Name Date What? Visual Analysis For Art History. Dr Alex Collins. Sual analys. Image: Mark Fowler, People Looking at Art

Similar documents
COLUMBUS CITY SCHOOLS VISUAL ART IV SCOPE AND SEQUENCE/TIMELINE GRADING PERIOD 1

FINE ART. Transition Pack. Course Guide and Summer Work. Exam Board: AQA Course Title: Fine Art Course Code:

Student Learning Assessment for ART 100 Katie Frank

Art 106 Ways of Seeing: an introduction to art history

century, decade, BC, AD, after, before, during.

Reading a Portrait: Symbols and Politicians at the Biggs

NEWSLETTER. Abstract Expressionism: From the Sublime to the Political. This months lecture. October Gibraltar Decorative and Fine Arts Society

Comparative Study Self Assessment Criteria & Strategies

Lingnan University Department of Visual Studies B.A. (Honors) in Visual Studies

UNSEEN POETRY. Secondary 3 Literature 2016

Years 7 and 8 standard elaborations Australian Curriculum: Music

Art History, Curating and Visual Studies. Module Descriptions 2019/20

National 5 Art and Design Practice Exam Questions

Q1. Name the texts that you studied for media texts and society s values this year.

Fundamentals of Studio Art I

ART216: Term Project

Introduction: Curricular Requirements

Learning Outcomes After you have finished the course you should:

University of Roehampton International Summer School

Years 9 and 10 standard elaborations Australian Curriculum: Drama

SHAKESPEARE I N A N I M A T I O N

Syllabus Art History 2 period Complementary course S6-S7

Christ to Coke: How Image Becomes Icon; Martin Kemp

VISUAL ARTS K-12 LEARNING OUTCOMES & BENCHMARKS

Women photograph Dalí,

Archbold Area Schools Art Curriculum Map

Sacramento Public Library Authority

Language and Mind Prof. Rajesh Kumar Department of Humanities and Social Sciences Indian Institute of Technology, Madras

DIATHEMATIKON PROGRAMMA CROSS-THEMATIC CURRICULUM FRAMEWORK

SQA Advanced Unit specification. General information for centres. Unit title: Philosophical Aesthetics: An Introduction. Unit code: HT4J 48

CONCEPT OF POWER: MONTAGE DRAWING

Lynda Godfrey: childhood papers,

Core Content/Program of Studies Curriculum Map Bourbon County Schools

Brand Essentials v3. Making us all look good. Chapter 1: Our logo

Project I- Care Children, art, relationship and education. Summary document of the training methodologies

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! VCE_SAR_Annotation_Kinnersley_2013. VCE Studio Arts! Unit 3! Annotation

TSO Composers Project

Summer Assignment. B. Research. Suggested Order of Completion. AP Art History Sister Lisa Perkowski

HUMANITIES FALL 2017 WESTERN CULTURE FROM THE HIGH RENAISSANCE TO ROMANTICISM

The Jeffrey Rubinoff Sculpture Park

Ontario Ministry of Education Curriculum Expectations

Leaving China An Artist Paints His World War II Childhood

2017/8 - AMAA4009B INTRODUCTION TO GALLERY AND MUSEUM STUDIES

Complexity, Duality, Ambiguity: Scaffolding for Poetry and Prose Analysis

English Language/Literature specification, due to be sat by current year 9, in 2019.

SWU Aesthetics for Life W4: The Constructivist Conception of Art. 2 The Constructivist Conception of Art. 1 Introduction

The majority of schools taking part in the workshops were from special needs schools, with learning difficulties or behavioural needs.

STUDENT NUMBER Letter Figures Words STUDIO ARTS. Written examination. Wednesday 10 November 2004

What is the art in your home saying about you and your life?

