Conversation analysis

Similar documents
Big stories and small stories: reflections on methodological issues in narrative research

5. Analysing Casual Conversation Contents

Appendix 1: Presentation Evaluation Forms

Conversational Analysis C H A P T E R 5

Critical Discourse Analysis. Dr. Raz COM400 Fall 2015

Um... yes, I know that. (laugh) You don't need to introduce yourself!

STUCK. written by. Steve Meredith

Teaching language for communication: an action- oriented approach

Face-threatening Acts: A Dynamic Perspective

beetle faint furry mind rid severe shiver terrified 1. The word ' ' describes something that has a lot of hair, like a cat or a rabbit.

LearnEnglish Elementary Podcast Series 02 Episode 08

Ed Boudreaux Hi, I'm Ed Boudreaux. I'm a clinical psychologist and behavioral health consultant.

Politeness versus Manipulation

Category Exemplary Habits Proficient Habits Apprentice Habits Beginning Habits

I CAN HELP, TOO CFE 3255V

Interviewee: Emile Lacasse, Sr. Interviewer: Carroll McIntire May 12, 1994

English as a Second Language Podcast ESL Podcast 169 Describing People s Appearance

Chat Contributions from CSL In Session Dewey or Don t We? with Becky Russell, Colorado State Library, January 22, 2014

Aaah just some additional questions that-that we had and we wanted to talk to you in person, okay?

+ b ] and um we kept going like I think I got

BABIES. A short comedy by Don Zolidis

The Dog Story Reel Page 1/49 NO PANEL. Duration 00:23. Panel 1. Scene 2. Duration 01:16. Duration 01:16. Dissolve. Action Notes Start on Black

Conflicts in the Workplace Quiz

FILED: NEW YORK COUNTY CLERK 09/15/ :53 PM INDEX NO /2017 NYSCEF DOC. NO. 71 RECEIVED NYSCEF: 09/15/2017 EXHIBIT I

Answer the questions based on the conversation between co-workers Rhonda and Mac:

Before reading. King of the pumpkins. Preparation task. Stories King of the pumpkins

Description: PUP Math Brandon interview Location: Conover Road School Colts Neck, NJ Researcher: Professor Carolyn Maher

Testimony of Kay Norris

MITOCW big_picture_integrals_512kb-mp4

2003 ENG Edited by

FRENCH IMMERSION LANGUAGE ARTS (FILA) French-Language Film and Literary Studies 11 (4 credits)

Big Hamburger / Little Hamburger Grover the waiter - Sesame Street

Backstage at the theatre: what it takes to power a show

SIMPLE FUTURE. Basic form Subject + WILL + Verb (present form)

Interview with W. Edwards Deming

Beyond basic grammar: Connections with the real world

WEB FORM F USING THE HELPING SKILLS SYSTEM FOR RESEARCH

Effective Practice Briefings: Robert Sylwester 02 Page 1 of 10

Feminist self-empowerment through music

SOAK. EVE pours whiskey on her crotch. DAVID

Types of Poems: Ekphrastic poetry - describe specific works of art

MR. MCGUIRE: There's a great future in plastics. Think about it. Will you think about it?

Beginner-Elementary. Ask two classmates the questions below. Write their answers in the spaces.

I Tom. L the film starts does the film start? In past simple questions, we use did: L you. I you live do you Live?

Part A Instructions and examples

Visual Arts and Language Arts. Complementary Learning

INTRODUCTION TO THE NICOLA METHOD

Questions Choose the best answer for the blank.

C. Multiple Intelligences: Select one primary (p) and one secondary (s)

Dispatcher: Emergency. Caller: [unintelligible] we re right here at Macys um at Mall of America somebody got stabbed.

Thinking Involving Very Large and Very Small Quantities

Look Mom, I Got a Job!

Architecture as the Psyche of a Culture

PROJECT FUNDED BY A GRANT FROM STAFFORD COUNTY BOARD OF SUPERVISORS TO THE CENTRAL RAPPAHANNOCK REGIONAL LIBRARY

Transcript: Reasoning about Exponent Patterns: Growing, Growing, Growing

Cambridge International Examinations Cambridge International Advanced Subsidiary and Advanced Level

A Comparative study of vocal music education between China and the United States

Student name: Teacher:

WAITING. a short one act comedy for two actors. by claire demmer.

THE BENCH PRODUCTION HISTORY

It is a rough transcript, capturing as much of the audible conversation as possible.

