Description of Variables

Similar documents
To Review or Not to Review? Limited Strategic Thinking at the Movie Box Office

Analysis of Film Revenues: Saturated and Limited Films Megan Gold

Watching In the Dark: Limited Strategic Thinking at the Movie Box Office 1

WEB APPENDIX. Managing Innovation Sequences Over Iterated Offerings: Developing and Testing a Relative Innovation, Comfort, and Stimulation

Indicators of movie quality An exploratory research into movie quality

2006 U.S. Theatrical Market Statistics. Worldwide Market Research & Analysis

U.S. Theatrical Market: 2005 Statistics. MPA Worldwide Market Research & Analysis

IMDB Movie Review Analysis

Domestic Box Office Admissions per Capita ( ) Admissions per cap Home entertainment advancements Cinematic experience advancements

Neural Network Predicating Movie Box Office Performance

To Review or Not to Review? Limited Strategic Thinking at the Movie Box Office 1

DOES MOVIE SOUNDTRACK MATTER? THE ROLE OF SOUNDTRACK IN PREDICTING MOVIE REVENUE

"To infinity and beyond!" A genre-specific film analysis of movie success mechanisms. Daniel Kaimann

THE DATA SCIENCE OF HOLLYWOOD: USING EMOTIONAL ARCS OF MOVIES

Do Television and Radio Destroy Social Capital? Evidence from Indonesian Villages Online Appendix Benjamin A. Olken February 27, 2009

The Re-Release of The Best Years of Our Lives: Marketing Research and Film Trailer Revisions. Prepared for Marketing Research Team 3.

Increased Foreign Revenue Shares in the United States Film Industry:

Profitably Bundling Information Goods: Evidence from the Evolving Video Library of Netflix

The employment intensity of film and television production in Canada

Entertainment Industry Market Statistics

Evaluation Tools. Journal Impact Factor. Journal Ranking. Citations. H-index. Library Service Section Elyachar Central Library.

The Interrelation of Box Office Results How does one weekend s movie attendance affect the next?

ACEI working paper series DO SEQUEL MOVIES REALLY EARN MORE THAN NON- SEQUELS? EVIDENCE FROM THE US BOX OFFICE

Chapter 1 Midterm Review

Influence of Star Power on Movie Revenue

THE FAIR MARKET VALUE

Academic & Professional

Estimating the Effects of Integrated Film Production on Box-Office Performance: Do Inhouse Effects Influence Studio Moguls?

Seen on Screens: Viewing Canadian Feature Films on Multiple Platforms 2007 to April 2015

d. Could you represent the profit for n copies in other different ways?

Devising a Practical Model for Predicting Theatrical Movie Success: Focusing on the Experience Good Property

NETFLIX MOVIE RATING ANALYSIS

Factors determining UK album success

PICK THE RIGHT TEAM AND MAKE A BLOCKBUSTER A SOCIAL ANALYSIS THROUGH MOVIE HISTORY

NBER WORKING PAPER SERIES SUPPLY RESPONSES TO DIGITAL DISTRIBUTION: RECORDED MUSIC AND LIVE PERFORMANCES

Television Station Ownership Structure and the Quantity and Quality of TV Programming

The Impact of Race and Gender in Film Casting on Box Office Revenue. Will Burchard. University of Oregon. Economics 525 Research Proposal.

Does Movie Violence Increase Violent Crime.

Critics play a significant role in consumers decisions

Act global, protect local: Hollywood movies in China

The Economic Impact Study of The 2006 Durango Independent Film Festival Ian Barrowclough Tomas German-Palacios Rochelle Harris Stephen Lucht

Discriminant Analysis. DFs

Discipline of Economics, University of Sydney, Sydney, NSW, Australia PLEASE SCROLL DOWN FOR ARTICLE

Additional media information United States & United Kingdom

Factors Affecting the Financial Success of Motion Pictures: What is the Role of Star Power?

