Sesame Street Live! Let's Party Fair Tour

Sesame Street Live! Let's Party Fair Tour 1 TOUR RIDER - 2018 Updated November 22, 2017 Attached please find the current 2018. The details enclosed are essential to a successful performance. At your earliest convenience, where relevant, please send a current version of a tech pack for your venue, a seating diagram, a rigging diagram with any restrictions and / or limitations; dressing room layout, a map of the area surrounding the venue showing access routes, and all contact names and information related to the show. Please inform us of all stage crew minimum calls, union labor affiliations, dark stages, break times, penalties, hourly rates and an accurate labor estimate including overtime fees prior to two weeks before the show date as these apply Enclosed in this rider (the last 5 pages) is a TOUR ADVANCE SHEET. Please copy it, fill it out and email or fax it back with all relevant information as soon as possible. This will help in our final advance for the show. Thank you for your assistance.

2 Section: Page #s: Touring Contacts 3 1. Intro 4 2. Contract Alteration 4 3. Insurance 4 4. Pre-emption 4 5. Force Majeure 4 6. Cancellation 5 7. Box Office / Payment 5 8. Complimentary Tickets 5 9. Advertising 5 10. Purchaser / Permits 6 11. Transportation and Parking 6 12. Hotels 6 13. Credentials 6 14. Security 7 15. Sound Check 7 16. Show Open / Support Acts 7 17. Media / Reproduction of Performance 8 Production Rider: 18. Production Notes 9 19. Sound, Staging, Lighting and Video 9 - Audio Requirements - Staging & Riser Requirements - Lighting Requirements 20. Power Requirements 11 21. Load-In / Set-Up / Sound Check / Labor 11 - House Opening and House Lights 22. Lighting Plot, Stage Diagram 13 Catering and Dressing Room Rider: 23. Dressing Rooms & Production Office 14 24. Catering 14 - Breakfast, Lunch & Dinner 25. Purchaser and Artist Signatures 16 Tour Advance Sheets (To Be Printed) 17

3 SESAME STREET LIVE FAIR TOUR CONTACTS FELD ENTERTAINMENT BOOKING DIRECTOR Brad Bryant North American Routing & Tours 800 Feld Way Palmetto, FL 34221 (941) 721-1389 wbbryant@feldinc.com THIS RIDER HAS BEEN COMPILED TO ENSURE THAT ALL FACETS OF A SESAME STREET LIVE FAIR TOUR PERFORMANCE CAN BE PROVIDED FOR PROPERLY. IF YOU HAVE ANY QUESTIONS REGARDING ANY OF THE CONDITIONS THAT ARE CONTAINED WITHIN THIS DOCUMENT PLEASE CONTACT BRAD BRYANT AT THE NUMBERS AND EMAIL PROVIDED ABOVE. PURCHASER MUST SIGN EACH PAGE AS ACCEPTANCE AND CONFIRMATION OF THESE SPECIFICS AND RETURN SIGNED CONTRACTS AND RIDER TO THE BOOKING DIRECTOR.

Rider to contract dated between Feld Entertainment, Inc. SESAME STREET LIVE FAIR TOUR hereinafter referred to as ARTIST and, hereinafter referred to as PURCHASER covering the engagement at on. 1. INTRO 4 The items specified in this rider are necessary in order to provide the best possible show for PURCHASER. PURCHASER shall initial each page of this Rider and understands that failure to provide for any of the items contained within this Contract shall constitute a breach and ARTIST shall not be required to perform. 2. CONTRACT ALTERATION It is hereby understood and agreed that PURCHASER shall not add to, delete from or make any alterations to this Contract or Rider without the express written consent of ARTIST. 3. INSURANCE PURCHASER shall indemnify and hold ARTIST, ARTIST s employees, agents and representatives safe and harmless from and against any loss, damage, or expense including reasonable attorney s fees, as a result of any claim for personal injury or property damage or otherwise by or on behalf of any third party person or firm in connection with this engagement, which claim does not directly result from ARTIST s active negligence. Notwithstanding the above, in venues where alcohol is sold, PURCHASER will be solely responsible for any and all damages to all areas in and around the venue, including rest rooms, seats, the venue parking lot, and all other areas. PURCHASER represents and warrants that he/she will have in effect at the time of the engagement personal injury and property liability insurance in an amount which will be sufficient to insure against any and all claims which may arise as a result of the engagement or any risk or hazardous condition at the premises of the engagement. 4. PRE-EMPTION a. PURCHASER shall advise Agency Representative upon signing contract if he/she is unable to comply with any of the conditions or requirements set forth in this Rider. b. PURCHASER understands that all terms contained within this Contract are essential to a binding agreement. c. Upon ARTIST s arrival, if any material terms of this rider are not met by PURCHASER, ARTIST shall have the right to refuse to perform and shall be entitled to full compensation under this agreement. 5. FORCE MAJEURE ARTIST s obligation to perform is subject to the prevention to do so due to sickness, physical disability, accident, means of transportation, act of God, riots, strikes, terrorists, terrorist activity, labor difficulties, epidemics, and any other act or order of any public authority or any cause beyond ARTIST s control.

