Arkansas School Band and Orchestra Association SENIOR HIGH ALL REGION / ALL STATE TRYOUT MATERIAL 0 09 ~ 09 I ~ II MAJOR AND MINOR SCALES FOR ALL INSTRUMENTS Scales are not listed in concert pitch for transposing instruments. They are to be played by memory at a tempo of quarter=, and in the following rhythmic pattern: 2/4: One th note, followed by six 1th notes, etc. to be TONGUED, ASCENDING and DESCENDING unless noted otherwise. CHROMATIC SCALES FOR ALL INSTRUMENTS Play in 1 counts of th note triplets followed by 1 quarter note,, tongued,, 2 octaves. Each instrument will start on pitch indicated. Check figure below for a starting pitch for each instrument. Major: Minor: Chromatic: FLUTE c1, g1, d1, a1, e1, b1, f1, bb1, eb1, ab1, db1, gb1 a1, e1, b1, f#1, c#1, g#1, d1, g1, c1, f1, bb1, eb1 c1 OBOE Major: c1, d1, e1, b, f1, bb, eb1, db1 Minor: e1, b, c#1, d1, c1, f1, bb, eb1 Chromatic: c1 Major: g1, a1, ab1, gb1 Minor: a1, f#1, g#1, g1
SR SCALES CONTINUED BASSOON Major: C, G, D, A, E, BB, F, BBb, Eb, Ab, Db, Gb Minor: A, E, BB, F#, C#, G#, D, G, C, F, BBb, Eb Chromatic: F CLARINET Major: c1, g, d1, a, e, b, f, bb, eb1, ab, db1, gb Minor: a, e, b, f#, c#1, g#, d1, g, c1, f, bb, eb1 Chromatic: c1 LOW CLARINET Major: c1, g, a, e, b, f, bb, ab, gb Minor: a, e, b, f#, g#, g, c1, f, bb, eb1 Chromatic: c1 Major: d1, eb1, db1 Minor: c#1, d1, eb1 SAXOPHONE Major: c1, d1, e1, b, f1, bb, eb1, db1 Minor: e1, b, c#1, d1, c1, bb, eb1, f1 Chromatic: c1 Major: g1, a1, ab1, gb1 Minor: a1, f#1, g#1, g1 TRUMPET and BARITONE TC Major: c1, g, a, b, bb, ab, gb Minor: a, b, f#, g#, g, c1, bb Chromatic: g Major: d1, e1, f1, eb1, db1 Minor: e1, c#1, d1, f1, eb1 FRENCH HORN Major: c, g, d, a, e, b, f, bb, eb, ab, db, gb Minor: a, e, b, f#, c#, g#, d, g, c, f, bb, eb Chromatic: f
SR SCALES CONTINUED TROMBONE and BARITONE BC Major: G, A, E, F, Bb, Ab, Gb Minor: A, E, F#, G#, G, F, Bb Chromatic: F Major: C, d, B, eb, db Minor: B, c#, d, c, eb BASS TROMBONE Major: C, G, D, A, E, BB, F, BBb, Eb, Ab, Db, Gb Minor: A, E, BB, F#, C#, G#, D, G, C, F, BBb, Eb Chromatic: F TUBA Major: GG, AA, EE, FF, BBb, AAb, GGb Minor: AA, EE, FF#, GG#, GG, FF, BBb Chromatic: FF Major: C, D, BB, Eb, Db Minor: BB, C#, D, C, Eb STRING BASS Major: c, G, d, A, E, B, F, Bb, eb, Ab, db, Gb Minor: A, E, B, F#, c#, G#, d, G, c, F, Bb, eb Chromatic: F Major: Minor: Chromatic: XYLOPHONE c1, g1, d1, a1, e1, b1, f1, bb1, eb1, ab1, db1, gb1 a1, e1, b1, f#1, c#1, g#1, d1, g1, c1, f1, bb1, eb1 g
