MICHAEL SCHACHTER 1900 Dunmore Rd., Ann Arbor, MI (508) Curriculum Vitae

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EDUCATION MICHAEL SCHACHTER 1900 Dunmore Rd., Ann Arbor, MI 48103 (508) 277-7275 michael.schachter@gmail.com Curriculum Vitae 2018 (expected) PhD, Music Theory and Composition: (Ann Arbor, MI) Dissertation (two-part): The Black Clown: vaudeville oratorio for Bass-Baritone, chorus, and orchestra (composition); On Musical Knowledge: scholarly monograph (theory) Committee: Ramon Satyendra (theory chair), Bright Sheng (composition chair), Kevin Korsyn, Michael Daugherty, Ezra Keshet, Mark Clague 2012 MA, Music Composition: (Ann Arbor, MI) Regents Fellow Thesis: Freylekhe Tanzen: original composition for symphony orchestra 2009 BA, Music: Harvard University (Cambridge, MA) Summa Cum Laude, Phi Beta Kappa, John Harvard Scholar Thesis: The Ten Plagues: ten-movement suite for jazz ensemble, with scholarly preface Hoopes Prize winner (one of the top senior theses at Harvard) SCHOLARLY PUBLICATIONS 2017 Review: Keith Jarrett s A Multitude of Angels, Music and Literature (forthcoming) 2015 Structural Levels in South Indian Music, Music Theory Online 21, no. 4. 2013 Autumn Leaves : Intricacies of Style in Keith Jarrett s Approach to the Jazz Standard, Indiana Theory Review 31: 115 67. CONFERENCE PRESENTATIONS 2016 Invited talk: Multistable Hierarchies and Analytical Fictions, Keynote Address, Bowling Green State University Graduate Conference (Bowling Green, OH) 2015 Structural Levels in South Indian Music, Society for Music Theory National Meeting (St. Louis, MO) 2015 A Closer Look at Harmonic Prolongation in Jazz Performance, Special Session on Jazz Harmony, Society for Music Theory National Meeting (St. Louis, MO) 2014 Wittgenstein s Family Resemblances and Musical Values, Music Theory Midwest (Appleton, WI) 2013 Harmony, Counterpoint, and Form in Keith Jarrett s Autumn Leaves, Music Theory Midwest (Norman, OK) 2011 The Well Tempered Clavier Tuner: Piano Technology Influencing Composition (with Garrett Schumann), Midwest Composers Symposium (Bloomington, IN)

RECENT COMPOSITION COMMISSIONS and PREMIERES 2016 American Repertory Theater Commissioned vaudeville oratorio The Black Clown (based on Langston Hughes poetry) for mainstage production; premiere in 2018 2016 Knoxville Symphony Commissioned violin concerto; premiere in 2018 (TBD) 2016 Concert Band Along with consortium of 10 additional universities, commissioned new work for chamber winds; premiere and subsequent performances in 2017 18 (TBD) 2016 Cabrillo Festival Orchestra Commissioned new orchestration of Five-Six-Seven-Eight for premiere at 2016 Cabrillo Festival of Contemporary Music (celebrating Marin Alsop s 25 th season as music director) 2015 New York Youth Symphony Commissioned Sonata da Camera for chamber for premiere at Carnegie Hall and Symphony Space, New York, in April May 2016 2015 Harvard University Commissioned new work for Band and Chorus for 2017 Commencement exercises 2015 Minnesota Orchestra Freylekhe Tanzen for Orchestra featured on Future Classics concert, broadcast live on NPR; Michael interviewed by Performance Today host, Fred Child 2014 The Concord Chorus Commissioned Uriel for Chorus and Orchestra for 70 th Anniversary 2015-2016 season 2014 The Naples Philharmonic Commissioned orchestral adaptation of Five-Six-Seven-Eight; performances across Southwestern Florida in Winter/Spring of 2015 2014 VocalEssence Ensemble Singers Commissioned My River Runs to Thee for SATB Chorus for 2014 15 Tour; culminating concert on Minnesota Centennial Showboat 2014 Alarm Will Sound Commissioned Five-Six-Seven-Eight for Sinfonietta; premiered at 2014 Mizzou International Composers Festival 2014 The New York Virtuoso Singers Premiered Three Wallace Stevens Songs for SATB Chorus (2013 BMI Student Composer Award winner) in Merkin Hall, New York 2013 Gershwin Initiative Commissioned Rhapsody in Maize and Blue ( hybrid composition combining Rhapsody in Blue and Hail to the Victors) for announcement of Gershwin Initiative; composer appeared as piano soloist with the University Symphony Orchestra in Hill Auditorium 2