Dick Rolfe, Chairman

Release Year Prediction for Songs

Managing the supply of short-life products. A duration analysis approach using the UK film industry

Enhanced Campaigns: A Post-Apocalyptic Survival Guide. William Goldfarb Sr. Client Manager Dustin Lewis Sr. Client Manager April 24 th 2013

Working Paper IIMK/WPS/284/QM&OM/2018/28. May 2018

THE U.S. MUSIC INDUSTRIES: JOBS & BENEFITS

Looking Ahead: Viewing Canadian Feature Films on Multiple Platforms. July 2013

Appendix X: Release Sequencing

Technical Theater Certificate

Movie Sequels: Testing of Brand Extension and Expansion Using Discrete Choice Experiment

Lecture 1: Course logistics, homework 0

Netflix and the Demand for Cinema Tickets - An Analysis for 19 European Countries

Does Media Concentration Lead to Biased Coverage? Evidence from Movie Reviews

Show-Stopping Numbers: What Makes or Breaks a Broadway Run. Jack Stucky. Advisor: Scott Ogawa. Northwestern University. MMSS Senior Thesis

Moviegoing in the Digital Age Margaret Wilhelm Director, Digital Insights & Analytics NBCUniversal

1. Model. Discriminant Analysis COM 631. Spring Devin Kelly. Dataset: Film and TV Usage National Survey 2015 (Jeffres & Neuendorf) Q23a. Q23b.

DISTRIBUTION B F I R E S E A R C H A N D S T A T I S T I C S

Rating the impact and success of films beyond the box office

State of VOD & Digital Trend Reports

Sunday Maximum All TV News Big Four Average Saturday

IBS WORKING PAPER 03/2018 APRIL 2018

Source: Statistical Abstract of the United States: 1891 Edition. Information and Communications

Centre for Economic Policy Research

(Week 13) A05. Data Analysis Methods for CRM. Electronic Commerce Marketing

Does Movie Violence Increase Violent Crime?

MATURE CINEMATIC CONTENT FOR IMMATURE MINDS: PUSHING THE ENVELOPE VERSUS TONING IT DOWN IN FAMILY FILMS

Relationships Between Quantitative Variables

Background Information. Instructions. Problem Statement. HOMEWORK INSTRUCTIONS Homework #5 Nielsen Television Ratings Problem

Warren County Port Authority

Usability Comparison of

Technical Appendices to: Is Having More Channels Really Better? A Model of Competition Among Commercial Television Broadcasters

The Impact of Time-Shift TV on TV Viewership and on Ad Consumption: Results from Both Natural and Randomized Experiments

Grand Right Licensing and Rental Fees

저작권법에따른이용자의권리는위의내용에의하여영향을받지않습니다.

Relationships. Between Quantitative Variables. Chapter 5. Copyright 2006 Brooks/Cole, a division of Thomson Learning, Inc.

Before the Federal Communications Commission Washington, D.C ) ) ) ) ) ) ) ) ) REPORT ON CABLE INDUSTRY PRICES

THE 50+ MOVIEGOER. An Industry Segment That Should Not Be Ignored. An exclusive research for AARP by

BROADCASTING DISTRIBUTION STATISTICAL AND FINANCIAL SUMMARIES. Cable, Internet Protocol Television (IPTV) and Direct-to-Home (DTH)

FILMSF FUNDING $239,342 $400,000 ANNUAL REPORT FY 13/14 COLLECTED BY THE FILM OFFICE GRANTS FOR THE ARTS PROVIDED

INVESTOR PRESENTATION. June 17

hprints , version 1-1 Oct 2008

INFORMATION DISCOVERY AND THE LONG TAIL OF MOTION PICTURE CONTENT 1

Effects of Media Use Behavior on the Channel Bundle Preferences

Abbeville Opera House Impact Study

The Impact of Likes on the Sales of Movies in Video-on-Demand: a Randomized Experiment

The Great Beauty: Public Subsidies in the Italian Movie Industry

International Affairs Department, Telecommunications Bureau

COLLECTION DEVELOPMENT POLICY

institution in its native country, but a major export to other nations as well. Academic articles on

City Screens fiscal 1998 MD&A and Financial Statements

Supplementary Note. Supplementary Table 1. Coverage in patent families with a granted. all patent. Nature Biotechnology: doi: /nbt.