Unit One. Exploring Your Perception of Art Overview

ISU: Comparative Art History Essay (10%)

A Finding Aid to the Alvord Eiseman research material concerning Charles Demuth, circa , in the Archives of American Art

Years 5 and 6 standard elaborations Australian Curriculum: Drama

Poetry assessment A Dead Boche by Robert Graves

OUR VISION WHERE WE RE GOING

PHIL 271 (02): Aesthetics and the Philosophy of Art

Contributors Guidelines

Interactive Rotating Character Design Sculpture

Ganado Unified School District (ART/6 th -8th)

Ganado Unified School District (ART/7 th -8th)

ROSEDALE HEIGHTS SCHOOL OF THE ARTS

2017 Five Tribe s Folklore, Legends & Myths Through Art

VCASS MUSIC CURRICULUM HANDBOOK

FINE ARTS STANDARDS FRAMEWORK STATE GOALS 25-27

National Standards for Visual Art The National Standards for Arts Education

Grade 8 Fine Arts Guidelines: Dance

WOMEN IN LATIN AMERICAN ART ARH 3873.U01 PROFESSOR CAROL DAMIAN Florida International University. Fall credits

Second Grade: National Visual Arts Core Standards

SAMPLE COURSE OUTLINE VISUAL ARTS ATAR YEAR 11

APHRA BEHN STAGE THE SOCIAL SCENE

JOHN XIROS COOPER is Professor of English and Associate Dean in the Faculty of Arts at the University of British Columbia, Vancouver.

SAMPLE. Introduction - Drills for Skills series - Unseen Poetry Wendy J Hall

PRIMARY ARTS AND HUMANITIES

Bergen Community College Division of Arts and Humanities Department of Arts & Communication. Course Syllabus

Year 12 Literature Conditions for SACs and due dates 2018

Years 10 band plan Australian Curriculum: Music

K.1.1 Understand that art is a visual record of human ideas and has a history as old as humankind.

Medieval Art. artwork during such time. The ivory sculpting and carving have been very famous because of the

DEPARTMENT OF FINE ARTS COURSE OUTLINE WINTER 2016 TR 14:30-15:50, L123

Subject: A level English Literature

Organisers Kit. The Australian Heritage Festival is supported through funding from the Australian Government s National Trusts Partnership Program.

ARTIST TALK MAGAZINE.

SECONDARY SCHOOL EDUCATION RESOURCE

Eng 104: Introduction to Literature Fiction

A Linha Curva: Fact File

Boyd County Public Schools Middle School Arts and Humanities 7 th Grade VISUAL ARTS DRAFT

Also by A. L. Rowse. Shakespeare

Face Time K 12 th Grades. South Carolina Visual Arts Standards

Mapping the OCR Specification to the Edexcel in A Level History

Art History, Curating and Visual Studies. Module Descriptions 2018/19

Level 5 exemplar and comments (1) Paper TWO Design: Question 4. Part A

THINGS TO REMEMBER ART APPRECIATION

MADISON PUBLIC SCHOOLS. Madison Junior School Band

I S E D S U R P R C O N F U S E D I F U L B E AU T I R E D I S M E R E L AT E PAGE 10 S H A R E W O U L D PAGE 2 PAGE 4 PAGE 6 I N S P PAGE 8 PAGE 12

Programme School Year

Curriculum Standard One: The student will use his/her senses to perceive works of art, objects in nature, events, and the environment.

Years 3 and 4 standard elaborations Australian Curriculum: Music

Kingsdale Music Department

Concert Season Schedule & Information

English Literature AS Level AQA (Specification B) Preparing to study Aspects of Tragedy

Transcription:

Name Date What? Visual Analysis For Art History Dr Alex Collins Sual analys Image: Mark Fowler, People Looking at Art

Your degree and visual analysis Almost all History of Art essays should involve an argument grounded on visual analysis of one or more objects or images. Almost all exams in History of Art at Edinburgh require you to perform visual analysis. More so, it s a tool we do throughout our careers, if we carry on being art historians. Exams are a way to test your ability to do this and it is a tool that sets you apart from other graduates. What you need to do depends on your type of exam, perhaps

What is Visual Analysis Write down some ideas of what you think visual analysis is. - What questions do you you think you should ask when you look at a work of art? - Why is it important?

