Region 20 - Band Division. Band Division

How Great Thou Art. Words: Stuart K. Hine Music: Swedish Folk Melody

CONDITIONS OF THE XVI INTERNATIONAL TCHAIKOVSKY COMPETITION. Held in Moscow and Saint Petersburg June 2019

Application for Associate Membership

Andrew Lloyd Webber Musical Show Guide

Best Practices for Using LCMPT

Brick : Brasswind Musical Instrument Accessories (Non Powered)

Pop Quartets For All: Trombone, Baritone B.C., Bassoon, Tuba (Pop Instrumental Ensembles For All) By Story;Michael

SYLLABUS 2019 INSTRUMENTAL Provisional Timetable Thursday 14 th February

St Wilfrid s R.C. College

INSTRUMENTAL MUSIC & CHOIR

Please note that not all pages are included. This is purposely done in order to protect our property and the work of our esteemed composers.

OVERNEWTON ANGLICAN COMMUNITY COLLEGE

Syllabus List. Beaming. Cadences. Chords. Report selections. ( Syllabus: AP* Music Theory ) Acoustic Grand Piano. Acoustic Snare. Metronome beat sound

MUSIC - B.M. Description. Program Learning Outcomes. University Requirements. Accreditation. Admission Requirements.

SEIBA 7-12 HONOR BAND & HS HONOR JAZZ BAND

WMEA WIAA State Solo and Ensemble Contest 2012

Year 7 revision booklet 2017

Concerto No. 1 in B-flat minor for Piano and Orchestra, op. 23 (1875)

Autrey Mill Middle School Band Wendy Wilson, Director

Call for Proposals Hut Foundation Alumni Commission Award

Flow To You. Words & music by Lynn DeShazo. Arranged by Dan Galbraith

Made Me Glad. Words & music by Miriam Webster. Arranged by Mark Cole. Based on the popular recording from the Hillsong Music Australia album Blessed

Flute Solos With Piano - Polovtsian Dance From 'Prince Igor' READ ONLINE

Transcription:

Call for Scores Contents Section 1: Categories Section 2: Conditions for submissions Section 3: What and how to submit Deadline Postmark deadline for submissions is 31 December 2011. Contact and mailing address for submissions Irena Lányiová e-mail: office@iscmwnmd2013.org phone: +421-910 613 005 Mailing address for submissions: ISCM Slovakia P. O. Box 40 810 00 Bratislava Slovakia Organizers ISCM Slovak section ISCM Austrian section www.iscmwnmd2013.org

Section 1: Categories 1. Symphony orchestra: A. SO with basic percussion set (Basic SO) 3 flute, 3 oboe, 3 clarinet, 3 bassoon, 4 french horn, 2 trumpet, 3 trombone, 1 tuba, 1 timpani, 3 perc., 1 harp, 1 piano, 1 celesta, 12 violin I, 10 violin II, 8 viola, 8 violoncello, 5 double bass percussion: bass drum, snare drum, cymbals, cymbal solo, triangle, slap stick, guiro, xylophone, vibraphone, gong, conga, sleigh bells, bongo, tubular bells, glockenspiel, claves, maracas, temple blocks, water whistle ( nightingale ) B. SO with extended percussion set (Large SO) 3 flute, 3 oboe, 3 clarinet, 3 bassoon, 4 horns, 3 trumpet, 3 trombone, 1 tuba, 1 timpani, 3 perc., 1 harp, 14 violin I, 12 violin II, 10 viola, 8 violoncello, 6 double bass percussion: any percussion Maximum duration: 15 min. 2. Ensemble: A. flute, oboe, clarinet, bassoon, saxophone, french horn, trumpet, trombone, harp, piano, accordion, string quartet, double bass, with possibility of one of the following instruments: harmonium, celesta, keyboard; NO percussion B. flute, oboe, clarinet, piano, accordion, string quartet, with possibility of one of the following instruments: trumpet, trombone, percussion, bassoon, double bass, french horn Any combinations of instruments are possible; preference is given to works with larger instrumentation 3. Chamber music: A. solo instrument piano, accordion, cimbalom, violin/viola, violoncello Maximum duration: 10 min. B. any combination of maximum 3 instruments of the following (including solos): flute, oboe, clarinet, bassoon, saxophone, french horn, trumpet, trombone, piano, violin, viola, violoncello, double bass C. any combination of the following instruments (including solos): flute, clarinet, french horn, piano/cimbalom/harpsichord, violin, violoncello D. any combination of the following instruments (including solos): viola, accordion, hackbrett (= hammered dulcimer) 4. Chamber choir: maximum 8 voices (2 soprano, 2 alto, 2 tenor, 2 bass) Maximum duration: 8 min.