5 6. CANCELLATION a. ARTIST shall have the right to cancel this engagement without liability upon written notice to PURCHASER no later than thirty (30) days prior to the date of the engagement hereunder. In the event that ARTIST has secured a commitment for a motion picture, television network guest appearance, a major concert tour, or a legitimate stage production, ARTIST may cancel this engagement without liability upon written notice to PURCHASER. b. Provided ARTIST is ready and willing to perform, PURCHASER agrees to compensate ARTIST in accordance with the terms herein regardless of Act of God, fire, flood, accident, riots, strikes or any event or events of any kind what-so-ever, whether similar or dissimilar to the foregoing events, which would prevent or interfere with the presentation of performance(s) hereunder. c. PURCHASER shall remain liable for the full Contract price if the performance(s) called for herein is/are prevented by weather conditions. ARTIST shall have the sole right to determine in good faith whether any such weather conditions shall render the performance(s) impossible, hazardous or unsafe. 7. BOX OFFICE / PAYMENT a. All payments by PURCHASER to ARTIST are required to be made under and pursuant to this Contract. Payment is to be made by wire transfer or certified bank check no later than FOUR (4) weeks prior to the ARTIST s performance. b. Where applicable, PURCHASER agrees to furnish ARTIST upon completion of performance a certified box office statement and the unsold tickets for count and verification of gross box office receipts. c. When ARTIST s earnings rely upon net profits, expense vouchers shall accompany the box office statement. Any expenses allowed for in the deal, which are not fully exhausted, shall be adjusted during the settlement (i.e., $3,000 is budgeted for advertising and only $2,000 is spent the split figure will be recalculated using the actual expenditure). Any expense not allowed for in the deal as well as any budgeted expenses for which receipts cannot be produced during the settlement cannot be included in the recalculation of the split point. d. If there is any increase in the ticket price, capacity or seating, and/or gross potential as stated on the face of the contract, ARTIST will receive one-hundred percent (100%) of the difference between that which was written on the contract face and the increase. e. ARTIST earnings hereunder shall be net and free of any and all taxes, dues, and the like relating to the engagement hereunder and, PURCHASER accepts full liability for same, unless specified contractually. 8. COMPLIMENTARY TICKETS Where applicable, PURCHASER agrees to provide ARTIST with TWENTY (20) complimentary tickets for each performance upon Tour Manager s arrival at venue. Complimentary tickets must be located in center section anywhere in rows 8 through 20. ARTIST s Tour Manager will submit a guest list to PURCHASER and/or box office prior to the opening of the house on day of show. ARTIST s Tour Manager shall return any unused tickets to PURCHASER for the purposes of selling to the public 9. ADVERTISING a. PURCHASER shall use only admats, photographs, graphics or elements from ad mats supplied by ARTIST for the purpose of advertising. b. ARTIST s name or likeness may not be used or associated directly or indirectly with any product or