English 793 Metonymy Monday, 9:00-11:50, HH 227

Between Concept and Form: Learning from Case Studies

Communicating Inclusion: An Analysis of Family Conversation

Transcriber(s): Yankelewitz, Dina Verifier(s): Reid, Adrienne, Farhat, Marcelle Date Transcribed: Spring 2009 Page: 1 of 6

I'm kind of like... not busy, so whatever she wants to have for dinner, I have to cook. Todd: Really, you cook for her?

Do supplements work? part 2

Discourse analysis is an umbrella term for a range of methodological approaches that

And all that glitters is gold Only shooting stars break the mold. Gonna Be

Ted's Use of Diplomacy Saved the Day

Lesson 1 Thinking about subtexts, tone and ambiguity in literary texts

Transfer your answers to the answer sheet

CASE STUDY 4 RECONCILIATION

Jacob and Noah. his first stop: Main Street. As he carries his ladder he hums the tune to a song. At

Architectural heritage workshops at Shutb, Asyut

Chapter 2: Reading for the Main Idea and Author s Purpose

DOCUMENT NAME/INFORMANT: PETER CHAMBERLAIN #2 INFORMANT'S ADDRESS: INTERVIEW LOCATION: TRIBE/NATION: OOWEKEENO HISTORY PROJECT

A ten-minute comedy inspired by Aesop's Fable The Ant and the Chrysalis by Nicole B. Adkins SkyPilot Theatre Company Playwright-in-Residence

Lexie World (The Three Lost Kids, #1) Chapter 1- Where My Socks Disappear

Note: Please use the actual date you accessed this material in your citation.

Chapter 1 Introduction. The theater of the absurd, rising during the 1940 s and the early 50 s, is one of the

ANTHRO Research Design and Ethnographic Methods

Palliative Care Chat - Episode 18 Conversation with Barbara Karnes Page 1 of 8

High School Photography 1 Curriculum Essentials Document

BBC LEARNING ENGLISH 6 Minute Grammar Talking about the future

Life without Library Systems?

PSYC 562 Measurement of Psychological Processes Assignment #1: Multi-dimensional scaling a children s story Song Hui Chon

Our Story Of How It All Began

Our Story Of How It All Began

9 Guests are allowed to wear casual dress. 11 There's a possibility that the show will be cancelled think that Andrew will collect the money.

SPIKE LYNDA SPIKE I thought by now he'd be leaning in.

TRAPPED INSIDE THE STOKER 1998 Dallas Mayr

ELA.Literature Analyze the impact of the author s choices regarding how to develop and relate elements of a story or drama.

JULIA DAULT'S MARK BY SAVANNAH O'LEARY PHOTOGRAPHY CHRISTOPHER GABELLO

Hamletmachine: The Objective Real and the Subjective Fantasy. Heiner Mueller s play Hamletmachine focuses on Shakespeare s Hamlet,

BRIDGET She can't. They'll look fantastic. "The timber shelves in clear lacquered beech veneer with six castors and a TV bench."

A short dramedy by Jeri Weiss

The Different Functions of the Discourse Marker well. Hanne Hakonsen. AL 6806 Using Corpora in the Language Classroom. Dr.

BBC LEARNING ENGLISH 6 Minute Vocabulary Acronyms

PUBLIKASI JURNAL INTERNASIONAL

Transcription:

Conversation analysis

Conversation analysts attempt to describe and explain the ways in which conversations work Their central question is; 'How is it that conversational participants are able to produce intelligible utterances, and how are they able to interpret the utterances of others?

Studying What s Being Ordinary Ethnomethodology conversation is probably the basic form of communication. conversation is clearly the prototypical kind of language use, the form in which we are all first exposed to language - the matrix for language acquisition.' (Levinson 1983: 282)

Studying What s Being Ordinary Ethnomethodologists insist that data should be derived from naturally occurring instances of everyday interaction. Ethnomethodologists reject the use of data obtained through formal experiments, interviews and other forms of elicitation. o How do people make interaction orderly? o How do people make sense of interaction? o Studying people s actions on their own terms rather than with reference to a theory

Studying What s Being Ordinary Ethnomethodologists reject the use of invented speech samples, a practice favoured by certain schools of linguistics and applied linguistics. (They would therefore not admit as evidence texts such as those by Widdowson involving teapots, postmen and statistical probability.)

Studying What s Being Ordinary Atkinson and Heritage (1984) point out that virtually none of the data in their book: could conceivably be the product of recollection or intuition... By comparison with the richness and diversity of empirically occurring interaction... nor would such invented "data" prove persuasive as evidence relevant to the analysis of interaction. Data of this sort can always be viewed as the implausible products of selective processes involving recollection, attention or imagination... (p. 2)

What Is Conversation? Conversation as a discourse type has been defined by Cook (1989) in the following way: It is not primarily necessitated by a practical task. The number of participants is small. Turns are quite short. Talk is primarily for the participants and not for an outside audience.

