A Midsummer Night s Dream

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Individual Learning Packet Teaching Unit by William Shakespeare Copyright 1995 by Prestwick House Inc., P.O. Box 658, Clayton, DE 19938. 1-800-932-4593. www.prestwickhouse.com Permission to copy this unit for classroom use is extended to purchaser for his or her personal use. This material, in whole or part, may not be copied for resale. Revised May 2010. ISBN 978-1-60389-853-9 Item No. 200906

TEACHING UNIT Objectives By the end of this Unit, the students will be able to: 1. define, identify, and explain the various literary devices that Shakespeare utilizes in A Midsummer Night s Dream. 2. Develop a character profile for each of the following: Bottom Demetrius Helena Hermia Lysander Oberon Puck Titania. 3. analyze the examples of irony within the play and explain the role that irony plays in comedy. 4. analyze and explain Shakespeare s uses of allusion to enhance the storyline. 5. identify, trace, and explain the following motifs throughout the play: eyes and seeing moonlight dreams flowers. 6. identify the two geographical locations within the play and explain the effect each has on the various characters. 7. summarize the storyline for: the four lovers Oberon and Titania the rehearsal and production of Pyramus and Thisbe Theseus and Hippolyta. 8. identify which characters speak in prose, poetry, or blank verse and explain the rationale for having them do so. 2 OBJECTIVES

TEACHING UNIT 1. Explain the significance of the play s title. Questions for Essay and Discussion 2. Analyze the characteristics and elements of modern day romantic comedies and soap operas. In term of these characteristics, point out instances that make A Midsummer Night s Dream timeless. 3. Compare and contrast the characterization of all the lovers. In what ways can they be viewed as universal figures? 4. One of the play s universal themes deals with how the various aspects of romantic love affect the characters. Analyze the different manifestations of love throughout the play. What commentaries about love does each seem to make? 5. Critics note that Shakespeare always embedded some stock characters and comedic elements in his plays to appeal to the masses, which were not always familiar with his rich intellectual, cultural elements. How does he do so in this play? 6. Find and analyze some of Shakespeare s allusions in this play. How do they enhance the characterization and storyline? 7. Compare and contrast the settings of Athens and the woods. In doing so, consider the effect each has on various characters. 8. Analyze each character s speech patterns. Which characters speak in blank verse, poetry, or prose and when? Why do you think Shakespeare makes this distinction? 9. Examine the compliments characters issue when their relationships are in harmony and then analyze the insults they issue when they are in discord. 10. Trace and analyze the motifs of eyes and sight. What role do they play in developing the themes of love and reality? 11. Identify and analyze Shakespeare s varied uses of irony in this play. Why is it a vital element in comedy? 12. Analyze the treatment of moonlight throughout the play. What role does it play in the plot? 13. Consider Shakespeare s use of flowers within the play. With what characters are they utilized and why? How do they function symbolically? 7 QUESTIONS FOR ESSAY AND DISCUSSION

Act I, Scene I (Athens, the Duke s Palace) Vocabulary avouch to declare bated excepted beguiled tricked; cheated belike probably beteem to give cloister a convent or monastery counsel inmost thoughts dote to idolize; to be infatuated with dowager widow who enjoys the assets of her deceased husband edict a law; a declaration ere before errs goes astray extenuate lessen or change forswear to swear falsely gawds (gauds) trinkets hawthorn a flowering shrub livery clothing or uniform lode-stars guiding stars, such as the north star melancholy sadness mirth merry-making; festivity nuptial marriage; pertaining to marriage pert lively pomp ceremony primrose a common wildflower of varying color revelling (reveling) celebrating steep to plunge sweetmeats fruits preserved with sugar tempest a storm thither there transpose to change vexation agitation waggish playful wanes fades; vanishes wont accustomed 1

Act I, Scene II (Athens, a laborer s home) Vocabulary bellows a flexible chamber used for producing a current of air, as for drafting a fire condole to lament devices plans interlude short play or period of entertainment between main shows 1. Why does Bottom command our attention and what effect does he have on the audience? 2. What is humorous about Snug s reaction to playing the lion? 3. Why do the actors not want Bottom playing the part of the lion and what literary device do they use to emphasize why this would be disastrous? What does this suggest about their after of reality versus illusion in the theatre? 5

3. Who awakens Lysander? 4. How is Lysander different, and how does he explain his transformation to Helena? 5. What is Helena s reaction to this admission? Why? 6. What is the setting for this act? Based on the behaviors of the characters, with what can we associate this setting? 11

Act IV, Scene I Vocabulary amiable lovable amity friendship and goodwill coronet a garland or wreath discord disharmony; cacophony dotage infatuation expound to explain forester an official responsible for the forest land peck one quarter of a bushel (8 quarts) provender food; provisions swain a young man living in the country; a bumpkin vaward (vanguard) the first or leading part of a group vexation aggravation; turmoil visage face or facial expression 1. As the act opens, what is ironic about Bottom s behavior? 2. With whom do flowers seem most associated and what could they represent? 3. Why has Oberon softened in his attitude toward Titania? 4. How do Lysander and Demetrius explain their behavior after waking? 17