6 service, nor may they be used in any program or souvenir book, poster, pamphlet or any other material or merchandise intended for sale without the express written consent of ARTIST. c. There shall be no signs, placards, banners, or any advertising material within fifty feet (50 ) of the stage. d. Please note that the correct spelling of ARTIST s name is: Sesame Street Live! Let's Party Fair Tour PURCHASER will make best efforts to insure that all marquees, tickets and any other forms of advertising which don t require ARTIST s approved advertising elements (Par. 9a, above) have the correct spelling. 10. PURCHASER / PERMITS a. PURCHASER, at his sole expense, must secure all necessary permits and licenses for the successful production of the show. b. PURCHASER must make best effort to insure timely and easy access by ARTIST s personnel to the venue and insure the cooperation of the building staff and management during the entire course of the show day(s). 11. TRANSPORTATION AND PARKING a. (1) ONE 15 passenger vehicle with the rear seat removed for luggage must be provided by PURCHASER and be available exclusively for the use of Tour Production, available at the venue from load-in until load-out. b. PURCHASER to provide (1) ONE runner/driver with vehicle, with valid drivers license and insurance, from the beginning of load-in until the end of load-out. Vehicles should be clean, air-conditioned and heated, and suitable for comfortably transporting adults with baggage and / or instruments. The runner must be a full time position for the day, (i.e. - not stagehands or caterers, etc.). Driver must understand and speak clear English and be familiar with the locality. c. Parking at venue must be capable of accommodating (1) ONE tractor-trailer. If this is not possible, PURCHASER will make alternate arrangements including obtaining any necessary parking permits. PURCHASER will notify Tour Manager at least one week in advance of the date of performance of any parking problems. 12. HOTELS If hotel rooms are being provided by PURCHASER, the MINIMUM ARRANGEMENTS are: - (7) SEVEN double rooms - (3) THREE king rooms Hotel will be 4 star or better. ARTIST s travel agent will make reservations. Please provide ALL relevant hotel information to the Tour Manager during advance. The Tour Manager will provide the rooming list to be used by the hotel. 13. CREDENTIALS a. Backstage access passes will be provided by ARTIST for all staff and guests, unless otherwise agreed upon by Tour Manager. Tour Manager will have full control over distribution of any and all passes. b. Only those with authorized credentials may go backstage or on-stage at any time prior to, during, or

7 after the performance. c. The stage and general stage area shall be cleared no less than 60 minutes prior to the beginning of the performance and immediately after the show to allow the crew to clear the stage of ARTIST s equipment and exit. 14. SECURITY a. PURCHASER will provide security personnel before, during and after the performance(s) to insure the safety and privacy of ARTIST and their belongings. Particular emphasis shall be placed on the stage, dressing rooms and backstage area. b. PURCHASER will be liable for any and all damage and/or theft of ARTIST and Crew s personal items, equipment or vehicle(s). e. In the event of multiple night performances, PURCHASER shall provide full-time overnight security. d. Security meeting with the ARTIST's Tour Manager is to be scheduled prior to the opening of doors to the public. PURCHASER will be solely responsible for the actions of all locally hired security. e. It shall be the sole responsibility of the PURCHASER to provide continuous security from the time the members of ARTIST s crew or sub-contractors arrive at the venue until their final departure. f. All security personnel should be clearly and easily identifiable as security and all security staff shall be unarmed and act in a professional and courteous manner and shall refrain from any excessive force. g. When requested, PURCHASER shall provide a barricade, which shall be solidly and safely constructed and which should be of an adequate length to include stage and wings and ground support towers. This barricade shall be placed between 3' and 6' from downstage edge of stage. Barricade shall not be placed until directed by ARTIST s Stage Manager. When also requested, PURCHASER shall provide barricades for house sound and light consoles and spotlight positions. At the conclusion of show, PURCHASER must ensure that these barricades are dismantled and removed immediately. 15. SOUND CHECK ARTIST requires a sound check for every performance. In the cases of festivals, fly in shows, etc, time and logistics for this will be discussed with the Tour Manager during show advance. Only necessary working personnel shall be allowed in the performance area during sound check. In festivals, outdoor or multiple stage areas, or any areas where personnel cannot be strictly contained, best efforts will be made to limit access to only authorized personnel. No guests or press will be permitted at sound check without prior approval of ARTIST. 16. SHOW OPEN / SUPPORT ACTS a. There shall be no announcements, emcee, welcoming speeches, intermission ceremonies, etc. except at the direction of Tour Manager. b. There shall be no support acts without the express written consent of ARTIST. In the event ARTIST has approved a support act, ARTIST reserves the right of approval of said act s set length, and the length of intermission between support act s set and ARTIST s set. 17. MEDIA / REPRODUCTION OF PERFORMANCE

8 a. NO PROFESSIONAL AUDIO OR VIDEO TAPING OR PHOTOGRAPHY OF ANY KIND WILL BE ALLOWED WITHOUT THE EXPRESS WRITTEN CONSENT OF ARTIST. PURCHASER AGREES THAT HE IS ENTIRELY RESPONSIBLE FOR ENSURING THIS TO BE ENFORCED. PURCHASER WILL MAKE BEST EFFORTS TO ENSURE THAT HOUSE SECURITY WILL PROHIBIT ANY PROFESSIONAL AUDIO OR VIDEO TAPING OR PROFESSIONAL PHOTOGRAPHY BY MEMBERS OF THE AUDIENCE. ARTIST MAY VIDEOTAPE THE PERFORMANCE FOR HIS PERSONAL ARCHIVE AND REQUESTS THAT ANY VIDEO FEEDS BE TAPED FOR THIS USE AT NO COST TO ARTIST. b. No apparatus, transmitting or recording devices - including still cameras, radio, motion pictures, video tape and/or television shall be used prior to or during the performance without prior consent by the ARTIST s Tour Manager or Manager. c. PURCHASER shall not commit ARTIST or any of ARTIST s personnel to any interviews or meet and greets without prior written approval by ARTIST.