Conversation Analysis (CA) CA - the study of recorded, naturally occurring talk-ininteraction. CA - marginally interested in language as such, but first and foremost in language as a practical social accomplishment. Its object of study is the interactional organization of social activities. CA aims at discovering how participants understand and respond to one another in their turns at talk, with a central focus on how sequences of actions are generated.

Context of CA Only valid context is the immediate context of the conversation Context is dynamic We create context by what we say and respond to the context other people create by what they say Factors external to the talk is only relevant if participants make it relevant Pure conversational data Based only on what participants actually say/do

Example of a Conversation 3x A: I was gonna say if you wanted to you could meet me at UBC and I could show you some of the other things on the computer, maybe even show you how to program Basic or something. B: Well, I don't know if I'd want to get all that involved. A: It's really interesting. (Adapted from Davidson 1984: 108) Observation: Following a rejection, speakers typically reformulate their offer, and that the subsequent version provides the interlocutor with an alternative which provides a face-saving way for the interlocutor to reject the offer.

Example of a Conversation Questions that conversation analysts have investigated include the following: How do topics get nominated, accepted, maintained and changed? How is speaker selection and change organized? How are conversational ambiguities resolved? How are non-verbal and verbal aspects of conversation organized and integrated? What role does intonation play in conversation management? What recurring functional patterns are there in conversation, and how are these organized? How is socially sanctioned behaviour (for example, politeness versus rudeness, directness versus indirectness) mediated through language?

ACTIVITY ACTIVITY Study the following conversations (3y and 3z). In what ways are the patterns of interaction different? Can you suggest how these differences might be accounted for?

ACTIVITY 3y a discussion between a teacher and pupil about a piece of writing produced by the pupil. it is the teacher who controls the conversation in terms of the topic. She also decides who will speak.

ACTIVITY 3z a casual conversation between friends, the management of the conversation depends on the general theme, that of childbirth, evolves - almost as a stream of consciousness through a number of different topics. The conversation is dominated by A and B who hold the floor most of the time. C makes one or two bids to contribute, but does not get very far. (a passive personality, or does not have children herself)

Negotiating meaning

interactions are the result of the joint efforts of the participants to make sense to each other. This effort is reflected through negotiation Negotiation is required for: _ speakers: to ensure that their messages are being received in the way they intended, _ listeners: to ensure that they are interpreting what they hear correctly.

ACTIVITY Study the following pieces of interaction and identify the points at which the participants take steps to ensure that they are still discussing the same things. How do they achieve this?

3aa A: How do I get to Kensington Road? B: Well you go down Fullarton Road... A:... what, down Old Belair, and around...? B: Yeah. And then you go straight... A:... past the hospital? B: Yeah, keep going straight, past the racecourse to the roundabout. You know the big roundabout? A: Yeah. B: And Kensington Road's off to the right. A: What, off the roundabout? B: Yeah. A: Right! (Author's data)

3aa A: How do I get to Kensington Road? B: Well you go down Fullarton Road... A:... what, down Old Belair, and around...? B: Yeah. And then you go straight... A:... past the hospital? B: Yeah, keep going straight, past the racecourse to the roundabout. You know the big roundabout? A: Yeah. B: And Kensington Road's off to the right. A: What, off the roundabout? B: Yeah. A: Right! (Author's data)

3aa A: How do I get to Kensington Road? B: Well you go down Fullarton Road... A:... what, down Old Belair, and around...? B: Yeah. And then you go straight... A:... past the hospital? B: Yeah, keep going straight, past the racecourse to the roundabout. You know the big roundabout? A: Yeah. B: And Kensington Road's off to the right. A: What, off the roundabout? B: Yeah. A: Right! (Author's data)

3ab A:... the architectural drawings will show us the elevations on the building. Do you know what I mean by elevations? B: elevations, levels?, no (Willing 1992)

3ab A:... the architectural drawings will show us the elevations on the building. Do you know what I mean by elevations? B: elevations, levels?, no (Willing 1992)

3ac A: it would be an elevation B: Oh yeah front A: from that elevation B: Yeah, yeah, I understand A: side elevation B: Yeah (Willing 1992)

3ac A: it would be an elevation B: Oh yeah front A: from that elevation B: Yeah, yeah, I understand A: side elevation B: Yeah (Willing 1992)

