o ocal Ensemble, enaissance Instuments and aoque Ochesta commissioned by the Histoical Peomance Institute o the Indiana Univesity acobs School o Music Don Feund
Don Feund: o ocal Ensemble, enaissance Instuments and aoque Ochesta commissioned by the Histoical Peomance Institute o the Indiana Univesity acobs School o Music Duation: ca minutes Peomance Foces: enaissance vocal ensemble, SAT ith soloists enaissance instuments (all tuned to A = 0): N: This enaissance instumentation elects the instuments and eomes that ee available o the emiee eomance Subsequent eomes ae encouaged to add o edistibute the mateial to match thei esouces ecodes Sham (may double ecode) enaissance bagie (may double sham and ecode) Dulcian (may double ecode) 2 Sackbuts (teno and bass) Lute Theobo iols (including bass) Potative Ogan (otional) Finge Cymbals, Hand Dum, ells (metallohone o glockensiel) aoque Sting Ochesta (tuned to A = 15) as commissioned by the IU acobs School o Music Histoical Peomance Institute I as asked to comose a iece that ould bing togethe all the instuments and eomes and style eiods o the HPI to celebate the donation by IU Ealy Music Institute's ounde Thomas inkley s ie to the Lilly Libay o a medieval manuscit o the 1th centuy chant esonsoy o the east o Cous Chisti Discubuit esu The ok uses to comlete a caella singings o the chant as bookends to an ealy music antasy esenting the melodic agments o the chant set in ays that emulate 5 centuies o Westen music, uxtaosing and sueimosing singes, aoque ochesta, shams, ecodes, enaissance bagies, sacbuts, lute and theobo, viols and otative ogan One inteesting element: The aoque ochesta tunes to A=15, hile the moe ancient instuments used ae tuned to the moden A=0! The listene is invited to evel in the gloious sounds o these instuments hich ae aely head by most concet goes, and also to be dan to the melodic exessiveness o the chant tune hich gets esented in many dieent textues and colos thoughout the iece As I ve tied to do in many o my oks, I ant to heighten the listenes' aeciation o the mavelous vaiety o sounds and ideas e can hea in ou old, and celebate that divesity by uxtaosing them in ays that ill shaen the listenes' aaeness o thei distinctive attibutes in a mosaic omal stuctue designed to be invigoating and comelling as emieed by the oces o the IU acobs School o Music Histoical Peomance Institute at the Indiana Univesity At Museum, Febuay 7, 201 My thanks to Wendy Gillesie, Stanley itchie, Dana Mash, Nigel Noth and the students o the HPI o thei insiation and sectacula ealization o this ok
Scoe (aoque Ochesta is "tansosed") o ocal Ensemble, enaissance Instuments and aoque Ochesta commissioned by the Histoical Peomance Institute o the Indiana Univesity acobs School o Music Don Feund enaissance Instuments Tutti (col ve) Dis cu buit e sus et di sciu li e ius cum e o et a it: n1 n2 aoque Ochesta (sounds 1/2 ste loe) a cs Solo oice (male) deside i o de sidea vi hoc ascha mandu ca e vo bis cum an te quam a ti a Tutti (col ve) et acceto a ne ga tias a gens e git et dedit il lis dicens: Solo oice (male) hoc est co Tanslation o the text: esus sat don ith his disciles and said: I have evently ished to celebate the Passove ith you beoe my Passion And he took bead, gave thanks, boke it and said to them: This is my body 201, Feundoks Publications, ASCAP The comose must be notiied o all eomances
Sacbuts (dbl ve o ba) b 1 = 72 aoque Ochesta (cues as sounding elative to A0) b b b Dis cu buit e sus n n n n us meum Dis cu bu it e sus l1 n2 a c 2 (Sacbuts) b b b n b b n n b l1 n2 a c
(Sacbuts) b 7 b b n 5 b n n b n n n l1 n n2 a c n 9 agies = 0 b b ƒ b > b b> > > (Sacbuts) b l1 n n2 n a c n
agies 5 b b 10 = 100 Dulcian F Teno solo Dis cu 15 (vio/dulcian) iol solo Finge Cymbals 19 1 1 1 1 Ç = 10 iols 1 1 Teble Dis cu buit e sus et di bu it e sus 21 1 25 1 ecode 1 ecodes 1 (viols) 1 1 21 ã Finge Cymbals 1 sci u li e ius cum e o et a it: 1 1
7 (ecode) 29 1 1 1 9 ecode Î = 72 1 Ç = 10 (shams) 1 1 9 Sham 1 1 1 9 1 Dulcian iols 1 1 1 9 1 9 1 1 1 1 9 1 7 ecode Î = 72 (sham) Lute (dulcian) Theobo Sacbut (sacbut) ass iol/theobo solo solo hoc solo hoc as cha de si de i o de si de a vi
(lute) (theobo) 51 ass iol/theobo solo man du ca e vo bis cum an te quam a as cha man du ca e vo bis cum an an te te quam quam a a quam a 5 iol 5 = 92, light l1 (bass viol/theobo) ti ti ti ti a a a a n aoque Ochesta (cues as sounding elative to A0) n n n b n2 a c n n n b b
0 9 l1 n2 a c ã Hand Dum Sham Ogan (egal) Teno Sacbut ass Sacbut 70 n n ƒ n n = 10 n n n n n n n n l1 n2 a c
7 (kumhons/egal) 7 10 ecode = 0 ecodes 77 2 2 2 7 Hand Dum ã (kumhons/egal) (sacbuts) iols 2 2 2 79 = 100 2 Tutti ø (col ves) 2 2 2 Lute Theobo 2 2 solo et 2 2 2 P acce to a ne ga ti as a gens e P e P 2 e P e
11 7 90 Î =, oyous! aoque Ochesta (cues as sounding elative to A0) git et de dit il lis Î =, oyous! n n l1 git et de dit il git et de dit git et de dit il il lis lis lis b Î =, oyous! n n b n n n n b n n2 a c b b b b b b b b n b
9 n n 101 n l1 b b b n n n n n n n2 b n n n n n n a b n n c b b n n 105 1 l1 b n n2 b n n a c b b n n n n n
1 11 11 l1 n2 a c b b b b n n n n n n n n n n 5 Sacbuts n n n n n n n l1 b b b b n2 a c b b b b b b b b
1 1 iols Sham = 5 5 17 F di F di cens, di F di cens: cens, di cens: hoc n cens: hoc hoc est l1 10 2 est est co co n us, co us me n b b n 2 2 us um, co us, co us, co us me l1 bb b b b 2
15 l1 n2 a c 15 meum me um Sacbuts ecodes um Tutti (iols and emaining Winds) Tutti (col ve) di n cens: n hoc b est n
1 150 ells ( excet ecodes and sacbuts) Tutti (col ve) co b b n ells (ecodes) (sacbuts) us me um iols iols iols b n b l1 n2 b a b c
157 (viols) 17 (viols) Solo oice (male) Dis cu buit e sus et di sciu li e ius cum e o et a it: 17 Tutti (col ve) deside i o de sidea vi hoc ascha mandu ca e vo bis cum an te quam a ti a 17 Solo oice (male) et ac ce to a ne ga ti as agens e git et de dit il lis di cens: 15 Tutti (col ve) hoc est co us me um