9 SESAME STREET LIVE FAIT TOUR PRODUCTION RIDER 18. PRODUCTION NOTES a. In the event ARTIST has approved any additional acts on the bill, ARTIST reserves the right of approval, where relevant, of said act s equipment placement, lighting effects, sound, and all other production elements. b. PURCHASER will provide a room to be used as a Tour Production Office. This room must be well lit, have 110VAC power, and have at least (1) ONE incoming/outgoing phone line. This line should be direct-dial, touch-tone lines not routed through an office switchboard and unrestricted for outgoing local and 800 numbers. Modular phone jacks are expected. Production Office must also have one (1) ONE DSL or T-1 line, or (1) ONE Wireless Internet Connection available, with any applicable passwords, subnet routing numbers or access information available at load in time. c. Any and all lit signs, displays, TV monitors etc. within the house may be turned off at direction of ARTIST s Tour Manager. d. House Setup: ARTIST s production requests access to any and all house drapery. In theater type venues, a black upstage drape across the entire stage, as well as legs on either side of the stage. Placement and control of these will be at ARTIST s discretion. In larger venues where drapery is needed to cover seat kills, PURCHASER please provide proper coverage of drapery and modes of flying (truss, piping, steel, rope, etc.), to be discussed with the Production Manager during advance. Any necessary drapery needed (pipe and drape) for either side of the stage, or for covering stage left and stage right must be provided as well. e. The show contains NO PYROTECHNICS. 19. SOUND, STAGING, LIGHTING AND VIDEO ARTIST has very detailed needs and requires certain minimums with regard to stage space, FOH console space, and PA configuration in order to perform. AUDIO REQUIREMENTS 1. PA SYSTEM (Sample List Below. Exact Requirements will be confirmed 30 days before event) a. ARTIST is NOT carrying his own PA system. The minimum requirements are a STEREO PA system subject to the size and configuration of the venue to provide full coverage to every seat in the venue - with a MINIMUM of (4) FOUR boxes per side and distributed front fills. The system should be logically packaged with all necessary fly ware and cabling. All drive, crossover, EQ and related controls must be at the mix position, available to our FOH engineer, and are subject to his needs at time of sound check and show time. The system must be in good working order, be correctly phase-aligned and capable of generating and sustaining continuous full range sound from 40 Hz to 18 khz at an average SPL of a MINIMUM 95 db, weighted "A" at the FOH mix position. Preference is a Meyer Line array sound system consisting of Milo & 700-HP, 2nd preference would be a V-DOSC system consisting of V-DOSC, Dv-DOSC, SB-218, ARCs and equivalent Drive and EQ rack. 3rd preference would be an EAW equivalent, etc...

10 b. ARTIST is NOT carrying his own PA. The providing company must maintain the minimums outlined in Par. a above, and provide knowledgeable technicians who must all be available at all times. 2. AUDIO CONSOLES (Sample List Below. Exact Requirements will be confirmed 30 days before event) We require high quality consoles and outboard gear to be provided for us at FOH position and MONITOR position. As you will see on ARTIST's Input List below, there is a minimum of 8 channels of inputs IN ADDITION to the 2-channel CD Player listed below. PURCHASER must provide consoles that can accommodate the minimum amount of channels for ARTIST's exclusive use. The requested gear to be provided is: a. FOH AUDIO - (1) ONE Yamaha PM4000 or better. - (6) SIX Vocal Compressors; DBX 160A or better - (1) ONE Rack Mounted Stereo CD player - (1) ONE Available Aux Send - (1) ONE Audio tech on site b. MONITOR AUDIO - (1) ONE Mixing Console with 4-band EQ per Input Channel capable of sending minimum ONE mix to 2 Floor Wedges. - (2) TWO bi-amplified wedges (2 X 12" & 2" horn) Clair 12AM, EV XW12A, etc. - (1) ONE stereo graphic equalizers (Klark DN360 or equivalent). - Monitor position will be located off stage left or right - (2) TWO audio techs on site c. FOH MIX POSITION - Mix position will be on a riser located 100' (feet) from the front of the stage, center house. 3. INPUT LIST (Sample List Below. Exact Requirements will be confirmed 30 days before event) #1-#6 - Artist carries (6) SIX-Channels of Shure UHF-R series wireless beltpacks/mics and receivers (L3 Band, 638-698 MHz) #7-#8 - Artist carries (1) ONE, 2-Channel - 360 Systems Instant Replay for Program Playback from FOH #9-#10 CD Player listed above 4. COMMUNICATIONS (Sample List Below. Exact Requirements will be confirmed 30 days before event) - Communications must be provided between main lighting position, house light control, stage, and sound - (1) ONE Clear COM base station to be located at FOH; 1 channel - (4) FOUR Headsets (single muff) - (4) FOUR Clear COM Belt packs. STAGING REQUIREMENTS