3ad M: Yes, but I mean, er, I agree, they all, erm, foremen. Supervisor, by the way, is the same to me. Isn't it to you? G: Um, no, it's not quite the same thing to me. A foreman is, uh, somewhat lower on the, er, range, right? M: All right, so he himself is not a supervisor and he is in the same rank as Geoffrey, yeah? G: Yeah. M: But they, they all three have some kind of leading operator or a foreman job right? We can't have a foreman doing a union job. G: Well, actually, I must say on this issue that foreman are, in fact, um, key figures - usually in the union... the trade union setup. (Nunan 1991; 12)

3ad M: Yes, but I mean, er, I agree, they all, erm, foremen. Supervisor, by the way, is the same to me. Isn't it to you? G: Um, no, it's not quite the same thing to me. A foreman is, uh, somewhat lower on the, er, range, right? M: All right, so he himself is not a supervisor and he is in the same rank as Geoffrey, yeah? G: Yeah. M: But they, they all three have some kind of leading operator or a foreman job right? We can't have a foreman doing a union job. G: Well, actually, I must say on this issue that foreman are, in fact, um, key figures - usually in the union... the trade union setup. (Nunan 1991; 12)

3ad M: Yes, but I mean, er, I agree, they all, erm, foremen. Supervisor, by the way, is the same to me. Isn't it to you? G: Um, no, it's not quite the same thing to me. A foreman is, uh, somewhat lower on the, er, range, right? M: All right, so he himself is not a supervisor and he is in the same rank as Geoffrey, yeah? G: Yeah. M: But they, they all three have some kind of leading operator or a foreman job right? We can't have a foreman doing a union job. G: Well, actually, I must say on this issue that foreman are, in fact, um, key figures - usually in the union... the trade union setup. (Nunan 1991; 12)

the second language acquisition process is enhanced by classroom tasks in which the learners are required to negotiate meaning when learners are put into a position where they have to negotiate meaning in order to make themselves comprehensible to their interlocutors, learners will be pushed to the limits of their competence, and that this will 'fuel' the acquisition process.

problem-solving and information gap tasks, in which learners are required to exchange and share information in order to complete the task, seem to stimulate the maximum amount of negotiation.

ACTIVITY Identify the points of negotiation in the following exchanges involving native speakers (NS) and Nonnative speakers (NNS).

3ae NS: And right on the roof of the truck, place the duck. The duck NNS: I to take it? Dog? NS: Duck. NNS: Duck. NS: It's yellow and it's a small animal. It has two feet. NNS: I put where it? NS: You take the duck and put it on top of the truck. (Pica, Young and Doughty 1987: 740)

3ae NS: And right on the roof of the truck, place the duck. The duck NNS: I to take it? Dog? NS: Duck. NNS: Duck. NS: It's yellow and it's a small animal. It has two feet. NNS: I put where it? NS: You take the duck and put it on top of the truck. (Pica, Young and Doughty 1987: 740)

3af NS: So he wrote her a letter and explained that he was going to take a trip with Carol. NNS: Eh? NS: He wrote a letter to Diane, who was in Europe, and told her that he was planning to take a trip, with Carol, the woman he had just met. NNS: I don't understand. NS: Carol, you remember Carol? NSS: One more time please. (Rost and Ross 1991: 241)

3af NS: So he wrote her a letter and explained that he was going to take a trip with Carol. NNS: Eh? NS: He wrote a letter to Diane, who was in Europe, and told her that he was planning to take a trip, with Carol, the woman he had just met. NNS: I don't understand. NS: Carol, you remember Carol? NSS: One more time please. (Rost and Ross 1991: 241)

3ag NNS: There has been a lot of talk lately about additives and preservatives in food. In what ways has this changed your eating habits? NS: Uh... well I guess it hasn't changed too much, uh, my eating habits. I try and avoid a lot of, uh, if it had preservatives or additives in it. NNS: Pardon me? NS: Pardon? NNS: Pardon me, uh, what did you say? NS: Oh, I said I, don't care too much whether it has additives or preservatives in, in the food itself uh, as long as I'm eating somewhat, uh, balanced diet... (Gass and Varonis 1985: 47-8)

3ag NNS: There has been a lot of talk lately about additives and preservatives in food. In what ways has this changed your eating habits? NS: Uh... well I guess it hasn't changed too much, uh, my eating habits. I try and avoid a lot of, uh, if it had preservatives or additives in it. NNS: Pardon me? NS: Pardon? NNS: Pardon me, uh, what did you say? NS: Oh, I said I, don't care too much whether it has additives or preservatives in, in the food itself uh, as long as I'm eating somewhat, uh, balanced diet... (Gass and Varonis 1985: 47-8)