WHEN AN EXERCISE EXTENDS TO THE SECOND PAGE, BOTH PAGES ARE TO BE USED UNLESS OTHERWISE NOTED. FLUTE SELECTED STUDIES FOR FLUTE by H. Voxman, Rubank (Material Revised 1999) 13 27 70 7 C Major 3rds, both Ex. g minor 3rds, lines 1 & 2 Line 3 42 144 12 I 12 23 2 71 7 (In one) b minor 3rds, lines 7 & Ab Major 3rds, lines & Line 3 4 4 0 1 II 2 3 39 70 7 This page only Bb Major 3rds, last 2 lines f# minor 3rds, lines & c minor, line 7 2 OBOE (REVISED 0) SELECTED STUDIES FOR OBOE by H. Voxman, Rubank (Material Revised 0) * Indicates to use Articulation A * * 7 F Major d minor Bb Major G Major 3rds D Major Arpeggio 7 0+ I 1 19 37 * * 74 g minor D Major f minor D Major 3rds g minor Arpeggio 0+ II 1 34 * * 7 g minor this page only b minor Ab Major this page only g minor 3rds Eb Major Arpeggio 0+ 2 0 0 * Indicates to use Articulation A
BASSOON PRACTICAL METHOD FOR BASSOON by Weissenborn, Carl Fischer 7 70 47 2 3 4 3 Lines 7 Lines 1 + 2 measures 7 4+ 4+ 4+ Dotted half note 9+ I 37 4 71 Lines 7 & Lines 12 Bottom line Line, 3rd ms. To end 0 4+ 7+ 9 2+ 9 II 2 4+ 13 4+ 70 2 4+ 1 2 132 4 4+ 9 Last 3 lines 41 Lines 7 132 CLARINET THIRTY TWO ETUDES FOR CLARINET by C. Rose, Carl Fischer H. KLOSE METHOD FOR CLARINET, Revised Bellison, Carl Fishcer, (Klose Prescott) I II ROSE ETUDES 12 Half note 40 4 1 1 + KLOSE [Klose Prescott page numbers] 127 [43] E Major 0+ 12 [44] Lines, 12, 13 0+ 131 [47] 7 (1st lines) 0+ 134 [0] 1 0+ ROSE ETUDES 70+ 17 17 42 0 KLOSE [Klose Prescott page numbers] 12 [42] d minor 0+ 12 [44] Lines 2, 3, 4 0+ 132 [4] 0+ 133 [49] 13 0+ ROSE ETUDES 24 24 42+ 0+ KLOSE [Klose Prescott page numbers] 12 [42] c minor 0+ 12 [44] Lines, 9, 0+ 130 [4] 1st lines 0+ 133 [49] 14 0+
LOW CLARINET ADVANCED STUDIES (Weissenborn) Rhoads, SMC (Material Revised 1999) 1 4 14 1 1 (1st 4 lines + 2 measures) 1 24 132 9+ 90 0 9 I 1 2 3 1 9 23 42 2 2 1 II 2 3 7 27 Adante Allegro Tranquillo 1 12 9 9 1 132 1 SAXOPHONE SELECTED STUDIES FOR SAXOPHONE by H. Voxman, Rubank * Indicates to use Articulation A 37 * * 70 * 74 0 Bb Major A Major F Major Lines 1 Dotted 0+ 0+ 0+ I 13 19 * * * 74 0 Eb Major D Major Bb Major Lines 7 12 Dotted 0 4 0 0+ 0+ II 9 * * * 7 d minor G Major Eb Major Lines & * Indicates to use Articulation A 0 0 1 1 0+ 0+ 0+
TRUMPET SECOND BOOK OF FOR CORNET/TRUMPET, Getchell Hovey, Belwin STUDIES FOR TRUMPET, Voisin, International Music STUDIES FOR TRUMPET 1 0 1 4 9 4 9 0 4 0 7 0 1 12 0 0 I STUDIES FOR TRUMPET 2 7 93 99 1 7 0 4 0 1 132 4 II STUDIES FOR TRUMPET 79 97 9 4 0 9 0 0 4 9 FRENCH HORN PREPARATORY MELODIES TO SOLO WORK FOR FRENCH HORN, Pottag, Belwin SECOND BOOK OF FOR FRENCH HORN. Getchell, Belwin (Material Revised 1999) PREPARATORY MELODIES 3 14 32 14 27 3 1 2 Half note 9 7 90 70 0 4 2 I PREPARATORY MELODIES 19 2 2 31 47 2 71 4 93 7 4 0 94 4 1 132 0 II PREPARATORY MELODIES 22 34 7 17 30 1 4 79 9 1 Half note 4 9 7 0 7 9 2