SELECT AWARDS for MUSIC COMPOSITION 2016 Cabrillo Festival of Contemporary Music fellow 2016 Brehm Prize in Instrumental Composition winner 2015 NYYS First Music Commission winner 2015 18 th Street Singers Composition Competition winner 2014 Mizzou International Composers Festival fellow 2014 2015 Minnesota Orchestra Composer Institute fellow 2014 ASCAP Rudolf Nissim Prize special distinction 2013 BMI Student Composer Award winner 2013 American Composers Forum Essentially Choral invitee 2013 Berkeley Community Chorus and Orchestra Competition winner 2012 Indianapolis Symphony Glick Competition finalist 2012 ASCAP Morton Gould Award honorable mention 2012 ASCAP Young Jazz Composer Award honorable mention 2011 NY Youth Symphony Jazz Competition honorable mention ACADEMIC FELLOWSHIPS and GRANTS 2012 17 Doctoral Fellowship, 2016 Rackham Summer Fellowship, 2013 15 3 Rackham Conference Travel Grants, 2010 12 Regents Fellowship, Fully funded MA in Music Composition 2011 Rackham Research Travel Grant, Fieldwork in Chennai, India 2009 10 John Knowles Paine Fellowship, Harvard University Funded academic year studying South Indian classical music in Chennai, India 2008 Alice Mary Longfellow Fellowship, Harvard University Summer study in German language and music composition in Vienna, Austria 2007 McKinley Entrepreneurial Grant, Harvard University 2006 Alice Mary Longfellow and Isobel Briggs Fellowships, Harvard University Summer study of music composition in Paris, France 3

TEACHING EXPERIENCE 2015 16 Basic and Advanced Keyboard Harmony, Undergraduate and graduate music majors. Primary instructor 2015 16 Aural Skills, Second year music majors. Primary instructor 2014 15 Writing Skills I and II, Tonal harmony for first year music majors. Primary instructor 2012 14 Basic and Advanced Keyboard Harmony, Undergraduate and graduate music majors. Primary instructor 2012 14 Aural Skills, First year music majors. Primary instructor 2011 12 Music Composition for Non Majors, Undergraduate liberal arts majors. Graduate student assistant: delivered lectures, developed course materials, advised students, taught private lessons 2013 Music Theory Instructor, Piano Pedagogy Laboratory Program, Teach theory classes for advanced elementary, middle, and high-school students 2010 Private Music Instructor, Ann Arbor, MI Private studio of 15 students in classical piano, jazz piano, composition, and music theory LANGUAGES German reading and writing: advanced; speaking: conversational Spanish reading and writing: advanced; speaking: proficient Tamil speaking: functional PROFESSIONAL AFFILIATIONS ASCAP (American Society of Composers, Authors, and Publishers) Society for Music Theory Music Theory Midwest College Music Society American Composers Forum 4

PROFESSIONAL REFERENCES Bright Sheng Leonard Bernstein Distinguished Professor of Composition (734) 647-9413 Ramon Satyendra Associate Professor of Music Theory (734) 647-9898 Kevin Korsyn Professor of Music Theory (734-764-5578) Michael Daugherty Professor of Composition (734) 764-5594 Ezra Keshet Associate Professor of Linguistics and Philosophy (734) 764-0353 Thomas F. Kelly Morton B. Knafel Professor of Music Harvard University (617) 495-2791 5