FULL SCORE. Soaring. Solo Trumpet with Band Accompaniment CPS137 INSTRUMENTATION

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LL SCORE Concert Band Grade CARL ISCHER Soaring Solo Trumet ith Band Accomaniment SERIES Sean O Loughlin CS7 INSTRMENTATION ull Score lute lute Oboe Clarinet in B Clarinet in B Clarinet in B Bass Clarinet in B Bassoon Alto Saxohone in E Alto Saxohone in E Tenor Saxohone in B Baritone Saxohone in E Solo Trumet in B Trumet in B Trumet in B Trumet in B Horn in Horn in Trombone Trombone Euhonium TC in B Euhonium BC Mallet ercussion Chimes, Bells Timani ercussion Snare Drum, Bass Drum ercussion 5 Crash Cymbals, Tam-tam, Susended Cymbals, Triangle, Tambourine

About the Comosition Soaring is an exciting comosition or solo trumet and concert band, commissioned by the G Ray Bodley High School Music Deartment under the direction o Terrance Caviness The iece is dedicated to David Bamonte, ho is a dear riend and holds the osition o rincial second trumet in the Oregon Symhony and ormer rincial trumet in the Israel hilharmonic He is also currently on the aculty at ortland State niversity The music is celebratory in nature and eatures the dynamic and rhythmic range o the trumet The iece oens in a very American rhythmic gesture reminiscent o the music o Aaron Coland and ohn Williams The trumet ansers this gesture ith a bold, rhythmic idea o its on that ill transorm into the main melody a little later on The oening gesture takes on a more rhythmic and brilliant light at m 5 to usher in the ast section and set u the main melody at m Make sure the unctuations in the ensemble have a bounce to them and are not layed too short The rhythmic drone at m 6 in the loer voices should have a quiet intensity and lie As the melody travels orard, counter lines start getting added or increased intensity Match the hrasing o the solo layer throughout this develoment The ensemble takes center stage briely at m 7 then retreats to suort the solo The ensemble then resents the main melody at m 87 to set u the cadenza section or the solo at m 97 This quasi-cadenza should be layed reely and lyrically The return o the ast section at m uses a little nugget o the melody as a rhythmic motive The solo returns at m 0 ith an augmentation o the melody The oening gesture returns at m 0 to bring the iece around ull circle About the Comoser Sean O Loughlin (b97) is a resh voice and a rising name in the music orld His music is characterized by vibrant rhythms, assionate melodies, and colorul scoring Commissions rom the Boston os Orchestra, the Los Angeles hilharmonic and the Hollyood Bol Orchestra highlight and shocase his diverse musical abilities As a conductor, he has led erormances ith the Boston os Orchestra, the Hollyood Bol Orchestra, the Minnesota Orchestra, the Vancouver Symhony, the Atlanta Symhony, the Baltimore Symhony, the Houston Symhony, and the Seattle Symhony amongst others He as the assistant conductor and arranger or a roduction o Sgt eer Live in Las Vegas eaturing the band Chea Trick Recent collaborations include such artists as Sarah McLachlan, Adele, Hall and Oates, Gloria Estean, Diana Krall, Itzhak erlman, Natalie Merchant, Chris Isaak, Blue Man Grou, ink Martini, Brandi Carlile, The Decemberists, Martina McBride, osh Ritter, Gloria Gaynor and others The Los Angeles Times calls his orchestrations colorul hile adding even more dimension to the comositions Daily Variety heralds Sean s riting as most imressive ith a ide range o coloring in the orchestra that adds het and rolling energy Groing u in Syracuse, NY, Sean dislayed a assion or music at an early age Sean beneited rom loving arents ho suorted his musical asirations and challenged him to exlore music as a career During his undergraduate years at Syracuse niversity, Sean s musical career began to take shae ith the guidance o Larry Clark As Vice-resident at Carl ischer Music, Larry continues to be a maor inluence in Sean s roessional career as mentor and riend Through his groing number o commissioned and ublished orks, Sean is excited to continue contributing to the rich history o orchestral and ind band literature He is a requent guest conductor ith roessional orchestras and honor bands around the country An annual ASCA Secial Aards inner, Sean as a comosition ello at the Henry Mancini Institute in Los Angeles, and holds comosition degrees rom Ne England Conservatory and Syracuse niversity Sean, his ie Dena and daughter Kate reside in Los Angeles or more inormation, lease visit seanoloughlincom