11 a. Stage size shall be a minimum of FORTY (40) feet wide by TWENTY (20) feet and THREE (3) feet high (40 x 20 x 3 ). The stage surface will be uncarpeted, level and free of any obstructions. The truss bottom shall be a minimum of TWENTY-TWO AND A HALF (22.5) feet above the stage performance surface. b. Two sets of steps to be located on the downstage edge to allow ARTIST access into the house. c. Stage will be skirted (black) and free of any signage. d. Please provide the following Riser(s): TBD Riser(s) must be skirted black. e. When ARTIST is performing at a festival with multiple acts and multiple stages, regardless of whether he is closing the show or playing in the middle of the event, ARTIST must be provided the MINIMUM amount of stage space for our stage elements. f. When ARTIST s performance is to take place on a free-standing stage, two sets of steps shall be located off stage left and right approximately thirty feet (30 ) from the downstage edge. LIGHTING REQUIREMENTS - ARTIST is NOT carrying his own Lighting System. Purchaser will provide the following Lighting Requirements: 1. SPOTLIGHTS (3) THREE * 2000 watt follow spots with operators. (LYCIAN, or ROBERT JULIETTE) 2. TRUSS LIGHTS (Sample List Below. Exact Requirements will be confirmed 30 days before event) a. (1) ONE (30 ) thirty foot down-stage front truss (Silver) loaded with: Six (6) Mac 2000 Wash, Six (6) Mac 2000 Profile II, Four (4) LED Par Truss Warmer. b. (1) ONE (20') twenty foot SL side truss (Silver) loaded with: Four (4) Mac 2000 Wash, One (1) Mac 2000 Profile II, Two (2) LED Par Truss Warmer. c. (1) ONE (20') twenty foot SR side truss (Silver) loaded with: Four (4) Mac 2000 Wash, One (1) Mac 2000 Profile II, Two (2) LED Par Truss Warmer. e. FOUR (4) Mac 2000 Wash on the Deck. Two (2) SL and SR. Four (4) Mac 2000 Profile II US next to riser. f. (1) ONE 48 wide up-stage truss (minimum of 22.5' high) for a (48 ) forty-eight foot backdrop g. Purchaser will provide ladder or lift to allow lights to be focused to ARTISTs requirement. All cabling, dimming and power distribution for all the above fixtures. Artist will provide patch list and lighting console. ***The equipment vendor is liable and responsible to provide all rigging and safety equipment needed. 20. POWER REQUIREMENTS (Sample List Below. Exact Requirements will be confirmed 30 days before event) - 100 amps 3phase for audio - 400 amps 3phase for lights

12 21. LOAD-IN / SET-UP / SOUND CHECK / LABOR (Sample List Below. Exact Requirements will be confirmed 30 days before event) a. Load-in will be 9:00 am unless otherwise agreed to by ARTIST during advance. ARTIST s crew will have access to performance area a minimum of 4 hours before performance. PURCHASER to provide the following load-in and load-out personnel: - (2) TWO loaders - (2) TWO stagehands - (1) ONE qualified electrician - (1) ONE qualified lighting technician, with knowledge of Venue equipment - (1) ONE forklift operator (if necessary and advanced) - (1) ONE wardrobe assistant - (1) ONE runner (*Must know area well!) PURCHASER to provide the following show-call personnel: - (3) THREE spot operators - (1) One Deckhand - (1) One Female Dresser b. Sound check will be one hour prior to any show, unless otherwise agreed to by ARTIST. Sound check times for all other types and times of shows must be agreed upon in advance by ARTIST. PURCHASER will keep venue free of all extraneous activity during set-up through sound check and of any persons not directly connected with the show (i.e.: ticket takers, ushers, etc.) HOUSE OPENING AND HOUSE LIGHTS PURCHASER shall not open the house until instructed to do so by the Tour Manager. Tour Manager shall have exclusive control over the cueing of the house lights throughout the entire show.