Employment Cost Index Original Data Value Series Id: Seasonally adjusted Series Title: Ownership: Component: Occupation: Industry: Subcategory:

BUFORD COMMUNITY CENTER, TOWN PARK & THEATRE THEATRE AND STAGE RENTAL AGREEMENT

THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF FINANCE

Transcription:

To Review or Not to Review? Limited Strategic Thinking at the Movie Box Office Alexander L. Brown, Colin F. Camerer and Dan Lovallo Web Appendix A Description of Variables To determine if a movie was cold opened (c j = 1) we examined the dates on three or four major news publications (the Los Angeles Times, New York Times, San Francisco Chronicle, and New York Post). If the dates of reviews in any of these publications were later than the release date, we examined the reasoning behind the late reviews. A movie was classified a cold open if at least one source stated the movie was not screened for critics before release (in most cases, none of the available sources had advance reviews). Weekend and total US box office data as well as total box office data for international markets for movies from January 2000-June 2006 were obtained from a FilmSource database (Nielsen EDI, www.filmsource.com). The FilmSource database also included the number of theaters that showed a movie during its first weekend, the number of days in the opening weekend, and if the movie was released before Friday (generally only for anticipated blockbusters). FilmSource also gave a description of the genre of the movie, its MPAA rating (G, PG, PG-13, R), and whether the movie was adapted from previous source material. After June 2006 these values were obtained from the pro service of imdb.com and boxofficemojo.com. All rental numbers were obtained from these two sites. Production budget information came from imdb.com for most movies, and from boxoffice- 42

mojo.com or the-numbers.com for those missing from imdb.com. Budget data were available for 1313 of the 1414 movies, including 138 or the 163 cold openings (85%). The pro version of the imdb.com database was used to determine the star power rating of each movie s stars. Each week imdb.com determined this value by ranking the number of searches done on the imdb.com site for every person affiliated with movies. The most searched star would have value 1. Since there are over one million stars on imdb.com, we took the natural logarithm of the star ranking to reduce the effect of unknown stars with very high numbers. We averaged the logged star ranking for the top two stars for each movie during its opening week. Three other variables, competition (the average production budget of other movies released on the same opening weekend), the summer dummy variable (whether the movie was released in June, July and August), and the year of release dummy variables were calculated from the previous data. Interaction terms were calculated by multiplying one dummy variable by another. Advertising expenditures were obtained from the ad$ spender print resources for advertising before 2007, and from the ad$ spender database for advertising after 2007. CPI data was obtained for the US from the Bureau of Labor Statistics. Daily historical exchange rate data from finance.yahoo.com. B List of cold-opened movies included in our dataset Table A.1 provides a list of each of the 138 cold-opened movies in our dataset and date of release. 43

Table A.1: List of cold openings 44

C Additional Regressions Table A.2 and A.3 report alternate specifications of the regressions in Table 2 where the cold dummy is replaced by cold and year interaction dummy variables and cold and genre interaction dummy variables. Both specifications are discussed in Sections 2 and 4. Table A.4 shows the results of a regression on IMDB user ratings of the standard regression variables. Cold openings are correlated with a 0.5 0.6 point drop in the ten point user rating. 45

Table A.2: Regressions on logged box office revenues (in millions) with cold and year interaction variables. 46

Table A.3: Regressions on logged box office revenues (in millions) with cold and genre interaction variables 47

Table A.4: Regression on IMDB user ratings 48