Who Are You Today, María? By Judith Ortiz Cofer 2004

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Name: Class: Who Are You Today, María? By Judith Ortiz Cofer 2004 Judith Ortiz Cofer (1952-2016) was an award-winning Puerto Rican American author. She wrote in a range of genres, including poetry, short stories, essays, and autobiography. In this short story, a young girl dresses up for Who You Are Day at her school. As you read, take notes on what clothing María decides to wear and her reasons for doing so. [1] Abuela knocks on my bedroom door. She has come to my room this morning to watch me choose my outfit for Who You Are Day at school. This is a day when we are allowed to dress in clothes that we think tell the world who we really are. (Within reason, our principal warned no extremes will be tolerated. I hope that her definition of the word extreme is the same as my friend Whoopee s. Nothing that she will put on this morning has ever been seen on this planet, much less at school.) Abuela makes herself comfortable on my bed as I put on my costume of myself made up of pieces "Pi Shawl" by Gemma Anne is licensed under CC BY-NC 2.0 of my life. I thought about my Who You Are Day outfit a lot. Mr. Golden told us in English class to think about our choices: are you going to walk around as a joke or as a poem? I have a suspicion that our teachers have allowed us this chance to dress up as ourselves for a reason. Our school is already a united nations, a carnival, and a parade all at once. There are students from dozens of different countries, and we do not always get along. Most of us are too shy to talk to others outside our little circles, and so misunderstandings come up. The principal has tried almost everything. The Who You Are Day is another of her crazy ideas to get us to communicate. In each of my classes, the teacher said, let us know something about what has made you who you are by what you wear to school tomorrow. It all sounds like a conspiracy 1 to me. But I like dressing up so I do not complain like the boys have been doing. Most of them hate the idea! Abuela looks at my choices hanging on the door and shakes her head, smiling, like she did when we went to see Cats. 2 It is a smile that says, I do not understand, but if it is important to María, I will bear it the best I can. She is elegant 3 even at 7:00 a.m. in her embroidered 4 silk robe and red velvet slippers. She has wrapped a shawl over her shoulders because she is always cold in our cueva, as she calls the apartment. The shawl was handmade by her mother and it is Abuela s most prized possession. As a little girl, I liked to put it over my head because the pattern of sequins made a night sky full of stars and because it smelled like Abuela. 1. Conspiracy (noun): a secret plan 2. a musical about a tribe of cats 3. Elegant (adjective): stylish 4. Embroider (verb): to decorate something by sewing patterns on it 1

Abuela sips from her cup of café con leche 5 as she watches me. [5] I feel a little strange about being in my underwear in front of her and go in my closet with my choices, which are: My mother s red skirt that she wore when she had a part in a musical play on the Island. I have played dress-up with it since I was five years old, but it finally fits me perfectly. It is the kind of skirt that opens like an umbrella when you turn in circles. A top I sewed together from an old sari 6 Uma s mother was going to throw away. It is turquoise blue with silver edges. And finally, over my sari, I will wear my father s sharkskin suit jacket it s big on me but I can roll up the sleeves. It is what he likes to wear when he sings at rent parties. Under the light, it changes colors and seems to come alive as the design shifts and moves. Papi says it is great for dancing; you don t even need a partner. And finally, tall platform shoes we found buried deep in Whoopee s closet, circa 1974, she told me. Whoopee collects antique shoes to go with her science fiction outfits. It is a fashion statement; she will tell anyone who asks. No one knows what the statement means, and that is just fine with Whoopee. [10] When I part the clothes in my closet and come out like an actor in a play, Abuela s eyes open wide. Before she can say anything, I point to each piece of my outfit and say a name: Mami, Papi, Uma, and Whoopee. Abuela s face changes as she begins to understand the meaning of my fashion statement. Ahora sé quién eres, María, y quién puedes ser, si quieres. Ven acá, mi amor. Abuela says that she knows who I am and who I may be if I choose. I have heard those words before but I don t remember when or where. Abuela embraces me and kisses my face several times. This is a Puerto Rican thing. It goes on for a while. I close my eyes to wait it out and I suddenly inhale 7 a familiar scent. When I open my eyes, I see a starry sky. Abuela has put her shawl over my head. [15] Algo mío para tu día de ser quien eres, mi hija, she tells me. Something of mine for your day of being who you are. She is letting me borrow her mother s beautiful shawl! All day at school, I feel elegant. Whenever anyone tries to make fun of my costume, I think of the words my grandmother quoted to me: I know who you are and who you may be if you choose. And when I go into Mr. Golden s class and his eyes ask me, Who are you today, María? I will say by the way I walk in, head held high, that today I am a poem. 5. Spanish for coffee with milk 6. a long cloth that is draped around the body 7. Inhale (verb): to breathe in 2

Who Are You Today, María? from Call Me María by Judith Ortiz Cofer. Copyright 2004 by Judith Ortiz Cofer. Reprinted by permission of Orchard Books, an imprint of Scholastic Inc. All rights reserved. 3

Text-Dependent Questions Directions: For the following questions, choose the best answer or respond in complete sentences. 1. PART A: What is the theme of the story? A. It is difficult to show others your true identity. B. Who you are is often influenced by those closest to you. C. A person s identity is flexible and can change often. D. It s important to not let the opinions of others affect you. 2. PART B: Which detail from the text bests supports the answer to Part A? A. Mr. Golden told us in English class to think about our choices: are you going to walk around as a joke or as a poem? (Paragraph 2) B. It is a smile that says, I do not understand, but if it is important to María, I will bear it the best I can. (Paragraph 3) C. Before she can say anything, I point to each piece of my outfit and say a name: Mami, Papi, Uma, and Whoopee. (Paragraph 10) D. When I open my eyes, I see a starry sky. Abuela has put her shawl over my head. (Paragraph 14) 3. PART A: What does the symbol of the shawl represent? A. Abuela s determination to protect María from the world B. Abuela s desire that María accepts her culture C. Abuela s trust in María D. Abuela s influence on María s identity 4. PART B: Which quote from the text best supports the answer to Part A? A. She has wrapped a shawl over her shoulders because she is always cold in our cueva, as she calls the apartment. (Paragraph 3) B. I liked to put it over my head because the pattern of sequins made a night sky full of stars and because it smelled like Abuela. (Paragraph 3) C. This is a Puerto Rican thing. It goes on for a while. I close my eyes to wait it out and I suddenly inhale a familiar scent. (Paragraph 14) D. Something of mine for your day of being who you are. She is letting me borrow her mother s beautiful shawl! (Paragraph 15) 4

5. What does the following quote reveal about María s character?: And when I go into Mr. Golden s class and his eyes ask me, Who are you today, María? I will say by the way I walk in, head held high, that today I am a poem (Paragraph 16)? 5

Discussion Questions Directions: Brainstorm your answers to the following questions in the space provided. Be prepared to share your original ideas in a class discussion. 1. If you had to choose an outfit to wear for Who You Are Day at school, what would you wear and why? 2. In your opinion, why do you think María s family and friend are important to her identity? How do you think they have helped shape who she is? How have your friends and family contributed to the person that you are? 3. In the text, María is starting to figure out who she is. When do you think an understanding of yourself develops? Does it occur at a certain age? Why or why not? When do you figure out your true personality? 6