ull Score lute Oboe Clarinet Bass Clarinet Bassoon Alto Saxohone Tenor Saxohone Baritone Saxohone Solo Trumet Trumet Horn in Trombone Euhonium Mallet ercussion (Chimes, Bells) Timani (Ab : Bb : Eb : ) (Snare Drum, Bass Drum) ercussion (Crash Cymbals, Tam-tam, Triangle, Susended Cymbal, Tambourine) - - - b - - b b b - - b b b b b b - - - - - - - O Moderato q = 96 Moderato q = 96 Cr Cym Commissioned by the G Ray Bodley High School Bands, Syracuse, NY, Terrance Caviness, director or David Bamonte Soaring boldly Coyright 0 by Carl ischer, LLC International Coyright Secured All rights reserved including erorming rights WARNING! This comosition is rotected by Coyright la To hotocoy or reroduce by any method is an inringement o the Coyright la Anyone ho reroduces coyrighted matter is subect to substantial enalties and assessments or each inringement Tam-tam 5 6 Cr Cym SEAN O'LOGHLIN

l Ob Cl B Cl Bsn A Sax T Sax Bar Sax Solo Tt Tt Hn in Tbn Euh Mall erc Tim erc b - - - - - - - - - - æ æ T-tam 7 æ æ 8 9 0 St Mute St Mute Oæ æ æ Sus Cym

5 l 5 Ob Cl B Cl Bsn A Sax T Sax Bar Sax Solo Tt Tt Hn in Tbn Euh Mall erc Tim erc b 5 b b b b 5 6 b b b b 7 Oæ - - - - b - - - - - b - - - - O b - 8 9 0 b b b b

6 l Ob Cl B Cl Bsn A Sax T Sax Bar Sax Solo Tt Tt Hn in Tbn Euh Mall erc Tim erc b b b b b b b Triangle ± - 5 5 Allegro q = 8 Allegro q = 8 5 6 Oen Oen Cr Cym O 7

l Ob Cl B Cl Bsn A Sax T Sax Bar Sax - - Solo Tt Tt Hn in Tbn Euh b 7 - - Mall erc Tim æ æ erc æ 8 æ 9 0 Tambourine

8 l Ob Cl B Cl Bsn A Sax T Sax Bar Sax Solo Tt Tt Hn in Tbn Euh Mall erc Tim erc b - 5 6 7 8

l Ob Cl B Cl Bsn A Sax T Sax Bar Sax Solo Tt Tt Hn in Tbn Euh b a - - - a - - - - - - 9 Mall erc Tim erc 9 Sus Cym Oæ O 0 Tri æ Cr Cym O

0 l Ob 9 Cl B Cl Bsn A Sax T Sax Bar Sax Solo Tt Tt Hn in Tbn Euh Mall erc Tim erc b - - - - - - - - 5 6 7 º 8 9 9

l Ob Cl B Cl Bsn - A Sax T Sax Bar Sax Solo Tt - - - Tt Hn in Tbn Euh b Mall erc Tim Bells erc 50 5 5 Sus Cym Oæ O 5 Tri ± 5 55

l Ob Cl B Cl Bsn A Sax T Sax Bar Sax Solo Tt Tt Hn in Tbn Euh Mall erc Tim erc b O æ æ 56 - O Cr Cym 57 58 - O 59 æ æ 60 6 6 6 æ

l Ob Cl B Cl Bsn A Sax T Sax Bar Sax Solo Tt Tt - Hn in Tbn Euh b - Mall erc Tim erc 6 æ 6 6 Sus Cym Oæ O 65 æ 66 Tamb 67

l Ob Cl B Cl Bsn A Sax T Sax Bar Sax a Solo Tt Tt Hn in Tbn Euh b - - - - - - Mall erc Tim erc 68 69 Oæ 70 æ O 7 7 æ æ 7

l Ob Cl B Cl Bsn A Sax T Sax Bar Sax Solo Tt Tt Hn in Tbn Euh Mall erc Tim erc b 7 7 - - - - O Cr Cym 7 75 O 76 77 Tamb 78 79 5

6 l Ob Cl B Cl Bsn A Sax T Sax Bar Sax Solo Tt Tt Hn in Tbn Euh Mall erc Tim erc b 80 8 8 b b b b b b 8-8 n Sus Cym n n n n æ æ O æ 85

l Ob Cl B Cl Bsn A Sax T Sax Bar Sax Solo Tt Tt Hn in Tbn Euh Mall erc Tim erc b b b b 86 b æ Oæ 87 a - - 87 O 87 88 89 - - - - - 90 Oæ - - - - - - - - - O 9 7

8 l Ob Cl B Cl Bsn A Sax T Sax Bar Sax - - - - - - - - - Solo Tt Tt Hn in Tbn Euh Mall erc Tim erc b 9 Tamb 9 - - 9 95 Oæ 96