Doing visual analysis Start with the knowns - identification, date, brief context (patron, place of origin, display, etc.), material, size. Core base is the Description what is in/on the object, what makes it up, etc. Then perform the Analysis, where you use information from primary and secondary sources, material from class, comparisons to other images, as well as other knowledge to identify what is going on in the image.

In describing, you might also want to talk about Genre What is the object or image? Date and location When is it from? Where is it from? Content What is happening in it? What makes up the object or image? Does it have multiple parts? Has anything been lost? Technique What can we see in the image in terms of technique or style? What processes have been used to make this work? How many people were needed to make it?

Description Exercise I am going to show you some images I want you to describe them. Tell me what is going on in them. Start with overall composition What can/do you see? What is it? Is it the only one? How would you describe the picture/artwork to me if I couldn t see it? What can we see in the image in terms of content? What colours have been used? How big is it? What about the formal features of the work?

Take a few minutes to identify and describe this image.

Now take a few minutes to describe this image/object

This is the first part of good visual analysis being able to describe what is in front of you. What do you find easy? What do you find hard?

Moving on from description Your introduction and your descriptions are building blocks Your description highlights to your audience your main reading of the image and needs to convey a full sense of what the object/image is and where it came from. Nevertheless visual analysis requires more. After description you will then need to analyse it.

Then analysis what questions should I be asking of the image or object? Right now, try to think of what questions you should be asking of the object or image? These ask deeper questions than simply what is it rather how does what it is affect it as an image or object in its historic period. Try to think of three questions you would ask of an image to analyse it.

Analysis: Context How does it fit into an historical context? How does its genre or medium affect how it was understood or seen? What about the reception of this work when it was created? In what context is this artwork now seen? Can we recreate the story of this artwork (i.e. provenance)? Where has it been exhibited and why? Is there anything else?

Now begin to think about analysis. What questions might you ask of the Mona lisa in particular or other premodern art in general

Now take a few minutes to analyse this Instagram post by Beyonce.

Analysis: Theory and Answering a Question? What theory can you apply to this? From your course? If the image or question concerns a certain topic, drawing on ideas from key texts (such as Linda Nochlin s Why have there been no great women artists? ) are useful

Templates for us Marcia Pointon, Interrogating the Artwork

Viccy Coltman, Questioning a material artefact, from Material Culture and the History of Art(efacts), Writing Material Culture History, London: Bloomsbury, 2015, p.25.

Visual analysis in any exam First question, what is the question? Is it open? History of Art 1, 2015-16 History of Art 2, 2015-16 HA3, Romanticism to Expressionism 2015/2016 & 2014/15 HA4, Orientalism and Visual Culture 2015/16

Visual analysis in any exam. Or is it directing you to a specific issue the lecturer wants? HA3, Modern Art in Shanghai 2015/16 HA4, The Aesthetics and Politics of Contemporary Art, 2014-15 HA3, Romanticism to Expressionism 2015/2016 & 2014/15 HA3, Picturing Authority: Art and Politics at the Tudor and Stuart Courts, 2015/16

Visual analysis in any exam Questions range between the most free (Identity A, B, C, D), comparison questions (compare A and B), and questions with very specific subject matter (examine A, B and C in light of attitudes to X). Despite this variety, there are key things you should do, in both take homes and exam halls.

What to do, the easy and the not so easy You ll be presented with A4-sized images If titles are not given, identify unseen images (name, date, artist, patron, installation, etc) possible answer in relation to a question. When you cannot identify, orientate to the knowledge you do have, or to images with similar content or similar style.

Some further examples

Names and Dates Arm Reliquary, German (Lower Saxony), c. 1190 Silver gilt over wood, enamel The Cleveland Museum of Art

John Everett Millais Christ in the House of his Parents 1850 Tate, London

Albrecht Dürer, Self-portrait. Oil (1500)