TENOR TROMBONE AND BARITONE BC (REVISED 0) MELODIOUS ETUDES Vol. 1, Marco Bordogni, arr. By Mark Tezak, Tezak Edition (Material Revised 0) Musilverlag Georg Bauer Bella Musica Edition. Trombone book (MT 33) 40 PROGRESSIVE STUDIES FOR TROMBONE, H. W. Tyrell, Boosey Hawkes MELODIOUS ETUDES 4 3 PROGRESSIVE STUDIES 1 ( lines plus 1 quarter) 24 I MELODIOUS ETUDES 0 PROGRESSIVE STUDIES 22 2 70 144+ II MELODIOUS ETUDES 3 17 (measures 1 3) PROGRESSIVE STUDIES 144 4 Indicated Trills are for Baritones Only BARITONE TC (REVISED 0) MELODIOUS ETUDES Vol. 1 Marco Bordogni, arr. By Mark Tezak, Tezak Edition (Material Revised 0) Musikverlag Georg Bauer Bella Musica Edition. Trumpet book (MT 31) 40 ADVANCED STUDIES FOR TRUMPET, H. W. Tyrell, Boosey Hawkes MELODIOUS ETUDES 4 3 ADVANCED STUDIES 1 (12 lines stop at count 1 in the last ms.) 22 I MELODIOUS ETUDES 0 ADVANCED STUDIES 1 Quarter Note 70 144+ II MELODIOUS ETUDES 3 17 (measures 1 3) ADVANCED STUDIES 144 4
4 9 13 2 27 BASS TROMBONE (REVISED 0) ETUDES FOR BASS TROMBONE, Gillis, Southern (Material Revised 0) All va markings are va basso 2 17 3 0 I 14 1 17 2 29 9 1 19 9 0 2 II 12 22 23 24 2 7 13 1 0 9 All va markings are va basso TUBA 24 ARTISTIC STUDIES, Woodruff, Southern SECOND BOOK OF FOR TUBA, Getchell Hovey, Belwin (Material Revised 02) WOODRUFF 4 9 IV V VII Half note 0 0 0 GETCHELL 1 90 9 1 1 140 I WOODRUFF 3 23 1 17 II XVIII XIV 1 13 4 9 1 144 GETCHELL 2 0 1 9 1 1 132 II WOODRUFF 27 XIII XXI IX 0 12 4 9 9 1 GETCHELL 7 7 3 9 0
Snare Keyboard Timpani COMPREHENSIVE PERCUSSION Snare Drum PORTRAITS IN RHYTHM Adler/Cirone Adler/Belwin Keyboard MODERN SCHOOL FOR XYLOPHONE Goldenburg Chappell/Presser Timpani MUSICAL STUDIES FOR THE INTERMEDIATE TIMPANIST Whaley JR Publications 12 7 2 XX All Half note 0 90 4 I Snare Keyboard Timpani 2 94 9 23 Beginning to C All 90 0 0 II Snare Keyboard Timpani 42 97 39 Beginning to J All 4 2 9 Snare Rudiments: (all years) All are to be played open closed open/slow fast slow (#PAS number) Roll Rudiments: Single Stroke Roll (#1); Double Stroke Open Roll (#); Five Stroke Roll (#7); Seven Stroke Roll (#9); Nine Stroke Roll (#), Diddle Rudiments: Single Paradiddle (#1); Double Paradiddle (#17), Flam Rudiments: Flam (#), Flam Accent (#); Flamacue (#23); Flam Paradiddle (#24), Drag Rudiments: Drag (#31); Double Drag Tap (#33); Single Ratamacue (#3) Keyboard Scales: (all years) play 2 octaves: Major: C1, G1, D1, A1, E1, B1, F1, Bb1, Eb1, Ab1, Db1, Gb1 Minor: a1, e1, b1, f#1, c#1, g#1, d1, g1, c1, f1, bb1, eb1 Chromatic: G to G Timpani Fundamental (all years) 1 Tune the starting notes for the listed exercise. 2 Then, beginning with the lowest pitch, strike each drum lowest highest consecutively in a half note rhythm quarter note = 0 STRING BASS SIMANDL NEW METHOD FOR DOUBLE BASS, BOOK I, Carl Fischer BELWIN STRING BUILDER, BOOK III, Applebaum, Belwin SIMANDL 31 (Bb) (F) + BELWIN 31 2 9 (C) (G) 4+ 2+ I SIMANDL 7 (Bb) 7 (Ab) 9 BELWIN 30 31 94 (G) 97 (Bb) 9 II SIMANDL 14 (Ab) 4 (C) Half note + 0 BELWIN 27 32 4 (Eb) 9 (D) 1