9 l Ob Cl B Cl Bsn A Sax T Sax Bar Sax Solo Tt Tt Hn in Tbn Euh Mall erc Tim erc 97 97 Quasi cadenza, reely Quasi cadenza, reely b b b b b b b b b b b b 97 98 99-00 ten take time 0 ten 0 0

0 l Ob Cl B Cl Bsn A Sax T Sax Bar Sax Solo Tt Tt Hn in Tbn Euh Mall erc Tim erc b 0 05 06 06 Moderato q = 96 b b Moderato q = 96 b b 06 - Chimes 07 b b b b 08 Sus Cym Oæ - - - - - - - b - - - - - b - b - b - - - - O b - 09-0

l Ob Cl B Cl Bsn A Sax T Sax Bar Sax Solo Tt Tt Hn in Tbn Euh Mall erc Tim erc Allegro q = 8 b Allegro q = 8 æ æ T-tam º æ æ æ æ º æ æ - - - - æ æ æ 5

l Ob Cl B Cl Bsn A Sax T Sax Bar Sax Solo Tt Tt Hn in Tbn Euh Mall erc Tim erc a b b b b b b b b b b b b b b b Tamb 6 - - - æ 7 8 - - - æ 9 Sus Cym Oæ

l Ob 0 Cl B Cl Bsn A Sax T Sax Bar Sax Solo Tt Tt Hn in Tbn Euh Mall erc Tim erc b 0 O 0 - - - - - - - - - - - - - - - a - - - - - - - - - - 5

l Ob Cl B Cl Bsn A Sax T Sax Bar Sax Solo Tt Tt Hn in Tbn Euh Mall erc Tim erc b - æ 6 7 æ Oæ 8 æ 9 0 - - - - 0 - - - - - - - - O Cr Cym 0 æ T-tam

l Ob Cl B Cl Bsn b b b b b b b b b b 6 5 A Sax T Sax Bar Sax Solo Tt Tt Hn in Tbn Euh Mall erc Tim b - - - - - - b b b b b b b b b b b b 6 +Bells (i oss) erc O Tamb 5 Cr Cym O Tri 6

6 l Ob Cl B Cl Bsn A Sax T Sax Bar Sax - - Solo Tt Tt Hn in Tbn b - Euh Mall erc Tim erc 7 O 8 æ 9 æ 0

l Ob Cl B Cl Bsn A Sax T Sax Bar Sax Solo Tt Tt Hn in Tbn Euh Mall erc Tim erc b b b b b b b b @ æ @ æ b b - - b b æ Sus Cym O æ b b b b b b b b æ O æ 5 7

ull Score Allegro q = BILL CALHON b b b b b lute b Oboe Clarinet b b b b Bass Clarinet b b b b Bassoon b Cue: Clar # Alto b b b Saxohone b Tenor lay Saxohone # Baritone Saxohone b n Allegro q = Trumet Horn in b b Trombone b b b b Euhonium b b b b b Mallet b Bells + Chimes ercussion (Bells, Chimes) Mallet b Marimba + Xylohone ercussion b b b b (Xylohone, Marimba) b b Timani æ SD æ æ (Snare Drum, Bass Drum, Gong) BD ercussion Sus Cym O æ + Cr Cym (Triangle, Susended Cymbal, Crash O Cymbals) CS9 Matinee Coyright 0 by embroke Music Co, Inc, a division o Carl ischer, LLC International Coyright Secured All rights reserved including erorming rights b b b l Ob Cl b b B Cl Bsn b b b # A Sax b b T Sax b b # Bar Sax Tt Hn in Tbn b b b b b b Euh b b b Mall b Bells b b erc b Mall b b erc b b Tim æ Gong SD O æ BD erc Sus Cym O æ + Cr Cym O 5 6 7 8 CS9 The Carl ischer erormance Series or Band has ive erormance levels to rovide you ith a highly ocused reertoire or your band Each level has been careully designed and graded, ithin seciic guidelines, so that each iece in a level ill ork ith your band hen it achieves that level Each level is also color coded or ease in inding the series that ill be aroriate or your band, as it develos Within each grade level, you ill ind selections in a variety o styles and genres designed to meet all o your erormance and teaching needs The Carl ischer comosers and arrangers are some o the most resected riters in the business Their music is dynamic, resh and eminently orthy o your attention Concert Band Exanded instrumentation to lute, Clarinet, Trumet, Horn and Trombone arts Exanded use o rhythms, ranges, keys, but technical demands are still careully considered Generous cross cueing o exosed or solo arts Exanded ercussion riting, ithin reason, or maturing students Careul selection o keys and degree o diiculty or advancing musicians ISBN 978-0-858-979-0 carlischercom CS7 $9000 Set $00 ull Score CS7 $00 arts C