13 SESAME STREET LIVE FAIR TOUR CATERING & DRESSING ROOMS RIDER 23. DRESSING ROOMS & PRODUCTION OFFICE PURCHASER will provide the following: 1. PRODUCTION OFFICE a. (1) ONE production office with (1) ONE unrestricted telephone line, to be set up and available by 8:30am. As described in Section 18 b. b. (5) FIVE dressing rooms; clean and proper and appropriate air-conditioning or heating: containing showers, full-length mirrors and sanitary facilities. These rooms will be secure, private, and located within a reasonable distance from the stage. Dressing Rooms will be set up and available by 10:00 am. c. (1) One room that locks for personal belongings. Key to be given to the Tour Manager. Towels - (17) SEVENTEEN extra large high quality bath towels - (12) TWELVE hand towels All towels are to be delivered to production office prior to load-in. 2. DRESSING ROOMS Dressing room assignments are as follows: # 1 - TBD x 3 # 2 - TBD x 3 # 3 - TBD x 3 # 4 - TBD x 3 # 5 - Crew - At least one ironing board, iron and steamer are to be provided. - Each dressing room will contain a reasonable supply of hand towels, soap and shampoo. 3. LAUNDRY FACILITIES Artist will require one full-size clothes washer and dryer located within a reasonable distance from the backstage area.

14 24. CATERING Please keep a copy of this section for your catering representative as a master Due to production requirements, Performers and Crew are obligated to maintain a very rigorous schedule. Therefore, please make sure all meals are served on time and at appropriate temperatures. Meal schedules shown below are approximate and may be adjusted based on the performance schedule. *All meals need to be served in an area that is back of house* *This tour does not require dressing room service* *This tour has personnel with dietary restrictions, ARTIST to confirm exact requirements 30 days prior to Show ***THE FOLLOWING FOOD SELECTIONS ARE TO SERVE AS AN IDEA FOR MEALS. WE ARE ALWAYS OPEN TO SPECIALTIES YOU MAY FEEL ARE APPROPRIATE. PLEASE DISCUSS THESE OPTIONS WITH THE TOUR MANAGER*** **THE EXACT MENU MUST BE APPROVED BY THE TOUR MANAGER** The meal counts provided are for the Sesame Street Live! Let s Party Fair tour personnel only. Please discuss catering needs for local personnel with the Tour Manager. Breakfast - To be served from 9-11:00 am BREAKFAST (14 PEOPLE) Fresh fruit or prepared fruit trays Scrambled eggs or made to order omelets Assorted breakfast meats to include, bacon, sausage, and/or ham Assorted cereal boxes with milk Plain Oatmeal Packets Assorted fruit juices Yoplait Yogurt (Original Assorted Flavors) 1 Quart V8 100% Vegetable Juice Coffee and Tea (replenished throughout the day) Bottled Water (replenished throughout the day) Assorted Sodas (replenished throughout the day) Lunch - To be served from 1 3:00 pm LUNCH (14 PEOPLE) Sandwich Bar with 3-4 assorted fresh meats, cheeses, lettuce, tomato and condiments Salad Bar consisting of lettuce, cheese, bacon, onions, black olives, cottage cheese as well as an assortment of salad dressings Vegetable and fresh fruit trays Chips Soup of your choice Dessert of your choice Hot sandwich selection of your choice Dinner - To be served at approx. 6:00 pm DINNER (14 PEOPLE) Two Entrees (per Production Stage Manager choice) Salad Bar consisting of lettuce, cheese, bacon, onions, black olives, cottage cheese as well as an

15 assortment of salad dressings 1 Fresh green vegetable (steamed only, please) 1 Fresh vegetable of choice (steamed only, please) Potato or grain rice dish Dinner rolls or French breads Dessert of your choice SHOW DRINKS - (1) ONE cooler stocked with assorted soft drinks and water, to be delivered to the front of house mix position (these drinks can be taken from those already provided). - (32) THIRTY TWO bottles of water (room temperature), to be delivered to the backstage area 30 minutes prior to the start of each show 25. PURCHASER and ARTIST Signatures ALL TERMS ARE AGREED TO AND ACCEPTED. X PURCHASER Date X ARTIST or Authorized ARTIST Representative Date