5. Student ensemble (VENI ACADEMY): open scores pieces, verbal scores, semi-improvised scores, notated scores, graphic scores approximately 40 players open instrumentation 6. Music for children: A. piano/piano four hands B. violin, with or without piano C. voice, with or without piano D. flute, with or without piano E. solo accordion Maximum duration: 5 min. 7. Electronics: A. solo (flute, clarinet, violin/viola) + electronics (live or pre-recorded) B. Low Frequency Orchestra (for more information see www.lfo.at ) C. European Bridges Ensemble (for more information see www.e-b-e.eu) 8. Short operas maximum 2 singers and 3 musicians (for more information see www.sirene.at) Maximum duration: 15 min. Call for ideas, which can in any sense be related to the topic of Gates : 9. Installations: sound installations linked to existing gates close to the festival venues sculptures with sound installations, where the sculptures are provided by the artists virtual (sound) gates: small sound installations, which can be placed inside the concert venues

Section 2: Conditions for submissions General conditions: one work per composer may be submitted, either by official or individual submission works composed in the year 2007 or later are eligible the Jury will not select a work by a composer, whose composition has also been chosen for the 2012 (Belgium) festival; the submitter will be asked to submit an alternative work all the submissions (official and individual) need to be registered using the registration form. Official submissions: ISCM Members may submit a specific number of pieces corresponding to their membership category (Sections: 6, Full Associate Members: 6, Affiliated Associate Members: 3) to be assessed by the 2013 ISCM WNMD Jury. To guarantee the selection of at least one work, official submissions of Sections and Full Associate Members should fulfill the following: consist of exactly six (6) works in at least four (4) different categories, as specified in the Call for scores (refer to Art. 26f of the ISCM Statutes). Individual submissions: Composers or their authorized representatives may submit one work per composer. An entry fee of 50,- EUR is mandatory with all individual submissions. The fee can be paid in one of the following ways: by Credit card using PayPal at www.iscm.org via Bank transfer to the ISCM account, by mentioning: ISCM ABN-AMRO Bank Amsterdam, The Netherlands IBAN: NL36 ABNA 0552 5320 88 BIC: ABNA NL2A

Section 3: What and how to submit With each submission, the following is required as hard copies (via post): 2 copies of the score or 2 copies of the description of Installation/Idea/Concept accompanied by graphical visualization if necessary PDF version of the score/description (on CD or DVD) sound recording of the notated work, if available (on CD or DVD) sound or video recording of the non-notated work, if available (on CD or DVD) proof of nationality (copy of ID) a recent photo of the composer (on CD or DVD) proof of payment of the entry fee (for each individual submission) may also be delivered via e-mail as electronic copies (through the registration form): category notification year of composition (please specify if the work has been premiered) estimated duration program notes in English (up to 150 words) short biography of the composer in English (up to 150 words) contact information of the composer (mailing and e-mail address, telephone no.) website of the composer or the publisher if available Registration form: Link to registration form Mailing address for submissions: ISCM Slovakia P. O. Box 40 810 00 Bratislava Slovakia